Songs like Be More Barrio by Sheppard
Based on a tempo of (+/- 10%) and a similar genre
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WILD
It Only Gets Better
100 bpm • C# min • 03:25 • -4.73db
52% Popularity • 65% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 65% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Dylan Gardner
Let's Get Started
100 bpm • G# Maj • 03:27 • -5.35db
29% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Radical Something
Moustache
100 bpm • E Maj • 03:31 • -7.73db
13% Popularity • 72% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 72% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Bastille
Send Them Off!
100 bpm • A# min • 03:20 • -3.41db
57% Popularity • 61% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 61% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Lostboycrow
Say You Want Me
100 bpm • C# Maj • 03:39 • -6.21db
22% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Kaptan
Anywhere We Go
100 bpm • G Maj • 04:02 • -6.26db
19% Popularity • 57% Danceability • 90% Energy • 7% Liveness
43% Instrumentalness • 47% Positiveness
19% Popularity • 57% Danceability • 90% Energy • 7% Liveness
43% Instrumentalness • 47% Positiveness
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WILD
I Believe in Us
100 bpm • C Maj • 02:48 • -5.46db
39% Popularity • 71% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 71% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Handsome Ghost
Eyes Wide
100 bpm • G# Maj • 03:15 • -8.98db
29% Popularity • 52% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 52% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Virginia To Vegas
Don't Fight The Music
100 bpm • F# min • 03:37 • -5.5db
25% Popularity • 60% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 60% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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LunchMoney Lewis
Love Me Back
100 bpm • B min • 03:00 • -6db
23% Popularity • 78% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 78% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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John Longhitano
Day Dreaming
100 bpm • F# min • 02:35 • -10.8db
16% Popularity • 67% Danceability • 51% Energy • 13% Liveness
3% Instrumentalness • 89% Positiveness
16% Popularity • 67% Danceability • 51% Energy • 13% Liveness
3% Instrumentalness • 89% Positiveness
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Five For Fighting
Stand Up
99 bpm • G Maj • 02:51 • -6db
34% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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East of Avenue
Paper Planes
100 bpm • F min • 03:10 • -8.32db
24% Popularity • 67% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 67% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Scott Helman
Cry Cry Cry - Spotify Sessions
99 bpm • C# min • 04:00 • -5.76db
8% Popularity • 68% Danceability • 67% Energy • 71% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 68% Danceability • 67% Energy • 71% Liveness
0% Instrumentalness • 56% Positiveness
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Conrad Sewell
Shadow
99 bpm • G Maj • 03:35 • -6.28db
19% Popularity • 64% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 64% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Jesse Ruben
First Day of Summer
99 bpm • A Maj • 02:44 • -9.3db
31% Popularity • 86% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 86% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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MKTO
Monaco
99 bpm • B Maj • 03:47 • -5.13db
48% Popularity • 65% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 65% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Rixton
Beautiful Excuses
101 bpm • G# Maj • 04:09 • -5.95db
33% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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A Great Big World
All I Want Is Love
101 bpm • C# Maj • 03:11 • -5db
28% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Fitz and The Tantrums
A Place for Us
99 bpm • G Maj • 03:32 • -3.41db
23% Popularity • 69% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 69% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Magic Man
Apollo
101 bpm • F# min • 03:33 • -5db
15% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The Cocktails
Shark in the Water
99 bpm • E Maj • 03:03 • -9.26db
25% Popularity • 64% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
25% Popularity • 64% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
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MKTO
Goodbye Song
99 bpm • C Maj • 03:51 • -5.22db
44% Popularity • 72% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 72% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Minor Soul
Nothing at All
99 bpm • E Maj • 03:01 • -6.11db
22% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Ayer
Warmer
99 bpm • C Maj • 02:48 • -7db
8% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Beach Avenue
Feel the Beat
102 bpm • C Maj • 03:36 • -5.87db
12% Popularity • 84% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 84% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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OMI
Hitchhiker
99 bpm • C# min • 03:25 • -5.41db
22% Popularity • 63% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 63% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Charles William
Where You Wanna Be
98 bpm • B Maj • 03:58 • -9db
26% Popularity • 54% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 54% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Jordan Millar
Walking On Me
102 bpm • C# min • 03:58 • -6.33db
9% Popularity • 76% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 76% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Jason French
You Just Want My Money
98 bpm • G Maj • 03:29 • -5.31db
28% Popularity • 81% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 81% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Us The Duo
Smile & Keep Your Head Up
98 bpm • B Maj • 02:39 • -5.46db
29% Popularity • 68% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 68% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Two Worlds
Slow Dancin'
98 bpm • G Maj • 02:40 • -6.77db
