Songs like Bar Downtown by Jon Pardi
Based on a tempo of (+/- 10%) and a similar genre
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Dylan Wheeler
Hey Baby
132 bpm • F Maj • 04:47 • -4.86db
40% Popularity • 57% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 57% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Tyler Farr
I Wish Dogs Could Live Forever
132 bpm • G# Maj • 03:10 • -5.82db
32% Popularity • 47% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 47% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jon Pardi
Bar Downtown
132 bpm • D Maj • 03:23 • -4.97db
44% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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HARDY
SIGNED, SOBER YOU
132 bpm • C Maj • 03:28 • -7.97db
60% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jameson Rodgers
Like You've Been There Before
132 bpm • D Maj • 03:36 • -4.58db
35% Popularity • 63% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 63% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Muscadine Bloodline
Montgomery
131 bpm • C# Maj • 03:26 • -3.64db
35% Popularity • 54% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 54% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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HIXTAPE
Beer With My Buddies
131 bpm • C# Maj • 03:09 • -4.51db
49% Popularity • 60% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 60% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Tyler Braden
Thank Me for That
131 bpm • C Maj • 03:41 • -2.94db
53% Popularity • 54% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 54% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Brooks & Dunn
Boot Scootin' Boogie - with Midland
130 bpm • D# Maj • 03:23 • -4.44db
47% Popularity • 61% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 61% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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HARDY
BROKE BOY
131 bpm • D Maj • 03:52 • -3.97db
49% Popularity • 64% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 64% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Easton Corbin
The Way Love Looks
133 bpm • F# Maj • 02:41 • -8db
40% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Trey Lewis
Whole Lotta Nothin
134 bpm • F# Maj • 03:13 • -6.14db
37% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Langston
Drinks
134 bpm • G Maj • 03:08 • -4db
32% Popularity • 48% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 48% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Caleb Kennedy
It'll Catch Up With Me Someday
134 bpm • G# Maj • 03:34 • -4.52db
30% Popularity • 56% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 56% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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HIXTAPE
Nothin’ Out Here (HARDY Thomas Rhett)
130 bpm • G Maj • 03:34 • -5db
47% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Rodney Atkins
Figure Out You (Riddle)
130 bpm • E Maj • 03:58 • -8db
36% Popularity • 58% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 58% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Kameron Marlowe
Sober as a Drunk
134 bpm • B Maj • 03:30 • -3db
50% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Jon Pardi
Just Like Old Times
134 bpm • G Maj • 03:31 • -5.36db
39% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Jameson Rodgers
That's Why the River Runs
130 bpm • F# Maj • 03:41 • -4.72db
36% Popularity • 48% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 48% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Randall King
She Gone
134 bpm • D Maj • 03:14 • -3.91db
34% Popularity • 61% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 61% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Josh Ward
Sent Me You
130 bpm • D# Maj • 03:56 • -9.14db
40% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Drew Parker
Just Asking
130 bpm • D# Maj • 03:26 • -4.73db
29% Popularity • 57% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 57% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Sean Stemaly
As Far As I Know
130 bpm • B Maj • 03:25 • -3db
29% Popularity • 55% Danceability • 81% Energy • 15% Liveness
1% Instrumentalness • 25% Positiveness
29% Popularity • 55% Danceability • 81% Energy • 15% Liveness
1% Instrumentalness • 25% Positiveness
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Jon Pardi
Fightin' The Fool
130 bpm • E min • 03:52 • -4.59db
39% Popularity • 61% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 61% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Florida Georgia Line
Long Live
130 bpm • G Maj • 02:33 • -3.55db
62% Popularity • 61% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
62% Popularity • 61% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Gary Allan
Ruthless
130 bpm • A# Maj • 03:37 • -6db
38% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Jake Owen
Yee Haw
129 bpm • G Maj • 02:52 • -3db
47% Popularity • 67% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 67% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Kody West
For The Last Time
130 bpm • G Maj • 03:14 • -3.37db
43% Popularity • 53% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 53% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Rodney Atkins
Thank God For You
129 bpm • D# Maj • 03:35 • -6db
41% Popularity • 55% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 55% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Jon Pardi
All Time High
134 bpm • G Maj • 03:52 • -3.46db
46% Popularity • 46% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 46% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
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Midland
Longneck Way To Go
129 bpm • F Maj • 03:08 • -4.91db
55% Popularity • 48% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 48% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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James Barker Band
Living The Dream
135 bpm • F Maj • 03:27 • -6.6db
38% Popularity • 72% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 72% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Mike Ryan
