Songs like Bear Car Crawl by Albert Ammons
Based on a tempo of (+/- 10%) and a similar genre
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Albert Ammons
Foot Pedal Boogie
118 bpm • D min • 02:30 • -10.72db
1% Popularity • 66% Danceability • 60% Energy • 20% Liveness
94% Instrumentalness • 96% Positiveness
1% Popularity • 66% Danceability • 60% Energy • 20% Liveness
94% Instrumentalness • 96% Positiveness
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Otis Spann
Otis In The Dark - Remastered
118 bpm • E Maj • 04:35 • -10.93db
25% Popularity • 40% Danceability • 56% Energy • 26% Liveness
90% Instrumentalness • 58% Positiveness
25% Popularity • 40% Danceability • 56% Energy • 26% Liveness
90% Instrumentalness • 58% Positiveness
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The Veterinary Street Jazz Band
Snag it
118 bpm • D# Maj • 04:32 • -16.49db
23% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
23% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
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Hot Swing Sextet
Effervescent Blues
117 bpm • A# Maj • 02:46 • -7.48db
29% Popularity • 81% Danceability • 41% Energy • 11% Liveness
66% Instrumentalness • 61% Positiveness
29% Popularity • 81% Danceability • 41% Energy • 11% Liveness
66% Instrumentalness • 61% Positiveness
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Jools Holland
Blue Lamp
117 bpm • F Maj • 03:01 • -11.68db
27% Popularity • 62% Danceability • 31% Energy • 34% Liveness
82% Instrumentalness • 62% Positiveness
27% Popularity • 62% Danceability • 31% Energy • 34% Liveness
82% Instrumentalness • 62% Positiveness
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Eeco Rijken Rapp
Death Ray Boogie
119 bpm • C Maj • 03:00 • -7.96db
7% Popularity • 51% Danceability • 73% Energy • 9% Liveness
87% Instrumentalness • 98% Positiveness
7% Popularity • 51% Danceability • 73% Energy • 9% Liveness
87% Instrumentalness • 98% Positiveness
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Tuts Washington
Honky Tonk
117 bpm • F Maj • 03:22 • -15.75db
23% Popularity • 52% Danceability • 22% Energy • 14% Liveness
81% Instrumentalness • 67% Positiveness
23% Popularity • 52% Danceability • 22% Energy • 14% Liveness
81% Instrumentalness • 67% Positiveness
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Turk Murphy
When My Sugar Walks Down The Street
119 bpm • C Maj • 02:44 • -13.4db
28% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
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Roosevelt Sykes
Satellite Baby
119 bpm • D# Maj • 02:46 • -10db
12% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Georgia White
I'll Keep Sittin' On It
119 bpm • G Maj • 02:58 • -14.49db
14% Popularity • 79% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 79% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Pete Johnson
Foot Pedal Boogie
117 bpm • G Maj • 02:32 • -15.15db
0% Popularity • 68% Danceability • 48% Energy • 14% Liveness
91% Instrumentalness • 95% Positiveness
0% Popularity • 68% Danceability • 48% Energy • 14% Liveness
91% Instrumentalness • 95% Positiveness
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Nellie Lutcher
He's A Real Gone Guy
120 bpm • C# Maj • 03:02 • -13.88db
19% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Hamp Garnett
The Sparklet
116 bpm • C Maj • 01:14 • -17db
13% Popularity • 59% Danceability • 6% Energy • 28% Liveness
87% Instrumentalness • 27% Positiveness
13% Popularity • 59% Danceability • 6% Energy • 28% Liveness
87% Instrumentalness • 27% Positiveness
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Sonny Thompson
Screamin' Boogie
116 bpm • D min • 02:39 • -11.2db
1% Popularity • 59% Danceability • 48% Energy • 12% Liveness
74% Instrumentalness • 82% Positiveness
1% Popularity • 59% Danceability • 48% Energy • 12% Liveness
74% Instrumentalness • 82% Positiveness
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Wilbur De Paris
Mardi Gras Rag
120 bpm • F min • 05:00 • -9.79db
12% Popularity • 66% Danceability • 35% Energy • 4% Liveness
40% Instrumentalness • 74% Positiveness
12% Popularity • 66% Danceability • 35% Energy • 4% Liveness
40% Instrumentalness • 74% Positiveness
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Muggsy Spanier
At The Jazz Band Ball
116 bpm • C Maj • 02:51 • -11db
16% Popularity • 65% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
16% Popularity • 65% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
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Johnny Otis
Cupid's Boogie