23% Popularity • 80% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 80% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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George Ezra
Cassy O'
98 bpm • D Maj • 03:04 • -4.8db
51% Popularity • 54% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 54% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
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A Great Big World
Come On
98 bpm • G Maj • 03:27 • -5.45db
21% Popularity • 56% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 56% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Måns Zelmerlöw
Live While We're Alive
103 bpm • A Maj • 03:00 • -5.09db
21% Popularity • 53% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 53% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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The Young Wild
Moment Goes
97 bpm • C# Maj • 03:50 • -5.89db
15% Popularity • 62% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 62% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Us The Duo
Goodbye Forever
98 bpm • D Maj • 02:38 • -7db
27% Popularity • 70% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 70% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Ed Sheeran
Let It Out
97 bpm • G# Maj • 03:51 • -7.66db
41% Popularity • 73% Danceability • 60% Energy • 15% Liveness
1% Instrumentalness • 62% Positiveness
41% Popularity • 73% Danceability • 60% Energy • 15% Liveness
1% Instrumentalness • 62% Positiveness
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Plain White T's
Pause
97 bpm • A min • 03:11 • -5.04db
25% Popularity • 64% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 64% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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A Great Big World
Land of Opportunity
97 bpm • A# Maj • 03:25 • -7.29db
14% Popularity • 70% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 70% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Cameron Ernst
Three
96 bpm • A Maj • 03:18 • -7.71db
10% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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High Dive Heart
Playground
104 bpm • D Maj • 03:14 • -4.88db
21% Popularity • 68% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 68% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Phillip Phillips
Get Up Get Down
104 bpm • D Maj • 03:16 • -4.38db
36% Popularity • 67% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 67% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Neulore
The Lightning
104 bpm • C Maj • 03:22 • -6db
11% Popularity • 51% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 51% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 31% Positiveness
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George Ezra
Blame It on Me
104 bpm • D# Maj • 03:16 • -3.37db
69% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
69% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Janet Devlin
Wonderful
104 bpm • C Maj • 02:42 • -8db
23% Popularity • 53% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 53% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Matt Nathanson
Earthquake Weather
96 bpm • D Maj • 04:09 • -6.31db
14% Popularity • 65% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 65% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Colourshop
Chasing Life
96 bpm • G Maj • 03:22 • -4.79db
19% Popularity • 65% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 65% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Handsome Ghost
Steps
96 bpm • C# Maj • 03:29 • -8db
26% Popularity • 67% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 67% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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ADHDS
City
96 bpm • F Maj • 03:55 • -7db
26% Popularity • 52% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 52% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Kevin Rudolf
Here's To Us
96 bpm • G Maj • 03:57 • -6db
33% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Phillip Phillips
Can't Go Wrong
96 bpm • E Maj • 03:37 • -5.32db
29% Popularity • 59% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 59% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Los 5
Mañana
96 bpm • A Maj • 03:28 • -8db
22% Popularity • 72% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 72% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Panama Wedding
A Brand New Life
105 bpm • C Maj • 03:34 • -6.59db
25% Popularity • 70% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 70% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Mike Waters
Gambling Man
96 bpm • B Maj • 03:42 • -8.25db
19% Popularity • 59% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 59% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Catey Shaw
Family
105 bpm • C Maj • 03:44 • -5.9db
27% Popularity • 71% Danceability • 68% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 71% Danceability • 68% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Natives
Chasing Lions
105 bpm • C# Maj • 03:39 • -5.2db
12% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Mike Tompkins
Sorry Not Sorry (Yolo)
105 bpm • C# Maj • 03:15 • -5.09db
10% Popularity • 68% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 68% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Echosmith
Bright - Lost Kings Remix
105 bpm • F# Maj • 03:33 • -5.31db
29% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Parson James
Sinner Like You
105 bpm • C min • 03:52 • -5.76db
23% Popularity • 67% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 67% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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This Century
Soul Sucker
105 bpm • A# Maj • 03:36 • -4db
15% Popularity • 61% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 61% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Coleman Hell
Take Me Up
105 bpm • G# min • 03:23 • -4.84db
25% Popularity • 70% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 70% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Bella Ferraro
Forgot You
95 bpm • D Maj • 03:39 • -2db
19% Popularity • 65% Danceability • 84% Energy • 50% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 65% Danceability • 84% Energy • 50% Liveness