The Rewrite
136 bpm • G Maj • 03:25 • -4.71db
50% Popularity • 42% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 42% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Randall King
Another Bullet
136 bpm • D# Maj • 04:07 • -7.69db
48% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Travis Denning
Goodyears
136 bpm • F# Maj • 03:34 • -5.06db
38% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Jon Pardi
Fill 'Er Up
135 bpm • A Maj • 02:48 • -5.33db
47% Popularity • 65% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 65% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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HARDY
AIN'T A BAD DAY
136 bpm • D Maj • 03:22 • -4.14db
59% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Payton Smith
Creek Don’t Rise
136 bpm • B Maj • 02:59 • -4.49db
29% Popularity • 62% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 62% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Josh Ward
Hard Whiskey
128 bpm • G Maj • 04:14 • -5db
37% Popularity • 54% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 54% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Luke Combs
When It Rains It Pours
128 bpm • F# Maj • 04:00 • -5.07db
82% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
82% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Hayden Coffman
Here to Drink
128 bpm • A Maj • 04:02 • -2.97db
32% Popularity • 62% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 62% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 65% Positiveness
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Jon Pardi
Can't Turn You Down
136 bpm • G# Maj • 03:23 • -3.72db
55% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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HARDY
SO CLOSE
128 bpm • C Maj • 03:45 • -4.38db
44% Popularity • 54% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 54% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jameson Rodgers
Grew Up in the Country
136 bpm • A# Maj • 03:17 • -6db
35% Popularity • 51% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 51% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Ward
Together
136 bpm • D# Maj • 04:06 • -6.91db
46% Popularity • 46% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 46% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Thomas Rhett
Blame It On A Backroad
127 bpm • G# Maj • 02:47 • -5.15db
39% Popularity • 59% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 59% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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HIXTAPE
Goin’ Nowhere
127 bpm • F Maj • 03:09 • -4.06db
56% Popularity • 64% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
56% Popularity • 64% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Jon Pardi
That Man
136 bpm • G# Maj • 03:33 • -6.57db
47% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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HARDY
WHERE TO FIND ME
128 bpm • G# Maj • 03:54 • -5.11db
50% Popularity • 59% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
50% Popularity • 59% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Randy Houser
What Whiskey Does
127 bpm • D Maj • 03:45 • -5.03db
45% Popularity • 69% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 69% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Ward
The Devil Don't Scare Me
128 bpm • C Maj • 04:18 • -6.94db
45% Popularity • 60% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 60% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Florida Georgia Line
U.S. Stronger
138 bpm • F# Maj • 03:03 • -4.86db
30% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Tyler Braden
Love Is a Dead End Road
138 bpm • E Maj • 03:15 • -6db
38% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Ian Munsick
Cowgirl Jo
138 bpm • G# Maj • 04:03 • -7db
40% Popularity • 60% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 60% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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HARDY
I'LL QUIT LOVIN' YOU
136 bpm • G# Maj • 03:27 • -4.92db
52% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Riggs
Hold on and Let Go
138 bpm • G Maj • 03:56 • -8.01db
41% Popularity • 60% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 60% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs ...
138 bpm • F Maj • 03:20 • -5.66db
34% Popularity • 67% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 67% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Shotgun Rider
Dance or Drink
138 bpm • G Maj • 04:00 • -6.28db
35% Popularity • 59% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 59% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Janson
Better I Don't
126 bpm • C Maj • 03:25 • -4.3db
39% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Muscadine Bloodline
Damn I Need a Dirt Road
126 bpm • B Maj • 03:28 • -7db
51% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Tom O'Connor
Deserve
126 bpm • F# min • 03:44 • -2.33db
42% Popularity • 62% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 62% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Eric Church
Love Shine Down
125 bpm • C# Maj • 02:46 • -6.11db
36% Popularity • 72% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 72% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs
138 bpm • F Maj • 03:30 • -5db
49% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Owen
Drunk On A Boat
125 bpm • D# Maj • 03:12 • -4.21db
41% Popularity • 58% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 58% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Shotgun Rider
Lovin' up on You
125 bpm • C# Maj • 03:10 • -5.96db
28% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Florida Georgia Line
Ain’t Worried Bout It
125 bpm • F Maj • 02:31 • -4.74db
34% Popularity • 65% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 65% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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HIXTAPE
No Place Like Hometown (HARDY Keith Urba...
