Songs like Baliw Sayo (feat. Bosx1ne) by John Roa
Based on a tempo of (+/- 10%) and a similar genre
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Yeng Constantino
Chinito
128 bpm • C# min • 03:46 • -5.42db
54% Popularity • 84% Danceability • 69% Energy • 36% Liveness
1% Instrumentalness • 73% Positiveness
54% Popularity • 84% Danceability • 69% Energy • 36% Liveness
1% Instrumentalness • 73% Positiveness
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Ron Henley
Atat
128 bpm • C Maj • 05:21 • -5.04db
41% Popularity • 76% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 76% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Al James
LATINA
128 bpm • E min • 03:31 • -5.06db
65% Popularity • 84% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
65% Popularity • 84% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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John Roa
Baliw Sayo
128 bpm • C# Maj • 04:47 • -6.64db
51% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Parokya Ni Edgar
Sayang
127 bpm • E Maj • 03:00 • -11.82db
50% Popularity • 55% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 55% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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This Band
Kahit Ayaw Mo Na
128 bpm • D Maj • 04:03 • -8.54db
63% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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I Belong to the Zoo
Sana
129 bpm • G Maj • 04:32 • -6.67db
59% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
59% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Nik Makino
MOON
129 bpm • B min • 03:31 • -12.8db
57% Popularity • 81% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 81% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Shanti Dope
City Girl
127 bpm • C Maj • 03:08 • -10db
70% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
70% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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John Roa
Asa
127 bpm • C# Maj • 03:07 • -7.48db
43% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Itchyworms
Ayokong Tumanda
127 bpm • B Maj • 05:28 • -8.48db
48% Popularity • 77% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
48% Popularity • 77% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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420 Soldierz
Salamin Ver. 2
127 bpm • C# Maj • 07:10 • -12.65db
35% Popularity • 74% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 74% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Karl Wine
Asian Beauty
129 bpm • B Maj • 03:24 • -11.27db
27% Popularity • 78% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 78% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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I Belong to the Zoo
Sana - Single Version
127 bpm • G Maj • 04:37 • -8db
64% Popularity • 66% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
64% Popularity • 66% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Bandang Lapis
Kung San Ka Masaya
130 bpm • A Maj • 04:32 • -11.11db
58% Popularity • 39% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
58% Popularity • 39% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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John Roa
Hangga't Maari
127 bpm • D Maj • 02:47 • -9.18db
45% Popularity • 53% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 53% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Shanti Dope
Tabi
130 bpm • D# min • 03:19 • -10db
55% Popularity • 78% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 78% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Dionela
Agaw
126 bpm • A# Maj • 04:47 • -9db
44% Popularity • 55% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 55% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Loonie
Eskapo
130 bpm • D Maj • 05:03 • -10.29db
47% Popularity • 87% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 87% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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RAINA
MRPK
130 bpm • F# min • 03:38 • -4db
26% Popularity • 76% Danceability • 89% Energy • 20% Liveness
4% Instrumentalness • 90% Positiveness
26% Popularity • 76% Danceability • 89% Energy • 20% Liveness
4% Instrumentalness • 90% Positiveness
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Eros Rhodes
Hele
130 bpm • F Maj • 04:27 • -12db
48% Popularity • 74% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 74% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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John Roa
Byahe
127 bpm • G# Maj • 04:09 • -9.49db
62% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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420 Soldierz
Salamin
130 bpm • C# Maj • 06:59 • -6.24db
47% Popularity • 79% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 79% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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King Badger
Walang Gana
126 bpm • G# Maj • 03:20 • -8.81db
53% Popularity • 88% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 88% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Geo Ong
Pekeng Kaibigan
126 bpm • E Maj • 04:09 • -9.07db
50% Popularity • 95% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 95% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Kamikazee
Halik
126 bpm • B Maj • 03:42 • -3db
64% Popularity • 52% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 52% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Bryant
'Di Na Bale
130 bpm • A Maj • 04:03 • -9.12db
32% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Jen Cee
Walang Iba Pero Di Na Ikaw
130 bpm • C Maj • 05:56 • -8db
40% Popularity • 58% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 58% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Range
Love Can Hurt
130 bpm • B min • 03:26 • -9.93db
50% Popularity • 84% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 84% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Team Sekai
Masaya Kana Sa Iba
130 bpm • E Maj • 05:57 • -8.92db
39% Popularity • 71% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 71% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Lo ki
LSDreams
126 bpm • G Maj • 03:05 • -5.22db
52% Popularity • 76% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 76% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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CLR
Pangako
130 bpm • C# min • 03:14 • -15db
39% Popularity • 80% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 80% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Neil Enriquez
Binalewala
130 bpm • D Maj • 03:47 • -14.97db
38% Popularity • 56% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 56% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Bugoy Na Koykoy
Stig
126 bpm • G# Maj • 04:49 • -4.52db
58% Popularity • 75% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
58% Popularity • 75% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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MC Einstein
Wag Na Lang
126 bpm • F min • 03:52 • -5.16db
59% Popularity • 78% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 78% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Zo zo
Much Better - Remix
130 bpm • C# Maj • 03:18 • -4.78db
46% Popularity • 68% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 68% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Lo ki
ATBP.
