Songs like Bailero (Chants d'Auvergne, 1st series, no.2) by Joseph Canteloube
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Canteloube
Bailero (Chants d'Auvergne, 1st series, ...
81 bpm • A# Maj • 05:50 • -20db
23% Popularity • 16% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 3, Cour d'amou...
81 bpm • D Maj • 02:43 • -26.64db
23% Popularity • 11% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Carl Nielsen
Symphony No. 3, Op. 27, FS 60 "Sinfonia ...
81 bpm • F# Maj • 06:10 • -24.9db
3% Popularity • 17% Danceability • 8% Energy • 5% Liveness
71% Instrumentalness • 11% Positiveness
3% Popularity • 17% Danceability • 8% Energy • 5% Liveness
71% Instrumentalness • 11% Positiveness
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Patrick Cassidy
Vide Cor Meum (20th Anniversary Edition)
81 bpm • A Maj • 04:19 • -17.2db
34% Popularity • 15% Danceability • 18% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 18% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé: 'Flower Duet'
81 bpm • B Maj • 06:16 • -21db
17% Popularity • 24% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 24% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Frederick Delius
Florida Suite: II. By the River
81 bpm • D# Maj • 06:42 • -24.06db
12% Popularity • 9% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Eric Whitacre
The Seal Lullaby (Arr. Parkin)
81 bpm • C# Maj • 03:38 • -24.16db
31% Popularity • 15% Danceability • 5% Energy • 12% Liveness
68% Instrumentalness • 10% Positiveness
31% Popularity • 15% Danceability • 5% Energy • 12% Liveness
68% Instrumentalness • 10% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11
82 bpm • A# min • 09:01 • -27.96db
11% Popularity • 8% Danceability • 2% Energy • 32% Liveness
71% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 2% Energy • 32% Liveness
71% Instrumentalness • 3% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Symphonia et Ordo virtutum: O Euchari, i...
82 bpm • C# min • 01:43 • -27db
19% Popularity • 26% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 26% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Gabriel Fauré
Pavane, Op.50 (Arr. For Oboe d'amore & O...
80 bpm • A min • 05:54 • -20db
16% Popularity • 10% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
80 bpm • D# Maj • 04:46 • -13db
26% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
26% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Domenico Zipoli
Elevazione for Solo Oboe, Solo Cello, St...
82 bpm • F Maj • 08:20 • -19.76db
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Erwartung, Op. 17, Sweite Szene: Ist das...
80 bpm • D Maj • 02:58 • -27.07db
6% Popularity • 21% Danceability • 2% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 21% Danceability • 2% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Cello & Pi...
80 bpm • D Maj • 05:46 • -27db
38% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
38% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Peter Warlock
Pieds-en-l'air from Capriol Suite for St...
82 bpm • G Maj • 02:13 • -20.72db
14% Popularity • 16% Danceability • 16% Energy • 24% Liveness
92% Instrumentalness • 12% Positiveness
14% Popularity • 16% Danceability • 16% Energy • 24% Liveness
92% Instrumentalness • 12% Positiveness
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Arvo Pärt
Pärt: Spiegel im Spiegel
80 bpm • F Maj • 08:14 • -33.21db
32% Popularity • 16% Danceability • 1% Energy • 5% Liveness
34% Instrumentalness • 9% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 5% Liveness
34% Instrumentalness • 9% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
82 bpm • F Maj • 03:39 • -25.19db
34% Popularity • 8% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
34% Popularity • 8% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Pēteris Vasks
Mein Herr und mein Gott
80 bpm • C min • 09:29 • -23.07db
9% Popularity • 12% Danceability • 5% Energy • 33% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 5% Energy • 33% Liveness
94% Instrumentalness • 3% Positiveness
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Joseph Canteloube
Canteloube: Chants d'Auvergne, Vol. 1: N...
80 bpm • C min • 05:37 • -16.35db
15% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
15% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Paul McCartney
Movement II: Gratia
82 bpm • G Maj • 10:50 • -18.3db
8% Popularity • 14% Danceability • 14% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 14% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 3: "Sul...
80 bpm • A# Maj • 03:30 • -22.48db
44% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
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John Tavener
Song for Athene
80 bpm • F Maj • 06:34 • -22db
27% Popularity • 8% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Carl Ditters von Dittersdorf
Harp Concerto in A major: 2. Larghetto
80 bpm • D Maj • 07:10 • -27.08db
13% Popularity • 22% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Concerto No. 5, Op. 103 "Egyptian": III....
