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Bathsheba and Oak Unite
Songs like
Bathsheba and Oak Unite
by
Craig Armstrong
Based on a tempo of (+/- 10%) and a similar genre
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Calum Martin
Ballantyne (Movement 2 The Edge of the S...
82 bpm • F Maj • 02:52 • -14.32db
15% Popularity • 9% Danceability • 23% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Climbing For A Kiss
82 bpm • A min • 03:47 • -22.6db
32% Popularity • 14% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Mychael Danna
A Little Bit of Faith
82 bpm • C Maj • 01:09 • -24db
41% Popularity • 13% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Marco Beltrami
Color
82 bpm • A Maj • 02:05 • -30.79db
22% Popularity • 24% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Andrea Guerra
Cross tempo
82 bpm • G# Maj • 01:55 • -36db
47% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Inon Zur
Coming Home
82 bpm • D min • 03:14 • -23.08db
46% Popularity • 19% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Panu Aaltio
Boys Decide to Stay
82 bpm • F min • 01:34 • -23.55db
46% Popularity • 28% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
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Craig Armstrong
The Beach
82 bpm • C Maj • 02:59 • -22.01db
25% Popularity • 13% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Rael Jones
Memory of a Happy Day
82 bpm • G min • 01:28 • -15.84db
23% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Bear McCreary
Faith
81 bpm • E min • 03:29 • -26.69db
34% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
Happily Ever After
83 bpm • E Maj • 02:25 • -15.66db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Alan Silvestri
You're No Different
83 bpm • G Maj • 00:57 • -29db
45% Popularity • 26% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 32% Positiveness
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Anne Dudley
A Seam of Ironstone
81 bpm • D min • 01:30 • -10.82db
27% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Carter Burwell
Silent Whispers
81 bpm • A min • 01:33 • -19.96db
15% Popularity • 14% Danceability • 11% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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Howard Shore
Bilbo's Song
81 bpm • A Maj • 02:57 • -29db
45% Popularity • 18% Danceability • 6% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Government
81 bpm • D min • 04:06 • -27.76db
32% Popularity • 32% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
31% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
43% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Jan A.P. Kaczmarek
Video On The Bed
83 bpm • A min • 01:21 • -26.69db
40% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Carter Burwell
Ride to Death
83 bpm • G Maj • 02:28 • -20.92db
30% Popularity • 27% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Craig Armstrong
Dirt Music Theme
84 bpm • C Maj • 05:36 • -15db
16% Popularity • 9% Danceability • 12% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
Let's Run Away Together
80 bpm • G Maj • 02:57 • -19db
44% Popularity • 28% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
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Jan A.P. Kaczmarek
The Park - Finding Neverland/Soundtrack ...
80 bpm • C Maj • 01:07 • -16.85db
36% Popularity • 18% Danceability • 16% Energy • 16% Liveness
69% Instrumentalness • 19% Positiveness
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Alex Baranowski
A New Beginning
80 bpm • D min • 03:10 • -19.39db
33% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Dario Marianelli
Someone Loves Us
84 bpm • E Maj • 01:56 • -27db
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Craig Armstrong
Never Been Kissed
84 bpm • G min • 03:01 • -17.73db
30% Popularity • 15% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Howard Shore
The Council of Elrond [Theme for Aragor...
84 bpm • C# Maj • 03:49 • -20.03db
62% Popularity • 10% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Ari Posner
No Regrets
84 bpm • G Maj • 01:44 • -21db
37% Popularity • 19% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Christian Henson
Maria's Sacrifice
80 bpm • G Maj • 02:06 • -19db
40% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Bear McCreary
Galadriel
84 bpm • A# min • 03:43 • -16.17db
42% Popularity • 16% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
56% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Atli Örvarsson
The Hug
84 bpm • G Maj • 02:11 • -26db
25% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
56% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Michael Kamen
Main Titles from the HBO Miniseries Band...
