Songs like Battlefield 4 "Stutter" Theme by Johan Skugge
Based on a tempo of (+/- 10%) and a similar genre
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Johan Skugge
Battlefield 4 "Stutter" Theme
88 bpm • C Maj • 01:55 • -11.62db
36% Popularity • 62% Danceability • 52% Energy • 40% Liveness
90% Instrumentalness • 39% Positiveness
36% Popularity • 62% Danceability • 52% Energy • 40% Liveness
90% Instrumentalness • 39% Positiveness
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Danny Cocke
60 Seconds Remaining
88 bpm • C# min • 01:16 • -16.97db
17% Popularity • 11% Danceability • 36% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
17% Popularity • 11% Danceability • 36% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
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Mikael Karlsson
The Storm - Main Theme
88 bpm • A# min • 04:28 • -8.64db
24% Popularity • 17% Danceability • 69% Energy • 14% Liveness
88% Instrumentalness • 15% Positiveness
24% Popularity • 17% Danceability • 69% Energy • 14% Liveness
88% Instrumentalness • 15% Positiveness
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Christopher Drake
Injustice: Gods Among Us
88 bpm • C# Maj • 03:06 • -12.86db
33% Popularity • 38% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
33% Popularity • 38% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
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Hildur Guðnadóttir
Battlefield 2042
89 bpm • A# min • 02:32 • -11db
33% Popularity • 47% Danceability • 41% Energy • 26% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 47% Danceability • 41% Energy • 26% Liveness
90% Instrumentalness • 6% Positiveness
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Mick Gordon
14 Years
89 bpm • G min • 01:21 • -25db
38% Popularity • 57% Danceability • 7% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
38% Popularity • 57% Danceability • 7% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
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Johan Skugge
Fishing In Baku
87 bpm • C Maj • 04:50 • -9.16db
21% Popularity • 44% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 44% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Epilogue "We Will Fight.."
90 bpm • A# min • 02:13 • -15.44db
31% Popularity • 12% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
31% Popularity • 12% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Mikael Karlsson
Prelude To A Lost Cause - Orchestral Ver...
88 bpm • F Maj • 02:16 • -13.11db
11% Popularity • 11% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
11% Popularity • 11% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Christopher Drake
Deathstroke
87 bpm • C# Maj • 04:06 • -14.13db
25% Popularity • 19% Danceability • 55% Energy • 22% Liveness
84% Instrumentalness • 17% Positiveness
25% Popularity • 19% Danceability • 55% Energy • 22% Liveness
84% Instrumentalness • 17% Positiveness
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Junkie XL
Motorball
90 bpm • C min • 05:14 • -8db
31% Popularity • 38% Danceability • 66% Energy • 34% Liveness
89% Instrumentalness • 12% Positiveness
31% Popularity • 38% Danceability • 66% Energy • 34% Liveness
89% Instrumentalness • 12% Positiveness
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The Northern East
Charming Ghost
90 bpm • D# Maj • 03:15 • -10db
0% Popularity • 30% Danceability • 38% Energy • 38% Liveness
4% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 38% Energy • 38% Liveness
4% Instrumentalness • 11% Positiveness
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Michael McCann
Opening Credits
90 bpm • D min • 02:15 • -12.6db
36% Popularity • 44% Danceability • 63% Energy • 20% Liveness
93% Instrumentalness • 24% Positiveness
36% Popularity • 44% Danceability • 63% Energy • 20% Liveness
93% Instrumentalness • 24% Positiveness
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Samurai Jack
The Catacombs
90 bpm • C Maj • 01:52 • -5.74db
29% Popularity • 40% Danceability • 92% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
29% Popularity • 40% Danceability • 92% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Tim Wynn
Red Rock for Mother Russia
90 bpm • D Maj • 04:17 • -8db
29% Popularity • 52% Danceability • 75% Energy • 14% Liveness
92% Instrumentalness • 46% Positiveness
29% Popularity • 52% Danceability • 75% Energy • 14% Liveness
92% Instrumentalness • 46% Positiveness
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Epic Score