82 bpm • C Maj • 05:27 • -20.55db
5% Popularity • 34% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness
5% Popularity • 34% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness
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Joseph Canteloube
Chants D'Auvergne: Vol I, No. 2: Baïlè...
80 bpm • A# Maj • 06:26 • -13.58db
9% Popularity • 14% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Paul Carr
Air for Strings
80 bpm • C Maj • 09:23 • -27db
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
50% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Adagio for Strings, Op. 11
80 bpm • A# min • 06:21 • -21.58db
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Eric Coates
By The Sleepy Lagoon
80 bpm • C Maj • 03:51 • -28db
30% Popularity • 8% Danceability • 5% Energy • 20% Liveness
88% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 5% Energy • 20% Liveness
88% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Joseph Canteloube
Canteloube : Chants d'Auvergne : Perl'è...
80 bpm • A# min • 03:11 • -29.84db
3% Popularity • 21% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
3% Popularity • 21% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Requiem: In Paradisum - Live
82 bpm • D Maj • 03:04 • -29.19db
22% Popularity • 26% Danceability • 3% Energy • 5% Liveness
23% Instrumentalness • 3% Positiveness
22% Popularity • 26% Danceability • 3% Energy • 5% Liveness
23% Instrumentalness • 3% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
80 bpm • F Maj • 09:34 • -29.87db
16% Popularity • 17% Danceability • 1% Energy • 7% Liveness
41% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 1% Energy • 7% Liveness
41% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
37% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
37% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Cecilia McDowall
Da Vinci Requiem: I. Introit and Kyrie
83 bpm • D Maj • 05:17 • -20.03db
3% Popularity • 12% Danceability • 25% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
3% Popularity • 12% Danceability • 25% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
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George Gershwin
Porgy and Bess, Act I: Summertime
79 bpm • F# min • 02:40 • -19.78db
18% Popularity • 15% Danceability • 11% Energy • 7% Liveness
48% Instrumentalness • 8% Positiveness
18% Popularity • 15% Danceability • 11% Energy • 7% Liveness
48% Instrumentalness • 8% Positiveness
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Joseph Canteloube
Canteloube : Chants d'Auvergne : Uno jio...
79 bpm • G Maj • 03:21 • -23.36db
3% Popularity • 17% Danceability • 7% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
3% Popularity • 17% Danceability • 7% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ave Verum Corpus, K. 618
83 bpm • F Maj • 02:45 • -20.06db
19% Popularity • 13% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Henryk Górecki
Symphonie No. 3, Op. 36: II. Lento e lar...
79 bpm • A# min • 09:37 • -25db
18% Popularity • 10% Danceability • 3% Energy • 17% Liveness
93% Instrumentalness • 3% Positiveness
18% Popularity • 10% Danceability • 3% Energy • 17% Liveness
93% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Brian Eno
An Ending (Ascent)
83 bpm • G# Maj • 03:55 • -9db
18% Popularity • 11% Danceability • 26% Energy • 34% Liveness
98% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 26% Energy • 34% Liveness
98% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Spheres
79 bpm • C min • 04:17 • -20.2db
32% Popularity • 14% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
32% Popularity • 14% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
79 bpm • C min • 06:45 • -34.2db
10% Popularity • 16% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Erwartung, Op. 17, Vierte Szene: Liebste...
83 bpm • C Maj • 04:48 • -22.68db
4% Popularity • 21% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
4% Popularity • 21% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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John Tavener
The Lamb
83 bpm • A min • 04:14 • -39.3db
23% Popularity • 8% Danceability • 1% Energy • 6% Liveness
11% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 1% Energy • 6% Liveness
11% Instrumentalness • 3% Positiveness
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Carter Burwell
Jonah's Daughter
83 bpm • D Maj • 02:54 • -14.88db
20% Popularity • 13% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
20% Popularity • 13% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Edward Elgar
Elgar: Lux Aeterna (After "Nimrod" from ...
79 bpm • C# Maj • 03:49 • -21.92db
19% Popularity • 10% Danceability • 18% Energy • 33% Liveness
20% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 18% Energy • 33% Liveness
20% Instrumentalness • 4% Positiveness
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Samuel Barber
Adagio For Strings Op. 11
83 bpm • A# min • 09:08 • -33.59db
13% Popularity • 8% Danceability • 1% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 1% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
Arnold Schoenberg
Erwartung, Op. 17, Vierte Szene: Nein, d...
