Songs like Bad Scotch For A Good Man by Terry Mutter
Based on a tempo of (+/- 10%) and a similar genre
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Terry Mutter
Bad Scotch For A Good Man
98 bpm • C# Maj • 03:31 • -15.39db
4% Popularity • 67% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
4% Popularity • 67% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Gunning & Cormier
Leather and Dust
98 bpm • A# Maj • 03:47 • -10.97db
16% Popularity • 62% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 62% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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J Shogren Shanghai'd
Come all this Way
98 bpm • G Maj • 02:41 • -12.2db
23% Popularity • 56% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 56% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Zachary Lucky
I Wish I Was a Mole in The Ground
98 bpm • G# Maj • 03:02 • -11.58db
16% Popularity • 62% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 62% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Andy Browning
My Mind Is Old
98 bpm • C Maj • 03:51 • -10.39db
13% Popularity • 77% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 77% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Richard Inman
Casserole Dish
98 bpm • D Maj • 03:22 • -12.56db
13% Popularity • 55% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 55% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Anders Jörnesten
A Heart Split in Two
99 bpm • F# Maj • 03:44 • -14.16db
9% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ray Bonneville
On The Blind Side
98 bpm • F Maj • 04:01 • -7.82db
18% Popularity • 64% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 64% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Ajay Mathur
WALKING ON THE WATER
99 bpm • D Maj • 03:32 • -7.23db
11% Popularity • 67% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 67% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Elliot C Way
Old Soul Young at Heart
97 bpm • E Maj • 03:41 • -8.66db
16% Popularity • 67% Danceability • 39% Energy • 10% Liveness
2% Instrumentalness • 45% Positiveness
16% Popularity • 67% Danceability • 39% Energy • 10% Liveness
2% Instrumentalness • 45% Positiveness
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Dennie Hansson
Sixty Years
97 bpm • A Maj • 02:56 • -13.22db
22% Popularity • 66% Danceability • 40% Energy • 18% Liveness
6% Instrumentalness • 67% Positiveness
22% Popularity • 66% Danceability • 40% Energy • 18% Liveness
6% Instrumentalness • 67% Positiveness
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David Knopfler
On the Outside
99 bpm • D# Maj • 03:08 • -15.93db
22% Popularity • 38% Danceability • 22% Energy • 11% Liveness
18% Instrumentalness • 38% Positiveness
22% Popularity • 38% Danceability • 22% Energy • 11% Liveness
18% Instrumentalness • 38% Positiveness
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Peter Mulvey
Song for Michael Brown
99 bpm • B Maj • 03:02 • -14.34db
17% Popularity • 58% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 58% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Mikael Rickfors
Away Again
97 bpm • C Maj • 04:00 • -18.84db
13% Popularity • 56% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 56% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Finn Eces
Happy Never After
100 bpm • C Maj • 04:35 • -9.84db
10% Popularity • 63% Danceability • 49% Energy • 39% Liveness
5% Instrumentalness • 9% Positiveness
10% Popularity • 63% Danceability • 49% Energy • 39% Liveness
5% Instrumentalness • 9% Positiveness
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Bud Rokesky
Million Hearts
96 bpm • A Maj • 01:56 • -9.5db
18% Popularity • 51% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 46% Positiveness
18% Popularity • 51% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 46% Positiveness
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Regan Glover
The Heart Is a Compass
100 bpm • A Maj • 02:24 • -12.11db
23% Popularity • 72% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 72% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Jerseydudek
Another Time
100 bpm • G Maj • 03:13 • -8.68db
13% Popularity • 75% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 75% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Terry Mutter
Mr Warthog
100 bpm • A Maj • 04:48 • -13.67db
2% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
2% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Hawken Horse
Home
100 bpm • F Maj • 03:20 • -14.47db
11% Popularity • 61% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 61% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Remy Sher
Easier to Regret
96 bpm • A Maj • 04:10 • -12.47db
17% Popularity • 59% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 59% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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Hughes Pope
Misery
100 bpm • A# Maj • 04:18 • -10.53db
13% Popularity • 57% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 57% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Edouard Lamour
For a Long Time
100 bpm • G Maj • 02:14 • -12.55db
21% Popularity • 59% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 59% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Jerseydudek
The Madoc Street Tattoo Man
96 bpm • D# Maj • 03:22 • -9.95db
15% Popularity • 85% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 85% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Terry Mutter
She Sees the World
100 bpm • F Maj • 03:13 • -11.93db
1% Popularity • 51% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
1% Popularity • 51% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Steve Goodman
California Promises
95 bpm • A Maj • 02:45 • -19.58db
18% Popularity • 56% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
18% Popularity • 56% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Ralph McTell
Here We Stand
95 bpm • A Maj • 03:34 • -8.15db
8% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Lennard Aguilar
She Seems Fine to Me
95 bpm • E Maj • 02:32 • -13.19db
20% Popularity • 76% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 76% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Sean Forrest
He Made A Promise
95 bpm • A Maj • 04:32 • -15.06db
35% Popularity • 66% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 66% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Trailplayer Stew
I Must Go
95 bpm • E Maj • 02:45 • -15.03db
25% Popularity • 47% Danceability • 26% Energy • 11% Liveness
9% Instrumentalness • 29% Positiveness
25% Popularity • 47% Danceability • 26% Energy • 11% Liveness
9% Instrumentalness • 29% Positiveness
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Terry Mutter
Walking in the Rain
95 bpm • A Maj • 03:25 • -14.18db
2% Popularity • 54% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 78% Positiveness
2% Popularity • 54% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 78% Positiveness
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Servaas Thelen
Who I Could Be
95 bpm • D Maj • 02:28 • -17.64db
20% Popularity • 61% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 61% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Jay Howie
Don't Think Twice, It's Alright
101 bpm • D# Maj • 03:34 • -16.18db
12% Popularity • 54% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
12% Popularity • 54% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Deborah Jeanne Weitzman
Quiet Remembering
102 bpm • C Maj • 05:00 • -6db
16% Popularity • 55% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 55% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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The Combo
Promise of Gold
94 bpm • C# min • 04:28 • -16.53db
9% Popularity • 63% Danceability • 34% Energy • 11% Liveness
25% Instrumentalness • 55% Positiveness
9% Popularity • 63% Danceability • 34% Energy • 11% Liveness
25% Instrumentalness • 55% Positiveness
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Ray Bonneville
Oh The Night Is Long
94 bpm • A# Maj • 02:33 • -10.98db
29% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Terry Mutter
Sentinels
96 bpm • C Maj • 03:59 • -12.96db
0% Popularity • 70% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 70% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Olé Ask
Salty Tears
102 bpm • B min • 03:56 • -9.61db
22% Popularity • 62% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 62% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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ScholleAndFriends
You Can Be Love
102 bpm • G Maj • 03:05 • -6.71db
14% Popularity • 78% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 78% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Sea Swallow
Down To The Wild Stuff Now
94 bpm • C Maj • 03:19 • -9.36db
10% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Maarten Jansen
Your Heart Belongs To Me
103 bpm • A# Maj • 03:23 • -8.99db
11% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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David Mallett
The Haying Song
93 bpm • B Maj • 03:22 • -10.88db
13% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Terry Mutter
Marine and the Queen
101 bpm • D Maj • 03:23 • -14.04db
0% Popularity • 74% Danceability • 46% Energy • 32% Liveness
64% Instrumentalness • 76% Positiveness
0% Popularity • 74% Danceability • 46% Energy • 32% Liveness
64% Instrumentalness • 76% Positiveness
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Blithe Bauer
The Compass Rose
93 bpm • A Maj • 04:20 • -11.99db
14% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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IV and The Strange Band
I.O.U.
103 bpm • G Maj • 03:47 • -5.6db
18% Popularity • 62% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 62% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Elliot C Way
I Could Be Anything
103 bpm • F# Maj • 02:33 • -9.88db
14% Popularity • 67% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 67% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Black Moss Meredith
The Chosen Few
103 bpm • A Maj • 02:50 • -13db
25% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Equinox, the Peacekeeper
Northern Sky
93 bpm • D Maj • 03:31 • -11.86db
32% Popularity • 53% Danceability • 31% Energy • 15% Liveness
27% Instrumentalness • 35% Positiveness
32% Popularity • 53% Danceability • 31% Energy • 15% Liveness
27% Instrumentalness • 35% Positiveness
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Terry Mutter
Muffins Fruit Salad & Eggs
95 bpm • C Maj • 03:15 • -13.73db
1% Popularity • 69% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 69% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Gaspar Lampron
It's Always Been the Same
92 bpm • C Maj • 02:15 • -15.76db
20% Popularity • 47% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 47% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Last Birds
Sounds Like Heaven
104 bpm • F# Maj • 03:59 • -11.91db
16% Popularity • 53% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 53% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Lone
Isolated Hero
104 bpm • G Maj • 03:04 • -11.86db
8% Popularity • 64% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 23% Positiveness
8% Popularity • 64% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 23% Positiveness
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Painted Sky
Eastern Standard Girl
92 bpm • D# Maj • 02:50 • -11db
13% Popularity • 48% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 48% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Dallas Burrow
Devil's Tongue
92 bpm • B Maj • 02:26 • -14.42db
14% Popularity • 50% Danceability • 33% Energy • 24% Liveness
2% Instrumentalness • 40% Positiveness
14% Popularity • 50% Danceability • 33% Energy • 24% Liveness
2% Instrumentalness • 40% Positiveness
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Terry Mutter
Two Feet
95 bpm • C# Maj • 04:22 • -11.21db
2% Popularity • 62% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 62% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Robert Hugh Brown
New Light of Day
92 bpm • C Maj • 03:39 • -13.76db
10% Popularity • 63% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
10% Popularity • 63% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Jake Clayton
Forever
92 bpm • E min • 04:40 • -12.12db
14% Popularity • 47% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 47% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Last Birds
Back of My Mind
105 bpm • G# Maj • 03:56 • -12.93db
14% Popularity • 66% Danceability • 20% Energy • 12% Liveness
13% Instrumentalness • 12% Positiveness
14% Popularity • 66% Danceability • 20% Energy • 12% Liveness
13% Instrumentalness • 12% Positiveness
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Rieuwert Lageweg
Love Is So Bright
92 bpm • G min • 01:49 • -18.59db
20% Popularity • 51% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 51% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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HUBRISmusic
Time
92 bpm • D# Maj • 04:06 • -10.04db
11% Popularity • 48% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 48% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Terry Mutter
First to Go
92 bpm • D Maj • 03:57 • -15.78db
2% Popularity • 60% Danceability • 37% Energy • 10% Liveness
22% Instrumentalness • 61% Positiveness
2% Popularity • 60% Danceability • 37% Energy • 10% Liveness
22% Instrumentalness • 61% Positiveness
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Robert Hugh Brown
The Simple Things
92 bpm • G Maj • 02:47 • -10.81db
23% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Finbar Furey
Moments in Time
105 bpm • D Maj • 03:55 • -11.99db
23% Popularity • 69% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 69% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Anders Asker
When feathers fall
105 bpm • G Maj • 03:19 • -13.65db
13% Popularity • 71% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 71% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Antje Duvekot
New Wild West
105 bpm • G Maj • 03:42 • -10.2db
14% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Dearest Henry
This Life
105 bpm • D Maj • 03:03 • -11.4db
21% Popularity • 56% Danceability • 49% Energy • 14% Liveness
47% Instrumentalness • 40% Positiveness
21% Popularity • 56% Danceability • 49% Energy • 14% Liveness
47% Instrumentalness • 40% Positiveness
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Michael Waite
Pretty Little River
91 bpm • D# Maj • 02:25 • -15.67db
31% Popularity • 56% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 56% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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West Side Wayne
Why
105 bpm • E Maj • 02:56 • -9.54db
13% Popularity • 76% Danceability • 18% Energy • 20% Liveness
7% Instrumentalness • 33% Positiveness
13% Popularity • 76% Danceability • 18% Energy • 20% Liveness
7% Instrumentalness • 33% Positiveness
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Zachary Lucky
Wild Mountain Thyme
91 bpm • B Maj • 02:27 • -16.79db
22% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Aaron Boyd
All The Good Times
91 bpm • G Maj • 03:59 • -13.71db
10% Popularity • 35% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 19% Positiveness
10% Popularity • 35% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 19% Positiveness
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Clyde Lemstra
Sweet Life
105 bpm • F Maj • 03:47 • -18.84db
19% Popularity • 40% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 40% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Ed Snodderly
Better Just Ride The Mule (2.0 Version )
91 bpm • G Maj • 03:12 • -8.23db
19% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Mono Meadow
Disarmed
106 bpm • F Maj • 02:08 • -14.21db
28% Popularity • 44% Danceability • 19% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
28% Popularity • 44% Danceability • 19% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Mårten Ohlsson
Wednesdays maid
106 bpm • C Maj • 02:35 • -10.69db
21% Popularity • 59% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 59% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Hanson Music
Every Night
106 bpm • B Maj • 02:49 • -13.55db
20% Popularity • 46% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
20% Popularity • 46% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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James Keelaghan
Safe Home
106 bpm • C Maj • 02:58 • -10.93db
15% Popularity • 62% Danceability • 41% Energy • 11% Liveness
40% Instrumentalness • 61% Positiveness
15% Popularity • 62% Danceability • 41% Energy • 11% Liveness
40% Instrumentalness • 61% Positiveness
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fábjáni
the sixth
106 bpm • C min • 01:00 • -10.18db
35% Popularity • 64% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 64% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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The Wilder Blue
Sometimes Forever
90 bpm • D Maj • 04:45 • -20.31db
28% Popularity • 53% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
28% Popularity • 53% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Last Birds
Lucky Star
106 bpm • G# Maj • 02:27 • -12.77db
18% Popularity • 68% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
18% Popularity • 68% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Licking the moose
Last waltz
106 bpm • A Maj • 03:38 • -14.54db
12% Popularity • 51% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 51% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Luka Bloom
Love to Mali
90 bpm • E Maj • 03:29 • -14.68db
10% Popularity • 68% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 50% Positiveness
10% Popularity • 68% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 50% Positiveness
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David Efaw
Spark
90 bpm • F Maj • 03:18 • -9.75db
12% Popularity • 50% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 50% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Lazy Afternoon
The Blind One
90 bpm • G Maj • 05:06 • -9.86db
22% Popularity • 59% Danceability • 72% Energy • 23% Liveness
3% Instrumentalness • 63% Positiveness
22% Popularity • 59% Danceability • 72% Energy • 23% Liveness
3% Instrumentalness • 63% Positiveness
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Disparate Souls
House of Mirrors
90 bpm • A min • 03:41 • -8.92db
11% Popularity • 50% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
11% Popularity • 50% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
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Victor Hafichuk
I Heard The Voice
90 bpm • F# Maj • 05:06 • -12.25db
18% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Maten
Tshitininniunu
90 bpm • D Maj • 04:01 • -8.95db
12% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Constant Hoeijmakers
Drunk Nights
90 bpm • D Maj • 02:52 • -16.38db
20% Popularity • 52% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 52% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Richard Inman
Cottonwood Blues
90 bpm • D Maj • 03:01 • -9.09db
18% Popularity • 56% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 56% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Steinar Albrigtsen
Nashville, Tennesee
90 bpm • C Maj • 03:30 • -13.14db
10% Popularity • 63% Danceability • 29% Energy • 11% Liveness
26% Instrumentalness • 29% Positiveness
10% Popularity • 63% Danceability • 29% Energy • 11% Liveness
26% Instrumentalness • 29% Positiveness
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The Godzilla Attacks Tokyo Kamikaze Blues Band
Frankie and Albert
90 bpm • G Maj • 03:44 • -10.29db
13% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Finbar Furey
Sarah Waits
90 bpm • G Maj • 04:24 • -9.81db
20% Popularity • 68% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 68% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Joe Nolan
The Losing Game
90 bpm • A# Maj • 04:00 • -13.28db
11% Popularity • 64% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 64% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Danny Michel
Mermaids
90 bpm • A min • 03:52 • -12.66db
12% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Graham Nash
It Feels Like Home
107 bpm • D Maj • 03:45 • -6.38db
15% Popularity • 72% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 72% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Rebecca Larsh
Sacred Dream
90 bpm • D# Maj • 01:59 • -8.44db
21% Popularity • 45% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 45% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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MountainHouse
I Am Persuaded
90 bpm • E Maj • 02:36 • -14.79db
18% Popularity • 63% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 63% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Charlie White
Went the Day Well?
107 bpm • G Maj • 03:26 • -12.79db
12% Popularity • 63% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 63% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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The Band Willa
Nothing I Can Do
89 bpm • D Maj • 01:50 • -9.95db
39% Popularity • 37% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 37% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