120 bpm • G Maj • 02:37 • -13db
25% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Cripple Clarence Lofton
Strut That Thing
116 bpm • B Maj • 02:59 • -12.52db
8% Popularity • 69% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
8% Popularity • 69% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Eddie "Lockjaw" Davis
Ravin' At The Haven (c. 1947)
120 bpm • D# min • 02:26 • -8db
5% Popularity • 57% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 64% Positiveness
5% Popularity • 57% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 64% Positiveness
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Silvan Zingg
Maple Leaf Rag
120 bpm • C# Maj • 02:34 • -18db
10% Popularity • 66% Danceability • 35% Energy • 7% Liveness
90% Instrumentalness • 89% Positiveness
10% Popularity • 66% Danceability • 35% Energy • 7% Liveness
90% Instrumentalness • 89% Positiveness
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Albert Ammons
Suitcase Blues
116 bpm • G# Maj • 02:48 • -11.54db
0% Popularity • 68% Danceability • 56% Energy • 14% Liveness
93% Instrumentalness • 96% Positiveness
0% Popularity • 68% Danceability • 56% Energy • 14% Liveness
93% Instrumentalness • 96% Positiveness
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Meade "Lux" Lewis
Baby Look at You
121 bpm • F Maj • 03:03 • -14.26db
0% Popularity • 61% Danceability • 25% Energy • 13% Liveness
35% Instrumentalness • 78% Positiveness
0% Popularity • 61% Danceability • 25% Energy • 13% Liveness
35% Instrumentalness • 78% Positiveness
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Kenny Kersey and his orchestra
Boogie Woogie Cocktail
116 bpm • A Maj • 02:52 • -11.15db
7% Popularity • 68% Danceability • 46% Energy • 17% Liveness
92% Instrumentalness • 83% Positiveness
7% Popularity • 68% Danceability • 46% Energy • 17% Liveness
92% Instrumentalness • 83% Positiveness
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Esben Just
Blueberry Hill
121 bpm • D# Maj • 02:26 • -12.5db
21% Popularity • 66% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 66% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Memphis Slim
African Hunch With A Boogie Beat
115 bpm • G min • 03:37 • -16.76db
11% Popularity • 66% Danceability • 26% Energy • 69% Liveness
2% Instrumentalness • 78% Positiveness
11% Popularity • 66% Danceability • 26% Energy • 69% Liveness
2% Instrumentalness • 78% Positiveness
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Billie Holiday
Billie's Blues - Take 1
115 bpm • D# Maj • 02:39 • -9.51db
23% Popularity • 74% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 74% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Lil Hardin Armstrong
Harlem on Saturday Night
115 bpm • C Maj • 02:42 • -7.31db
16% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
16% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Silvan Zingg
Eleventh Street Boogie )
115 bpm • G Maj • 02:18 • -21db
11% Popularity • 57% Danceability • 49% Energy • 7% Liveness
95% Instrumentalness • 92% Positiveness
11% Popularity • 57% Danceability • 49% Energy • 7% Liveness
95% Instrumentalness • 92% Positiveness
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Kid Ory
Original Dixieland One Step
115 bpm • C min • 05:35 • -10.08db
12% Popularity • 68% Danceability • 64% Energy • 72% Liveness
57% Instrumentalness • 82% Positiveness
12% Popularity • 68% Danceability • 64% Energy • 72% Liveness
57% Instrumentalness • 82% Positiveness
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Amos Milburn
Vicious, Vicious Vodka - Remastered
115 bpm • F Maj • 02:59 • -8.62db
14% Popularity • 76% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 76% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Albert Ammons
The Blues, Part One
121 bpm • C Maj • 04:14 • -17.79db
9% Popularity • 62% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 29% Positiveness
9% Popularity • 62% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 29% Positiveness
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Ella Fitzgerald
Cow Cow Boogie
115 bpm • C Maj • 02:52 • -14.98db
28% Popularity • 83% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 83% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Camille Howard
Money Blues
115 bpm • F min • 02:28 • -10.87db
24% Popularity • 76% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 76% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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King Oliver
A Sheridan Square
121 bpm • G Maj • 03:22 • -11.74db