83 bpm • D Maj • 01:42 • -21.77db
4% Popularity • 24% Danceability • 11% Energy • 50% Liveness
1% Instrumentalness • 13% Positiveness
4% Popularity • 24% Danceability • 11% Energy • 50% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
Joaquín Rodrigo
Concierto de Aranjuez for Guitar and Orc...
79 bpm • E min • 12:09 • -26.18db
11% Popularity • 19% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
83 bpm • F Maj • 03:35 • -23.24db
17% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Grieg: Suite No. 2 from Peer Gynt, Op. 5...
83 bpm • A min • 05:25 • -28db
6% Popularity • 8% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
6% Popularity • 8% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: V. Pie Jesus
79 bpm • A# Maj • 03:15 • -29.78db
22% Popularity • 14% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
William Lloyd Webber
Serenade for Strings: II. Romance
83 bpm • D Maj • 04:32 • -17.4db
15% Popularity • 15% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Adagio for Strings, Op. 11
83 bpm • A# min • 07:30 • -25db
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Irish Film Orchestra
Tamerlano: Cor di Padre
83 bpm • A Maj • 00:59 • -16.55db
16% Popularity • 32% Danceability • 7% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 32% Danceability • 7% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
George Frideric Handel
Handel: Eternal Source Of Light Divine (...
78 bpm • C# Maj • 03:53 • -20db
28% Popularity • 12% Danceability • 8% Energy • 10% Liveness
67% Instrumentalness • 5% Positiveness
28% Popularity • 12% Danceability • 8% Energy • 10% Liveness
67% Instrumentalness • 5% Positiveness
► Preview
Joseph Canteloube
Baïlèro
84 bpm • A# Maj • 07:06 • -16db
18% Popularity • 19% Danceability • 12% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 12% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Fantasia on Greensleeves
78 bpm • C min • 04:35 • -30.86db
34% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
34% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
► Preview
Philip Glass
Violin Concerto No. 2 "The American Four...
78 bpm • A min • 06:53 • -14.57db
4% Popularity • 32% Danceability • 36% Energy • 12% Liveness
60% Instrumentalness • 15% Positiveness
4% Popularity • 32% Danceability • 36% Energy • 12% Liveness
60% Instrumentalness • 15% Positiveness
► Preview
Samuel Barber
Adagio for Strings: Agnus Dei
78 bpm • A# min • 07:36 • -22.35db
23% Popularity • 8% Danceability • 9% Energy • 7% Liveness
80% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 9% Energy • 7% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
45% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
45% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Arnold Schoenberg
Pelleas und Melisande, Op. 5: Lebhaft - ...
78 bpm • G Maj • 03:36 • -24.6db
3% Popularity • 12% Danceability • 5% Energy • 81% Liveness
93% Instrumentalness • 4% Positiveness
3% Popularity • 12% Danceability • 5% Energy • 81% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Michael Nyman
The Diary of Anne Frank (arr. Richard Bo...
84 bpm • E Maj • 03:31 • -25db
11% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Paul Mealor
Ubi Caritas
84 bpm • G# Maj • 03:55 • -27.72db
22% Popularity • 15% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
22% Popularity • 15% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
► Preview
Christopher Warren-Green
Façades
84 bpm • A# Maj • 07:52 • -23.94db
26% Popularity • 15% Danceability • 7% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
26% Popularity • 15% Danceability • 7% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Joseph Canteloube
Chants d'Auvergne: Quand z'eyro petitoun...
84 bpm • G Maj • 02:38 • -16.58db
4% Popularity • 38% Danceability • 14% Energy • 5% Liveness
9% Instrumentalness • 33% Positiveness
4% Popularity • 38% Danceability • 14% Energy • 5% Liveness
9% Instrumentalness • 33% Positiveness
► Preview
Edward Elgar
Sospiri Op. 70
78 bpm • F Maj • 04:50 • -25db
26% Popularity • 12% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
26% Popularity • 12% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Camille Saint-Saëns
Piano Concerto No. 1 in D Major, Op. 17,...
78 bpm • D Maj • 11:00 • -24.19db
4% Popularity • 33% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
4% Popularity • 33% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Nigel Hess
Ladies in Lavender
84 bpm • D Maj • 04:03 • -17db
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
► Preview
Erik Satie
Satie: Gymnopédie No. 3
84 bpm • G Maj • 02:52 • -30.29db
27% Popularity • 18% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
27% Popularity • 18% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
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Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Karol Szymanowski
Harnasie, Op. 55, Tableau 1: II. Scena m...
