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Beautiful Beaches
Songs like
Beautiful Beaches
by
James
Based on a tempo of (+/- 10%) and a similar genre
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Shed Seven
Bully Boy
145 bpm • G Maj • 03:13 • -3.99db
33% Popularity • 34% Danceability • 96% Energy • 36% Liveness
30% Instrumentalness • 37% Positiveness
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James Dean Bradfield
RECUERDA
145 bpm • C# min • 03:53 • -6.31db
13% Popularity • 30% Danceability • 86% Energy • 18% Liveness
5% Instrumentalness • 39% Positiveness
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James
Beautiful Beaches - Future Islands Remix
145 bpm • A Maj • 03:50 • -14.34db
12% Popularity • 41% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Snow Patrol
Spitting Games
145 bpm • G Maj • 03:46 • -4db
52% Popularity • 50% Danceability • 88% Energy • 57% Liveness
3% Instrumentalness • 56% Positiveness
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Maximo Park
Going Missing
145 bpm • E min • 03:42 • -5db
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
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Pulp
Common People - Full Length Version
145 bpm • C Maj • 05:51 • -9.03db
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Band of Horses
Crutch
145 bpm • D Maj • 03:43 • -5.38db
47% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Coral
Watch You Disappear
144 bpm • G min • 02:38 • -7.22db
16% Popularity • 42% Danceability • 86% Energy • 35% Liveness
56% Instrumentalness • 77% Positiveness
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James
Beautiful Beaches
145 bpm • A Maj • 05:14 • -5.37db
37% Popularity • 51% Danceability • 88% Energy • 19% Liveness
34% Instrumentalness • 30% Positiveness
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Columbia Mills
Who Am I Supposed to Talk to Now?
146 bpm • C# min • 04:05 • -7.88db
16% Popularity • 54% Danceability • 89% Energy • 7% Liveness
6% Instrumentalness • 96% Positiveness
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The Slow Readers Club
The Wait
144 bpm • D min • 03:24 • -5.64db
23% Popularity • 54% Danceability • 90% Energy • 8% Liveness
10% Instrumentalness • 41% Positiveness
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Carter The Unstoppable Sex Machine
The Only Living Boy in New Cross - 2012 ...
144 bpm • C Maj • 03:57 • -7db
38% Popularity • 53% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Keane
Dirt
144 bpm • A Maj • 04:07 • -7.07db
40% Popularity • 48% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Belle and Sebastian
Unnecessary Drama
144 bpm • A# Maj • 04:16 • -4.59db
26% Popularity • 46% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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James
Better Than That
146 bpm • C Maj • 04:17 • -4.47db
18% Popularity • 53% Danceability • 85% Energy • 17% Liveness
26% Instrumentalness • 30% Positiveness
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Dodgy
Staying Out For The Summer
144 bpm • G Maj • 03:12 • -6.23db
46% Popularity • 37% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Sherlocks
City Lights
146 bpm • D Maj • 03:29 • -3.89db
28% Popularity • 25% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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The Wedding Present
We Should Be Together
147 bpm • B Maj • 03:38 • -8.44db
18% Popularity • 50% Danceability • 68% Energy • 11% Liveness
18% Instrumentalness • 56% Positiveness
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Embrace
The Good Will Out
147 bpm • D Maj • 07:00 • -9db
27% Popularity • 30% Danceability • 50% Energy • 4% Liveness
3% Instrumentalness • 35% Positiveness
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Inhaler
Cheer Up Baby
143 bpm • G# Maj • 03:53 • -6.38db
50% Popularity • 46% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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James
Isabella
144 bpm • C Maj • 04:23 • -5.55db
28% Popularity • 60% Danceability • 87% Energy • 11% Liveness
22% Instrumentalness • 24% Positiveness
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The Killers
Running Towards A Place
147 bpm • A min • 04:13 • -4.84db
40% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Pulp
Mis-Shapes
148 bpm • D Maj • 03:46 • -6.73db
48% Popularity • 32% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 66% Positiveness
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Kings of Leon
Echoing
148 bpm • C Maj • 03:37 • -5.58db
43% Popularity • 29% Danceability • 78% Energy • 10% Liveness
23% Instrumentalness • 24% Positiveness
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Embrace
Fireworks
143 bpm • A# Maj • 03:58 • -9.1db
32% Popularity • 33% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ian Brown
Time Is My Everything
142 bpm • A Maj • 03:52 • -5.92db
