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Beat Me Till I'm Blue
Songs like
Beat Me Till I'm Blue
by
Alan Hawkshaw
Based on a tempo of (+/- 10%) and a similar genre
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Trevor Bastow
Power Plant
100 bpm • F Maj • 01:30 • -9db
12% Popularity • 44% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Roger Webb
Exotica
100 bpm • E min • 03:04 • -11db
17% Popularity • 59% Danceability • 49% Energy • 8% Liveness
37% Instrumentalness • 23% Positiveness
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Alberto Baldan Bembo
Pedro come
100 bpm • A# Maj • 02:42 • -10db
23% Popularity • 43% Danceability • 68% Energy • 51% Liveness
78% Instrumentalness • 37% Positiveness
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Alan Tew
Headlights
100 bpm • E min • 01:10 • -17.76db
31% Popularity • 62% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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John Cameron
Swamp Fever
100 bpm • A min • 02:12 • -14.37db
30% Popularity • 68% Danceability • 58% Energy • 11% Liveness
80% Instrumentalness • 62% Positiveness
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Lonnie Liston Smith
Quiet Dawn
99 bpm • A# min • 03:32 • -15.02db
22% Popularity • 27% Danceability • 38% Energy • 19% Liveness
47% Instrumentalness • 66% Positiveness
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Cicci Santucci
Eleven
99 bpm • F Maj • 02:18 • -8.49db
16% Popularity • 63% Danceability • 34% Energy • 10% Liveness
90% Instrumentalness • 83% Positiveness
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Stephen Gray
Mademoiselle
99 bpm • C# Maj • 03:57 • -22.85db
9% Popularity • 37% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 10% Positiveness
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Yusef Lateef
Queen of the Night
101 bpm • G# Maj • 02:13 • -16.92db
26% Popularity • 53% Danceability • 37% Energy • 13% Liveness
93% Instrumentalness • 49% Positiveness
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Douglas Wood
Moon Nightclub
99 bpm • D min • 02:45 • -13db
14% Popularity • 70% Danceability • 34% Energy • 34% Liveness
94% Instrumentalness • 58% Positiveness
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Alan Parker
Ice Breaker
99 bpm • G Maj • 03:54 • -17.49db
11% Popularity • 73% Danceability • 42% Energy • 7% Liveness
95% Instrumentalness • 82% Positiveness
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Jean-Jacques Perrey
Cat In The Night
101 bpm • F min • 03:34 • -9.88db
22% Popularity • 52% Danceability • 79% Energy • 10% Liveness
53% Instrumentalness • 91% Positiveness
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I Marc 4
Andrè
101 bpm • D# Maj • 02:58 • -14db
39% Popularity • 48% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
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David Axelrod
A Dream
101 bpm • F Maj • 02:33 • -17.69db
21% Popularity • 40% Danceability • 12% Energy • 10% Liveness
67% Instrumentalness • 9% Positiveness
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Steve Gray
The Night We Saw The Sun
99 bpm • D Maj • 03:52 • -16.48db
13% Popularity • 61% Danceability • 20% Energy • 13% Liveness
57% Instrumentalness • 30% Positiveness
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Alessandro Alessandroni
Hovercraft
101 bpm • A Maj • 02:48 • -9.71db
25% Popularity • 43% Danceability • 63% Energy • 20% Liveness
85% Instrumentalness • 72% Positiveness
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John Cameron
Afro Metropolis
99 bpm • C Maj • 02:43 • -11.57db
11% Popularity • 60% Danceability • 63% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
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Alan Moorhouse
Soul Skimmer
99 bpm • C Maj • 02:12 • -8.19db
21% Popularity • 57% Danceability • 89% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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Roger Webb
Gentle Eyes
99 bpm • A# Maj • 02:08 • -16.66db
8% Popularity • 45% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
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Clive Hicks
Transit
99 bpm • G Maj • 01:36 • -19.51db
22% Popularity • 83% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 44% Positiveness
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Alberto Baldan Bembo
Tema di Barbara
101 bpm • C Maj • 02:36 • -9db
45% Popularity • 35% Danceability • 82% Energy • 15% Liveness
86% Instrumentalness • 58% Positiveness
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Alan Hawkshaw
Centrepoint
98 bpm • C Maj • 02:10 • -17.94db
17% Popularity • 45% Danceability • 34% Energy • 12% Liveness
99% Instrumentalness • 87% Positiveness
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Alessandro Alessandroni
Love Feeling
98 bpm • G Maj • 02:24 • -8.76db
35% Popularity • 50% Danceability • 45% Energy • 11% Liveness
30% Instrumentalness • 23% Positiveness
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Gary Pacific Orchestra
Soft Wind
98 bpm • G min • 02:05 • -8.5db
19% Popularity • 50% Danceability • 42% Energy • 15% Liveness
74% Instrumentalness • 89% Positiveness
