Songs like Baion: The Man Who Plays The Mandolino by Pepe Jaramillo With His Latin American Rhythm
Based on a tempo of (+/- 10%) and a similar genre
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Cuban Bolero Guitar Quartet
Gentle Drive on Classic Wheels
92 bpm • D Maj • 01:44 • -18.71db
22% Popularity • 81% Danceability • 26% Energy • 12% Liveness
88% Instrumentalness • 82% Positiveness
22% Popularity • 81% Danceability • 26% Energy • 12% Liveness
88% Instrumentalness • 82% Positiveness
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Caesar
Swanee
92 bpm • A min • 02:15 • -11.98db
8% Popularity • 42% Danceability • 39% Energy • 18% Liveness
29% Instrumentalness • 55% Positiveness
8% Popularity • 42% Danceability • 39% Energy • 18% Liveness
29% Instrumentalness • 55% Positiveness
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Edmundo Ros
The Surrey with the Fringe on Top
92 bpm • D# Maj • 02:04 • -13.99db
8% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Pepe Jaramillo With His Latin American Rhythm
Baion: The Man Who Plays The Mandolino
92 bpm • C Maj • 02:19 • -28.92db
0% Popularity • 59% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 92% Positiveness
0% Popularity • 59% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 92% Positiveness
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Raymond Scott
Egyptian Summer - 1939
93 bpm • C# Maj • 03:38 • -7.69db
9% Popularity • 52% Danceability • 73% Energy • 10% Liveness
82% Instrumentalness • 62% Positiveness
9% Popularity • 52% Danceability • 73% Energy • 10% Liveness
82% Instrumentalness • 62% Positiveness
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Hugo Winterhalter And His Orchestra
Maria from "West Side Story"
93 bpm • C Maj • 02:13 • -15.99db
11% Popularity • 30% Danceability • 20% Energy • 11% Liveness
39% Instrumentalness • 28% Positiveness
11% Popularity • 30% Danceability • 20% Energy • 11% Liveness
39% Instrumentalness • 28% Positiveness
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The Singing Hat
Strange Jam
91 bpm • B min • 01:37 • -17.39db
20% Popularity • 55% Danceability • 28% Energy • 7% Liveness
91% Instrumentalness • 34% Positiveness
20% Popularity • 55% Danceability • 28% Energy • 7% Liveness
91% Instrumentalness • 34% Positiveness
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Los Indios Tabajara
Vals Criolo
93 bpm • G# Maj • 01:36 • -20.04db
18% Popularity • 50% Danceability • 18% Energy • 12% Liveness
95% Instrumentalness • 80% Positiveness
18% Popularity • 50% Danceability • 18% Energy • 12% Liveness
95% Instrumentalness • 80% Positiveness
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Chucho Zarzosa
Dos arbolitos
91 bpm • G# Maj • 02:39 • -10.65db
11% Popularity • 37% Danceability • 31% Energy • 17% Liveness
86% Instrumentalness • 47% Positiveness
11% Popularity • 37% Danceability • 31% Energy • 17% Liveness
86% Instrumentalness • 47% Positiveness
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Rey Casas y su Piano
El Bobo De La Yuca - Instrumental
90 bpm • F Maj • 02:27 • -10.29db
9% Popularity • 80% Danceability • 54% Energy • 5% Liveness
78% Instrumentalness • 97% Positiveness
9% Popularity • 80% Danceability • 54% Energy • 5% Liveness
78% Instrumentalness • 97% Positiveness
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Corazon Salvaje
La Taberna del Tuerto - Instrumental
94 bpm • C Maj • 02:06 • -9.15db
12% Popularity • 73% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
12% Popularity • 73% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
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Anisio Silva
Noite de Insônia
94 bpm • F# min • 02:21 • -9.45db
11% Popularity • 43% Danceability • 28% Energy • 44% Liveness
6% Instrumentalness • 58% Positiveness
11% Popularity • 43% Danceability • 28% Energy • 44% Liveness
6% Instrumentalness • 58% Positiveness
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Felipe Vítor Ribeiro
Mulher de Trinta
90 bpm • C Maj • 01:11 • -18.44db