84 bpm • B Maj • 02:11 • -29.49db
4% Popularity • 23% Danceability • 12% Energy • 4% Liveness
62% Instrumentalness • 23% Positiveness
4% Popularity • 23% Danceability • 12% Energy • 4% Liveness
62% Instrumentalness • 23% Positiveness
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John Tavener
Song for Athene
84 bpm • F Maj • 05:42 • -30.58db
14% Popularity • 18% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Raymond Yiu
The World Was Once All Miracle: I. Alleg...
78 bpm • E min • 03:38 • -16.84db
4% Popularity • 35% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
4% Popularity • 35% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
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Patrick Cassidy
Vide Cor Meum
84 bpm • A Maj • 04:20 • -16db
43% Popularity • 12% Danceability • 22% Energy • 5% Liveness
59% Instrumentalness • 4% Positiveness
43% Popularity • 12% Danceability • 22% Energy • 5% Liveness
59% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis
84 bpm • G Maj • 14:15 • -26.94db
11% Popularity • 9% Danceability • 4% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 4% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Romances, Op. 6: None but the Lonely H...
78 bpm • C min • 04:01 • -24.76db
17% Popularity • 20% Danceability • 5% Energy • 9% Liveness
48% Instrumentalness • 3% Positiveness
17% Popularity • 20% Danceability • 5% Energy • 9% Liveness
48% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe" (...
85 bpm • D# Maj • 07:23 • -24.06db
29% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Agnus Dei
77 bpm • F Maj • 06:17 • -23.98db
15% Popularity • 7% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Karl Jenkins
Gloria: Laudamus te
78 bpm • D# Maj • 04:52 • -29db
19% Popularity • 11% Danceability • 5% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 5% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Nulla in Mundo Pax Sincera, RV 630
85 bpm • D# Maj • 05:54 • -20.57db
13% Popularity • 26% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ralph Vaughan Williams
Overture The Wasps
78 bpm • A# Maj • 09:04 • -21.43db
4% Popularity • 15% Danceability • 14% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
4% Popularity • 15% Danceability • 14% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
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Arnold Schoenberg
Pelleas und Melisande, Op. 5: Sehr warm,...
85 bpm • A Maj • 02:43 • -18.36db
4% Popularity • 12% Danceability • 20% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
4% Popularity • 12% Danceability • 20% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne: Brezairola
77 bpm • A# Maj • 03:25 • -24.59db
3% Popularity • 18% Danceability • 4% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
3% Popularity • 18% Danceability • 4% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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Kim André Arnesen
MAGNIFICAT: II. Ecce enim
77 bpm • A min • 06:01 • -20.05db
23% Popularity • 8% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
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Karl Jenkins
Requiem: IX. Pie Jesu
85 bpm • D# Maj • 04:34 • -19.79db
25% Popularity • 16% Danceability • 13% Energy • 10% Liveness
42% Instrumentalness • 5% Positiveness
25% Popularity • 16% Danceability • 13% Energy • 10% Liveness
42% Instrumentalness • 5% Positiveness
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Jules Massenet
Thaïs / Act 2: Méditation
77 bpm • E min • 05:20 • -21.67db
29% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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George Frideric Handel
L'Allegro, Il Penseroso, ed il Moderato,...
85 bpm • A Maj • 06:36 • -23db
21% Popularity • 13% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
21% Popularity • 13% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
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John Harle
Silencium - Music of Inner Peace: 12. Si...
85 bpm • G min • 04:34 • -19.46db
13% Popularity • 14% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
13% Popularity • 14% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 1. Pastou...
77 bpm • A min • 03:19 • -19.72db
8% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Arvo Pärt
Da Pacem Domine
77 bpm • D min • 04:53 • -25.69db
28% Popularity • 12% Danceability • 9% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 9% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Nigel Hess
Main Theme
86 bpm • D Maj • 03:26 • -16.62db
25% Popularity • 17% Danceability • 21% Energy • 11% Liveness
25% Instrumentalness • 10% Positiveness
25% Popularity • 17% Danceability • 21% Energy • 11% Liveness
25% Instrumentalness • 10% Positiveness
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Ludovico Einaudi
Passaggio
86 bpm • B min • 04:35 • -27db
32% Popularity • 27% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 27% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