126 bpm • D Maj • 03:13 • -10.75db
59% Popularity • 79% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
59% Popularity • 79% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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JEBeats
Hindi Sadya
126 bpm • G Maj • 03:51 • -4.75db
34% Popularity • 57% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 57% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Jrldm
Para Sa Sarili
130 bpm • F# Maj • 04:22 • -7db
68% Popularity • 75% Danceability • 65% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
68% Popularity • 75% Danceability • 65% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
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Eins
Habol V.2
130 bpm • G min • 02:47 • -10db
35% Popularity • 72% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 72% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Arthur Nery
Segundo, Siguro
130 bpm • B Maj • 04:44 • -8.44db
63% Popularity • 43% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
63% Popularity • 43% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Al James
Pa-umaga
130 bpm • C Maj • 03:09 • -17.18db
71% Popularity • 91% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
71% Popularity • 91% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Yayoi
Kukunin Kita
130 bpm • F Maj • 04:43 • -8.03db
38% Popularity • 72% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 72% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Shehyee
Trip Lang
130 bpm • G Maj • 03:02 • -4.73db
55% Popularity • 75% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 75% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Mac Mafia
Usok
130 bpm • F# min • 02:59 • -11.43db
54% Popularity • 86% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
54% Popularity • 86% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Jr Crown
Darating
130 bpm • F# Maj • 04:49 • -8.38db
41% Popularity • 81% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 81% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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RAINA
Una
130 bpm • C# Maj • 03:04 • -15db
35% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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John Roa
Natagpuan
126 bpm • A Maj • 04:30 • -9.16db
30% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Ron Henley
Langit
130 bpm • B min • 04:21 • -7db
46% Popularity • 69% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 69% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Yno
Hangin
126 bpm • A# Maj • 04:59 • -7db
62% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
62% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Parokya Ni Edgar
Wag Mo Na Sana
126 bpm • G Maj • 02:58 • -8db
59% Popularity • 62% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
59% Popularity • 62% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Shanti Dope
Young Gaddy
126 bpm • F Maj • 02:55 • -9.24db
60% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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MaxyPresko
Kreyzii Night
125 bpm • F min • 03:04 • -11db
49% Popularity • 87% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 87% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
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John Roa
Ulit Ulit
125 bpm • C Maj • 03:26 • -7.74db
35% Popularity • 48% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 48% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Soulstice
L.D.R.
131 bpm • G Maj • 04:14 • -15.42db
31% Popularity • 82% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 82% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Breezy Boyz & Girlz
Tiwala
125 bpm • E Maj • 05:58 • -7.04db
42% Popularity • 79% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 79% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Mike Kosa
Lakas Tama
125 bpm • C Maj • 06:28 • -10.27db
50% Popularity • 89% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 89% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Shanti Dope
Mau
125 bpm • E min • 04:24 • -5db
62% Popularity • 82% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 82% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Because
Isa Pa
125 bpm • A# Maj • 03:21 • -15db
41% Popularity • 84% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 84% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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O.C. Dawgs
Kriminal
125 bpm • C# Maj • 02:21 • -8db
50% Popularity • 74% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 74% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Siakol
Tropa
132 bpm • E Maj • 04:48 • -5.35db
54% Popularity • 65% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 65% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Bandang Lapis
Nang Dumating Ka
132 bpm • C Maj • 06:19 • -6.38db
61% Popularity • 46% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
61% Popularity • 46% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Arthur Nery
Binhi
124 bpm • F Maj • 03:36 • -10db
69% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
69% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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James Reid
No Erase
132 bpm • A Maj • 03:39 • -7.23db
51% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Because
Marlboro Black 2
132 bpm • G Maj • 04:01 • -12.34db
46% Popularity • 76% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 76% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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CLR
Yokona
132 bpm • C min • 04:06 • -11.2db
34% Popularity • 68% Danceability • 40% Energy • 15% Liveness
10% Instrumentalness • 22% Positiveness
34% Popularity • 68% Danceability • 40% Energy • 15% Liveness
10% Instrumentalness • 22% Positiveness
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Nopetsallowed
Gibati
124 bpm • C Maj • 03:21 • -6.73db
