Songs like Basin Street Blues by Jack Teagarden
Based on a tempo of (+/- 10%) and a similar genre
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King Oliver's Creole Jazz Band
Snake Rag
104 bpm • C min • 02:58 • -15db
14% Popularity • 71% Danceability • 31% Energy • 28% Liveness
88% Instrumentalness • 96% Positiveness
14% Popularity • 71% Danceability • 31% Energy • 28% Liveness
88% Instrumentalness • 96% Positiveness
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Walter Page's Blue Devils
Blue Devil Blues
104 bpm • D# Maj • 02:46 • -13db
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Turner Layton
After You've Gone
104 bpm • G min • 03:00 • -10.87db
1% Popularity • 63% Danceability • 30% Energy • 7% Liveness
9% Instrumentalness • 90% Positiveness
1% Popularity • 63% Danceability • 30% Energy • 7% Liveness
9% Instrumentalness • 90% Positiveness
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Johnny Dodds
Mad Dog
105 bpm • A# Maj • 02:49 • -8db
17% Popularity • 72% Danceability • 59% Energy • 24% Liveness
79% Instrumentalness • 83% Positiveness
17% Popularity • 72% Danceability • 59% Energy • 24% Liveness
79% Instrumentalness • 83% Positiveness
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Humphrey Lyttelton
Evenin'
103 bpm • D min • 02:43 • -13.87db
9% Popularity • 65% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 65% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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James P. Johnson
Honeysuckle Rose
105 bpm • F Maj • 02:40 • -17.09db
33% Popularity • 73% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
33% Popularity • 73% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
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Marion Harris
Charleston Crazy
103 bpm • D# min • 02:43 • -11db
20% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
20% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
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Geraldo & His Orchestra
Long Ago & Far Away
103 bpm • G# min • 03:07 • -17db
19% Popularity • 28% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
19% Popularity • 28% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Jack Teagarden
Moon Indigo
105 bpm • A# Maj • 04:15 • -21.69db
0% Popularity • 41% Danceability • 3% Energy • 57% Liveness
81% Instrumentalness • 18% Positiveness
0% Popularity • 41% Danceability • 3% Energy • 57% Liveness
81% Instrumentalness • 18% Positiveness
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Johnny Hodges & His Orchestra
Squaty Roo - Remastered - 1995
103 bpm • A# min • 02:23 • -14db
29% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
29% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
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Charlie Barnet
Wichita Windstorm
105 bpm • F# Maj • 02:39 • -8db
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
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Earl Hines
Rosetta
103 bpm • F Maj • 03:06 • -15.74db
17% Popularity • 54% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 67% Positiveness
17% Popularity • 54% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 67% Positiveness
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Glen Gray & The Casa Loma Orchestra
Under a Blanket of Blue
105 bpm • C# Maj • 02:56 • -19.85db
10% Popularity • 35% Danceability • 5% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
10% Popularity • 35% Danceability • 5% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
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Kid Ory's Creole Jazz Band
Muskrat Ramble
105 bpm • G# Maj • 02:52 • -10db
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
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Bob Crosby & His Orchestra
What's New?
105 bpm • A# min • 02:57 • -25db
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
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Cab Calloway & His Orchestra
Who's Yehoodi?
103 bpm • A# min • 03:09 • -13.41db
4% Popularity • 66% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 66% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Charlie Barnet
E Bob o Lee Bob
105 bpm • G Maj • 02:29 • -13.81db
17% Popularity • 68% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 68% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Jack Teagarden
A Hundred Years From Today
102 bpm • A# Maj • 03:08 • -13.96db
3% Popularity • 55% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
3% Popularity • 55% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Benny Goodman Septet
Charlie's Dream
106 bpm • F min • 03:14 • -8db
11% Popularity • 77% Danceability • 41% Energy • 14% Liveness
82% Instrumentalness • 77% Positiveness
11% Popularity • 77% Danceability • 41% Energy • 14% Liveness
82% Instrumentalness • 77% Positiveness
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King Oliver
New Orleans Shout
102 bpm • F Maj • 02:43 • -12db
15% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
15% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
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Joe Venuti
After You've Gone
102 bpm • F Maj • 03:03 • -10db
27% Popularity • 59% Danceability • 39% Energy • 8% Liveness
11% Instrumentalness • 96% Positiveness
27% Popularity • 59% Danceability • 39% Energy • 8% Liveness
11% Instrumentalness • 96% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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Fletcher Henderson
Wrappin' It Up
106 bpm • F# Maj • 02:41 • -9.53db
18% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
18% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
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Jack Teagarden
After You Gone
103 bpm • C# Maj • 02:59 • -8db
16% Popularity • 60% Danceability • 40% Energy • 18% Liveness
5% Instrumentalness • 88% Positiveness
16% Popularity • 60% Danceability • 40% Energy • 18% Liveness
5% Instrumentalness • 88% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Johnny Dodds
I'm Goin' Huntin'
106 bpm • F Maj • 02:59 • -9.69db
23% Popularity • 70% Danceability • 49% Energy • 36% Liveness
91% Instrumentalness • 89% Positiveness
23% Popularity • 70% Danceability • 49% Energy • 36% Liveness
91% Instrumentalness • 89% Positiveness
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King Oliver
St James Infirmary
106 bpm • F min • 03:36 • -4.56db
12% Popularity • 69% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
12% Popularity • 69% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
24% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
24% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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James P. Johnson
Carolina Shout
102 bpm • C Maj • 02:47 • -17db
22% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
22% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Bennie Moten
New Moten Stomp
106 bpm • G# Maj • 02:56 • -9.34db
21% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
21% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
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Frankie Trumbauer
Riverboat Shuffle
106 bpm • G# Maj • 03:10 • -8.74db
4% Popularity • 73% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
4% Popularity • 73% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
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Jack Teagarden
A Hundred Years From Today (11-11-33)
101 bpm • A# Maj • 03:07 • -15.3db
2% Popularity • 51% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 51% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Fletcher Henderson
Jim Town Blues
107 bpm • A# Maj • 02:44 • -7.92db
15% Popularity • 73% Danceability • 41% Energy • 4% Liveness
89% Instrumentalness • 94% Positiveness
15% Popularity • 73% Danceability • 41% Energy • 4% Liveness
89% Instrumentalness • 94% Positiveness
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James P. Johnson
Blue Turning Gray Over You
102 bpm • C# Maj • 02:45 • -18db
24% Popularity • 83% Danceability • 19% Energy • 9% Liveness
76% Instrumentalness • 56% Positiveness
24% Popularity • 83% Danceability • 19% Energy • 9% Liveness
76% Instrumentalness • 56% Positiveness
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Fletcher Henderson & His Orchestra
King Porter Stomp
107 bpm • C# Maj • 03:00 • -12db
13% Popularity • 64% Danceability • 47% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness
13% Popularity • 64% Danceability • 47% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness
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Rudy Vallee and His Connecticut Yankees
The You and Me That Used to Be
101 bpm • F Maj • 03:13 • -20db
32% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Original Memphis Five
Fireworks
101 bpm • G# Maj • 02:31 • -7db
14% Popularity • 82% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
14% Popularity • 82% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
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Johnny Dodds
Come on and Stomp, Stomp, Stomp