20% Popularity • 83% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 74% Positiveness
20% Popularity • 83% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 74% Positiveness
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Bourbon Street Jazzband
Tin Roof Blues
122 bpm • A# Maj • 05:06 • -13.58db
22% Popularity • 63% Danceability • 28% Energy • 12% Liveness
21% Instrumentalness • 74% Positiveness
22% Popularity • 63% Danceability • 28% Energy • 12% Liveness
21% Instrumentalness • 74% Positiveness
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Johnny Dodds
Clarinet Wobble
122 bpm • F Maj • 02:35 • -8.93db
24% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
24% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
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Albert Ammons
Six Wheel Chaser
114 bpm • C Maj • 03:37 • -13.59db
0% Popularity • 60% Danceability • 66% Energy • 63% Liveness
76% Instrumentalness • 96% Positiveness
0% Popularity • 60% Danceability • 66% Energy • 63% Liveness
76% Instrumentalness • 96% Positiveness
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Lloyd Glenn
Heat Wave
122 bpm • F min • 04:58 • -17.38db
11% Popularity • 73% Danceability • 31% Energy • 10% Liveness
55% Instrumentalness • 81% Positiveness
11% Popularity • 73% Danceability • 31% Energy • 10% Liveness
55% Instrumentalness • 81% Positiveness
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Dick Hyman
South Side Boogy
122 bpm • G Maj • 01:49 • -25.69db
15% Popularity • 55% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 68% Positiveness
15% Popularity • 55% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 68% Positiveness
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Alton Purnell
Pine Top's Boogie
114 bpm • C min • 02:14 • -13.96db
10% Popularity • 54% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 54% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Camille Howard
Belmont Boogie
122 bpm • G Maj • 02:13 • -15.01db
14% Popularity • 67% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 94% Positiveness
14% Popularity • 67% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 94% Positiveness
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Ella Fitzgerald
Rock It For Me
114 bpm • G# Maj • 03:09 • -8.92db
28% Popularity • 78% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 78% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Albert Ammons
Albert's Special Boogie Woogie (02-11-44...
114 bpm • C Maj • 03:01 • -14db
5% Popularity • 56% Danceability • 56% Energy • 10% Liveness
93% Instrumentalness • 97% Positiveness
5% Popularity • 56% Danceability • 56% Energy • 10% Liveness
93% Instrumentalness • 97% Positiveness
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Cootie Williams
Rinky Dink - Remastered
114 bpm • G Maj • 02:31 • -6.05db
17% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Otis Band
Alligator Meat
123 bpm • D# Maj • 02:56 • -11.97db
10% Popularity • 77% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 77% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Meade "Lux" Lewis
Cuttin' the Boogie
123 bpm • G Maj • 02:40 • -19.3db
0% Popularity • 68% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 55% Positiveness
0% Popularity • 68% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 55% Positiveness
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Nellie Lutcher
Hurry On Down
113 bpm • G# Maj • 02:27 • -12db
23% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Mildred Bailey
Don't Worry 'Bout Strangers
113 bpm • C Maj • 03:00 • -13.21db
18% Popularity • 71% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 71% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Jay McShann
Hootie Blues
113 bpm • G# Maj • 04:32 • -10.21db
14% Popularity • 67% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
14% Popularity • 67% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
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George Lewis
In the Sweet by and By
113 bpm • C Maj • 02:36 • -10.11db
16% Popularity • 66% Danceability • 65% Energy • 9% Liveness
96% Instrumentalness • 82% Positiveness
16% Popularity • 66% Danceability • 65% Energy • 9% Liveness
96% Instrumentalness • 82% Positiveness
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Alex Moore
Whistling Alex Moore's Blues
124 bpm • F# Maj • 03:07 • -10.83db
20% Popularity • 50% Danceability • 46% Energy • 13% Liveness
69% Instrumentalness • 88% Positiveness
20% Popularity • 50% Danceability • 46% Energy • 13% Liveness
