Songs like Balletti lamentabili á 4, C 59: IV. Gavotte by Heinrich Ignaz Franz von Biber
Based on a tempo of (+/- 10%) and a similar genre
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Johann Adolf Hasse
Hasse: Demofoonte, Sinfonia: I. Allegro
136 bpm • C# Maj • 02:08 • -16.98db
17% Popularity • 53% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 84% Positiveness
17% Popularity • 53% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 84% Positiveness
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Nicola Matteis
Fuga (Prestissimo)
136 bpm • C# Maj • 01:07 • -16.14db
18% Popularity • 54% Danceability • 24% Energy • 19% Liveness
1% Instrumentalness • 69% Positiveness
18% Popularity • 54% Danceability • 24% Energy • 19% Liveness
1% Instrumentalness • 69% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 4, "The Pres...
136 bpm • C# min • 07:54 • -16.68db
12% Popularity • 37% Danceability • 11% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
12% Popularity • 37% Danceability • 11% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Concerto grosso No. 4 in D Major, Op. 6:...
136 bpm • C# Maj • 03:17 • -13.43db
31% Popularity • 42% Danceability • 33% Energy • 48% Liveness
51% Instrumentalness • 52% Positiveness
31% Popularity • 42% Danceability • 33% Energy • 48% Liveness
51% Instrumentalness • 52% Positiveness
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George Frideric Handel
Concerto for recorder in F Major: V. Pre...
137 bpm • E Maj • 02:10 • -13.94db
8% Popularity • 44% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 79% Positiveness
8% Popularity • 44% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 79% Positiveness
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Matthew Locke
Psyche, Act I Scene 1: Symphony of rusti...
135 bpm • C# min • 01:00 • -18.65db
19% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
19% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
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Alessandro Scarlatti
Concerto Grosso No. 3 in F Major: III. A...
135 bpm • F Maj • 01:39 • -15db
36% Popularity • 59% Danceability • 24% Energy • 8% Liveness
56% Instrumentalness • 68% Positiveness
36% Popularity • 59% Danceability • 24% Energy • 8% Liveness
56% Instrumentalness • 68% Positiveness
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Henry Purcell
12 Sonatas of III parts Z790-801: Sonata...
137 bpm • F# min • 07:03 • -22.09db
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
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Jean-Féry Rebel
Fantaisie: VII. Chaconne
135 bpm • C# Maj • 01:31 • -13.83db
8% Popularity • 44% Danceability • 51% Energy • 31% Liveness
2% Instrumentalness • 9% Positiveness
8% Popularity • 44% Danceability • 51% Energy • 31% Liveness
2% Instrumentalness • 9% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 3, "The Nati...
135 bpm • C# Maj • 02:54 • -17.2db
14% Popularity • 48% Danceability • 16% Energy • 7% Liveness
20% Instrumentalness • 56% Positiveness
14% Popularity • 48% Danceability • 16% Energy • 7% Liveness
20% Instrumentalness • 56% Positiveness
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Dario Castello
Sonata Duodecima a 3 In A Minor
135 bpm • G# min • 07:58 • -17.46db
6% Popularity • 30% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 5% Positiveness
6% Popularity • 30% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 5% Positiveness
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Domenico Zipoli
Beatus vir: II. Exortum est
135 bpm • C# min • 01:36 • -25db
17% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria I
137 bpm • F# Maj • 01:21 • -28.47db
29% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
29% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Francesco Geminiani
Concerto grosso in C Minor, Op. 2, No. 1...
135 bpm • C min • 02:09 • -16.13db
23% Popularity • 48% Danceability • 18% Energy • 25% Liveness
85% Instrumentalness • 48% Positiveness
23% Popularity • 48% Danceability • 18% Energy • 25% Liveness
85% Instrumentalness • 48% Positiveness
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Girolamo Frescobaldi
Canzona prima a 4, canto alto tenor bass...
135 bpm • G Maj • 02:18 • -16.23db
12% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
12% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
135 bpm • G# Maj • 03:22 • -19.07db
13% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
13% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: I. Overture
137 bpm • D min • 02:08 • -17.89db
20% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
20% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: III....