Break Free
90 bpm • E min • 02:13 • -8.77db
31% Popularity • 48% Danceability • 68% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
31% Popularity • 48% Danceability • 68% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Junkie XL
Chapter Doof
90 bpm • C Maj • 06:49 • -10db
29% Popularity • 45% Danceability • 91% Energy • 34% Liveness
91% Instrumentalness • 10% Positiveness
29% Popularity • 45% Danceability • 91% Energy • 34% Liveness
91% Instrumentalness • 10% Positiveness
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Mick Gordon
The Kreisau Circle
90 bpm • G min • 01:23 • -26.44db
38% Popularity • 64% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 9% Positiveness
38% Popularity • 64% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 9% Positiveness
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Sean Murray
Melville
90 bpm • D Maj • 03:14 • -12db
32% Popularity • 56% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
32% Popularity • 56% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Daft Punk
Rinzler
90 bpm • A Maj • 02:17 • -14.68db
42% Popularity • 50% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
42% Popularity • 50% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Bill Brown
Generals Main Theme
90 bpm • E min • 03:12 • -12db
35% Popularity • 56% Danceability • 62% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
35% Popularity • 56% Danceability • 62% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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Epic Score
They Hit Without Warning
90 bpm • D Maj • 02:45 • -8.9db
42% Popularity • 60% Danceability • 49% Energy • 19% Liveness
7% Instrumentalness • 6% Positiveness
42% Popularity • 60% Danceability • 49% Energy • 19% Liveness
7% Instrumentalness • 6% Positiveness
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Junkie XL
Chapter Doof - Extended Version
90 bpm • G# Maj • 07:04 • -9.55db
28% Popularity • 36% Danceability • 87% Energy • 34% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 36% Danceability • 87% Energy • 34% Liveness
94% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Go Big Or Go Extinct
86 bpm • F# min • 02:25 • -12.18db
42% Popularity • 53% Danceability • 71% Energy • 23% Liveness
85% Instrumentalness • 36% Positiveness
42% Popularity • 53% Danceability • 71% Energy • 23% Liveness
85% Instrumentalness • 36% Positiveness
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The Northern East
Inner City Alarm
86 bpm • C Maj • 03:18 • -10.41db
0% Popularity • 10% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
The Black Manta
90 bpm • A# min • 02:49 • -19db
32% Popularity • 53% Danceability • 28% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
32% Popularity • 53% Danceability • 28% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Bill Brown
Zero Hour Main Theme
90 bpm • E min • 03:10 • -14db
28% Popularity • 50% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
28% Popularity • 50% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
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Stephen Barton
Assault on the Sentinel
91 bpm • C# Maj • 03:42 • -11.41db
16% Popularity • 28% Danceability • 70% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
16% Popularity • 28% Danceability • 70% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
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Trocadero
(When) Your Middle Name Is Danger
85 bpm • G Maj • 02:04 • -15.34db
25% Popularity • 31% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
25% Popularity • 31% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Metro Exodus
Artyom's Nightmare - Bonus Track
85 bpm • C# Maj • 02:36 • -10.86db
21% Popularity • 30% Danceability • 67% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
21% Popularity • 30% Danceability • 67% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Sean Murray
Pentagon
85 bpm • D Maj • 03:13 • -15.48db
45% Popularity • 32% Danceability • 21% Energy • 16% Liveness
71% Instrumentalness • 8% Positiveness
45% Popularity • 32% Danceability • 21% Energy • 16% Liveness
71% Instrumentalness • 8% Positiveness
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Guillaume David
Warriors of Mars
91 bpm • C# Maj • 04:29 • -14.55db
38% Popularity • 35% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
38% Popularity • 35% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Bill Brown
Generals Main Theme
90 bpm • E min • 03:12 • -8db