69% Instrumentalness • 88% Positiveness
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Jimmy Witherspoon
Bad Bad Whiskey
124 bpm • F Maj • 03:05 • -14.97db
13% Popularity • 68% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 68% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Charlie Barnet & His Orchestra
Things Ain't What They Used to Be
113 bpm • G# Maj • 02:40 • -20db
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
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Christian Bleiming
Six Wheel Chaser
112 bpm • F Maj • 03:51 • -12db
17% Popularity • 52% Danceability • 79% Energy • 6% Liveness
84% Instrumentalness • 92% Positiveness
17% Popularity • 52% Danceability • 79% Energy • 6% Liveness
84% Instrumentalness • 92% Positiveness
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Albert Ammons
Cuttin' the Boogie
112 bpm • F Maj • 02:20 • -10.61db
1% Popularity • 79% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 92% Positiveness
1% Popularity • 79% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 92% Positiveness
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Bill Doggett
Ram-Bunk-Shush
124 bpm • G Maj • 02:33 • -8.07db
28% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
28% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
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Woody Herman & His Orchestra
Blues Downstairs
112 bpm • F Maj • 02:47 • -11.06db
18% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
18% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
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Original Dixieland Jazz Band
Tiger Rag - 1992 Remastered
125 bpm • D# Maj • 03:07 • -10.05db
14% Popularity • 49% Danceability • 49% Energy • 41% Liveness
88% Instrumentalness • 88% Positiveness
14% Popularity • 49% Danceability • 49% Energy • 41% Liveness
88% Instrumentalness • 88% Positiveness
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Roy Brown
Big Town
125 bpm • F min • 02:56 • -7.19db
16% Popularity • 68% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 68% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Pete Johnson
Cuttin' the Boogie
112 bpm • F Maj • 02:22 • -16.48db
1% Popularity • 75% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 91% Positiveness
1% Popularity • 75% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 91% Positiveness
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Otis Spann's South Side Piano
Marie
125 bpm • G min • 02:30 • -13db
14% Popularity • 52% Danceability • 71% Energy • 10% Liveness
96% Instrumentalness • 94% Positiveness
14% Popularity • 52% Danceability • 71% Energy • 10% Liveness
96% Instrumentalness • 94% Positiveness
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Henry "Red" Allen
Canal Street Blues
125 bpm • G# Maj • 03:48 • -7.68db
6% Popularity • 57% Danceability • 59% Energy • 26% Liveness
3% Instrumentalness • 65% Positiveness
6% Popularity • 57% Danceability • 59% Energy • 26% Liveness
3% Instrumentalness • 65% Positiveness
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The Big 18
Easy Does It
125 bpm • C# Maj • 05:14 • -20.58db
28% Popularity • 64% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
28% Popularity • 64% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Buddy Johnson
Walk 'Em
125 bpm • A# Maj • 02:50 • -10db
19% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Bix Beiderbecke
Clarinet Marmalade
125 bpm • F Maj • 03:12 • -10db
32% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
32% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Julia Lee
Don't Come Too Soon
125 bpm • A# Maj • 02:55 • -9.93db
12% Popularity • 84% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
12% Popularity • 84% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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Cootie Williams
Do Nothing Till You Hear from Me
125 bpm • G min • 03:59 • -9.3db
12% Popularity • 74% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 74% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
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Willie "The Lion" Smith
Finger Buster
126 bpm • C Maj • 03:05 • -13db
9% Popularity • 46% Danceability • 48% Energy • 10% Liveness
97% Instrumentalness • 83% Positiveness
9% Popularity • 46% Danceability • 48% Energy • 10% Liveness
97% Instrumentalness • 83% Positiveness
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Buddy Johnson
No More Love
125 bpm • E min • 03:04 • -9.52db