34% Popularity • 55% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 20% Positiveness
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Trampolene
Shoot The Lights
148 bpm • G# min • 03:43 • -4.47db
13% Popularity • 63% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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The Frank And Walters
Stages
148 bpm • A min • 04:04 • -7db
24% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Sea Power
Waving Flags
142 bpm • G Maj • 04:07 • -2db
31% Popularity • 19% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 20% Positiveness
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James
Moving On
142 bpm • C Maj • 04:44 • -4.87db
36% Popularity • 52% Danceability • 85% Energy • 11% Liveness
24% Instrumentalness • 55% Positiveness
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Embrace
Gravity
142 bpm • D# Maj • 04:40 • -7db
50% Popularity • 48% Danceability • 57% Energy • 11% Liveness
19% Instrumentalness • 17% Positiveness
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James Dean Bradfield
WITHOUT KNOWING THE END (JOAN'S SONG)
142 bpm • C Maj • 03:12 • -3.94db
10% Popularity • 42% Danceability • 88% Energy • 20% Liveness
8% Instrumentalness • 31% Positiveness
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Public Service Broadcasting
Progress
149 bpm • D# Maj • 03:25 • -9db
31% Popularity • 50% Danceability • 77% Energy • 10% Liveness
75% Instrumentalness • 51% Positiveness
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Maximo Park
Meeting Up
149 bpm • C Maj • 03:51 • -6.66db
16% Popularity • 61% Danceability • 65% Energy • 10% Liveness
43% Instrumentalness • 45% Positiveness
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Monaco
What Do You Want From Me?
150 bpm • A min • 04:08 • -5.37db
51% Popularity • 48% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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James
Tomorrow
149 bpm • C Maj • 03:42 • -6.32db
43% Popularity • 30% Danceability • 94% Energy • 17% Liveness
2% Instrumentalness • 18% Positiveness
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Sleeper
Sale of the Century
140 bpm • G Maj • 04:29 • -5.49db
27% Popularity • 46% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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James Dean Bradfield
That's No Way To Tell A Lie
141 bpm • C Maj • 03:05 • -5db
22% Popularity • 42% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
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The Killers
In The Car Outside - Abridged
150 bpm • B Maj • 04:48 • -2.66db
35% Popularity • 48% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Maximo Park
The Acid Remark
150 bpm • A Maj • 03:32 • -4.05db
13% Popularity • 51% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Cast
Alright
140 bpm • C# Maj • 03:37 • -8db
47% Popularity • 40% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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LARRY PINK THE HUMAN
ELEVEN11_GTR_SONG
140 bpm • F Maj • 03:42 • -5.26db
5% Popularity • 50% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Superstate
Yoga Town
140 bpm • C Maj • 05:33 • -5.9db
27% Popularity • 64% Danceability • 80% Energy • 41% Liveness
40% Instrumentalness • 76% Positiveness
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The War On Drugs
Harmonia's Dream
140 bpm • D Maj • 06:26 • -5.07db
51% Popularity • 52% Danceability • 87% Energy • 6% Liveness
24% Instrumentalness • 49% Positiveness
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The Killers
In The Car Outside
150 bpm • B Maj • 05:28 • -3.75db
37% Popularity • 50% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 27% Positiveness
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Maximo Park
I Don't Know What I'm Doing
140 bpm • A Maj • 02:50 • -4db
14% Popularity • 47% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Glasvegas
Dying to Live
140 bpm • C Maj • 03:44 • -6.25db
11% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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The Sherlocks
Falling
140 bpm • E min • 02:53 • -3db
33% Popularity • 37% Danceability • 98% Energy • 16% Liveness
18% Instrumentalness • 33% Positiveness
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Snow Patrol
Reaching Out To You
140 bpm • E Maj • 03:30 • -8db
32% Popularity • 65% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Sea Girls
Hometown
140 bpm • C Maj • 03:51 • -2.72db
35% Popularity • 46% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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The Slow Readers Club
Wanted Much More
140 bpm • G min • 03:24 • -6.32db
18% Popularity • 61% Danceability • 82% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
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The Wedding Present
We Should Be Together (Locked Down and S...