137 bpm • C min • 05:24 • -19db
17% Popularity • 47% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
17% Popularity • 47% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: III. Ada...
134 bpm • F# min • 01:01 • -25.8db
19% Popularity • 25% Danceability • 2% Energy • 10% Liveness
18% Instrumentalness • 18% Positiveness
19% Popularity • 25% Danceability • 2% Energy • 10% Liveness
18% Instrumentalness • 18% Positiveness
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Jean-Féry Rebel
Les Caractères de la Danse: XIV. Sonate
138 bpm • C# Maj • 01:21 • -14db
11% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
11% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: IV. And...
138 bpm • C# Maj • 04:48 • -33.85db
14% Popularity • 32% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
14% Popularity • 32% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Alessandro Scarlatti
Concerto Grosso No. 3 in F Major: II. La...
138 bpm • D min • 00:55 • -18.02db
29% Popularity • 24% Danceability • 10% Energy • 12% Liveness
14% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 10% Energy • 12% Liveness
14% Instrumentalness • 6% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
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Johann Gottlieb Janitsch
Quartet in G Major: III. Vivace
139 bpm • F# Maj • 03:11 • -18db
18% Popularity • 44% Danceability • 12% Energy • 10% Liveness
12% Instrumentalness • 40% Positiveness
18% Popularity • 44% Danceability • 12% Energy • 10% Liveness
12% Instrumentalness • 40% Positiveness
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Giovanni Battista Sammartini
Concerto in C major for violoncello picc...
133 bpm • F# Maj • 04:08 • -20.19db
19% Popularity • 48% Danceability • 16% Energy • 16% Liveness
71% Instrumentalness • 65% Positiveness
19% Popularity • 48% Danceability • 16% Energy • 16% Liveness
71% Instrumentalness • 65% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Air...
133 bpm • G# min • 01:21 • -33.04db
29% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
29% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
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Heinrich Ignaz Franz von Biber
Mensa sonora / PARS I (In D Major): 1. S...
139 bpm • C# Maj • 01:12 • -18.62db
9% Popularity • 31% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 31% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Carl Friedrich Abel
Arpeggiata (Prelude)
133 bpm • C# min • 02:27 • -32.7db
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Henry Purcell
Fantasy Upon One Note
133 bpm • E Maj • 02:45 • -20db
14% Popularity • 19% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
14% Popularity • 19% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Franz Benda
Violin Sonata in E-Flat Major: III. Alle...
139 bpm • A Maj • 03:11 • -23.09db
19% Popularity • 43% Danceability • 5% Energy • 36% Liveness
2% Instrumentalness • 69% Positiveness
19% Popularity • 43% Danceability • 5% Energy • 36% Liveness
2% Instrumentalness • 69% Positiveness
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Jean-Philippe Rameau
Troisième Concert, Excerpt From Claveci...
133 bpm • G# Maj • 04:06 • -23.07db
7% Popularity • 22% Danceability • 16% Energy • 14% Liveness
3% Instrumentalness • 50% Positiveness
7% Popularity • 22% Danceability • 16% Energy • 14% Liveness
3% Instrumentalness • 50% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
32% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
32% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: Sinfo...
140 bpm • D# min • 01:24 • -28.03db
20% Popularity • 14% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
20% Popularity • 14% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Georg Muffat
Sonata II In G Minor: I. Grave (Muffat)
132 bpm • F# min • 02:09 • -19.24db
10% Popularity • 16% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Battalia a 10 in D: Presto
140 bpm • C# Maj • 00:51 • -27.74db
13% Popularity • 46% Danceability • 5% Energy • 12% Liveness
36% Instrumentalness • 81% Positiveness
13% Popularity • 46% Danceability • 5% Energy • 12% Liveness
36% Instrumentalness • 81% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
132 bpm • C# min • 01:47 • -19db
17% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Benedetto Marcello
Sinfonia a quattro No. 2 in A Major, SF ...