84 bpm • F Maj • 02:24 • -17.62db
46% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Pain, Loss & Love
85 bpm • F Maj • 05:27 • -25.51db
34% Popularity • 8% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
44% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Craig Armstrong
Dream Violin
85 bpm • C Maj • 03:23 • -17.17db
28% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Kentucky State Championship 1963
79 bpm • A min • 01:12 • -21.53db
53% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
36% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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John Ottman
Rebuilding / Cuffed / Goodbye Old Friend
79 bpm • G min • 03:35 • -35db
27% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Craig Armstrong
Hollow in the Ferns
85 bpm • D min • 03:38 • -17.3db
47% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Limerick
85 bpm • D min • 02:49 • -25.23db
32% Popularity • 13% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Nicholas Britell
Searching (Foundation Track)
85 bpm • A Maj • 03:25 • -14.56db
44% Popularity • 9% Danceability • 18% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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Chance Thomas
The Grey Havens
85 bpm • D min • 02:18 • -22db
46% Popularity • 22% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Craig Armstrong
You Kept My Letters
85 bpm • D min • 01:22 • -23.93db
32% Popularity • 10% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Roque Baños
Farewell
79 bpm • F Maj • 02:47 • -23.89db
20% Popularity • 12% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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John Debney
A Son Named Jesus
79 bpm • F min • 04:27 • -21.84db
18% Popularity • 7% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Stephen Warbeck
Pelagia's Song
79 bpm • C Maj • 04:04 • -16.38db
38% Popularity • 14% Danceability • 22% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
36% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Craig Armstrong
The Lake Scene
79 bpm • C Maj • 01:35 • -18db
46% Popularity • 17% Danceability • 8% Energy • 33% Liveness
96% Instrumentalness • 8% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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George Fenton
Utopia
86 bpm • C Maj • 01:18 • -32.88db
38% Popularity • 25% Danceability • 1% Energy • 13% Liveness
98% Instrumentalness • 18% Positiveness
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Thomas Wander
You Stay in England
78 bpm • G Maj • 01:08 • -23db
33% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Bear McCreary
The New Fraser's Ridge
78 bpm • A Maj • 02:57 • -17.71db
32% Popularity • 9% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Pinar Toprak
Dreams
86 bpm • A min • 01:03 • -18db
57% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
49% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
35% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Angèle Dubeau
Suite Harry Potter: Lily’s Theme – H...
78 bpm • B min • 06:26 • -18.85db
33% Popularity • 9% Danceability • 16% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
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Johan Söderqvist
The Arrival
78 bpm • B min • 01:56 • -14.98db
46% Popularity • 7% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Jacob Shea
Northern Lights
77 bpm • C min • 02:00 • -21.55db
44% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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Trevor Rabin
Declaration of Independence
87 bpm • F Maj • 01:43 • -24db
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Alone
87 bpm • D Maj • 01:10 • -22.81db
54% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Two Worlds II
Lands of Despair
87 bpm • G Maj • 02:16 • -15db
45% Popularity • 10% Danceability • 24% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
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John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Howard Shore
Rivendell
87 bpm • C Maj • 03:26 • -23db
50% Popularity • 9% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
50% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Craig Armstrong
Far from the Madding Crowd Love Theme
87 bpm • A min • 03:42 • -12db
36% Popularity • 15% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Souls Rising
77 bpm • C Maj • 01:25 • -25.53db
52% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
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Thomas Wander
Edward's Theme
87 bpm • C min • 01:33 • -25.77db
38% Popularity • 23% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
29% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
48% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
New York
77 bpm • F Maj • 01:09 • -23.96db
49% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Bear McCreary
A Fraser Officer Survived
77 bpm • D min • 04:15 • -16.73db
28% Popularity • 13% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
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Craig Armstrong
The Great Misunderstanding
88 bpm • C# min • 02:24 • -23.06db
27% Popularity • 32% Danceability • 4% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
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August D. Valentine
I Thought I'd Never Forget
77 bpm • G min • 02:20 • -18.4db
32% Popularity • 7% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Aaron Zigman
I Waited for You
88 bpm • G Maj • 01:30 • -26.69db
39% Popularity • 10% Danceability • 6% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Am I Good Enough Now?
88 bpm • D min • 01:18 • -29.4db
49% Popularity • 14% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Howard Shore
Very Old Friends
76 bpm • G Maj • 03:12 • -34.55db
51% Popularity • 12% Danceability • 0% Energy • 20% Liveness
24% Instrumentalness • 4% Positiveness
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Bathsheba and Oak Unite