0% Instrumentalness • 44% Positiveness
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The Score
Don't Wanna Wake Up
105 bpm • G# Maj • 03:55 • -6.05db
27% Popularity • 67% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 67% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Doug Locke
#ThisCouldBeUs
95 bpm • D Maj • 03:29 • -3.93db
15% Popularity • 68% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 68% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Forever in Your Mind
Sweet Little Something
95 bpm • B Maj • 03:32 • -5.99db
23% Popularity • 86% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 86% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Phillip Phillips
Wicked Game
106 bpm • A Maj • 04:13 • -9db
35% Popularity • 36% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 36% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Jordan Jae
Hopping Fences
95 bpm • E Maj • 03:22 • -6.45db
11% Popularity • 64% Danceability • 58% Energy • 68% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 64% Danceability • 58% Energy • 68% Liveness
0% Instrumentalness • 42% Positiveness
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This Club
Add It Up - Original
106 bpm • B min • 03:27 • -4.54db
8% Popularity • 83% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 83% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Rixton
Appreciated
106 bpm • C# Maj • 03:52 • -6.39db
44% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Radical Something
Spraypaint
106 bpm • A# min • 03:17 • -6.51db
17% Popularity • 76% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 76% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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MKTO
Afraid of the Dark
94 bpm • B min • 03:16 • -5db
37% Popularity • 48% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 48% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Parson James
Temple
94 bpm • C# Maj • 04:09 • -6.67db
30% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Phillip Phillips
Lead On
94 bpm • A min • 03:14 • -4db
30% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Sawyer Fredericks
Take It All
94 bpm • F Maj • 03:40 • -5.29db
34% Popularity • 65% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 65% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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The Vamps
Wake Up
94 bpm • C# Maj • 03:13 • -6.36db
47% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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The Script
Good Ol' Days
94 bpm • G Maj • 04:23 • -4db
38% Popularity • 55% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 55% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Rosco
Eastside
106 bpm • D Maj • 04:20 • -11.75db
1% Popularity • 64% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
1% Popularity • 64% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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North of Nine
Can It Be You?
94 bpm • C min • 03:07 • -6.6db
17% Popularity • 65% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 65% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Shane Filan
Everything To Me
107 bpm • C Maj • 03:23 • -6.58db
31% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Wylder
Swells
94 bpm • E Maj • 02:55 • -5.18db
12% Popularity • 61% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 61% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Boyce Avenue
Be Somebody
94 bpm • A# Maj • 03:23 • -5.48db
37% Popularity • 53% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 53% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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The Script
Army of Angels
94 bpm • C Maj • 03:58 • -6.6db
37% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Matt Nathanson
Giants
107 bpm • G# Maj • 03:49 • -4.68db
37% Popularity • 65% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 65% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Cailee Rae
Beautiful Lights
107 bpm • D Maj • 03:27 • -3db
17% Popularity • 69% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 69% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Lisbon
Natïve
107 bpm • C Maj • 02:59 • -4.91db
17% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Greg Holden
Save Yourself
107 bpm • B Maj • 03:21 • -7.46db
16% Popularity • 70% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 70% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Hunter Parrish
Sitting At Home
107 bpm • C# Maj • 02:51 • -4db
20% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Rixton
Appreciated
107 bpm • C Maj • 03:53 • -8.64db
16% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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SAINTS OF VALORY
LONG TIME COMING
107 bpm • C# Maj • 03:29 • -4.65db
15% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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East Love
Straight Lines
93 bpm • F Maj • 02:59 • -6.13db
24% Popularity • 59% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 59% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Before You Exit
Model
93 bpm • G min • 03:38 • -6db
31% Popularity • 59% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 59% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Kyle Andrews
When the World Begins
107 bpm • E Maj • 03:07 • -7.86db
14% Popularity • 44% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 44% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Hot Chelle Rae
Don't Say Goodnight
93 bpm • A# Maj • 03:31 • -4.98db
42% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Matty Mac
The Proposal
108 bpm • G Maj • 03:10 • -4.64db
15% Popularity • 85% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 85% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Buster Moe
I'll Be Fine
108 bpm • A# Maj • 03:52 • -6.76db
14% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Mike Waters
Daisy
108 bpm • G Maj • 03:39 • -9.31db
19% Popularity • 59% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 59% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Tim Halperin
Only Love
108 bpm • B Maj • 03:42 • -9db
19% Popularity • 62% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 62% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