140 bpm • G# Maj • 01:05 • -16.1db
20% Popularity • 14% Danceability • 21% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
20% Popularity • 14% Danceability • 21% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
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Arcangelo Corelli
Sonata in B-flat Major, No. 2: I. Grave
132 bpm • A Maj • 02:48 • -17.06db
19% Popularity • 18% Danceability • 12% Energy • 24% Liveness
5% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 12% Energy • 24% Liveness
5% Instrumentalness • 4% Positiveness
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Giovanni Battista Sammartini
Sonata for 2 Recorders and Basso Continu...
140 bpm • C# min • 01:35 • -25.49db
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Christoph Graupner
Overture for Flute and Bassoon in G Majo...
131 bpm • F# Maj • 01:02 • -19db
29% Popularity • 63% Danceability • 21% Energy • 22% Liveness
32% Instrumentalness • 96% Positiveness
29% Popularity • 63% Danceability • 21% Energy • 22% Liveness
32% Instrumentalness • 96% Positiveness
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Nicola Matteis
Preludio in ostination: Passagio rotto
131 bpm • F# min • 01:09 • -16.8db
14% Popularity • 38% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 38% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Jordi Savall
Battalia À 10: Presto (Biber)
141 bpm • G# Maj • 01:35 • -19.62db
10% Popularity • 40% Danceability • 16% Energy • 13% Liveness
43% Instrumentalness • 51% Positiveness
10% Popularity • 40% Danceability • 16% Energy • 13% Liveness
43% Instrumentalness • 51% Positiveness
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Louis Couperin
Suite in A Minor: III. Courante La Migno...
131 bpm • G# min • 01:34 • -20db
30% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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Evaristo Felice Dall'Abaco
Concerto à più istrumenti, Op. 6, Conc...
130 bpm • F# Maj • 03:26 • -18.27db
8% Popularity • 54% Danceability • 19% Energy • 14% Liveness
22% Instrumentalness • 32% Positiveness
8% Popularity • 54% Danceability • 19% Energy • 14% Liveness
22% Instrumentalness • 32% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in F Major, Op. 3, No. 1...
130 bpm • C Maj • 01:42 • -17db
33% Popularity • 59% Danceability • 22% Energy • 16% Liveness
18% Instrumentalness • 74% Positiveness
33% Popularity • 59% Danceability • 22% Energy • 16% Liveness
18% Instrumentalness • 74% Positiveness
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Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
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Nicola Matteis
Allegro
131 bpm • D# min • 02:01 • -17.55db
16% Popularity • 48% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 80% Positiveness
16% Popularity • 48% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 80% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
24% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
24% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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![Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata III in G-Moll, Op. 2, BuxWV 261: ...
130 bpm • F# min • 05:34 • -17.29db
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Marin Marais
Quatrième suite in A Minor: No. 7, Muze...
130 bpm • G# Maj • 01:05 • -20.98db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
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George Frideric Handel
Concerto for recorder in F Major: II. Al...
143 bpm • E Maj • 01:47 • -14db
9% Popularity • 57% Danceability • 35% Energy • 20% Liveness
84% Instrumentalness • 93% Positiveness
9% Popularity • 57% Danceability • 35% Energy • 20% Liveness
84% Instrumentalness • 93% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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Francesco Geminiani
Oboe Sonata No. 3: I. Adagio
129 bpm • D# min • 01:10 • -19.59db
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
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François Couperin
Concert No. 8 in G Major "Les goûts ré...
129 bpm • F Maj • 02:18 • -25.41db
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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Johann Jakob Froberger
Suite No. 12 in C Major, FbWV 612: I. Al...
143 bpm • F# Maj • 04:50 • -20db
9% Popularity • 32% Danceability • 10% Energy • 10% Liveness
11% Instrumentalness • 25% Positiveness
9% Popularity • 32% Danceability • 10% Energy • 10% Liveness
11% Instrumentalness • 25% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 15, "The Bea...