107 bpm • F Maj • 02:55 • -8db
25% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
25% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Joe Venuti
After You've Gone (Alternate Take)
101 bpm • G min • 03:04 • -12.54db
17% Popularity • 63% Danceability • 35% Energy • 6% Liveness
7% Instrumentalness • 93% Positiveness
17% Popularity • 63% Danceability • 35% Energy • 6% Liveness
7% Instrumentalness • 93% Positiveness
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James P. Johnson
If I Could Be With You
106 bpm • C# Maj • 02:46 • -19db
42% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
42% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
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Ted Lewis
Clarinet Marmalade
107 bpm • F Maj • 03:11 • -11.41db
16% Popularity • 76% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 94% Positiveness
16% Popularity • 76% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 94% Positiveness
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Clyde McCoy and His Orchestra
Sugar Blues
107 bpm • G Maj • 03:00 • -7.9db
19% Popularity • 67% Danceability • 41% Energy • 20% Liveness
47% Instrumentalness • 67% Positiveness
19% Popularity • 67% Danceability • 41% Energy • 20% Liveness
47% Instrumentalness • 67% Positiveness
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Jimmie Noone
So Sweet (07-01-30)
107 bpm • C# min • 02:27 • -15.86db
15% Popularity • 52% Danceability • 28% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
15% Popularity • 52% Danceability • 28% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
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Jack Teagarden
Riverboat Shuffle
107 bpm • G# Maj • 04:56 • -5.37db
6% Popularity • 55% Danceability • 67% Energy • 29% Liveness
3% Instrumentalness • 81% Positiveness
6% Popularity • 55% Danceability • 67% Energy • 29% Liveness
3% Instrumentalness • 81% Positiveness
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Slim Gaillard
That's What You Call Romance
108 bpm • C Maj • 02:52 • -19db
22% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Ted Lewis
On the Sunny Side of the Street
108 bpm • D# Maj • 03:34 • -17.87db
13% Popularity • 52% Danceability • 14% Energy • 10% Liveness
26% Instrumentalness • 59% Positiveness
13% Popularity • 52% Danceability • 14% Energy • 10% Liveness
26% Instrumentalness • 59% Positiveness
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Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
25% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
13% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Jack Teagarden
Blue River
100 bpm • A min • 02:57 • -21.74db
1% Popularity • 54% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
1% Popularity • 54% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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James P. Johnson
Riffs
100 bpm • A# Maj • 03:09 • -18.32db
23% Popularity • 77% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 69% Positiveness
23% Popularity • 77% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 69% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
32% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
32% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Jean Goldkette & His Orchestra
Sunday
108 bpm • G# Maj • 03:03 • -12.02db
5% Popularity • 88% Danceability • 30% Energy • 11% Liveness
12% Instrumentalness • 81% Positiveness
5% Popularity • 88% Danceability • 30% Energy • 11% Liveness
12% Instrumentalness • 81% Positiveness
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Woody Herman
Jazz Me Blues
108 bpm • A min • 03:04 • -11.33db
33% Popularity • 59% Danceability • 64% Energy • 93% Liveness
25% Instrumentalness • 84% Positiveness
33% Popularity • 59% Danceability • 64% Energy • 93% Liveness
25% Instrumentalness • 84% Positiveness
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Jack Teagarden
Don't Tell A Man About His Woman
100 bpm • D# Maj • 02:54 • -12.18db
9% Popularity • 59% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 59% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Earl Hines
Song Of The Islands
108 bpm • G# Maj • 02:37 • -7.32db
34% Popularity • 71% Danceability • 22% Energy • 8% Liveness
45% Instrumentalness • 56% Positiveness
34% Popularity • 71% Danceability • 22% Energy • 8% Liveness
45% Instrumentalness • 56% Positiveness
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Fletcher Henderson & His Orchestra
Sing, Sing, Sing (With a Swing)
109 bpm • E min • 02:32 • -13.33db
17% Popularity • 78% Danceability • 26% Energy • 11% Liveness
64% Instrumentalness • 88% Positiveness
17% Popularity • 78% Danceability • 26% Energy • 11% Liveness
64% Instrumentalness • 88% Positiveness
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Ben Selvin & His Orchestra
Love, Your Spell Is Everywhere
99 bpm • C# Maj • 02:45 • -21.7db
20% Popularity • 54% Danceability • 10% Energy • 13% Liveness
14% Instrumentalness • 73% Positiveness
20% Popularity • 54% Danceability • 10% Energy • 13% Liveness
14% Instrumentalness • 73% Positiveness
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Adrian Rollini
Ah, But is It Love
109 bpm • C Maj • 02:58 • -13db
18% Popularity • 60% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
18% Popularity • 60% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
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Andy Kirk
Until The Real Thing Comes Along
99 bpm • G# Maj • 02:57 • -17.36db
11% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Jack Teagarden
St. James Infirmary
100 bpm • D min • 04:13 • -9.29db
2% Popularity • 64% Danceability • 23% Energy • 15% Liveness
20% Instrumentalness • 44% Positiveness
2% Popularity • 64% Danceability • 23% Energy • 15% Liveness
20% Instrumentalness • 44% Positiveness
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Glen Gray & The Casa Loma Orchestra
Blue Moon
109 bpm • D# Maj • 03:12 • -16.81db
21% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
21% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
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Fletcher Henderson & His Orchestra
Go 'Long Mule
109 bpm • D# Maj • 03:04 • -10db
8% Popularity • 78% Danceability • 40% Energy • 49% Liveness
72% Instrumentalness • 77% Positiveness
8% Popularity • 78% Danceability • 40% Energy • 49% Liveness
72% Instrumentalness • 77% Positiveness
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Louis Armstrong Orchestra
I'm a Ding-Dong-Daddy
109 bpm • F Maj • 03:08 • -12.81db
6% Popularity • 76% Danceability • 42% Energy • 19% Liveness
86% Instrumentalness • 85% Positiveness
6% Popularity • 76% Danceability • 42% Energy • 19% Liveness
86% Instrumentalness • 85% Positiveness
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Erskine Hawkins
Gin Mill Special
99 bpm • A# min • 03:19 • -10db
11% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
11% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
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Mills Blue Rhythm Band
Tallahassee
109 bpm • G min • 02:34 • -8.94db
11% Popularity • 75% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 93% Positiveness
11% Popularity • 75% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 93% Positiveness
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Jack Teagarden
Dame Blanche
108 bpm • C min • 02:32 • -14.67db
6% Popularity • 47% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 76% Positiveness
6% Popularity • 47% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 76% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
28% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
28% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Paul Whiteman & His Orchestra
Sweet and Low Down
109 bpm • G Maj • 02:35 • -11db
19% Popularity • 82% Danceability • 29% Energy • 29% Liveness
89% Instrumentalness • 88% Positiveness
19% Popularity • 82% Danceability • 29% Energy • 29% Liveness
89% Instrumentalness • 88% Positiveness
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Teddy Grace
Crazy Blues
109 bpm • G Maj • 02:44 • -18.82db
1% Popularity • 81% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 81% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Bob Crosby & His Orchestra
Sugar Foot Stomp
109 bpm • C Maj • 02:23 • -8.41db
19% Popularity • 72% Danceability • 64% Energy • 9% Liveness
40% Instrumentalness • 85% Positiveness
19% Popularity • 72% Danceability • 64% Energy • 9% Liveness
40% Instrumentalness • 85% Positiveness
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Glen Gray
Melancholy Mood
109 bpm • F min • 03:14 • -12.72db
12% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
12% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
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Jack Teagarden
Texas Tea Party
100 bpm • A# Maj • 03:21 • -11.35db
2% Popularity • 52% Danceability • 30% Energy • 9% Liveness
35% Instrumentalness • 80% Positiveness
2% Popularity • 52% Danceability • 30% Energy • 9% Liveness
35% Instrumentalness • 80% Positiveness
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Turk Murphy
By and By
99 bpm • F Maj • 03:00 • -13.9db
26% Popularity • 80% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
26% Popularity • 80% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
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Paul Whiteman
Whispering
99 bpm • D Maj • 03:17 • -11.65db
14% Popularity • 64% Danceability • 43% Energy • 33% Liveness
89% Instrumentalness • 36% Positiveness
14% Popularity • 64% Danceability • 43% Energy • 33% Liveness
89% Instrumentalness • 36% Positiveness
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Russ Columbo
When You're In Love
110 bpm • D# Maj • 03:10 • -13.26db
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
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Red Norvo
Some Like It Hot
98 bpm • D min • 02:54 • -9.71db
12% Popularity • 79% Danceability • 46% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
12% Popularity • 79% Danceability • 46% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
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Teddy Grace
Love Me or Leave Me
98 bpm • D Maj • 03:09 • -16.31db
9% Popularity • 71% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 71% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Jack Teagarden
King Porter Stomp
109 bpm • C# Maj • 04:16 • -4.15db
8% Popularity • 49% Danceability • 86% Energy • 10% Liveness
13% Instrumentalness • 85% Positiveness
8% Popularity • 49% Danceability • 86% Energy • 10% Liveness
13% Instrumentalness • 85% Positiveness
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Ben Bernie
Ain't She Sweet
110 bpm • D# Maj • 02:36 • -11db
13% Popularity • 70% Danceability • 37% Energy • 20% Liveness
82% Instrumentalness • 80% Positiveness
13% Popularity • 70% Danceability • 37% Energy • 20% Liveness
82% Instrumentalness • 80% Positiveness
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Paul Whiteman
Whispering
99 bpm • D Maj • 03:16 • -21.62db
14% Popularity • 65% Danceability • 25% Energy • 48% Liveness
92% Instrumentalness • 45% Positiveness
14% Popularity • 65% Danceability • 25% Energy • 48% Liveness
92% Instrumentalness • 45% Positiveness
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Gene Krupa
Drummin' Man
110 bpm • D# Maj • 03:03 • -3db
19% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
19% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
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Red Norvo
Everyone's Wrong but Me
98 bpm • G Maj • 02:58 • -14.54db
13% Popularity • 64% Danceability • 18% Energy • 13% Liveness
41% Instrumentalness • 33% Positiveness
13% Popularity • 64% Danceability • 18% Energy • 13% Liveness
41% Instrumentalness • 33% Positiveness
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Count Basie Orchestra
Basie Boogie
98 bpm • C Maj • 02:17 • -16.12db
12% Popularity • 61% Danceability • 36% Energy • 13% Liveness
31% Instrumentalness • 88% Positiveness
12% Popularity • 61% Danceability • 36% Energy • 13% Liveness
31% Instrumentalness • 88% Positiveness
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Jack Teagarden
Original Dixieland One Step
109 bpm • G# Maj • 04:57 • -10.16db
14% Popularity • 63% Danceability • 58% Energy • 19% Liveness
40% Instrumentalness • 91% Positiveness
14% Popularity • 63% Danceability • 58% Energy • 19% Liveness
40% Instrumentalness • 91% Positiveness
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Billy Kyle
Ooh Baby You Knock Me Out
98 bpm • G min • 02:50 • -16db
6% Popularity • 57% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 49% Positiveness
6% Popularity • 57% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 49% Positiveness
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Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Clarence Williams & His Orchestra
Speakeasy
111 bpm • A# Maj • 02:58 • -12db
12% Popularity • 72% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
12% Popularity • 72% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
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Johnny Otis
Preston Love's Mansion
111 bpm • A# Maj • 03:04 • -11.81db
14% Popularity • 48% Danceability • 54% Energy • 48% Liveness
60% Instrumentalness • 72% Positiveness
14% Popularity • 48% Danceability • 54% Energy • 48% Liveness
60% Instrumentalness • 72% Positiveness
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Mills Blue Rhythm Band
Callin' Your Bluff
98 bpm • F Maj • 03:00 • -10.38db
11% Popularity • 72% Danceability • 37% Energy • 12% Liveness
72% Instrumentalness • 82% Positiveness
11% Popularity • 72% Danceability • 37% Energy • 12% Liveness
72% Instrumentalness • 82% Positiveness
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The Cast
Back Home Again in Indiana
111 bpm • C min • 01:55 • -9db
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
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Ben Selvin & His Orchestra
I Wonder Where My Baby Is Tonight
111 bpm • D Maj • 03:05 • -8.02db
13% Popularity • 87% Danceability • 46% Energy • 6% Liveness
70% Instrumentalness • 96% Positiveness
13% Popularity • 87% Danceability • 46% Energy • 6% Liveness
70% Instrumentalness • 96% Positiveness
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Fletcher Henderson
Christopher Columbus
98 bpm • G min • 03:00 • -8.05db
16% Popularity • 67% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
16% Popularity • 67% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
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King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
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Jimmy Dorsey & His Orchestra
In A Sentimental Mood
97 bpm • G min • 03:02 • -12.82db
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
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Fletcher Henderson & His Orchestra
King Porter Stomp
111 bpm • F# Maj • 02:53 • -7db
11% Popularity • 64% Danceability • 76% Energy • 56% Liveness
18% Instrumentalness • 80% Positiveness
11% Popularity • 64% Danceability • 76% Energy • 56% Liveness
18% Instrumentalness • 80% Positiveness