45% Popularity • 88% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 88% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Yayoi
Kailangan Ka Niya
132 bpm • D Maj • 04:17 • -13db
43% Popularity • 79% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 79% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Loraine
Takot Akong Mawala Ka
132 bpm • A Maj • 06:13 • -7.89db
40% Popularity • 70% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 70% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
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Skusta Clee
Noche Buena
123 bpm • G Maj • 03:30 • -3.03db
54% Popularity • 76% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 76% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Because
Marlboro Black
132 bpm • E min • 03:26 • -13db
60% Popularity • 84% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
60% Popularity • 84% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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John Roa
Ayuz
123 bpm • C Maj • 03:21 • -7.3db
25% Popularity • 48% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 48% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Lo ki
Munting Paraiso
123 bpm • G# Maj • 03:02 • -10.43db
64% Popularity • 48% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
64% Popularity • 48% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Pangilinan
Tayo Na Lang
134 bpm • B Maj • 03:21 • -6.92db
46% Popularity • 75% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 75% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Nik Makino
Bakit Ba
134 bpm • A min • 04:29 • -12.92db
35% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Skusta Clee
Kung Tayo & Imahe
133 bpm • C Maj • 05:07 • -5.31db
42% Popularity • 52% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 52% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Sarah Geronimo
Alam
122 bpm • F# Maj • 04:52 • -7.9db
39% Popularity • 83% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 83% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Cup of Joe
Sinderela
134 bpm • E min • 04:08 • -9.96db
63% Popularity • 70% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 70% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Bandang Lapis
Kung Alam Mo Lang
134 bpm • C Maj • 04:16 • -6db
64% Popularity • 34% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 34% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Parokya Ni Edgar
Halaga
135 bpm • D Maj • 05:52 • -9db
62% Popularity • 49% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
62% Popularity • 49% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Dionela
Musika
135 bpm • A Maj • 04:06 • -7db
69% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
69% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Skusta Clee
Zebbiana
134 bpm • G# Maj • 05:04 • -8.52db
60% Popularity • 68% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 68% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Just Hush
Maikee's Letters
122 bpm • C Maj • 05:00 • -8.27db
63% Popularity • 71% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 71% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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O.C. Dawgs
Akala Ko Nung Una
135 bpm • A Maj • 05:01 • -3.68db
63% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
63% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Arthur Miguel
Ang Wakas
135 bpm • G Maj • 05:04 • -6.33db
65% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
65% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Awi Columna
Walang Wakas
135 bpm • A min • 05:26 • -6.88db
43% Popularity • 63% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 63% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Clinxy Beats
Di Naramdaman
135 bpm • G# Maj • 05:10 • -4.99db
41% Popularity • 72% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 72% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Skusta Clee
Inlove with that B*tch
122 bpm • A# min • 02:31 • -9db
48% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Kamikazee
Huling Sayaw (Acoustic)
135 bpm • E Maj • 04:20 • -8.05db
55% Popularity • 62% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 62% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Flow G
Miss Flawless
135 bpm • C# Maj • 04:34 • -9.08db
55% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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John Roa
Alam ko
135 bpm • A# Maj • 04:50 • -15.19db
51% Popularity • 42% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 42% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Jeff Grecia
Elevate
121 bpm • C min • 03:38 • -11db
68% Popularity • 89% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
68% Popularity • 89% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Agsunta
Kung 'Di Na Ako
121 bpm • D Maj • 04:41 • -7.46db
52% Popularity • 58% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 58% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Yeng Constantino
Ako Muna
136 bpm • F# Maj • 03:42 • -5.18db
50% Popularity • 55% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 55% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Mr. Phoebu$
Araw Araw Pera
136 bpm • G# Maj • 04:44 • -6db
6% Popularity • 95% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
6% Popularity • 95% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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King Badger
Miloves (Otw Sayo)
136 bpm • B Maj • 04:02 • -10.57db
51% Popularity • 77% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 77% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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John Roa
Deliks
121 bpm • C Maj • 04:02 • -5.65db
38% Popularity • 60% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 60% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Zack Tabudlo
Iyong Iyo
136 bpm • D Maj • 03:22 • -10.69db
49% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