129 bpm • B Maj • 01:54 • -20.99db
14% Popularity • 36% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
14% Popularity • 36% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
► Preview
Alessandro Marcello
Concerto di Flauti, S.D945: III. Presto
143 bpm • G Maj • 01:19 • -21.65db
18% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
18% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
► Preview
Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
41% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
26% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
26% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
► Preview
Johann Rosenmüller
Sonata Decima à 5 en fa majeur
129 bpm • E Maj • 05:33 • -18.3db
10% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
10% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
► Preview
Francesco Geminiani
Concerto Grosso in E Minor, Op. 3, No. 3...
144 bpm • E min • 03:24 • -15db
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
► Preview
Benedetto Marcello
Cello Sonata in F Major, Op. 1, No. 1: I...
128 bpm • E Maj • 01:35 • -17.27db
26% Popularity • 48% Danceability • 31% Energy • 30% Liveness
88% Instrumentalness • 67% Positiveness
26% Popularity • 48% Danceability • 31% Energy • 30% Liveness
88% Instrumentalness • 67% Positiveness
► Preview
Johann Jakob Froberger
Suite No. 12 in C Major, FbWV 612: II. C...
128 bpm • F# Maj • 01:46 • -17.69db
11% Popularity • 28% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
11% Popularity • 28% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
► Preview
Johann Friedrich Fasch
Concerto for 2 Oboes da caccia, 2 Violas...
127 bpm • F# Maj • 02:43 • -27db
13% Popularity • 36% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
13% Popularity • 36% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
► Preview
Marin Marais
5e livre de viole: Chaconne
128 bpm • F# Maj • 03:13 • -22db
16% Popularity • 28% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7b: Act III Scene 11: Batta...
127 bpm • C# Maj • 01:35 • -18.85db
33% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
33% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
► Preview
Giovanni Battista Fontana
18 Sonatas in 1, 2, 3 Parts: Sonata No. ...
127 bpm • C# Maj • 06:58 • -22db
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Girolamo Frescobaldi
Canzona ottava a basso solo "detta l’a...
127 bpm • G min • 03:07 • -22.14db
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
126 bpm • C min • 01:33 • -20.73db
21% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Johann Friedrich Fasch
Concerto for Flute and Oboe in G Major, ...
127 bpm • D# min • 02:33 • -17db
19% Popularity • 55% Danceability • 22% Energy • 8% Liveness
63% Instrumentalness • 54% Positiveness
19% Popularity • 55% Danceability • 22% Energy • 8% Liveness
63% Instrumentalness • 54% Positiveness
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Alessandro Scarlatti
A battaglia, pensieri: Sinfonia
146 bpm • C Maj • 01:39 • -18.7db
23% Popularity • 30% Danceability • 19% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
23% Popularity • 30% Danceability • 19% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Antoine Forqueray
Forqueray, A: Pièces de viole, Suite No...
126 bpm • C# min • 03:46 • -25db
11% Popularity • 31% Danceability • 20% Energy • 23% Liveness
92% Instrumentalness • 40% Positiveness
11% Popularity • 31% Danceability • 20% Energy • 23% Liveness
92% Instrumentalness • 40% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: IX...
126 bpm • A# min • 01:15 • -16.88db
19% Popularity • 38% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 38% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Heinrich Ignaz Franz von Biber
Mensa sonora / PARS III (In A Minor): 1....
147 bpm • G# min • 01:25 • -19.17db
4% Popularity • 48% Danceability • 10% Energy • 20% Liveness
9% Instrumentalness • 41% Positiveness
4% Popularity • 48% Danceability • 10% Energy • 20% Liveness
9% Instrumentalness • 41% Positiveness
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Dietrich Buxtehude
Jesu, meines Lebens Leben in D Minor, Bu...
126 bpm • D min • 00:47 • -24db
15% Popularity • 23% Danceability • 7% Energy • 31% Liveness
20% Instrumentalness • 13% Positiveness
15% Popularity • 23% Danceability • 7% Energy • 31% Liveness
20% Instrumentalness • 13% Positiveness
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Tomaso Albinoni
Sinfonie a cinque per due violini, alto,...