17% Popularity • 85% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 85% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Christian Bleiming
The Sheik of Araby
111 bpm • E min • 03:16 • -11.59db
9% Popularity • 61% Danceability • 80% Energy • 8% Liveness
63% Instrumentalness • 87% Positiveness
9% Popularity • 61% Danceability • 80% Energy • 8% Liveness
63% Instrumentalness • 87% Positiveness
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Sydney Clare
Keepin' Myself For You
111 bpm • D min • 03:15 • -6.45db
9% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Kid Ory's Creole Jazz Band
Savoy Blues
126 bpm • G min • 03:03 • -9db
31% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
31% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
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Big Jay McNeely
Deacons Hop
126 bpm • G# Maj • 02:52 • -9.15db
9% Popularity • 62% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
9% Popularity • 62% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
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Muggsy Spanier
(What I Did to Be So) Black And Blue
111 bpm • G min • 02:40 • -9db
21% Popularity • 72% Danceability • 43% Energy • 36% Liveness
65% Instrumentalness • 62% Positiveness
21% Popularity • 72% Danceability • 43% Energy • 36% Liveness
65% Instrumentalness • 62% Positiveness
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James P. Johnson
Keep Off The Grass
126 bpm • D min • 02:40 • -17.16db
25% Popularity • 73% Danceability • 41% Energy • 15% Liveness
81% Instrumentalness • 90% Positiveness
25% Popularity • 73% Danceability • 41% Energy • 15% Liveness
81% Instrumentalness • 90% Positiveness
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Christian Bleiming
C-Jam Boogie
110 bpm • C Maj • 03:37 • -11.44db
24% Popularity • 48% Danceability • 89% Energy • 31% Liveness
76% Instrumentalness • 93% Positiveness
24% Popularity • 48% Danceability • 89% Energy • 31% Liveness
76% Instrumentalness • 93% Positiveness
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George Lewis
Listen to the Mockingbird
110 bpm • F Maj • 03:15 • -7.39db
14% Popularity • 65% Danceability • 45% Energy • 23% Liveness
38% Instrumentalness • 90% Positiveness
14% Popularity • 65% Danceability • 45% Energy • 23% Liveness
38% Instrumentalness • 90% Positiveness
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Henry "Red" Allen
Whose Honey Are You
127 bpm • A Maj • 02:46 • -10.85db
14% Popularity • 84% Danceability • 51% Energy • 12% Liveness
39% Instrumentalness • 88% Positiveness
14% Popularity • 84% Danceability • 51% Energy • 12% Liveness
39% Instrumentalness • 88% Positiveness
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Sippie Wallace
A Man That Don't Want Me
127 bpm • A# Maj • 02:43 • -11.56db
10% Popularity • 73% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 73% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Bill Doggett
Blip Blop
127 bpm • A# Maj • 02:46 • -5db
21% Popularity • 69% Danceability • 72% Energy • 8% Liveness
38% Instrumentalness • 85% Positiveness
21% Popularity • 69% Danceability • 72% Energy • 8% Liveness
38% Instrumentalness • 85% Positiveness
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Hamp Garnett
Durango Boogie Train
110 bpm • D min • 02:25 • -16.33db
11% Popularity • 54% Danceability • 34% Energy • 13% Liveness
80% Instrumentalness • 74% Positiveness
11% Popularity • 54% Danceability • 34% Energy • 13% Liveness
80% Instrumentalness • 74% Positiveness
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Illinois Jacquet
Port Of Rico (07-22-52)
127 bpm • C Maj • 02:44 • -11.14db
30% Popularity • 77% Danceability • 25% Energy • 9% Liveness
8% Instrumentalness • 62% Positiveness
30% Popularity • 77% Danceability • 25% Energy • 9% Liveness
8% Instrumentalness • 62% Positiveness
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Rob Rio
Boogie Woogie Stomp
109 bpm • C Maj • 04:02 • -10.48db
11% Popularity • 42% Danceability • 55% Energy • 16% Liveness
86% Instrumentalness • 93% Positiveness
11% Popularity • 42% Danceability • 55% Energy • 16% Liveness
86% Instrumentalness • 93% Positiveness
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Kid Ory
Eh, La Bas
109 bpm • A# Maj • 04:48 • -9.91db
25% Popularity • 74% Danceability • 65% Energy • 56% Liveness
89% Instrumentalness • 86% Positiveness
25% Popularity • 74% Danceability • 65% Energy • 56% Liveness
89% Instrumentalness • 86% Positiveness
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Clarence Williams
I Wish I Could Shimmy Like My Sister Kat...