27% Popularity • 68% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 56% Positiveness
27% Popularity • 68% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 56% Positiveness
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Edmundo Ros
You're Just in Love
94 bpm • G# Maj • 02:39 • -16.53db
16% Popularity • 63% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 63% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
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The Singing Hat
Blissful Life
90 bpm • A# Maj • 01:39 • -22.17db
18% Popularity • 74% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
18% Popularity • 74% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
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Elena Torne
Boat Trip Jazz
90 bpm • F Maj • 03:40 • -10.18db
19% Popularity • 79% Danceability • 46% Energy • 10% Liveness
84% Instrumentalness • 79% Positiveness
19% Popularity • 79% Danceability • 46% Energy • 10% Liveness
84% Instrumentalness • 79% Positiveness
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Alegre Música para Leer
Thrilling Moods for Light Morning
90 bpm • A Maj • 01:41 • -16.2db
9% Popularity • 68% Danceability • 49% Energy • 14% Liveness
90% Instrumentalness • 92% Positiveness
9% Popularity • 68% Danceability • 49% Energy • 14% Liveness
90% Instrumentalness • 92% Positiveness
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For my African Girls
Midnight Harmony
90 bpm • G min • 02:41 • -16.68db
14% Popularity • 63% Danceability • 60% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
14% Popularity • 63% Danceability • 60% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
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Future Forecast
長あのブルー
90 bpm • G Maj • 01:43 • -20.01db
13% Popularity • 89% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 86% Positiveness
13% Popularity • 89% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 86% Positiveness
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Cuban Bolero Guitar Quartet
Mojitos on the Beach
94 bpm • F Maj • 01:42 • -19.02db
24% Popularity • 80% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 80% Positiveness
24% Popularity • 80% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 80% Positiveness
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Informusic27
Bolero menor
90 bpm • D Maj • 02:29 • -7.58db
13% Popularity • 75% Danceability • 67% Energy • 9% Liveness
94% Instrumentalness • 75% Positiveness
13% Popularity • 75% Danceability • 67% Energy • 9% Liveness
94% Instrumentalness • 75% Positiveness
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Bill Ballew
Forbidden Fruit
90 bpm • A min • 02:35 • -15db
14% Popularity • 88% Danceability • 31% Energy • 9% Liveness
83% Instrumentalness • 55% Positiveness
14% Popularity • 88% Danceability • 31% Energy • 9% Liveness
83% Instrumentalness • 55% Positiveness
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Piero Piccioni
Rapha Temporel (alternate take)
94 bpm • C Maj • 02:31 • -13.83db
10% Popularity • 18% Danceability • 34% Energy • 54% Liveness
18% Instrumentalness • 45% Positiveness
10% Popularity • 18% Danceability • 34% Energy • 54% Liveness
18% Instrumentalness • 45% Positiveness
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Jazzybel
Perfect View
90 bpm • D min • 02:31 • -4.62db
9% Popularity • 32% Danceability • 39% Energy • 18% Liveness
93% Instrumentalness • 10% Positiveness
9% Popularity • 32% Danceability • 39% Energy • 18% Liveness
93% Instrumentalness • 10% Positiveness
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Leroy Holmes And His Orchestra
Cuando Ya No Me Quieras
95 bpm • F min • 03:07 • -13.22db
17% Popularity • 30% Danceability • 33% Energy • 35% Liveness
81% Instrumentalness • 57% Positiveness
17% Popularity • 30% Danceability • 33% Energy • 35% Liveness
81% Instrumentalness • 57% Positiveness
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Music for Cleaning
Latin Guitar Soundtrack for Fresh Weeken...