21% Popularity • 55% Danceability • 79% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
21% Popularity • 55% Danceability • 79% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
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Stephen Barton
Bt-7274
85 bpm • B Maj • 05:39 • -11.94db
35% Popularity • 14% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 14% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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FPS Allstars
Epilogue - Instrumental
85 bpm • D min • 03:17 • -22.01db
14% Popularity • 19% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
14% Popularity • 19% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Paul Haslinger
Load Out
92 bpm • E min • 01:44 • -13db
33% Popularity • 43% Danceability • 42% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
33% Popularity • 43% Danceability • 42% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Sean Murray
Mac-V
92 bpm • D Maj • 02:17 • -12db
33% Popularity • 60% Danceability • 66% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
33% Popularity • 60% Danceability • 66% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
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Ramin Djawadi
The Shatterdome
92 bpm • G# Maj • 02:31 • -17.58db
34% Popularity • 61% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
34% Popularity • 61% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Jukka Rintamäki
Spring Snow
84 bpm • C min • 02:30 • -24.18db
3% Popularity • 47% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
3% Popularity • 47% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Stephen Barton
Down to Business - Bonus Track
92 bpm • F# Maj • 04:03 • -10.65db
20% Popularity • 26% Danceability • 67% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
20% Popularity • 26% Danceability • 67% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
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Sarah Schachner
Old Comrades
84 bpm • C# min • 03:01 • -12db
32% Popularity • 17% Danceability • 44% Energy • 8% Liveness
66% Instrumentalness • 8% Positiveness
32% Popularity • 17% Danceability • 44% Energy • 8% Liveness
66% Instrumentalness • 8% Positiveness
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Jason Hayes
Legends of Azeroth (Main Title)
84 bpm • G# Maj • 02:41 • -10.49db
42% Popularity • 18% Danceability • 45% Energy • 30% Liveness
82% Instrumentalness • 8% Positiveness
42% Popularity • 18% Danceability • 45% Energy • 30% Liveness
82% Instrumentalness • 8% Positiveness
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Sean Murray
Flaming Dart
92 bpm • C Maj • 03:04 • -11db
24% Popularity • 40% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
24% Popularity • 40% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Danny Cocke
The Program
92 bpm • C# Maj • 02:24 • -13.24db
16% Popularity • 49% Danceability • 61% Energy • 13% Liveness
74% Instrumentalness • 17% Positiveness
16% Popularity • 49% Danceability • 61% Energy • 13% Liveness
74% Instrumentalness • 17% Positiveness
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Dan Romer
The Shackles I Wore
93 bpm • G# Maj • 03:16 • -9.14db
23% Popularity • 44% Danceability • 94% Energy • 34% Liveness
51% Instrumentalness • 56% Positiveness
23% Popularity • 44% Danceability • 94% Energy • 34% Liveness
51% Instrumentalness • 56% Positiveness
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Stephen Barton
When Two Sides Go to War
85 bpm • A min • 04:09 • -14.02db
21% Popularity • 20% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
21% Popularity • 20% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Sarah Schachner
Danger Close
93 bpm • D Maj • 04:47 • -10db
27% Popularity • 28% Danceability • 63% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
27% Popularity • 28% Danceability • 63% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Mick Gordon
The Experiment
82 bpm • G Maj • 01:36 • -12.69db
36% Popularity • 19% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 19% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Bill Brown
Helix Armada
83 bpm • G min • 03:23 • -14.51db
22% Popularity • 44% Danceability • 51% Energy • 11% Liveness
26% Instrumentalness • 28% Positiveness
22% Popularity • 44% Danceability • 51% Energy • 11% Liveness
26% Instrumentalness • 28% Positiveness
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Danny Cocke
Rainbow Six Siege: Invitational Main The...
