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Barbarian Horde
Songs like
Barbarian Horde - From "Gladiator" Soundtrack
by
Hans Zimmer
Based on a tempo of (+/- 10%) and a similar genre
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Ludwig Göransson
Fission
80 bpm • F# min • 04:38 • -21.83db
58% Popularity • 15% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Scorponok
80 bpm • F# min • 04:56 • -12.84db
46% Popularity • 50% Danceability • 59% Energy • 18% Liveness
86% Instrumentalness • 20% Positiveness
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Hans Zimmer
Rush Orchestra Suite - Live
80 bpm • D min • 06:19 • -13.06db
39% Popularity • 30% Danceability • 48% Energy • 32% Liveness
78% Instrumentalness • 6% Positiveness
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Secession Studios
Demise of a Nation
80 bpm • C min • 02:26 • -14.04db
51% Popularity • 38% Danceability • 49% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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James Newton Howard
Corynorhinus
80 bpm • F min • 05:04 • -25.39db
46% Popularity • 8% Danceability • 3% Energy • 55% Liveness
76% Instrumentalness • 4% Positiveness
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Justin Hurwitz
The Landing
80 bpm • G min • 05:31 • -15.24db
45% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Ludwig Göransson
Groves
80 bpm • F# Maj • 03:03 • -21.12db
57% Popularity • 44% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Autobots
80 bpm • G min • 02:33 • -14.76db
56% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Hans Zimmer
Only I Will Remain
80 bpm • B min • 06:44 • -22.72db
63% Popularity • 16% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Marco Beltrami
The Lane Family
80 bpm • F# min • 02:47 • -11.5db
17% Popularity • 9% Danceability • 27% Energy • 21% Liveness
82% Instrumentalness • 4% Positiveness
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Michael Giacchino
The Batman
80 bpm • A# min • 06:47 • -16.52db
57% Popularity • 21% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Thomas Newman
Victoria & Abdul
80 bpm • B min • 01:58 • -19db
51% Popularity • 14% Danceability • 15% Energy • 26% Liveness
81% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Steve Jablonsky
No Sacrifice, No Victory
80 bpm • G min • 02:57 • -15.78db
52% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Hans Zimmer
Flight
80 bpm • F Maj • 04:18 • -15.13db
60% Popularity • 8% Danceability • 36% Energy • 13% Liveness
84% Instrumentalness • 5% Positiveness
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James Horner
"You don't dream in cryo. ...."
80 bpm • C# Maj • 06:09 • -25.89db
39% Popularity • 10% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Tyler Bates
What Must a King Do?
80 bpm • G min • 01:04 • -22.24db
37% Popularity • 15% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Thomas Newman
Haiku
80 bpm • F# Maj • 01:41 • -27db
49% Popularity • 16% Danceability • 14% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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West Dylan Thordson
David & Elijah
80 bpm • C Maj • 01:45 • -25.69db
47% Popularity • 61% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Hans Zimmer
What Are You Going to Do When You Are No...
80 bpm • C Maj • 05:27 • -16.66db
52% Popularity • 10% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
39% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Ludwig Göransson
American Prometheus
80 bpm • C# min • 02:37 • -21.31db
63% Popularity • 11% Danceability • 14% Energy • 7% Liveness
44% Instrumentalness • 6% Positiveness
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James Newton Howard
Macrotus
80 bpm • E min • 07:35 • -23db
38% Popularity • 7% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Checkmate
80 bpm • D Maj • 02:08 • -24db
38% Popularity • 42% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Nicholas Britell
Ballade in C# Minor: Coronation
80 bpm • C# Maj • 02:28 • -16.09db
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Hans Zimmer
Goodbye My Son
80 bpm • A min • 02:01 • -21.24db
50% Popularity • 25% Danceability • 13% Energy • 7% Liveness
32% Instrumentalness • 7% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Bear McCreary
Memories of Mother
79 bpm • D min • 03:39 • -15.15db
48% Popularity • 12% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Kentucky State Championship 1963
79 bpm • A min • 01:12 • -21.53db
55% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
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John Williams
Across the Stars (Love Theme from "Star ...
81 bpm • C Maj • 05:33 • -18.28db
59% Popularity • 12% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Steve Jablonsky
Arrival to Earth
79 bpm • C min • 05:26 • -16.4db
62% Popularity • 10% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Thomas Newman
Nemo Egg (Main Title)
79 bpm • F Maj • 01:16 • -27.25db
66% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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John Powell
Ancient China / Story Of Shen
81 bpm • A min • 02:43 • -12.68db
39% Popularity • 13% Danceability • 47% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
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The Prestige
The Prestige
79 bpm • A Maj • 01:40 • -14.59db
33% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Michael Giacchino
Star Trek Main Theme
79 bpm • A# Maj • 03:25 • -9.54db
51% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
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Clint Mansell
Out Of Blue
81 bpm • D min • 02:02 • -19db
41% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 17% Positiveness
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Bear McCreary
Letting Go
81 bpm • G min • 09:25 • -20.92db
47% Popularity • 13% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Thomas Newman
Come Back to Us
79 bpm • G min • 05:39 • -30.22db
53% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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James Newton Howard
Myotis
79 bpm • G min • 05:46 • -18.31db
39% Popularity • 7% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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John Powell
The Bourne Identity Main Title
81 bpm • G Maj • 04:19 • -18.5db
38% Popularity • 57% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
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Hans Zimmer
Worm Ride
79 bpm • A Maj • 02:19 • -13.14db
65% Popularity • 13% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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John Ottman
I Have Faith in You - Goodbyes
79 bpm • F Maj • 03:19 • -29db
32% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Thomas Wander
You Stay in England
78 bpm • G Maj • 01:08 • -23db
34% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Lisa Gerrard
The Wheat
82 bpm • B min • 01:03 • -33.48db
55% Popularity • 19% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
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James Newton Howard
Lasiurus
82 bpm • G min • 07:27 • -24.4db
46% Popularity • 9% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Nicholas Britell
Song of Hal: Strings in C# Minor
78 bpm • C# min • 05:12 • -19.06db
39% Popularity • 7% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Bumblebee Captured
82 bpm • D min • 02:17 • -17.81db
42% Popularity • 17% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Mychael Danna
A Little Bit of Faith
82 bpm • C Maj • 01:09 • -24db
42% Popularity • 13% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
40% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Klaus Badelt
Sorrow
78 bpm • G# Maj • 01:26 • -23.41db
48% Popularity • 17% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Hans Zimmer
King Arthur Orchestra Suite - Live
82 bpm • D min • 03:49 • -12db
43% Popularity • 22% Danceability • 42% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
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Anže Rozman
Prehistoric Planet Suite
78 bpm • F Maj • 09:09 • -18.74db
37% Popularity • 7% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Michael Giacchino
All's Well That Ends Farewell
82 bpm • A# min • 02:41 • -18.49db
38% Popularity • 15% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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John Bacchus Dykes
Roll Tide
82 bpm • D min • 07:33 • -16db
44% Popularity • 8% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Hans Zimmer
Sent Here for a Reason
82 bpm • C Maj • 03:46 • -34.08db
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Thomas Newman
Danger of Hell
78 bpm • C min • 02:27 • -36.61db
46% Popularity • 20% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Michael Giacchino
Can't Fight City Halloween
82 bpm • F# Maj • 04:04 • -21.37db
49% Popularity • 32% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Johan Söderqvist
The Arrival
78 bpm • B min • 01:56 • -14.98db
48% Popularity • 7% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Jacob Shea
Northern Lights
77 bpm • C min • 02:00 • -21.55db
44% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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John Williams
Obi-Wan
77 bpm • A# min • 04:06 • -16.49db
47% Popularity • 12% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Return To Ako
77 bpm • G Maj • 02:23 • -21.98db
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Hans Zimmer
Dreaming of the Crash
83 bpm • F Maj • 03:55 • -35.25db
56% Popularity • 14% Danceability • 3% Energy • 27% Liveness
96% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Cambridge, 1963
83 bpm • A# Maj • 01:41 • -16.91db
59% Popularity • 36% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 65% Positiveness
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Natalie Holt
TVA First View
83 bpm • C Maj • 01:06 • -13db
49% Popularity • 8% Danceability • 34% Energy • 13% Liveness
99% Instrumentalness • 4% Positiveness
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Thomas Newman
The Night Window
77 bpm • A# Maj • 03:41 • -20.65db
45% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Souls Rising
77 bpm • C Maj • 01:25 • -25.53db
52% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
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Marco Beltrami
Leaving the Farm
83 bpm • E Maj • 01:34 • -21.34db
34% Popularity • 9% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Rob Simonsen
Safe Return
77 bpm • D# min • 03:52 • -11db
41% Popularity • 9% Danceability • 28% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Martin Tillman
The Ferry
84 bpm • E Maj • 03:15 • -17.78db
16% Popularity • 8% Danceability • 35% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Hans Zimmer
Ripples in the Sand
84 bpm • G Maj • 05:14 • -17.58db
60% Popularity • 12% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Bear McCreary
Galadriel
84 bpm • A# min • 03:43 • -16.17db
42% Popularity • 16% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Ludwig Göransson
Meeting Kitty
76 bpm • C min • 05:47 • -20.2db
58% Popularity • 10% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
58% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Lisa Gerrard
Gladiator Orchestra Suite: Part 2, Elysi...
84 bpm • D Maj • 05:37 • -11.26db
23% Popularity • 19% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Michael Kamen
Main Titles from the HBO Miniseries Band...
84 bpm • F Maj • 02:24 • -17.62db
47% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Kevin Kiner
It's Over Now
76 bpm • G Maj • 01:54 • -8db
39% Popularity • 18% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 5% Positiveness
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David Schweitzer
Führer
84 bpm • C# Maj • 02:10 • -15.3db
38% Popularity • 35% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Christophe Beck
Solo Flight
85 bpm • C min • 03:11 • -22.56db
37% Popularity • 31% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
50% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Jeremy Soule
The Streets of Whiterun
75 bpm • C# min • 04:04 • -17.68db
62% Popularity • 7% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Hans Zimmer
Look to the Stars
75 bpm • C Maj • 02:58 • -26.25db
48% Popularity • 7% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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John Williams
Padmé's Ruminations
86 bpm • D Maj • 03:18 • -31.52db
37% Popularity • 9% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Alan Silvestri
A Promise
75 bpm • E min • 03:34 • -13.83db
40% Popularity • 10% Danceability • 27% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
The Candlelight Vigil
75 bpm • A# Maj • 05:10 • -23db
37% Popularity • 9% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 3% Positiveness
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Martin Phipps
Queen vs PM
86 bpm • C min • 05:35 • -19db
30% Popularity • 24% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Kamen
The Mission Begins - Instrumental
86 bpm • D Maj • 05:49 • -15db
27% Popularity • 9% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Hans Zimmer
Stay
85 bpm • F Maj • 06:52 • -15.94db
57% Popularity • 9% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 2% Positiveness
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John Williams
Anakin's Dark Deeds
86 bpm • G min • 04:04 • -15.87db
48% Popularity • 14% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Alan Silvestri
Infinity War
86 bpm • A min • 02:35 • -16.53db
43% Popularity • 15% Danceability • 27% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Bathroom Dance
86 bpm • G# min • 02:08 • -19.22db
56% Popularity • 17% Danceability • 7% Energy • 8% Liveness
26% Instrumentalness • 4% Positiveness
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Barbarian Horde