140 bpm • B Maj • 03:37 • -5.75db
9% Popularity • 50% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Ten Tonnes
Everything You Got
140 bpm • C# Maj • 03:36 • -3.76db
22% Popularity • 44% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Desperate Journalist
Personality Girlfriend
140 bpm • D Maj • 04:07 • -6.84db
13% Popularity • 48% Danceability • 67% Energy • 26% Liveness
22% Instrumentalness • 37% Positiveness
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Starsailor
Good Souls
150 bpm • D Maj • 04:53 • -8.21db
42% Popularity • 34% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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The Charlatans
Sproston Green
140 bpm • A Maj • 05:10 • -15.03db
35% Popularity • 42% Danceability • 64% Energy • 7% Liveness
56% Instrumentalness • 27% Positiveness
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The Slow Readers Club
Two Minutes Hate
140 bpm • D Maj • 03:25 • -5.53db
15% Popularity • 51% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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James
Strangers
151 bpm • C Maj • 05:11 • -7.04db
17% Popularity • 58% Danceability • 56% Energy • 9% Liveness
11% Instrumentalness • 46% Positiveness
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Cast
Free Me
139 bpm • F# Maj • 04:42 • -7db
29% Popularity • 27% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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The Killers
Dying Breed
151 bpm • C# Maj • 04:06 • -4.74db
50% Popularity • 66% Danceability • 78% Energy • 15% Liveness
2% Instrumentalness • 61% Positiveness
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Gene
As Good As It Gets
152 bpm • A# Maj • 04:12 • -4.59db
18% Popularity • 39% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Embrace
Come Back To What You Know
152 bpm • G# Maj • 04:10 • -6db
46% Popularity • 34% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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The Lathums
I See Your Ghost
152 bpm • C# Maj • 02:32 • -5.39db
32% Popularity • 53% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Inspiral Carpets
Move
138 bpm • C Maj • 03:26 • -14.18db
26% Popularity • 27% Danceability • 51% Energy • 22% Liveness
1% Instrumentalness • 53% Positiveness
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Kings of Leon
Golden Restless Age
138 bpm • A Maj • 04:33 • -6db
51% Popularity • 52% Danceability • 85% Energy • 8% Liveness
80% Instrumentalness • 48% Positiveness
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The Killers
Dustland
138 bpm • C# Maj • 04:24 • -9db
51% Popularity • 28% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 10% Positiveness
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James
Many Faces
138 bpm • G Maj • 05:15 • -7.4db
22% Popularity • 50% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 25% Positiveness
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Embrace
Ashes
138 bpm • D Maj • 04:22 • -8db
48% Popularity • 42% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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The Slow Readers Club
Lunatic
138 bpm • G min • 03:32 • -6.96db
35% Popularity • 59% Danceability • 73% Energy • 13% Liveness
37% Instrumentalness • 38% Positiveness
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The Lathums
Fight On
152 bpm • B min • 02:48 • -4db
55% Popularity • 49% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Inspiral Carpets
Joe
138 bpm • C Maj • 03:23 • -5.3db
26% Popularity • 52% Danceability • 90% Energy • 3% Liveness
11% Instrumentalness • 82% Positiveness
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The Killers
My Own Soul’s Warning
152 bpm • G Maj • 04:34 • -3.48db
56% Popularity • 36% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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The Peach Fuzz
The Outside Looking In
153 bpm • E min • 03:14 • -5.85db
27% Popularity • 44% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Turin Brakes
Pain Killer (Summer Rain)
153 bpm • D Maj • 03:55 • -4.93db
37% Popularity • 36% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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The Slow Readers Club
The Greatest Escape
138 bpm • C Maj • 03:19 • -5.19db
17% Popularity • 62% Danceability • 92% Energy • 9% Liveness
59% Instrumentalness • 85% Positiveness
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Lindsey Buckingham
On the Wrong Side
153 bpm • C Maj • 03:36 • -6.37db
29% Popularity • 50% Danceability • 86% Energy • 42% Liveness
0% Instrumentalness • 37% Positiveness
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Ocean Colour Scene