90 bpm • E min • 01:47 • -13.58db
10% Popularity • 68% Danceability • 64% Energy • 20% Liveness
86% Instrumentalness • 96% Positiveness
10% Popularity • 68% Danceability • 64% Energy • 20% Liveness
86% Instrumentalness • 96% Positiveness
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Pedro Concepcion
Nagkasala Ako Sa Iyo
95 bpm • A Maj • 03:04 • -17.83db
9% Popularity • 45% Danceability • 6% Energy • 18% Liveness
84% Instrumentalness • 30% Positiveness
9% Popularity • 45% Danceability • 6% Energy • 18% Liveness
84% Instrumentalness • 30% Positiveness
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Edmundo Ros
Talk t'me (Calypso)
89 bpm • F Maj • 02:34 • -12.29db
15% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Orquesta Siboney
CONCIERTO PARA UNA VOZ - POPURRÍ
95 bpm • F Maj • 02:39 • -8.37db
11% Popularity • 53% Danceability • 66% Energy • 24% Liveness
78% Instrumentalness • 65% Positiveness
11% Popularity • 53% Danceability • 66% Energy • 24% Liveness
78% Instrumentalness • 65% Positiveness
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Gilson Luis Souza
Craving Your Kiss
95 bpm • G min • 01:20 • -19.1db
19% Popularity • 79% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 73% Positiveness
19% Popularity • 79% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 73% Positiveness
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Bossa Supernova
Timbales Oba La La
95 bpm • B Maj • 01:38 • -16.92db
17% Popularity • 83% Danceability • 38% Energy • 7% Liveness
83% Instrumentalness • 98% Positiveness
17% Popularity • 83% Danceability • 38% Energy • 7% Liveness
83% Instrumentalness • 98% Positiveness
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Андрей Державин
Вальс - из фильма «Жен�...
95 bpm • F# Maj • 02:08 • -21.86db
24% Popularity • 50% Danceability • 13% Energy • 19% Liveness
90% Instrumentalness • 29% Positiveness
24% Popularity • 50% Danceability • 13% Energy • 19% Liveness
90% Instrumentalness • 29% Positiveness
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Sidbar e os Românticos
Concerto Pour une Voix / Love Is a Many ...
95 bpm • F Maj • 02:38 • -8.7db
17% Popularity • 53% Danceability • 64% Energy • 24% Liveness
62% Instrumentalness • 72% Positiveness
17% Popularity • 53% Danceability • 64% Energy • 24% Liveness
62% Instrumentalness • 72% Positiveness
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BOB Fleming
Jurame / Como Fue
95 bpm • G Maj • 04:55 • -7.01db
9% Popularity • 67% Danceability • 47% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
9% Popularity • 67% Danceability • 47% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
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The Hola Hoop Club
A Bunch of Fresh Flowers
95 bpm • G Maj • 01:27 • -19.47db
18% Popularity • 83% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 71% Positiveness
18% Popularity • 83% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 71% Positiveness
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Cuban Bolero Guitar Quartet
Guitar Solstace
95 bpm • E Maj • 02:53 • -18.34db
14% Popularity • 81% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 71% Positiveness
14% Popularity • 81% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 71% Positiveness
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Edmundo Ros
Wish You Were Hear
89 bpm • D min • 02:03 • -15.21db
11% Popularity • 46% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 46% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Fabio Martoglio
In Your Opinion - Edit Cut
95 bpm • F Maj • 01:04 • -16.78db
21% Popularity • 65% Danceability • 37% Energy • 11% Liveness
93% Instrumentalness • 79% Positiveness
21% Popularity • 65% Danceability • 37% Energy • 11% Liveness
93% Instrumentalness • 79% Positiveness
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Los Aragon
Laramie
95 bpm • D# Maj • 02:23 • -4.59db
10% Popularity • 31% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
10% Popularity • 31% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Danny Sleath
Occasion Beyond the Scroll
89 bpm • B min • 01:42 • -15.55db
19% Popularity • 69% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
19% Popularity • 69% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
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Luiz Bonfá
Pastorinhas
95 bpm • A Maj • 03:14 • -11.93db
21% Popularity • 40% Danceability • 18% Energy • 22% Liveness
68% Instrumentalness • 42% Positiveness
21% Popularity • 40% Danceability • 18% Energy • 22% Liveness
68% Instrumentalness • 42% Positiveness
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林美滿
知床旅情
95 bpm • C Maj • 02:53 • -18.19db
19% Popularity • 34% Danceability • 15% Energy • 23% Liveness
67% Instrumentalness • 42% Positiveness
19% Popularity • 34% Danceability • 15% Energy • 23% Liveness
67% Instrumentalness • 42% Positiveness
