Songs like Beautiful Goodbye by Jennifer Hanson
Based on a tempo of (+/- 10%) and a similar genre
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Tim McGraw
Telluride
113 bpm • D# Maj • 03:48 • -6.41db
34% Popularity • 60% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 60% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Garrett Hedlund
Turn Loose the Horses
113 bpm • G Maj • 03:05 • -6.31db
34% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Wreckers
Crazy People
113 bpm • A# Maj • 03:09 • -6.51db
20% Popularity • 65% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 65% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Jennifer Hanson
Beautiful Goodbye
113 bpm • D Maj • 04:18 • -3.66db
14% Popularity • 62% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 62% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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SHeDAISY
I Will... But
113 bpm • D Maj • 03:39 • -5.11db
37% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Lila McCann
I Wanna Fall in Love
112 bpm • F# Maj • 04:18 • -6.39db
38% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Jamie O'Neal
Frantic
113 bpm • G Maj • 02:58 • -2.81db
10% Popularity • 62% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 62% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Gwyneth Paltrow
Travis
113 bpm • D# Maj • 04:49 • -9.46db
20% Popularity • 68% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 68% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Trisha Yearwood
Walkaway Joe
114 bpm • C Maj • 04:15 • -9.27db
25% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Kinleys
She Ain't The Girl For You
114 bpm • C min • 03:31 • -4.89db
14% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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The Chicks
Voice Inside My Head
112 bpm • F# Maj • 05:51 • -2.64db
36% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Crystal Shawanda
Dawn Of A New Day
112 bpm • F Maj • 03:32 • -4.4db
0% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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BlackHawk
Like There Ain't No Yesterday
114 bpm • E Maj • 03:16 • -8.17db
35% Popularity • 76% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 76% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Jennifer Hanson
Stepping Off
114 bpm • D Maj • 03:31 • -4.15db
0% Popularity • 73% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 73% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Trisha Yearwood
You Say You Will
114 bpm • E Maj • 03:40 • -8.15db
14% Popularity • 82% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 82% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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James Otto
These Are the Good Ole Days
114 bpm • C Maj • 03:35 • -6.03db
19% Popularity • 74% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 74% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Chicks
Let Him Fly
112 bpm • D Maj • 03:08 • -13.21db
39% Popularity • 50% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 50% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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SHeDAISY
God Bless The American Housewife
114 bpm • D Maj • 03:10 • -4.27db
18% Popularity • 54% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 54% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Clint Black
Still Holding On
112 bpm • G Maj • 04:37 • -9.07db
26% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Julie Roberts
Wake Up Older
114 bpm • A# Maj • 03:07 • -9.68db
33% Popularity • 66% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 66% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Chely Wright
Jezebel
112 bpm • C Maj • 03:11 • -7.67db
27% Popularity • 64% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 64% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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The Lynns
Woman to Woman
112 bpm • G# Maj • 03:31 • -8.19db
7% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Miranda Lambert
I Wanna Die
115 bpm • D Maj • 03:46 • -5.12db
27% Popularity • 78% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 78% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Shania Twain
If It Don't Take Two
111 bpm • E min • 03:40 • -9.31db
36% Popularity • 76% Danceability • 61% Energy • 79% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 76% Danceability • 61% Energy • 79% Liveness
0% Instrumentalness • 76% Positiveness
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Suzy Bogguss
Drive South
115 bpm • A Maj • 03:09 • -7.82db
30% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Lee Ann Womack
You've Got To Talk To Me
111 bpm • B Maj • 03:34 • -7.99db
35% Popularity • 69% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 69% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Anita Cochran
I Could Love a Man Like That
115 bpm • D Maj • 03:11 • -5.54db
10% Popularity • 64% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 64% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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SHeDAISY
Mine All Mine
115 bpm • F# Maj • 03:57 • -6.63db
29% Popularity • 65% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 65% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Little Big Town
Good As Gone
111 bpm • F min • 04:12 • -5.36db
33% Popularity • 60% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 60% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Whitney Duncan
Away
111 bpm • E Maj • 04:07 • -6.79db
9% Popularity • 49% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 49% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Suzy Bogguss
Outbound Plane
115 bpm • E Maj • 02:55 • -8.52db
35% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Rachel Proctor
Me And Emily
116 bpm • G# Maj • 03:41 • -5.98db
22% Popularity • 60% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 60% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Dolly Parton
