Songs like Beat Of Broken Hearts by Klara Hammarström
Based on a tempo of (+/- 10%) and a similar genre
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Linda Bengtzing
It’s OK
98 bpm • F Maj • 03:31 • -9.7db
7% Popularity • 64% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 64% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Klara Hammarström
Beat Of Broken Hearts
98 bpm • E min • 03:02 • -4db
40% Popularity • 55% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 55% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Måns Zelmerlöw
On My Way
98 bpm • G Maj • 03:01 • -9.25db
32% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Ina Wroldsen
We Are Gonna Live
99 bpm • A# Maj • 02:50 • -5.81db
23% Popularity • 55% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 55% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Royane
Circus
97 bpm • F# Maj • 03:01 • -11.72db
21% Popularity • 83% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 83% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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LIAMOO
Walk on Water
99 bpm • G# Maj • 02:50 • -11db
22% Popularity • 72% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 72% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Agnes
Here Comes The Night
97 bpm • C# min • 03:32 • -4db
47% Popularity • 50% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 50% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Rymdpojken
Glömma dig
97 bpm • D Maj • 02:42 • -9db
35% Popularity • 58% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 58% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Dotter
Backfire
99 bpm • G# Maj • 03:00 • -4.44db
32% Popularity • 74% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 74% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Cornelia Jakobs
Hold Me Closer
97 bpm • F# Maj • 03:19 • -7.6db
57% Popularity • 49% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 49% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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VILDE
Titans
100 bpm • D# Maj • 02:57 • -6.41db
19% Popularity • 60% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 60% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Klara Hammarström
DNA
96 bpm • G Maj • 03:25 • -4.94db
17% Popularity • 41% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 41% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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The Mamas
You Got Me
100 bpm • C min • 03:28 • -6db
33% Popularity • 64% Danceability • 46% Energy • 51% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 64% Danceability • 46% Energy • 51% Liveness
0% Instrumentalness • 22% Positiveness
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Robin Bengtsson
Constellation Prize
100 bpm • B min • 03:01 • -4db
37% Popularity • 55% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 55% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Dotter
New Year
99 bpm • F# Maj • 03:15 • -5.7db
26% Popularity • 31% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 31% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Samira Manners
I Want to Be Loved
100 bpm • D Maj • 02:52 • -9.99db
29% Popularity • 70% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 70% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Timoteij
Kom
100 bpm • B min • 02:58 • -3.92db
51% Popularity • 60% Danceability • 90% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 60% Danceability • 90% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
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Klara Hammarström
Nobody
100 bpm • A# min • 02:59 • -4db
35% Popularity • 43% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 43% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Mamas
In The Middle
100 bpm • C# Maj • 03:03 • -5.86db
38% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Robin Bengtsson
HONEY I'M HOME
100 bpm • G Maj • 03:08 • -9.15db
12% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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John De Sohn
I Met Somebody
100 bpm • D Maj • 03:04 • -5db
33% Popularity • 73% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 73% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Raylee
Don't Wanna Let It Go
100 bpm • F# Maj • 02:58 • -4.97db
23% Popularity • 70% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 70% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Myra Granberg
First aid kit
100 bpm • G# Maj • 03:16 • -8.26db
33% Popularity • 59% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 59% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Mendez
Everyday
96 bpm • F# Maj • 03:05 • -7.26db
41% Popularity • 67% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 67% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Mohombi
Winners
100 bpm • B min • 03:05 • -5.13db
30% Popularity • 60% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 60% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Jan Johansen
Let Your Spirit Fly
100 bpm • A Maj • 02:54 • -4db
41% Popularity • 65% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 65% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Junie
Tänker på dig
100 bpm • D Maj • 03:02 • -6.64db
34% Popularity • 69% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 69% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Patrik Jean
Tears Run Dry
100 bpm • B Maj • 02:57 • -6.88db
31% Popularity • 48% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 48% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ben Adams
Shallow
96 bpm • G Maj • 03:35 • -7db
24% Popularity • 59% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 59% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Alvaro Estrella
Bailá Bailá
100 bpm • C# Maj • 02:53 • -3db
45% Popularity • 68% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 68% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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UNDER
När vi två blir en
101 bpm • G Maj • 02:50 • -4.77db
37% Popularity • 64% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 64% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Albin Johnsén
Vi gjorde vårt bästa
95 bpm • C# Maj • 03:01 • -20.93db
37% Popularity • 50% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 50% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Tusse
Dream Of Gold
101 bpm • G# Maj • 03:01 • -6db
41% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jessica Andersson
Horizon
95 bpm • D Maj • 03:03 • -3.89db
29% Popularity • 51% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 51% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Linus Svenning
NUMB
95 bpm • G Maj • 02:20 • -7.14db
26% Popularity • 60% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 60% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Alexandra Joner
Hasta La Vista
95 bpm • G Maj • 02:56 • -6db
34% Popularity • 75% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 75% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Helion
Bye Bye Bye
101 bpm • A# min • 02:20 • -12.27db
31% Popularity • 63% Danceability • 71% Energy • 10% Liveness
68% Instrumentalness • 34% Positiveness
31% Popularity • 63% Danceability • 71% Energy • 10% Liveness
68% Instrumentalness • 34% Positiveness
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Magnus Carlsson
Day And Night
95 bpm • G# Maj • 02:59 • -6.75db
20% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Victor Crone
Rains
95 bpm • F min • 02:47 • -6.18db
21% Popularity • 52% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 52% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Laleh
Vatten
95 bpm • C Maj • 03:00 • -4.29db
38% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Norlie & KKV
Komma över dig - Spotify Studio It's Hi...