93 bpm • C# Maj • 04:32 • -11.97db
36% Popularity • 35% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
36% Popularity • 35% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Johan Söderqvist
Something Big Is Coming
94 bpm • F min • 03:44 • -16.36db
29% Popularity • 27% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Ola Strandh
Dock Wrecks
94 bpm • G Maj • 04:44 • -9.61db
22% Popularity • 41% Danceability • 85% Energy • 24% Liveness
89% Instrumentalness • 7% Positiveness
22% Popularity • 41% Danceability • 85% Energy • 24% Liveness
89% Instrumentalness • 7% Positiveness
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Jack Trammell
Critical Mass
82 bpm • C# Maj • 02:22 • -6.37db
27% Popularity • 20% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Jaeger Tech
82 bpm • A Maj • 01:58 • -14.17db
33% Popularity • 31% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
33% Popularity • 31% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Epic Score
All Guts No Glory
82 bpm • E Maj • 02:15 • -6.61db
39% Popularity • 44% Danceability • 73% Energy • 28% Liveness
64% Instrumentalness • 45% Positiveness
39% Popularity • 44% Danceability • 73% Energy • 28% Liveness
64% Instrumentalness • 45% Positiveness
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Brain
Plight
94 bpm • D Maj • 02:19 • -15.11db
14% Popularity • 27% Danceability • 35% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
14% Popularity • 27% Danceability • 35% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
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Johan Söderqvist
Triumph
94 bpm • D min • 02:25 • -14db
34% Popularity • 34% Danceability • 56% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
34% Popularity • 34% Danceability • 56% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Christopher Drake
Bane
95 bpm • C# Maj • 02:29 • -12.29db
25% Popularity • 28% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
25% Popularity • 28% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
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Ola Strandh
Saint
94 bpm • G Maj • 03:43 • -11.06db
24% Popularity • 46% Danceability • 81% Energy • 41% Liveness
88% Instrumentalness • 23% Positiveness
24% Popularity • 46% Danceability • 81% Energy • 41% Liveness
88% Instrumentalness • 23% Positiveness
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Olivier Deriviere
It Begins
82 bpm • E min • 01:20 • -13.33db
31% Popularity • 15% Danceability • 22% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 22% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Nick Arundel
Arkham City Main Theme
95 bpm • C# Maj • 02:47 • -13.86db
51% Popularity • 22% Danceability • 54% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
51% Popularity • 22% Danceability • 54% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
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Zack Hemsey
R.E.F. (Warrior's Lullabye)
95 bpm • E min • 02:24 • -10.24db
29% Popularity • 54% Danceability • 81% Energy • 14% Liveness
80% Instrumentalness • 10% Positiveness
29% Popularity • 54% Danceability • 81% Energy • 14% Liveness
80% Instrumentalness • 10% Positiveness
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Michael Nielsen
Conviction (Main Theme)
95 bpm • D Maj • 02:25 • -15.39db
19% Popularity • 48% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
19% Popularity • 48% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Geneburn
Prepare for Escape
95 bpm • A# Maj • 05:25 • -13db
38% Popularity • 49% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 49% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Pawel Blaszczak
