Songs like Barbados by Models
Based on a tempo of (+/- 10%) and a similar genre
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Sharon O'Neill
Losing You
113 bpm • C# min • 04:01 • -10.37db
21% Popularity • 59% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 59% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Models
Barbados - 12" Version
113 bpm • C Maj • 06:40 • -13.75db
9% Popularity • 67% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 67% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Flowers
Sister
113 bpm • D Maj • 03:23 • -6db
31% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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INXS
Shine Like It Does
113 bpm • D Maj • 03:05 • -5.59db
36% Popularity • 65% Danceability • 66% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
36% Popularity • 65% Danceability • 66% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
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Pseudo Echo
Don't Go
113 bpm • G min • 03:57 • -4.41db
28% Popularity • 66% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 66% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
33% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Kids In The Kitchen
Shine
114 bpm • A# min • 05:25 • -13db
16% Popularity • 63% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 63% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
47% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
47% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Shona Laing
(Glad I'm Not) a Kennedy
112 bpm • C Maj • 03:27 • -12.67db
31% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Flowers
Nothing To Do
114 bpm • C Maj • 03:20 • -7.57db
17% Popularity • 81% Danceability • 68% Energy • 27% Liveness
81% Instrumentalness • 95% Positiveness
17% Popularity • 81% Danceability • 68% Energy • 27% Liveness
81% Instrumentalness • 95% Positiveness
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1927
Tell Me A Story
112 bpm • A Maj • 04:13 • -10.05db
29% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Models
I Hear Motion
113 bpm • F Maj • 05:31 • -16.02db
36% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
36% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
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Diesel
Man Alive
112 bpm • B min • 04:50 • -7.63db
29% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
29% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
40% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Graham Bonnet
Warm Ride
112 bpm • C min • 03:22 • -7.99db
33% Popularity • 52% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 52% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Ratcat
Don't Go Now
114 bpm • C# Maj • 03:11 • -7db
39% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Hoodoo Gurus
Death Defying - 2005 Remaster
112 bpm • D Maj • 03:23 • -4db
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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Crowded House
Distant Sun
111 bpm • D# Maj • 03:49 • -7.97db
53% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Jenny Morris
Little Little
115 bpm • G Maj • 03:55 • -13.67db
20% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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The Saints
The Music Goes Round My Head
111 bpm • D Maj • 03:45 • -13.37db
25% Popularity • 59% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 59% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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Choirboys
Never Gonna Die
115 bpm • E Maj • 04:01 • -7.91db
28% Popularity • 62% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 54% Positiveness
28% Popularity • 62% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 54% Positiveness
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Models
Seeing Is Believing
115 bpm • C Maj • 03:36 • -14.3db
4% Popularity • 66% Danceability • 62% Energy • 8% Liveness
23% Instrumentalness • 95% Positiveness
4% Popularity • 66% Danceability • 62% Energy • 8% Liveness
23% Instrumentalness • 95% Positiveness
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Hoodoo Gurus
My Girl - Remaster 2005
111 bpm • E Maj • 02:39 • -3.9db
44% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Sherbet
Silvery Moon
115 bpm • A Maj • 03:25 • -8.15db
27% Popularity • 45% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 45% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Australian Crawl
Waiting - Remastered
111 bpm • D min • 03:53 • -6.26db
28% Popularity • 67% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 67% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Toni Childs
Don't Walk Away
115 bpm • B Maj • 04:01 • -11.66db
34% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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GANGgajang
House Of Cards
115 bpm • A min • 02:44 • -9db
31% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Models
Beast O'Mine
111 bpm • D min • 04:00 • -8.78db
3% Popularity • 57% Danceability • 86% Energy • 36% Liveness
3% Instrumentalness • 66% Positiveness
3% Popularity • 57% Danceability • 86% Energy • 36% Liveness
3% Instrumentalness • 66% Positiveness
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INXS
Kiss The Dirt (Falling Down The Mountain...
116 bpm • B Maj • 03:54 • -5.63db
51% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sharon O'Neill
Waiting for You
110 bpm • G# Maj • 03:30 • -7.79db
9% Popularity • 81% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 81% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Australian Crawl
Daughters Of The Northern Coast - Remast...