95 bpm • F Maj • 02:55 • -6.06db
43% Popularity • 51% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 51% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Raylee
Unspoken
102 bpm • C Maj • 03:20 • -7.2db
18% Popularity • 59% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 59% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Newkid
Ingen luft mellan oss
102 bpm • B Maj • 03:16 • -7.11db
44% Popularity • 65% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 65% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lena Philipsson
En stilla depression
102 bpm • C# Maj • 03:07 • -5.3db
33% Popularity • 75% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 75% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Lisa Ajax
My Heart Wants Me Dead
94 bpm • D# min • 03:02 • -4db
41% Popularity • 65% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 65% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Saga Ludvigsson
Don't Ever Be the Same
102 bpm • E min • 03:05 • -4.38db
15% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Wiktoria
OMG
94 bpm • B Maj • 03:09 • -5.63db
25% Popularity • 69% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 69% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Anna Bergendahl
Made of You
94 bpm • D# Maj • 03:14 • -6.57db
22% Popularity • 52% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 52% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Klockrent!
Kommer aldrig tillbaks
94 bpm • C# Maj • 03:00 • -6.05db
21% Popularity • 59% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 59% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Malou Prytz
Ballerina
94 bpm • A min • 03:02 • -8db
34% Popularity • 47% Danceability • 61% Energy • 22% Liveness
1% Instrumentalness • 31% Positiveness
34% Popularity • 47% Danceability • 61% Energy • 22% Liveness
1% Instrumentalness • 31% Positiveness
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The Mamas
Move
103 bpm • A Maj • 02:48 • -3db
44% Popularity • 46% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 46% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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John De Sohn
Got Damn! (W.O.M.A.N)
103 bpm • B Maj • 02:55 • -7db
27% Popularity • 66% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 66% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Tusse
Crash
103 bpm • G# min • 03:02 • -6.55db
25% Popularity • 65% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 65% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Alvaro Estrella
Suave
103 bpm • G# Maj • 02:55 • -4.15db
44% Popularity • 68% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 68% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Jubël
Someone
103 bpm • D Maj • 03:01 • -4.03db
49% Popularity • 70% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 70% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Malou Prytz
I Do Me
103 bpm • C# Maj • 02:43 • -3db
34% Popularity • 64% Danceability • 87% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 64% Danceability • 87% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
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LIAMOO
Lonely
103 bpm • A min • 03:01 • -4db
29% Popularity • 64% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 64% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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TIX
Ut Av Mørket
93 bpm • G# Maj • 02:53 • -5.38db
31% Popularity • 55% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 55% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Tusse
Grow
93 bpm • F Maj • 02:51 • -7db
12% Popularity • 67% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 67% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Tone Damli
If I Can't Have You
93 bpm • F# Maj • 03:14 • -7.35db
24% Popularity • 62% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 62% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Stina Talling
Elevate
93 bpm • B min • 03:04 • -7.39db
27% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Robin Bengtsson
Walk on by
93 bpm • F# Maj • 03:44 • -13db
12% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Anna Bergendahl
Vera
104 bpm • C# Maj • 02:47 • -7db
22% Popularity • 60% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 60% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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TIX
Fallen Angel
93 bpm • C# Maj • 02:53 • -4.97db
36% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tusse
Jag tror på sommaren
93 bpm • F Maj • 02:53 • -8.25db
18% Popularity • 61% Danceability • 40% Energy • 50% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 61% Danceability • 40% Energy • 50% Liveness
0% Instrumentalness • 39% Positiveness
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Matoma
WOW
104 bpm • E min • 03:13 • -4.52db
41% Popularity • 78% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 78% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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lovad
Allting är precis likadant
104 bpm • F# Maj • 03:00 • -9.47db
37% Popularity • 52% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 52% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Wiktoria
We Don't Talk
104 bpm • F# Maj • 02:58 • -7db
10% Popularity • 81% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 81% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Anna Bergendahl