126 bpm • B Maj • 03:31 • -17db
9% Popularity • 19% Danceability • 16% Energy • 14% Liveness
42% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 16% Energy • 14% Liveness
42% Instrumentalness • 6% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: I. Adagi...
125 bpm • C# min • 02:51 • -18.24db
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629: Rondeau
124 bpm • A Maj • 01:40 • -22db
29% Popularity • 23% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 23% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Girolamo Frescobaldi
Il primo libro delle canzoni: Toccata (2...
149 bpm • G min • 02:01 • -32.84db
21% Popularity • 20% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
21% Popularity • 20% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Heinrich Ignaz Franz von Biber
Sonata IX: Jesus Carries His Cross
148 bpm • G# min • 05:45 • -19.59db
22% Popularity • 36% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 19% Positiveness
22% Popularity • 36% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 19% Positiveness
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Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
148 bpm • C min • 01:46 • -28db
36% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
29% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
29% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Johann David Heinichen
Concerto in G Minor - Oboe, Strings & B....
124 bpm • F# min • 04:32 • -18.62db
21% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
21% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
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Nicola Fiorenza
Concerto in A Minor for 3 Violins, Viola...
124 bpm • G# min • 01:23 • -19db
19% Popularity • 64% Danceability • 12% Energy • 19% Liveness
94% Instrumentalness • 56% Positiveness
19% Popularity • 64% Danceability • 12% Energy • 19% Liveness
94% Instrumentalness • 56% Positiveness
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Antonio Caldara
Sinfonia No. 8 in si bemolle maggiore (G...
149 bpm • A# Maj • 01:02 • -17.28db
30% Popularity • 20% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
30% Popularity • 20% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Jean-Féry Rebel
Les plaisirs champêtres: I. Musette
124 bpm • G# Maj • 00:57 • -21.59db
9% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Franz Xaver Richter
Symphony No. 4 in C Major: I. Allegro
124 bpm • F# Maj • 06:57 • -18db
14% Popularity • 34% Danceability • 23% Energy • 15% Liveness
69% Instrumentalness • 43% Positiveness
14% Popularity • 34% Danceability • 23% Energy • 15% Liveness
69% Instrumentalness • 43% Positiveness
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Heinrich Ignaz Franz von Biber
Sonatae Violino Solo (1681): Sonata No. ...
124 bpm • C# min • 08:24 • -12.63db
10% Popularity • 34% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
10% Popularity • 34% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: IV. All...
148 bpm • E Maj • 02:52 • -21db
12% Popularity • 46% Danceability • 13% Energy • 12% Liveness
59% Instrumentalness • 56% Positiveness
12% Popularity • 46% Danceability • 13% Energy • 12% Liveness
59% Instrumentalness • 56% Positiveness
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Jean-Marie Leclair
Concerto 6 in A Major, Op. 7: III. Giga ...
123 bpm • G# Maj • 05:14 • -16db
15% Popularity • 50% Danceability • 28% Energy • 7% Liveness
3% Instrumentalness • 65% Positiveness
15% Popularity • 50% Danceability • 28% Energy • 7% Liveness
3% Instrumentalness • 65% Positiveness
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Pietro Locatelli
Concerto Grosso in F Major, Op. 1, No. 1...
123 bpm • F Maj • 01:34 • -18.1db
38% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Benedetto Marcello
Concerto in E Minor: I. Adagio e staccat...
123 bpm • D# min • 02:08 • -21db
25% Popularity • 35% Danceability • 4% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
25% Popularity • 35% Danceability • 4% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
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Johann Heinrich Schmelzer
Sonatae unarum fidium: III. Gigue
123 bpm • G# Maj • 00:55 • -16.83db
21% Popularity • 55% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 35% Positiveness
21% Popularity • 55% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 35% Positiveness
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Jean-Baptiste Lully
Alcidiane: Petite Chaconne
150 bpm • B Maj • 01:32 • -31db
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
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William Boyce
Symphony No. 7 in B-Flat Major, Op. 2, "...
122 bpm • A Maj • 02:03 • -23.63db
29% Popularity • 51% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 78% Positiveness
29% Popularity • 51% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 78% Positiveness