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Helmut Zacharias
Mein Herz ist eine Violine
96 bpm • G Maj • 03:22 • -7.44db
8% Popularity • 28% Danceability • 36% Energy • 23% Liveness
47% Instrumentalness • 28% Positiveness
8% Popularity • 28% Danceability • 36% Energy • 23% Liveness
47% Instrumentalness • 28% Positiveness
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Pablo Beltran Ruiz
España Cañi
88 bpm • A# min • 02:53 • -12.02db
12% Popularity • 55% Danceability • 39% Energy • 33% Liveness
18% Instrumentalness • 46% Positiveness
12% Popularity • 55% Danceability • 39% Energy • 33% Liveness
18% Instrumentalness • 46% Positiveness
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Cuban Bolero Guitar Quartet
Havana Beach Café
96 bpm • F Maj • 01:40 • -18.28db
24% Popularity • 82% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 71% Positiveness
24% Popularity • 82% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 71% Positiveness
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Andrometer
Day of the Dispair
96 bpm • G# Maj • 03:04 • -12.59db
11% Popularity • 47% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 47% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Eddie Fernandez
Europa - Instrumental
96 bpm • G min • 04:12 • -11.91db
14% Popularity • 79% Danceability • 43% Energy • 7% Liveness
93% Instrumentalness • 64% Positiveness
14% Popularity • 79% Danceability • 43% Energy • 7% Liveness
93% Instrumentalness • 64% Positiveness
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Piero Piccioni
Rapha temporel
96 bpm • C Maj • 02:48 • -15.63db
13% Popularity • 36% Danceability • 26% Energy • 18% Liveness
40% Instrumentalness • 57% Positiveness
13% Popularity • 36% Danceability • 26% Energy • 18% Liveness
40% Instrumentalness • 57% Positiveness
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Lester Lanin
La Pachanga - Pachanga
96 bpm • G Maj • 02:08 • -14.22db
10% Popularity • 84% Danceability • 47% Energy • 6% Liveness
54% Instrumentalness • 97% Positiveness
10% Popularity • 84% Danceability • 47% Energy • 6% Liveness
54% Instrumentalness • 97% Positiveness
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The Four Aces
To Love Again
96 bpm • E Maj • 03:01 • -12.17db
9% Popularity • 33% Danceability • 27% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 33% Danceability • 27% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
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Franco Pisano
Optical Bossa Nova
97 bpm • G# Maj • 01:57 • -12.23db
21% Popularity • 61% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 61% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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星河大樂隊
昨夜夢醒時
97 bpm • D# min • 03:29 • -10.32db
8% Popularity • 70% Danceability • 38% Energy • 17% Liveness
69% Instrumentalness • 88% Positiveness
8% Popularity • 70% Danceability • 38% Energy • 17% Liveness
69% Instrumentalness • 88% Positiveness
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Cuban Bolero Guitar Quartet
Palms in the Breeze
97 bpm • G min • 01:39 • -18.94db
19% Popularity • 82% Danceability • 25% Energy • 23% Liveness
85% Instrumentalness • 71% Positiveness
19% Popularity • 82% Danceability • 25% Energy • 23% Liveness
85% Instrumentalness • 71% Positiveness
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Piero Piccioni
Soraya - Horns suite Theme
88 bpm • F# Maj • 02:30 • -13.61db
12% Popularity • 27% Danceability • 28% Energy • 17% Liveness
59% Instrumentalness • 20% Positiveness
12% Popularity • 27% Danceability • 28% Energy • 17% Liveness
59% Instrumentalness • 20% Positiveness
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Aimable et son orchestre
Dos Cruces
97 bpm • G Maj • 03:06 • -11.88db
7% Popularity • 61% Danceability • 30% Energy • 7% Liveness
2% Instrumentalness • 33% Positiveness
7% Popularity • 61% Danceability • 30% Energy • 7% Liveness
2% Instrumentalness • 33% Positiveness
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Pedro Concepcion
Minsan
87 bpm • D min • 02:49 • -19.54db
11% Popularity • 44% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 24% Positiveness
11% Popularity • 44% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 24% Positiveness
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Miyasaki Makoto
Party Of Madness
87 bpm • G Maj • 03:29 • -13.8db
13% Popularity • 82% Danceability • 30% Energy • 7% Liveness
86% Instrumentalness • 61% Positiveness
13% Popularity • 82% Danceability • 30% Energy • 7% Liveness
86% Instrumentalness • 61% Positiveness
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Los Violines del Perú
Clamor
87 bpm • D min • 02:50 • -7.33db
11% Popularity • 53% Danceability • 66% Energy • 8% Liveness
84% Instrumentalness • 89% Positiveness
11% Popularity • 53% Danceability • 66% Energy • 8% Liveness
84% Instrumentalness • 89% Positiveness