Romeo
116 bpm • G Maj • 04:05 • -9.25db
13% Popularity • 73% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 73% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
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SHeDAISY
360 Degrees Of You
111 bpm • G Maj • 03:46 • -4.14db
17% Popularity • 68% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 68% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Sherrié Austin
Put Your Heart Into It
116 bpm • C Maj • 02:36 • -4.83db
16% Popularity • 75% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 75% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Lorrie Morgan
Back In Your Arms Again
116 bpm • A# Maj • 03:45 • -9db
20% Popularity • 79% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 79% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Brian McComas
99.9% Sure (I've Never Been Here Before)
116 bpm • G Maj • 03:13 • -3.41db
33% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Wynonna
What It Takes
116 bpm • G# Maj • 04:17 • -11.97db
19% Popularity • 83% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 83% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Michael Logen
World's Still Gonna Be There
110 bpm • D Maj • 03:21 • -6.67db
3% Popularity • 57% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
3% Popularity • 57% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Lonestar
You're Like Comin' Home
116 bpm • C# Maj • 04:00 • -6.38db
27% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Chicks
Hello Mr. Heartache
110 bpm • C Maj • 03:49 • -7.78db
40% Popularity • 68% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 68% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Jamie O'Neal
Sanctuary
110 bpm • G Maj • 03:47 • -4db
11% Popularity • 76% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 76% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Heidi Newfield
Cry Cry (Til The Sun Shines)
110 bpm • D Maj • 03:19 • -5.37db
9% Popularity • 64% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 64% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Trisha Yearwood
Hello, I'm Gone
116 bpm • C Maj • 03:43 • -10.95db
8% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Trick Pony
Spent
109 bpm • C Maj • 02:38 • -4.12db
13% Popularity • 61% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 61% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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George Ducas
Lipstick Promises
117 bpm • A Maj • 04:04 • -9.4db
27% Popularity • 66% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 66% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Lady A
Long Gone
117 bpm • A Maj • 03:34 • -4.14db
33% Popularity • 70% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 70% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Martina McBride
Ride
117 bpm • G Maj • 03:52 • -3.93db
17% Popularity • 56% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 56% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Julie Roberts
You Ain't Down Home
109 bpm • C# Maj • 03:15 • -7.67db
19% Popularity • 82% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 82% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Michelle Wright
Nobody's Girl
109 bpm • D# Maj • 03:19 • -6db
19% Popularity • 68% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 68% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Trick Pony
A Boy Like You
109 bpm • D Maj • 03:25 • -5.6db
14% Popularity • 60% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 60% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Deana Carter
To The Other Side
117 bpm • D Maj • 04:11 • -3.33db
22% Popularity • 69% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 69% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Adam Gregory
Only Know I Do
109 bpm • E Maj • 03:37 • -5.8db
16% Popularity • 61% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 61% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Trisha Yearwood
There Goes My Baby
109 bpm • C Maj • 03:53 • -5.58db
29% Popularity • 67% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 67% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Kellie Pickler
Rockaway (The Rockin' Chair Song)
118 bpm • A Maj • 03:04 • -6.11db
14% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Keith Urban
You're My Better Half
118 bpm • E Maj • 03:59 • -4.41db
43% Popularity • 66% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 66% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
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Trick Pony
On a Night Like This
118 bpm • F Maj • 03:30 • -5db
33% Popularity • 60% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 60% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Martina McBride
Happy Girl
118 bpm • D Maj • 03:26 • -6.51db
29% Popularity • 67% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 67% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Lonestar
You Walked In
108 bpm • C Maj • 04:31 • -5db
22% Popularity • 76% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 76% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Trisha Yearwood
That's What I Like About You
118 bpm • G# Maj • 02:40 • -7.41db
45% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Lee Ann Womack
Ashes By Now
108 bpm • C# Maj • 04:11 • -7.46db
37% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Lorrie Morgan
Go Away
107 bpm • D Maj • 02:49 • -8db
6% Popularity • 63% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
6% Popularity • 63% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Cummings
The Kind of Heart That Breaks
119 bpm • D Maj • 02:37 • -5.51db
20% Popularity • 65% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 65% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Deana Carter
Angel Without A Prayer
120 bpm • B min • 05:18 • -12.03db
12% Popularity • 77% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 77% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Martina McBride
I Love You
107 bpm • C Maj • 02:52 • -5.41db
31% