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Bail Me Out
Songs like
Bail Me Out
by
Pete Murray
Based on a tempo of (+/- 10%) and a similar genre
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Taxiride
Ice Cream
100 bpm • G Maj • 03:29 • -4.54db
10% Popularity • 66% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
47% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Pete Murray
Bail Me Out
100 bpm • A Maj • 04:03 • -10db
37% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Matt Corby
Brother
100 bpm • A Maj • 04:14 • -4.93db
57% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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The Finn Brothers
Won't Give In
100 bpm • G Maj • 04:17 • -6.74db
33% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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The Black Sorrows
Harley & Rose - Acoustic
100 bpm • G Maj • 03:46 • -6.55db
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Jonathan Routh
Camden Town Return
100 bpm • G# Maj • 02:32 • -11db
1% Popularity • 68% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Taxiride
Nothing in This World
99 bpm • G Maj • 03:27 • -5.53db
12% Popularity • 53% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Pete Murray
Ten Ft Tall
100 bpm • C Maj • 04:28 • -12db
29% Popularity • 55% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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Killing Heidi
Astral Boy
101 bpm • G Maj • 03:08 • -16db
17% Popularity • 39% Danceability • 15% Energy • 20% Liveness
3% Instrumentalness • 16% Positiveness
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The Screaming Jets
Better
101 bpm • D Maj • 04:37 • -10.16db
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Noiseworks
No Lies
102 bpm • A Maj • 03:54 • -11db
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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Ben Lee
We're All In This Together
102 bpm • C# min • 04:39 • -8.94db
34% Popularity • 78% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
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Pete Murray
Fall Your Way - Eric Sarafin Mix
102 bpm • F min • 03:44 • -8.23db
21% Popularity • 51% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Hunters & Collectors
Hear No Evil
98 bpm • F# min • 04:20 • -4db
24% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Evermore
This Unavoidable Thing Between Us
102 bpm • B Maj • 05:02 • -6.86db
13% Popularity • 50% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jebediah
Harpoon
98 bpm • B Maj • 04:26 • -4.41db
39% Popularity • 54% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
54% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Hilltop Hoods
Chase That Feeling
98 bpm • A min • 03:29 • -5db
54% Popularity • 61% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Pete Murray
Feeler - Michael Brauer Mix
98 bpm • G Maj • 04:21 • -6.51db
40% Popularity • 43% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
46% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Australian Crawl
The Boys Light Up - Remastered 2013
98 bpm • G Maj • 04:41 • -7db
60% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Split Enz
One Step Ahead
102 bpm • A min • 02:51 • -7.85db
37% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Georgia Fair
Picture Frames
102 bpm • F# Maj • 02:58 • -5.46db
26% Popularity • 61% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Taxiride
How I Got This Way
98 bpm • C# Maj • 03:30 • -5.96db
22% Popularity • 44% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Pete Murray
Please - Single Version
98 bpm • C Maj • 03:25 • -8db
28% Popularity • 27% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Cold Chisel
Choirgirl - 2011 Remastered
97 bpm • C Maj • 03:13 • -2.78db
49% Popularity • 66% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Birds Of Tokyo
Plans
103 bpm • A# Maj • 03:38 • -9.39db
55% Popularity • 61% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Kim Churchill
Second Hand Car
103 bpm • E min • 03:41 • -5.57db
39% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Bob Evans
Me & My Friend
97 bpm • F# Maj • 02:42 • -9.83db
16% Popularity • 62% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
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Goldenhorse
Maybe Tomorrow
96 bpm • E Maj • 02:56 • -5.6db
40% Popularity • 56% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Pete Murray
Summer At Eureka
97 bpm • E Maj • 03:09 • -10.72db
23% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Ball Park Music
Coming Down
104 bpm • A# Maj • 03:34 • -10.43db
35% Popularity • 46% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Dempsey
Out The Airlock
96 bpm • C# Maj • 03:35 • -10.82db
30% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Bob Evans
Don't You Think It's Time
96 bpm • G Maj • 03:18 • -11db
36% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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Grinspoon
No Reason
96 bpm • E Maj • 03:49 • -6.43db
36% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Goodshirt
Fiji Baby
96 bpm • C# Maj • 03:13 • -11.22db
32% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Xavier Rudd
Green Spandex
96 bpm • G Maj • 03:56 • -11.19db
27% Popularity • 45% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Little Birdy
Brother
96 bpm • C min • 03:37 • -9db
33% Popularity • 67% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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The Mutton Birds
Anchor Me
105 bpm • A Maj • 04:30 • -10.89db
41% Popularity • 78% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Pete Murray
Heartbeats
105 bpm • F# Maj • 04:01 • -8.98db
25% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Greg Johnson
Looking Out On Monday
95 bpm • G Maj • 03:32 • -6db
11% Popularity • 56% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Roachford
Lay Your Love on Me
105 bpm • A# Maj • 04:06 • -12.25db
42% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Forrest Johnson
Man in the Know
105 bpm • E min • 04:11 • -9.17db
0% Popularity • 43% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Ball Park Music
It's Nice to Be Alive
94 bpm • G# Maj • 03:28 • -7db
50% Popularity • 45% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Cruel Sea
The Honeymoon Is Over
94 bpm • C# Maj • 03:06 • -7.29db
51% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Herd
I Was Only 19 - triple j Like A Version
94 bpm • A Maj • 04:29 • -9db
36% Popularity • 63% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Lior
Daniel
94 bpm • G Maj • 03:50 • -9.58db
33% Popularity • 72% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Taxiride
Back Again
106 bpm • A Maj • 01:28 • -13db
25% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
58% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Bob Evans
Not Fair - triple j Like A Version
107 bpm • D min • 03:45 • -11.82db
23% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Jonathan Routh
Taxi Driver's Recipe
94 bpm • A# Maj • 03:33 • -8.52db
0% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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David Gray
The One I Love
107 bpm • C Maj • 03:29 • -4db
56% Popularity • 60% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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The Cruel Sea
It Won't Last
107 bpm • A# Maj • 03:21 • -6.24db
34% Popularity • 86% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Hunters & Collectors
Edge Of Nowhere
93 bpm • C# min • 05:12 • -5.39db
22% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Superjesus
Gravity
93 bpm • F Maj • 03:59 • -5db
49% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Bob Evans
Darlin', Won't You Come?
93 bpm • D Maj • 03:31 • -9.42db
24% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Pete Murray
Hold It All For Love
108 bpm • E Maj • 04:44 • -7.25db
19% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Killing Heidi
I Am
93 bpm • A# Maj • 03:27 • -2db
35% Popularity • 50% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Thirsty Merc
20 Good Reasons
93 bpm • C# Maj • 03:49 • -5db
50% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Gyroscope
Australia
93 bpm • E Maj • 03:49 • -4.92db
31% Popularity • 42% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Evermore
The Only One I See
93 bpm • D# Maj • 05:01 • -8.04db
9% Popularity • 25% Danceability • 25% Energy • 9% Liveness
5% Instrumentalness • 9% Positiveness
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Bob Evans
Flame
93 bpm • D# min • 03:15 • -13.69db
11% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Matchbox Twenty
3AM
108 bpm • G# Maj • 03:45 • -8.69db
72% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Tim Finn
Couldn't Be Done
108 bpm • B Maj • 02:50 • -8.85db
19% Popularity • 70% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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John Butler Trio
Better Than
108 bpm • G Maj • 03:29 • -6db
29% Popularity • 62% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Dempsey
Bats
92 bpm • D# Maj • 03:52 • -4.77db
20% Popularity • 21% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Evermore
For One Day
108 bpm • F# min • 04:10 • -6.72db
27% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Greg Johnson
Save Yourself
92 bpm • A# Maj • 03:33 • -6.28db
19% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Taxiride
Get Set
92 bpm • E Maj • 03:13 • -5db
42% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Badloves
What's on Your Mind
92 bpm • D Maj • 04:29 • -16db
20% Popularity • 51% Danceability • 26% Energy • 76% Liveness
0% Instrumentalness • 56% Positiveness
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Missy Higgins
Scar
92 bpm • C Maj • 03:33 • -5.67db
55% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Paul Dempsey
Edge Of Town - triple j Like A Version
109 bpm • G# Maj • 03:37 • -6.9db
33% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Ziggy Alberts
Love Me Now
109 bpm • C Maj • 04:03 • -9.19db
51% Popularity • 73% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Vanessa Amorosi
Perfect
109 bpm • F# Maj • 04:47 • -3.27db
37% Popularity • 63% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Youth Group
Forever Young - Live Acoustic Version
109 bpm • F# min • 03:49 • -7.09db
14% Popularity • 43% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Kate Miller-Heidke
Space They Cannot Touch
92 bpm • C# Maj • 04:08 • -7.55db
24% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Cold Chisel
Saturday Night - 2011 Remastered
91 bpm • F Maj • 04:21 • -6db
44% Popularity • 62% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Cordrazine
Memorial Drive
110 bpm • A Maj • 03:37 • -6.64db
11% Popularity • 37% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Ben Lee
Whatever It Is
110 bpm • A Maj • 03:18 • -14.33db
12% Popularity • 68% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 48% Positiveness
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Oh Mercy
I Feel Possessed
110 bpm • G min • 03:15 • -11db
26% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Basement Birds
Bus Stop
91 bpm • B Maj • 02:47 • -7db
15% Popularity • 72% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Ziggy Alberts
Runaway
110 bpm • F Maj • 04:32 • -11.94db
61% Popularity • 75% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Stevie Wright
Evie (Let Your Hair Hang Down)
90 bpm • A Maj • 03:57 • -4.62db
51% Popularity • 46% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
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Evermore
Never Let You Go
111 bpm • D# Maj • 04:16 • -6.08db
32% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Boy & Bear
Harlequin Dream
111 bpm • C min • 04:20 • -5.58db
40% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Eight
Whale
90 bpm • F# Maj • 03:23 • -4.46db
19% Popularity • 44% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Live
Lightning Crashes
90 bpm • B Maj • 05:25 • -9.26db
69% Popularity • 38% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Ziggy Alberts
Laps Around The Sun
110 bpm • E min • 03:26 • -8.99db
56% Popularity • 77% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jonathan Routh
Tailored Not to Fit
111 bpm • A Maj • 04:21 • -8.85db
0% Popularity • 71% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Fur Patrol
Lydia
112 bpm • E Maj • 04:15 • -12.3db
38% Popularity • 65% Danceability • 38% Energy • 14% Liveness
22% Instrumentalness • 44% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
39% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Things Of Stone and Wood
Single Perfect Raindrop
89 bpm • F Maj • 04:06 • -9.11db
15% Popularity • 47% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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David Gray
Babylon - US Radio Mix
112 bpm • D# Maj • 03:39 • -6.63db
41% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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D. Pritzker
(Lover) You Don't Treat Me No Good
112 bpm • B Maj • 04:07 • -12.41db
53% Popularity • 89% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Bail Me Out