109 bpm • D Maj • 02:40 • -8.43db
11% Popularity • 79% Danceability • 85% Energy • 16% Liveness
30% Instrumentalness • 89% Positiveness
11% Popularity • 79% Danceability • 85% Energy • 16% Liveness
30% Instrumentalness • 89% Positiveness
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Sammy Price
Back Home Again To France
127 bpm • G Maj • 02:57 • -16.27db
18% Popularity • 65% Danceability • 40% Energy • 10% Liveness
89% Instrumentalness • 85% Positiveness
18% Popularity • 65% Danceability • 40% Energy • 10% Liveness
89% Instrumentalness • 85% Positiveness
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Pete Johnson
Mutiny In The Doghouse (01-26-46)
109 bpm • F min • 02:27 • -13db
11% Popularity • 53% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
11% Popularity • 53% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
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Humphrey Lyttelton
Georgia
109 bpm • D min • 02:59 • -14db
26% Popularity • 74% Danceability • 22% Energy • 37% Liveness
96% Instrumentalness • 93% Positiveness
26% Popularity • 74% Danceability • 22% Energy • 37% Liveness
96% Instrumentalness • 93% Positiveness
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Jimmy Yancey
Yancey Special
129 bpm • F Maj • 02:38 • -14db
9% Popularity • 67% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
9% Popularity • 67% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
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New Orleans Rhythm Kings
Bugle Call Blues
108 bpm • F Maj • 02:22 • -6db
14% Popularity • 56% Danceability • 62% Energy • 5% Liveness
92% Instrumentalness • 95% Positiveness
14% Popularity • 56% Danceability • 62% Energy • 5% Liveness
92% Instrumentalness • 95% Positiveness
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Luca Sestak
Laci's Boogie
108 bpm • G Maj • 05:32 • -18.08db
26% Popularity • 46% Danceability • 37% Energy • 20% Liveness
87% Instrumentalness • 84% Positiveness
26% Popularity • 46% Danceability • 37% Energy • 20% Liveness
87% Instrumentalness • 84% Positiveness
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Champion Jack Dupree
Stack-O-Lee
108 bpm • G# Maj • 03:56 • -17db
34% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Sue Palmer
Room Service Boogie
108 bpm • C Maj • 01:59 • -13.17db
15% Popularity • 56% Danceability • 48% Energy • 28% Liveness
95% Instrumentalness • 78% Positiveness
15% Popularity • 56% Danceability • 48% Energy • 28% Liveness
95% Instrumentalness • 78% Positiveness
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The Cats & The Fiddle
Public Jitterbug No1
108 bpm • F min • 02:51 • -11.22db
14% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
14% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
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Tampa Red
Boogie Woogie Dance
108 bpm • D# Maj • 03:14 • -9db
12% Popularity • 67% Danceability • 44% Energy • 20% Liveness
33% Instrumentalness • 96% Positiveness
12% Popularity • 67% Danceability • 44% Energy • 20% Liveness
33% Instrumentalness • 96% Positiveness
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Boogie Woogie Kid
Sam Daddy Blues
129 bpm • C Maj • 04:45 • -8.46db
11% Popularity • 47% Danceability • 61% Energy • 6% Liveness
96% Instrumentalness • 91% Positiveness
11% Popularity • 47% Danceability • 61% Energy • 6% Liveness
96% Instrumentalness • 91% Positiveness
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Albert Ammons
Pine Creek
130 bpm • A# Maj • 02:37 • -9.87db
1% Popularity • 58% Danceability • 54% Energy • 20% Liveness
95% Instrumentalness • 78% Positiveness
1% Popularity • 58% Danceability • 54% Energy • 20% Liveness
95% Instrumentalness • 78% Positiveness