140 bpm • F Maj • 04:01 • -5db
45% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Mike Ryan
Red Eye Flight
140 bpm • A Maj • 03:20 • -4.82db
44% Popularity • 63% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 63% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Morgan Wallen
If I Ever Get You Back
140 bpm • C Maj • 02:53 • -3.34db
55% Popularity • 67% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 67% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Randall King
Keep Her on the Line
140 bpm • E Maj • 03:22 • -7.21db
45% Popularity • 56% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
45% Popularity • 56% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
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Old Dominion
I Was On a Boat That Day
140 bpm • B Maj • 02:58 • -5db
59% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
59% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Florida Georgia Line
Hard To Get To Heaven
140 bpm • A# Maj • 03:11 • -3.7db
31% Popularity • 60% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 60% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Eric Church
Homeboy
140 bpm • F# Maj • 03:47 • -4.91db
58% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Noah Hicks
Raised on the Radio
140 bpm • G Maj • 03:54 • -6.03db
28% Popularity • 52% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 52% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Sam Grow
This Town
140 bpm • E Maj • 02:49 • -4.42db
40% Popularity • 54% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 54% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
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Billy Currington
Details
140 bpm • F Maj • 03:21 • -4db
47% Popularity • 68% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
47% Popularity • 68% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Kameron Marlowe
Goin' There Today
140 bpm • C# Maj • 04:09 • -4.55db
41% Popularity • 59% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 59% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
46% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Drew Parker
While You're Gone
140 bpm • C# Maj • 03:46 • -5.64db
49% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Morgan Wallen
Beer Don’t
140 bpm • F# Maj • 03:16 • -4.56db
58% Popularity • 59% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 59% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Southall
Beautiful Eyes
140 bpm • C Maj • 04:01 • -5.04db
42% Popularity • 60% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 60% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Bryan
Bill Dance
140 bpm • C Maj • 03:48 • -4.19db
39% Popularity • 62% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 62% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Robert Counts
What Do I Know
140 bpm • C Maj • 03:28 • -6db
47% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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HARDY
THIS OLE BOY
140 bpm • G# Maj • 03:16 • -4.37db
50% Popularity • 52% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 52% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Drew Parker
The Runway
124 bpm • E Maj • 02:47 • -5.19db
29% Popularity • 58% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 58% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Morgan Wallen
Redneck Love Song
140 bpm • F Maj • 03:09 • -4.85db
58% Popularity • 75% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 75% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Adam Doleac
Whiskey's Fine
124 bpm • F Maj • 03:28 • -3.67db
37% Popularity • 52% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 52% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Eric Church
Hell On The Heart
123 bpm • C Maj • 02:44 • -3.88db
58% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
58% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Robert Counts
What Do I Know
140 bpm • C Maj • 03:28 • -7db
39% Popularity • 52% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 52% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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HARDY
THROWBACK
124 bpm • C Maj • 03:23 • -6.37db
51% Popularity • 62% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 62% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Bobby Bones & The Raging Idiots
Can’t Say That (In a Country Song)
124 bpm • A Maj • 02:49 • -4.49db
7% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Morgan Wallen
Rednecks, Red Letters, Red Dirt
140 bpm • F# Maj • 03:05 • -4.29db
61% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Dylan Marlowe
I'll Keep the Country
142 bpm • C# Maj • 03:31 • -5db
49% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Ian Munsick
Weakness
123 bpm • C Maj • 03:34 • -8.55db
44% Popularity • 72% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 72% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Tyler Farr
Only Truck In Town
142 bpm • E min • 03:14 • -3.84db
36% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
64% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
64% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Brooks & Dunn
My Next Broken Heart - with Jon Pardi
142 bpm • G Maj • 03:06 • -3.35db
47% Popularity • 50% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
47% Popularity • 50% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Rodney Atkins
A Little Good News
142 bpm • G Maj • 03:22 • -6.77db
30% Popularity • 61% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 61% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