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Alan Moorhouse
Boss Man
98 bpm • A Maj • 02:05 • -10.41db
14% Popularity • 62% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
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Lesiman
Messaggio
102 bpm • E Maj • 03:45 • -18.39db
32% Popularity • 60% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 75% Positiveness
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Brian Bennett
Midnight Mellow
98 bpm • C Maj • 03:34 • -20.5db
12% Popularity • 52% Danceability • 30% Energy • 22% Liveness
94% Instrumentalness • 40% Positiveness
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Puccio Roelens
Eveline
98 bpm • A min • 02:28 • -6db
29% Popularity • 30% Danceability • 51% Energy • 17% Liveness
92% Instrumentalness • 42% Positiveness
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John Gregory
Jaguar
102 bpm • F min • 03:41 • -10.52db
11% Popularity • 43% Danceability • 66% Energy • 12% Liveness
68% Instrumentalness • 72% Positiveness
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Tony Kinsey
Industrial Environment
98 bpm • C min • 01:49 • -27.85db
24% Popularity • 43% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Riz Ortolani
Il ricordo di Serena
98 bpm • A min • 02:41 • -20db
40% Popularity • 65% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 64% Positiveness
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David Lindup
Acquital
102 bpm • D Maj • 01:35 • -10.86db
17% Popularity • 67% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Stefano Torossi
Loving tenderly
98 bpm • C# Maj • 03:32 • -15.8db
34% Popularity • 40% Danceability • 39% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
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Trevor Bastow
Shades
98 bpm • A Maj • 02:12 • -13db
17% Popularity • 64% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 34% Positiveness
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Fabio Frizzi
Daniel S Tune
102 bpm • C Maj • 03:10 • -12.69db
14% Popularity • 40% Danceability • 58% Energy • 14% Liveness
35% Instrumentalness • 68% Positiveness
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Nora Orlandi
Night Story 1
98 bpm • F min • 02:06 • -24db
42% Popularity • 73% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 78% Positiveness
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Riz Ortolani
Il ricordo di Serena - Version 2
98 bpm • A min • 03:34 • -10.64db
16% Popularity • 70% Danceability • 55% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
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Alan Hawkshaw
The Executive
103 bpm • F min • 03:32 • -10.86db
13% Popularity • 62% Danceability • 66% Energy • 11% Liveness
90% Instrumentalness • 97% Positiveness
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Stephen Gray
A Tender Touch
98 bpm • B min • 02:25 • -11.98db
15% Popularity • 59% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 56% Positiveness
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Neil Richardson
Full Speed Ahead (1)
97 bpm • A# min • 02:05 • -10.27db
13% Popularity • 27% Danceability • 73% Energy • 27% Liveness
92% Instrumentalness • 71% Positiveness
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Trevor Bastow
Sailing Along
97 bpm • D Maj • 02:52 • -13.38db
10% Popularity • 69% Danceability • 39% Energy • 12% Liveness
93% Instrumentalness • 53% Positiveness
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Stelvio Cipriani
Love Symbol
103 bpm • D min • 02:22 • -14.55db
12% Popularity • 39% Danceability • 56% Energy • 2% Liveness
93% Instrumentalness • 51% Positiveness
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Janko Nilovic
Giant Locomotion
103 bpm • G min • 08:16 • -11.53db
9% Popularity • 43% Danceability • 55% Energy • 12% Liveness
74% Instrumentalness • 57% Positiveness
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Alan Hawkshaw
Mon Amour
97 bpm • C Maj • 03:35 • -21db
20% Popularity • 57% Danceability • 38% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
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Alan Parker
One Step Ahead
103 bpm • F Maj • 02:59 • -11.98db
9% Popularity • 44% Danceability • 52% Energy • 3% Liveness
91% Instrumentalness • 54% Positiveness
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Stephen Gray
Finding My Feet
97 bpm • D min • 03:08 • -14.07db
16% Popularity • 56% Danceability • 56% Energy • 8% Liveness
84% Instrumentalness • 53% Positiveness
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Puccio Roelens
Peggy
97 bpm • G# Maj • 03:23 • -3db
13% Popularity • 40% Danceability • 76% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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Armando Trovajoli
Woman's Parfume
97 bpm • D Maj • 04:30 • -8db
34% Popularity • 49% Danceability • 80% Energy • 6% Liveness
9% Instrumentalness • 75% Positiveness
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John Cameron
Range Rover
97 bpm • C Maj • 03:28 • -12.86db
7% Popularity • 56% Danceability • 51% Energy • 5% Liveness
94% Instrumentalness • 63% Positiveness
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Roy Budd