Harran
80 bpm • C Maj • 01:14 • -17.74db
41% Popularity • 23% Danceability • 22% Energy • 22% Liveness
95% Instrumentalness • 9% Positiveness
41% Popularity • 23% Danceability • 22% Energy • 22% Liveness
95% Instrumentalness • 9% Positiveness
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James Hannigan
200 Years Ago, On an Icy Planet...
80 bpm • D min • 07:20 • -15db
18% Popularity • 17% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
BF Menu Music
80 bpm • D# Maj • 03:16 • -11.25db
17% Popularity • 58% Danceability • 62% Energy • 21% Liveness
98% Instrumentalness • 31% Positiveness
17% Popularity • 58% Danceability • 62% Energy • 21% Liveness
98% Instrumentalness • 31% Positiveness
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Dream Cave
Night of the Drowned
80 bpm • C# min • 02:41 • -11.04db
29% Popularity • 61% Danceability • 68% Energy • 12% Liveness
77% Instrumentalness • 16% Positiveness
29% Popularity • 61% Danceability • 68% Energy • 12% Liveness
77% Instrumentalness • 16% Positiveness
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Danny Bensi and Saunder Jurriaans
Wolves Among Sheep
80 bpm • D Maj • 02:37 • -12db
27% Popularity • 59% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 30% Positiveness
27% Popularity • 59% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 30% Positiveness
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Kári Sigurðsson
Oracle
80 bpm • G min • 03:50 • -10db
29% Popularity • 33% Danceability • 55% Energy • 12% Liveness
97% Instrumentalness • 9% Positiveness
29% Popularity • 33% Danceability • 55% Energy • 12% Liveness
97% Instrumentalness • 9% Positiveness
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Junkie XL
Brothers In Arms - Extended Version
80 bpm • C min • 05:52 • -9.31db
41% Popularity • 48% Danceability • 92% Energy • 12% Liveness
96% Instrumentalness • 43% Positiveness
41% Popularity • 48% Danceability • 92% Energy • 12% Liveness
96% Instrumentalness • 43% Positiveness
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Trevor Morris
Crew Race 1: Urban Assault
97 bpm • B Maj • 03:19 • -8.66db
17% Popularity • 64% Danceability • 94% Energy • 14% Liveness
84% Instrumentalness • 46% Positiveness
17% Popularity • 64% Danceability • 94% Energy • 14% Liveness
84% Instrumentalness • 46% Positiveness
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Gustaf Grefberg
Mayhem Dressed in a Suit
80 bpm • D Maj • 03:06 • -16.75db
33% Popularity • 37% Danceability • 67% Energy • 29% Liveness
86% Instrumentalness • 32% Positiveness
33% Popularity • 37% Danceability • 67% Energy • 29% Liveness
86% Instrumentalness • 32% Positiveness
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Wilbert Roget, II
Netherrealm Incursion
79 bpm • C# Maj • 03:42 • -16.47db
12% Popularity • 18% Danceability • 28% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 28% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Pedro Bromfman
Libertad
98 bpm • A min • 01:52 • -12.15db
37% Popularity • 36% Danceability • 54% Energy • 15% Liveness
76% Instrumentalness • 37% Positiveness
37% Popularity • 36% Danceability • 54% Energy • 15% Liveness
76% Instrumentalness • 37% Positiveness
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Everything By Electricity
Death Like a Dream
79 bpm • C min • 05:24 • -11.51db
0% Popularity • 9% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 9% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Junkie XL
Brothers In Arms
80 bpm • G# Maj • 04:22 • -8.9db
44% Popularity • 46% Danceability • 94% Energy • 19% Liveness
97% Instrumentalness • 56% Positiveness
44% Popularity • 46% Danceability • 94% Energy • 19% Liveness
97% Instrumentalness • 56% Positiveness
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Harry Gregson-Williams
Power Changes Everything
98 bpm • G Maj • 01:19 • -18.07db
32% Popularity • 57% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
32% Popularity • 57% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Machinimasound
Battle of Kings
79 bpm • C Maj • 03:28 • -14db
23% Popularity • 44% Danceability • 75% Energy • 32% Liveness
73% Instrumentalness • 50% Positiveness
23% Popularity • 44% Danceability • 75% Energy • 32% Liveness
73% Instrumentalness • 50% Positiveness
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David Sardy
Bring Back Ghost Rider
79 bpm • G min • 01:45 • -11db
19% Popularity • 37% Danceability • 68% Energy • 10% Liveness
81% Instrumentalness • 45% Positiveness
19% Popularity • 37% Danceability • 68% Energy • 10% Liveness
81% Instrumentalness • 45% Positiveness
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Mark Petrie
Richat
79 bpm • D# min • 02:22 • -9.02db