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Cuban Bolero Guitar Quartet
Soothing Latin Sounds
97 bpm • D Maj • 01:39 • -18.35db
23% Popularity • 83% Danceability • 28% Energy • 5% Liveness
92% Instrumentalness • 92% Positiveness
23% Popularity • 83% Danceability • 28% Energy • 5% Liveness
92% Instrumentalness • 92% Positiveness
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Jonny Teupen Group
Bossa Nova Romantique
98 bpm • F Maj • 02:27 • -17.95db
21% Popularity • 71% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 71% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Strauss
Vino, donne, canto
98 bpm • A# Maj • 02:44 • -6.88db
20% Popularity • 52% Danceability • 36% Energy • 6% Liveness
70% Instrumentalness • 60% Positiveness
20% Popularity • 52% Danceability • 36% Energy • 6% Liveness
70% Instrumentalness • 60% Positiveness
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La Argentinita
Danza Española
87 bpm • D Maj • 02:15 • -12.9db
12% Popularity • 38% Danceability • 53% Energy • 13% Liveness
88% Instrumentalness • 75% Positiveness
12% Popularity • 38% Danceability • 53% Energy • 13% Liveness
88% Instrumentalness • 75% Positiveness
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Edmundo Ros
Together
98 bpm • G# Maj • 03:05 • -16.56db
7% Popularity • 61% Danceability • 45% Energy • 9% Liveness
60% Instrumentalness • 58% Positiveness
7% Popularity • 61% Danceability • 45% Energy • 9% Liveness
60% Instrumentalness • 58% Positiveness
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Consuelo Velázquez
Corazón
86 bpm • F min • 02:13 • -15.09db
13% Popularity • 56% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 46% Positiveness
13% Popularity • 56% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 46% Positiveness
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Piero Piccioni
Soraya - Saxes
98 bpm • A Maj • 03:00 • -9.53db
8% Popularity • 27% Danceability • 33% Energy • 18% Liveness
79% Instrumentalness • 29% Positiveness
8% Popularity • 27% Danceability • 33% Energy • 18% Liveness
79% Instrumentalness • 29% Positiveness
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Danny Sleath
Succeed Fellow
86 bpm • G min • 01:46 • -19.11db
27% Popularity • 76% Danceability • 25% Energy • 34% Liveness
83% Instrumentalness • 48% Positiveness
27% Popularity • 76% Danceability • 25% Energy • 34% Liveness
83% Instrumentalness • 48% Positiveness
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Rey Casas y su Piano
Te Extrano - Instrumental
86 bpm • A# Maj • 04:24 • -11.77db
9% Popularity • 57% Danceability • 35% Energy • 13% Liveness
86% Instrumentalness • 34% Positiveness
9% Popularity • 57% Danceability • 35% Energy • 13% Liveness
86% Instrumentalness • 34% Positiveness
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Francis Lai
Lazy Nights
86 bpm • G Maj • 02:22 • -15.67db
11% Popularity • 23% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
11% Popularity • 23% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
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Pablo Beltran Ruiz
Bésame Morenita
99 bpm • D# Maj • 02:34 • -16.94db
15% Popularity • 76% Danceability • 32% Energy • 23% Liveness
44% Instrumentalness • 94% Positiveness
15% Popularity • 76% Danceability • 32% Energy • 23% Liveness
44% Instrumentalness • 94% Positiveness
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The Hola Hoop Club
Old Hawaiian Hawaii
99 bpm • G Maj • 01:23 • -18.05db
13% Popularity • 82% Danceability • 28% Energy • 10% Liveness
82% Instrumentalness • 72% Positiveness
13% Popularity • 82% Danceability • 28% Energy • 10% Liveness
82% Instrumentalness • 72% Positiveness
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The Singing Hat
For Eternity
99 bpm • C Maj • 01:37 • -21.14db
23% Popularity • 62% Danceability • 30% Energy • 10% Liveness
31% Instrumentalness • 78% Positiveness
23% Popularity • 62% Danceability • 30% Energy • 10% Liveness
31% Instrumentalness • 78% Positiveness
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Mia Brentano
No Time to Stop
99 bpm • F min • 02:58 • -11.72db
11% Popularity • 46% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
11% Popularity • 46% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Cachito Vargas
Ñane Aramboha
85 bpm • F Maj • 04:48 • -6.61db
11% Popularity • 64% Danceability • 51% Energy • 22% Liveness
89% Instrumentalness • 51% Positiveness
11% Popularity • 64% Danceability • 51% Energy • 22% Liveness
89% Instrumentalness • 51% Positiveness
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銀河大樂隊
南都夜曲
85 bpm • C Maj • 02:50 • -18.5db
10% Popularity • 36% Danceability • 16% Energy • 8% Liveness
97% Instrumentalness • 37% Positiveness
10% Popularity • 36% Danceability • 16% Energy • 8% Liveness
97% Instrumentalness • 37% Positiveness
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Ludwig Schmidseder
Frauen im Metropol: Komm doch in meine A...