The Stone Killer Main Titles
103 bpm • D min • 03:24 • -10.8db
11% Popularity • 45% Danceability • 57% Energy • 13% Liveness
35% Instrumentalness • 11% Positiveness
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Alan Parker
Hot Pants
97 bpm • D Maj • 01:52 • -12db
16% Popularity • 56% Danceability • 61% Energy • 8% Liveness
91% Instrumentalness • 55% Positiveness
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Berto Pisano
Orchestra for Edda
104 bpm • C min • 03:05 • -6.32db
15% Popularity • 44% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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Alain Goraguer
Maquillage de Tiwa
97 bpm • F# min • 01:17 • -10db
33% Popularity • 72% Danceability • 51% Energy • 24% Liveness
90% Instrumentalness • 53% Positiveness
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Giuliano Sorgini
Wandering man
104 bpm • D min • 03:11 • -20.05db
12% Popularity • 82% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
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Alan Hawkshaw
Oddball
104 bpm • D Maj • 03:03 • -15.62db
11% Popularity • 58% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 53% Positiveness
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Milt Buckner
Turquoise - 1996 Digital Remaster
96 bpm • A min • 02:09 • -19.04db
39% Popularity • 58% Danceability • 17% Energy • 7% Liveness
69% Instrumentalness • 48% Positiveness
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Jacky Giordano
Don't Be Cool
96 bpm • F min • 02:20 • -16.58db
31% Popularity • 70% Danceability • 44% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
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Cortex
Efficace Swing
104 bpm • G min • 02:58 • -16db
47% Popularity • 72% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 72% Positiveness
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Alain Goraguer
Voir Venise
96 bpm • C min • 01:59 • -11.54db
22% Popularity • 63% Danceability • 51% Energy • 31% Liveness
1% Instrumentalness • 57% Positiveness
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Roberto Pregadio
Erika, Seq. 7
104 bpm • C Maj • 05:39 • -32.42db
14% Popularity • 33% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Alan Hawkshaw
Man on the Move
104 bpm • C Maj • 02:34 • -13.44db
5% Popularity • 77% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 80% Positiveness
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Lesiman
Melos Blue
96 bpm • A min • 03:01 • -13.31db
7% Popularity • 62% Danceability • 34% Energy • 11% Liveness
74% Instrumentalness • 81% Positiveness
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Henry Mancini
Here's Looking at You, Kid
96 bpm • A min • 02:50 • -14.86db
13% Popularity • 66% Danceability • 44% Energy • 44% Liveness
96% Instrumentalness • 50% Positiveness
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Yuji Ohno
Reminiscences Of Kirizumi
96 bpm • G min • 02:40 • -13.19db
23% Popularity • 28% Danceability • 35% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
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Alain Goraguer
Le bracelet
96 bpm • C# min • 01:27 • -12.68db
45% Popularity • 61% Danceability • 43% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Bruno Spoerri
Sweetest Eyes
104 bpm • G# Maj • 02:55 • -16.22db
8% Popularity • 29% Danceability • 27% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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本田竹æ›
What's Going On
105 bpm • C# min • 04:41 • -13.62db
21% Popularity • 43% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Puccio Roelens
Ketty
95 bpm • D Maj • 02:40 • -4.64db
16% Popularity • 42% Danceability • 53% Energy • 9% Liveness
42% Instrumentalness • 46% Positiveness
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James Clarke
Car Patrol Title Sequence
105 bpm • F Maj • 02:42 • -18.34db
20% Popularity • 64% Danceability • 51% Energy • 10% Liveness
94% Instrumentalness • 90% Positiveness
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Berto Pisano
Voice in Sight
105 bpm • F Maj • 03:06 • -13.36db
28% Popularity • 56% Danceability • 28% Energy • 12% Liveness
79% Instrumentalness • 55% Positiveness
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Alan Hawkshaw
Girl in a Sportscar
95 bpm • F# Maj • 02:42 • -12.48db
31% Popularity • 53% Danceability • 50% Energy • 16% Liveness
64% Instrumentalness • 81% Positiveness
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Quincy Jones
Shady Lady
105 bpm • A min • 01:06 • -19.1db
26% Popularity • 67% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 49% Positiveness
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Pete Jolly
Seasons
95 bpm • E min • 03:45 • -17.12db
24% Popularity • 60% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 71% Positiveness
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Puccio Roelens
Northern Lights
105 bpm • F min • 05:18 • -19.19db
20% Popularity • 68% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 88% Positiveness
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Giuliano Sorgini
Analisi scientifiche
106 bpm • B Maj • 04:54 • -11.44db