115 bpm • D Maj • 04:40 • -6db
41% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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The Black Sorrows
Mystified
116 bpm • C Maj • 04:34 • -14db
20% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Angels
Be With You
110 bpm • E Maj • 03:43 • -15.92db
31% Popularity • 61% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 61% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Deborah Conway
Under My Skin
116 bpm • D min • 03:34 • -10db
20% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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INXS
Burn For You
116 bpm • G Maj • 04:57 • -8.17db
43% Popularity • 80% Danceability • 75% Energy • 8% Liveness
9% Instrumentalness • 37% Positiveness
43% Popularity • 80% Danceability • 75% Energy • 8% Liveness
9% Instrumentalness • 37% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Kate Ceberano
I Won't Let You Down
110 bpm • D min • 04:31 • -7db
19% Popularity • 68% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 68% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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1927
Nothing In The Universe
116 bpm • G Maj • 04:06 • -5db
22% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Crowded House
It's Only Natural
116 bpm • A# Maj • 03:32 • -11.92db
51% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Eurogliders
Groove
110 bpm • F# Maj • 04:19 • -8.73db
21% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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INXS
Listen Like Thieves
116 bpm • G Maj • 03:46 • -4.43db
46% Popularity • 57% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
46% Popularity • 57% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Rockmelons
New Groove
110 bpm • F Maj • 04:39 • -11db
18% Popularity • 79% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 79% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Dynamic Hepnotics
Gotta Be Wrong
116 bpm • C Maj • 04:05 • -5.8db
15% Popularity • 57% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 57% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Sharon O'Neill
Maxine
110 bpm • C min • 04:37 • -12db
38% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
28% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Models
Holy Creation
110 bpm • A Maj • 04:44 • -16.23db
6% Popularity • 66% Danceability • 71% Energy • 28% Liveness
51% Instrumentalness • 90% Positiveness
6% Popularity • 66% Danceability • 71% Energy • 28% Liveness
51% Instrumentalness • 90% Positiveness
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Australian Crawl
Indisposed - Remastered
109 bpm • D Maj • 04:04 • -8db
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Mi-Sex
Computer Games
118 bpm • F Maj • 03:53 • -9.8db
40% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Ian Moss
Telephone Booth
108 bpm • F# Maj • 03:04 • -11db
40% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Mondo Rock
Come Said The Boy - Digitally Remastered
118 bpm • A min • 05:15 • -6.15db
50% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Models
Let's Kiss
117 bpm • D min • 03:31 • -8db
24% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Swanee
If I Were a Carpenter
108 bpm • C Maj • 03:32 • -12db
24% Popularity • 59% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 59% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Australian Crawl
Louie Louie - Remastered
117 bpm • G Maj • 05:47 • -5.21db
39% Popularity • 47% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 47% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
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Wendy Matthews
Let's Kiss (Like Angels Do)
118 bpm • A# Maj • 03:29 • -10.65db
29% Popularity • 68% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 68% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Diesel & The Injectors
Fire Without A Flame
118 bpm • F Maj • 04:17 • -13.84db
26% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Chocolate Starfish
You're so Vain
108 bpm • C Maj • 04:09 • -7db
35% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
35% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Models
Dying for My Country at the War
117 bpm • C min • 03:39 • -15.53db
4% Popularity • 72% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 72% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Boom Crash Opera
Get Out Of The House
119 bpm • C Maj • 03:20 • -4.96db
28% Popularity • 57% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 57% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Flowers
Icehouse
119 bpm • F# Maj • 04:22 • -10.02db
35% Popularity • 64% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
35% Popularity • 64% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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The Party Boys
He's Gonna Step on You Again
108 bpm • D Maj • 04:09 • -10.23db
34% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Australian Crawl
Oh No Not You Again - Remastered
119 bpm • D Maj • 05:08 • -6.99db
54% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
35% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Models
Sooner in Heaven
117 bpm • D Maj • 03:32 • -16.26db
7% Popularity • 69% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
7% Popularity • 69% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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The Black Sorrows
The Crack-Up
108 bpm • D Maj • 03:23 • -11db
26% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Kids In The Kitchen
Bitter Desire
119 bpm • C Maj • 03:48 • -13db
25% Popularity • 61% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 61% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Skyhooks
Toorak Cowboy - 2009 Remaster
107 bpm • C Maj • 03:47 • -8.95db
24% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Cockroaches
Some Kind of Girl
119 bpm • G Maj • 02:49 • -19db
20% Popularity • 64% Danceability • 43% Energy • 57% Liveness
2% Instrumentalness • 90% Positiveness