Together In The Dark
104 bpm • C Maj • 03:02 • -6.6db
17% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Mariette
One Day
104 bpm • C# min • 02:55 • -7.58db
40% Popularity • 49% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 49% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Suzi P
Moves
104 bpm • B min • 02:48 • -5.46db
20% Popularity • 80% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 80% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Donkeyboy
Kentucky
104 bpm • A Maj • 02:43 • -3.24db
35% Popularity • 54% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 54% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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lovad
Älskling
104 bpm • G# Maj • 02:49 • -7db
28% Popularity • 87% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 87% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
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John Lundvik
Too Late For Love
104 bpm • C Maj • 02:58 • -4.16db
48% Popularity • 40% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 40% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Malou Prytz
Left & Right
92 bpm • B min • 02:49 • -4.79db
24% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Julia Adams
Färger I En Vind
92 bpm • G# min • 04:13 • -6db
27% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Stina Talling
I Can't Remember
92 bpm • C# min • 02:20 • -8db
15% Popularity • 75% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 75% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Efraim Leo
Best of Me
105 bpm • C Maj • 02:58 • -7.2db
31% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Cazzi Opeia
Rich
92 bpm • C# Maj • 02:59 • -7.4db
30% Popularity • 58% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 58% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Tusse
Let Me Know
105 bpm • C min • 03:28 • -7db
33% Popularity • 69% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 69% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Bianca Ingrosso
Superstar
105 bpm • C# Maj • 03:10 • -6.67db
51% Popularity • 78% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 78% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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FELIX SANDMAN
BOYS WITH EMOTIONS
105 bpm • B min • 02:44 • -7.73db
31% Popularity • 86% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 86% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Jacqline
Effortless
105 bpm • C min • 02:51 • -4.69db
68% Popularity • 58% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 58% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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UNDER
En säng av rosor
105 bpm • C# Maj • 02:30 • -5.39db
35% Popularity • 69% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 69% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Lance & Linton
Best Time’s Right Now
105 bpm • E Maj • 03:19 • -3.61db
46% Popularity • 54% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 54% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Mendez
Vamos Amigos
105 bpm • G# min • 03:02 • -4.34db
37% Popularity • 65% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 65% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Raylee
Wild
105 bpm • B min • 02:56 • -4db
38% Popularity • 78% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 78% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Anna Bergendahl
Thelma and Louise
105 bpm • G min • 03:18 • -6.34db
42% Popularity • 63% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 63% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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John Lundvik
Too Late For Love - Pelago Remix
105 bpm • C Maj • 03:57 • -5db
18% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Birkir Blær
Weightless
105 bpm • E Maj • 02:57 • -5db
35% Popularity • 51% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 51% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Maria Sur
Never Give Up - Acoustic Version
105 bpm • G Maj • 03:32 • -10.69db
20% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Anis Don Demina
Så länge du ler
91 bpm • A Maj • 03:17 • -3.74db
32% Popularity • 56% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 56% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Holsten
Wish I Never Met You
91 bpm • C Maj • 03:14 • -9.72db
29% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Anna Bergendahl
Bottom Of This Bottle
105 bpm • E Maj • 03:10 • -5db
28% Popularity • 74% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 74% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Ellen Benediktson
Surface
91 bpm • D# Maj • 03:00 • -6.07db
23% Popularity • 64% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 64% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Mohombi
Hello
91 bpm • D min • 03:03 • -4.26db
40% Popularity • 64% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 64% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Myra Granberg
Äru min nu
106 bpm • G# Maj • 03:20 • -7.35db
35% Popularity • 68% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 68% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Magnus Bokn
Over the Sea
106 bpm • D Maj • 02:59 • -8db
29% Popularity • 70% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 70% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