85 bpm • C# Maj • 02:33 • -11.29db
11% Popularity • 37% Danceability • 33% Energy • 7% Liveness
53% Instrumentalness • 63% Positiveness
11% Popularity • 37% Danceability • 33% Energy • 7% Liveness
53% Instrumentalness • 63% Positiveness
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Polibio Mayorga
Una Copa Más
100 bpm • D min • 03:00 • -9.3db
9% Popularity • 63% Danceability • 52% Energy • 10% Liveness
84% Instrumentalness • 67% Positiveness
9% Popularity • 63% Danceability • 52% Energy • 10% Liveness
84% Instrumentalness • 67% Positiveness
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The Singing Hat
Hide My Desire
100 bpm • D# Maj • 01:44 • -21.84db
20% Popularity • 43% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
20% Popularity • 43% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Bienvenido Bustamante y Su Orquesta
Tres Veces Te Amo
85 bpm • D# Maj • 04:35 • -8.57db
8% Popularity • 30% Danceability • 33% Energy • 26% Liveness
53% Instrumentalness • 35% Positiveness
8% Popularity • 30% Danceability • 33% Energy • 26% Liveness
53% Instrumentalness • 35% Positiveness
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Pepe Jaramillo With His Latin American Rhythm
Autumn Leaves
100 bpm • D Maj • 02:54 • -26.14db
1% Popularity • 66% Danceability • 11% Energy • 26% Liveness
90% Instrumentalness • 41% Positiveness
1% Popularity • 66% Danceability • 11% Energy • 26% Liveness
90% Instrumentalness • 41% Positiveness
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Gary Smith
My Blue Heaven
100 bpm • A# Maj • 02:55 • -19.68db
15% Popularity • 75% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 56% Positiveness
15% Popularity • 75% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 56% Positiveness
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Gilson Luis Souza
Over My Shoulder
100 bpm • D Maj • 01:16 • -16.82db
17% Popularity • 62% Danceability • 42% Energy • 13% Liveness
78% Instrumentalness • 77% Positiveness
17% Popularity • 62% Danceability • 42% Energy • 13% Liveness
78% Instrumentalness • 77% Positiveness
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Luca Balboni
My Darling Mi Coracon
100 bpm • G# Maj • 02:15 • -15.77db
11% Popularity • 74% Danceability • 31% Energy • 20% Liveness
9% Instrumentalness • 49% Positiveness
11% Popularity • 74% Danceability • 31% Energy • 20% Liveness
9% Instrumentalness • 49% Positiveness
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Cuban Bolero Guitar Quartet
Plaza Mayor
100 bpm • A# Maj • 02:50 • -18.7db
24% Popularity • 83% Danceability • 27% Energy • 7% Liveness
89% Instrumentalness • 74% Positiveness
24% Popularity • 83% Danceability • 27% Energy • 7% Liveness
89% Instrumentalness • 74% Positiveness
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Elena Torne
Special Night, Good Vibrations
100 bpm • B min • 03:20 • -10.1db
23% Popularity • 82% Danceability • 40% Energy • 10% Liveness
60% Instrumentalness • 86% Positiveness
23% Popularity • 82% Danceability • 40% Energy • 10% Liveness
60% Instrumentalness • 86% Positiveness
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Tony Mottola
Dream Theme From "Act I"
100 bpm • A Maj • 03:08 • -10.82db
10% Popularity • 55% Danceability • 30% Energy • 10% Liveness
95% Instrumentalness • 37% Positiveness
10% Popularity • 55% Danceability • 30% Energy • 10% Liveness
95% Instrumentalness • 37% Positiveness
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クロード・チアリ
セプテンバー・ソング
84 bpm • G Maj • 03:58 • -11.91db
14% Popularity • 55% Danceability • 40% Energy • 16% Liveness
83% Instrumentalness • 12% Positiveness
14% Popularity • 55% Danceability • 40% Energy • 16% Liveness
83% Instrumentalness • 12% Positiveness
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Eduardo Zurita