It's A Beautiful Thing
137 bpm • D Maj • 06:30 • -9.07db
31% Popularity • 35% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
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The Killers
Sleepwalker
138 bpm • A# Maj • 04:27 • -5.43db
35% Popularity • 71% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Simple Minds
Act of Love
137 bpm • C Maj • 04:02 • -6.3db
36% Popularity • 51% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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The Anchoress
The Art of Losing
137 bpm • G# min • 04:06 • -4.04db
10% Popularity • 42% Danceability • 98% Energy • 11% Liveness
55% Instrumentalness • 29% Positiveness
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Imelda May
Made To Love
137 bpm • D Maj • 03:25 • -5db
25% Popularity • 45% Danceability • 81% Energy • 52% Liveness
0% Instrumentalness • 54% Positiveness
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Maximo Park
Placeholder
154 bpm • G Maj • 02:48 • -4.53db
23% Popularity • 45% Danceability • 89% Energy • 20% Liveness
21% Instrumentalness • 89% Positiveness
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Ocean Colour Scene
Travellers Tune
137 bpm • G# Maj • 03:40 • -6db
42% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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James
Ring The Bells
154 bpm • C Maj • 04:44 • -8db
40% Popularity • 46% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
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The Killers
Sleepwalker - Abridged
138 bpm • A# Maj • 04:04 • -4.87db
32% Popularity • 72% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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James Dean Bradfield
SEEKING THE ROOM WITH THE THREE WINDOWS
136 bpm • B min • 04:05 • -5.01db
9% Popularity • 32% Danceability • 91% Energy • 35% Liveness
92% Instrumentalness • 19% Positiveness
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The House of Love
Shine On
136 bpm • A min • 04:00 • -9.65db
45% Popularity • 46% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Andy Bell
Skywalker
136 bpm • B Maj • 06:22 • -6.01db
16% Popularity • 57% Danceability • 88% Energy • 18% Liveness
62% Instrumentalness • 68% Positiveness
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The Wedding Present
A Million Miles (Locked Down and Strippe...
136 bpm • D Maj • 03:35 • -6.45db
9% Popularity • 55% Danceability • 74% Energy • 38% Liveness
8% Instrumentalness • 89% Positiveness
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The Thrills
One Horse Town
136 bpm • E Maj • 03:14 • -3.05db
34% Popularity • 53% Danceability • 95% Energy • 8% Liveness
8% Instrumentalness • 90% Positiveness
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Kyle Falconer
Laura
136 bpm • G# Maj • 03:35 • -6.34db
16% Popularity • 57% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Coral
Change Your Mind
136 bpm • G Maj • 03:07 • -5.9db
29% Popularity • 52% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Shout Out Louds
As Far Away As Possible
136 bpm • A Maj • 04:36 • -6.65db
22% Popularity • 60% Danceability • 69% Energy • 10% Liveness
11% Instrumentalness • 80% Positiveness
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The Stone Roses
Mersey Paradise - Remastered
136 bpm • G Maj • 02:46 • -3.18db
54% Popularity • 41% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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The Cribs
Running Into You
136 bpm • G Maj • 02:51 • -2db
25% Popularity • 22% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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W. H. Lung
Second Death of My Face
155 bpm • A# min • 05:32 • -4.99db
20% Popularity • 53% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 31% Positiveness
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James
Getting Away With It (All Messed Up)
135 bpm • C Maj • 04:25 • -6.44db
60% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
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The Snuts
Glasgow
135 bpm • B Maj • 04:26 • -1db
49% Popularity • 22% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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The Mock Turtles
And Then She Smiles
135 bpm • C Maj • 04:17 • -5db
24% Popularity • 54% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
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Del Amitri
Close Your Eyes and Think of England
156 bpm • A Maj • 03:30 • -7.78db
21% Popularity • 41% Danceability • 67% Energy • 56% Liveness
0% Instrumentalness • 54% Positiveness
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Beautiful Beaches