45% Popularity • 16% Danceability • 41% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Art Farmer
So Are You
106 bpm • G# Maj • 03:36 • -15.5db
14% Popularity • 43% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Alan Hawkshaw
Mile High Swinger (A)
106 bpm • A# min • 02:57 • -15db
17% Popularity • 62% Danceability • 66% Energy • 11% Liveness
26% Instrumentalness • 96% Positiveness
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Alberto Baldan Bembo
Mubu
106 bpm • A min • 01:52 • -8.19db
40% Popularity • 39% Danceability • 72% Energy • 25% Liveness
93% Instrumentalness • 67% Positiveness
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Alessandro Alessandroni
Sunday Theme
94 bpm • G Maj • 02:23 • -8db
24% Popularity • 39% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Universal Production Music
Beachcomber
106 bpm • A# Maj • 01:21 • -11.77db
32% Popularity • 42% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
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Riz Ortolani
Serena e Lomunno
106 bpm • C Maj • 02:49 • -17db
23% Popularity • 56% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
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Janko Nilovic
To and Fro
106 bpm • F Maj • 01:57 • -6.48db
32% Popularity • 48% Danceability • 62% Energy • 19% Liveness
67% Instrumentalness • 72% Positiveness
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George Semper
Universe
106 bpm • B min • 01:21 • -10.52db
41% Popularity • 56% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
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Reg Tilsley
Hold the Road
106 bpm • F min • 02:28 • -9.61db
11% Popularity • 46% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 47% Positiveness
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Martin Denny
Trade Winds
106 bpm • F# min • 02:40 • -19.57db
22% Popularity • 48% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Universal Production Music
Beach Journey
94 bpm • A# min • 03:11 • -4.36db
8% Popularity • 67% Danceability • 94% Energy • 12% Liveness
77% Instrumentalness • 97% Positiveness
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Alan Hawkshaw
Studio 69
106 bpm • F min • 01:54 • -11.47db
23% Popularity • 62% Danceability • 64% Energy • 28% Liveness
1% Instrumentalness • 96% Positiveness
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Armando Trovajoli
Rossana - Bossa Nova
94 bpm • B min • 02:08 • -14.18db
12% Popularity • 70% Danceability • 58% Energy • 13% Liveness
89% Instrumentalness • 47% Positiveness
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Mladen Franko
Pondlife
107 bpm • D min • 03:09 • -17.71db
12% Popularity • 46% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 37% Positiveness
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Dave Grusin
Condor!
94 bpm • G# Maj • 03:35 • -12.89db
17% Popularity • 60% Danceability • 52% Energy • 13% Liveness
81% Instrumentalness • 24% Positiveness
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Duncan Lamont
The Apartment
94 bpm • F min • 01:55 • -24db
43% Popularity • 60% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 10% Positiveness
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Michael Small
Checking Leads
107 bpm • F Maj • 01:19 • -8.35db
29% Popularity • 31% Danceability • 51% Energy • 36% Liveness
27% Instrumentalness • 10% Positiveness
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Alan Parker
Coast to Coast
107 bpm • C# min • 03:27 • -10.5db
12% Popularity • 66% Danceability • 60% Energy • 14% Liveness
85% Instrumentalness • 88% Positiveness
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Francy Boland
Lille Mor
94 bpm • F Maj • 02:16 • -18.94db
25% Popularity • 24% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 51% Positiveness
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Alessandro Alessandroni
Fields of Flowers
107 bpm • D# Maj • 01:32 • -11.74db
30% Popularity • 75% Danceability • 26% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
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Nino Nardini
Brutus Drum
107 bpm • F min • 02:14 • -11db
11% Popularity • 66% Danceability • 79% Energy • 16% Liveness
91% Instrumentalness • 93% Positiveness
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Duncan Lamont
Moog Waltz
107 bpm • C# Maj • 02:27 • -17.15db
13% Popularity • 37% Danceability • 39% Energy • 14% Liveness
94% Instrumentalness • 46% Positiveness
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Andre Tschaskowski
Moonset 2
93 bpm • A min • 01:43 • -20.59db
31% Popularity • 26% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 24% Positiveness
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Stefano Torossi
Being friendly
107 bpm • G Maj • 03:00 • -13db
17% Popularity • 36% Danceability • 45% Energy • 7% Liveness
39% Instrumentalness • 34% Positiveness
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Alain Goraguer
Interpol
93 bpm • A# min • 01:16 • -18.61db
44% Popularity • 61% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 39% Positiveness
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Beat Me Till I'm Blue