42% Popularity • 34% Danceability • 40% Energy • 12% Liveness
79% Instrumentalness • 7% Positiveness
42% Popularity • 34% Danceability • 40% Energy • 12% Liveness
79% Instrumentalness • 7% Positiveness
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Christopher Drake
Injustice 2 (Main Theme)
99 bpm • F# min • 03:08 • -13.09db
25% Popularity • 18% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
25% Popularity • 18% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Wilbert Roget, II
A Brotherhood of Heroes
78 bpm • F# min • 02:55 • -13.71db
45% Popularity • 20% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
45% Popularity • 20% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Harry Gregson-Williams
Advanced Soldier Overture
99 bpm • D Maj • 03:26 • -10db
28% Popularity • 16% Danceability • 66% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 66% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Michael McCann
Main Menu
99 bpm • G min • 01:50 • -22.58db
41% Popularity • 13% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
41% Popularity • 13% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Johan Skugge
Hunter's Point
100 bpm • A# min • 00:54 • -15.88db
24% Popularity • 44% Danceability • 49% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
24% Popularity • 44% Danceability • 49% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Stephen Baysted
Pressure
78 bpm • G Maj • 02:38 • -13db
13% Popularity • 26% Danceability • 52% Energy • 11% Liveness
71% Instrumentalness • 11% Positiveness
13% Popularity • 26% Danceability • 52% Energy • 11% Liveness
71% Instrumentalness • 11% Positiveness
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Sarah Schachner
Highway
100 bpm • E Maj • 06:37 • -12.47db
28% Popularity • 40% Danceability • 70% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
28% Popularity • 40% Danceability • 70% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Wilbert Roget, II
The Wolves' Den
78 bpm • G Maj • 03:17 • -15.76db
21% Popularity • 34% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
21% Popularity • 34% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Tim Wynn
Squad Loadout
100 bpm • G min • 02:23 • -12.44db
32% Popularity • 52% Danceability • 80% Energy • 15% Liveness
86% Instrumentalness • 56% Positiveness
32% Popularity • 52% Danceability • 80% Energy • 15% Liveness
86% Instrumentalness • 56% Positiveness
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Daft Punk
The Game Has Changed
100 bpm • C# min • 03:25 • -14.75db
44% Popularity • 54% Danceability • 51% Energy • 11% Liveness
73% Instrumentalness • 7% Positiveness
44% Popularity • 54% Danceability • 51% Energy • 11% Liveness
73% Instrumentalness • 7% Positiveness
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Johan Skugge
Dunn's Down
100 bpm • F min • 04:52 • -12.12db
17% Popularity • 27% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 27% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Jukka Rintamäki
Moped Bastard
100 bpm • G Maj • 03:07 • -9.8db
2% Popularity • 52% Danceability • 68% Energy • 10% Liveness
36% Instrumentalness • 20% Positiveness
2% Popularity • 52% Danceability • 68% Energy • 10% Liveness
36% Instrumentalness • 20% Positiveness
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Sarah Schachner
Modern Warfare Main Theme
100 bpm • A Maj • 03:26 • -12.9db
45% Popularity • 20% Danceability • 38% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 38% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Brian Tuey
Ignition
100 bpm • C# Maj • 03:45 • -12.98db
36% Popularity • 52% Danceability • 56% Energy • 8% Liveness
75% Instrumentalness • 3% Positiveness
36% Popularity • 52% Danceability • 56% Energy • 8% Liveness
75% Instrumentalness • 3% Positiveness
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Bill Brown
Raid In Progress
100 bpm • E min • 03:15 • -14.56db
24% Popularity • 60% Danceability • 65% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
24% Popularity • 60% Danceability • 65% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
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Jon Opstad
Celestial Concerto
100 bpm • G min • 02:48 • -20db
21% Popularity • 58% Danceability • 58% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
21% Popularity • 58% Danceability • 58% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
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Johan Skugge
Choked
100 bpm • G Maj • 02:14 • -11.99db
19% Popularity • 66% Danceability • 73% Energy • 33% Liveness
93% Instrumentalness • 53% Positiveness
19% Popularity • 66% Danceability • 73% Energy • 33% Liveness
93% Instrumentalness • 53% Positiveness