20% Popularity • 64% Danceability • 43% Energy • 57% Liveness
2% Instrumentalness • 90% Positiveness
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Jenny Morris
Land of the Long White Cloud/Aotearoa
119 bpm • C Maj • 03:51 • -14.89db
16% Popularity • 66% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 66% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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Eurogliders
Can't Wait To See You
119 bpm • F Maj • 04:25 • -7.16db
10% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Models
Bitter Years
108 bpm • F Maj • 03:39 • -7.65db
6% Popularity • 58% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
6% Popularity • 58% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Boom Crash Opera
In The Morning
107 bpm • A Maj • 03:57 • -3.53db
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Christie Allen
Goose Bumps
119 bpm • A Maj • 02:49 • -4.71db
20% Popularity • 72% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 72% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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Goanna
On the Platform - Remastered Version
120 bpm • C Maj • 05:16 • -8.04db
17% Popularity • 30% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 30% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Machinations
Do to You
120 bpm • F Maj • 04:13 • -12db
18% Popularity • 85% Danceability • 59% Energy • 26% Liveness
31% Instrumentalness • 88% Positiveness
18% Popularity • 85% Danceability • 59% Energy • 26% Liveness
31% Instrumentalness • 88% Positiveness
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The Black Sorrows
Chained To The Wheel
120 bpm • D Maj • 03:57 • -12db
51% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Models
Build It Up
119 bpm • C# min • 03:45 • -6.64db
6% Popularity • 58% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
6% Popularity • 58% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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The Cockroaches
Permanently Single
120 bpm • C Maj • 03:32 • -12.19db
12% Popularity • 69% Danceability • 71% Energy • 6% Liveness
32% Instrumentalness • 96% Positiveness
12% Popularity • 69% Danceability • 71% Energy • 6% Liveness
32% Instrumentalness • 96% Positiveness
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Big Pig
Breakaway
120 bpm • C# Maj • 03:38 • -10db
39% Popularity • 78% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 78% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Peter Blakeley
Crying In The Chapel
120 bpm • G# Maj • 03:42 • -14db
37% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Daddy Cool
Come Back Again
120 bpm • D Maj • 03:31 • -10.64db
30% Popularity • 77% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 77% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
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Company Of Strangers
Motor City (I Get Lost)
120 bpm • C# Maj • 04:40 • -4db
23% Popularity • 60% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
23% Popularity • 60% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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Models
Ringing Like a Bell
120 bpm • F# Maj • 03:36 • -14.12db
13% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Cockroaches
You and Me
120 bpm • G Maj • 02:45 • -13db
16% Popularity • 68% Danceability • 65% Energy • 47% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 68% Danceability • 65% Energy • 47% Liveness
0% Instrumentalness • 75% Positiveness
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Boom Crash Opera
Talk About It
106 bpm • B min • 04:03 • -4.68db
14% Popularity • 38% Danceability • 82% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 38% Danceability • 82% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
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1927
It Ain't Love
106 bpm • E Maj • 04:05 • -8db
20% Popularity • 56% Danceability • 92% Energy • 36% Liveness
1% Instrumentalness • 75% Positiveness
20% Popularity • 56% Danceability • 92% Energy • 36% Liveness
1% Instrumentalness • 75% Positiveness
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Eurogliders
Can't Wait To See You
120 bpm • G# Maj • 04:14 • -16.4db
33% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Kids In The Kitchen
Current Stand
106 bpm • G Maj • 04:01 • -11.59db
36% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Models
Unfaithful to the Corps
107 bpm • D Maj • 03:29 • -14.24db
4% Popularity • 68% Danceability • 49% Energy • 14% Liveness
2% Instrumentalness • 81% Positiveness
4% Popularity • 68% Danceability • 49% Energy • 14% Liveness
2% Instrumentalness • 81% Positiveness
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Jo Jo Zep and The Falcons
Hit and Run
106 bpm • C Maj • 04:41 • -3.63db
37% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Boom Crash Opera
City Flat
106 bpm • B Maj • 04:11 • -3db
15% Popularity • 61% Danceability • 93% Energy • 69% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 61% Danceability • 93% Energy • 69% Liveness
0% Instrumentalness • 76% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Eurogliders
Absolutely
106 bpm • D min • 04:38 • -15.05db
25% Popularity • 71% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 71% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Mi-Sex
Falling in and Out
121 bpm • G Maj • 03:19 • -12db
24% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Models
79 A.D.
120 bpm • F# Maj • 04:51 • -15.36db
6% Popularity • 58% Danceability • 83% Energy • 26% Liveness
15% Instrumentalness • 68% Positiveness
6% Popularity • 58% Danceability • 83% Energy • 26% Liveness
15% Instrumentalness • 68% Positiveness
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Jo Jo Zep and The Falcons
Hit and Run
106 bpm • C Maj • 04:42 • -11.24db
16% Popularity • 70% Danceability • 59% Energy • 17% Liveness
6% Instrumentalness • 75% Positiveness
16% Popularity • 70% Danceability • 59% Energy • 17% Liveness
6% Instrumentalness • 75% Positiveness