Alma en los Labios
84 bpm • A min • 02:43 • -15.49db
17% Popularity • 61% Danceability • 25% Energy • 11% Liveness
40% Instrumentalness • 58% Positiveness
17% Popularity • 61% Danceability • 25% Energy • 11% Liveness
40% Instrumentalness • 58% Positiveness
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Chilled Jazz Inc
Breakdown
101 bpm • C Maj • 02:23 • -21db
31% Popularity • 95% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 91% Positiveness
31% Popularity • 95% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 91% Positiveness
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Luiz Bonfá
April in Paris
101 bpm • C Maj • 02:15 • -11.2db
24% Popularity • 49% Danceability • 23% Energy • 20% Liveness
18% Instrumentalness • 39% Positiveness
24% Popularity • 49% Danceability • 23% Energy • 20% Liveness
18% Instrumentalness • 39% Positiveness
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Carmen Cavallaro
Chopin's Polonaise
101 bpm • G# Maj • 03:17 • -12.41db
10% Popularity • 50% Danceability • 40% Energy • 7% Liveness
91% Instrumentalness • 62% Positiveness
10% Popularity • 50% Danceability • 40% Energy • 7% Liveness
91% Instrumentalness • 62% Positiveness
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おしゃれな カフェミュージック
音楽(眠い朝)
101 bpm • F min • 02:41 • -16.61db
12% Popularity • 73% Danceability • 24% Energy • 9% Liveness
75% Instrumentalness • 47% Positiveness
12% Popularity • 73% Danceability • 24% Energy • 9% Liveness
75% Instrumentalness • 47% Positiveness
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銀河大樂隊
你是月兒我星星
101 bpm • G# Maj • 03:22 • -13.52db
8% Popularity • 34% Danceability • 33% Energy • 29% Liveness
78% Instrumentalness • 57% Positiveness
8% Popularity • 34% Danceability • 33% Energy • 29% Liveness
78% Instrumentalness • 57% Positiveness
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Cuban Bolero Guitar Quartet
Santiago Sunrise
101 bpm • B min • 02:43 • -18.5db
16% Popularity • 82% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 79% Positiveness
16% Popularity • 82% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 79% Positiveness
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Al Caiola
Que Sera?
101 bpm • G min • 02:31 • -15.93db
11% Popularity • 49% Danceability • 34% Energy • 10% Liveness
79% Instrumentalness • 70% Positiveness
11% Popularity • 49% Danceability • 34% Energy • 10% Liveness
79% Instrumentalness • 70% Positiveness
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Frank Chacksfield & His Orchestra
Good-bye Blues
83 bpm • D# Maj • 02:56 • -13.78db
12% Popularity • 31% Danceability • 29% Energy • 90% Liveness
69% Instrumentalness • 48% Positiveness
12% Popularity • 31% Danceability • 29% Energy • 90% Liveness
69% Instrumentalness • 48% Positiveness
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Les & Larry Elgart
Soulful Strut
84 bpm • B Maj • 02:26 • -13.93db
26% Popularity • 53% Danceability • 32% Energy • 33% Liveness
87% Instrumentalness • 66% Positiveness
26% Popularity • 53% Danceability • 32% Energy • 33% Liveness
87% Instrumentalness • 66% Positiveness
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Pepe Jaramillo With His Latin American Rhythm
Siboney
83 bpm • F min • 02:41 • -14.44db
1% Popularity • 67% Danceability • 44% Energy • 11% Liveness
87% Instrumentalness • 93% Positiveness
1% Popularity • 67% Danceability • 44% Energy • 11% Liveness
87% Instrumentalness • 93% Positiveness
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Winifred Atwell
C'est L'amour
83 bpm • D Maj • 02:26 • -6.9db
13% Popularity • 55% Danceability • 61% Energy • 30% Liveness
83% Instrumentalness • 84% Positiveness
13% Popularity • 55% Danceability • 61% Energy • 30% Liveness
83% Instrumentalness • 84% Positiveness
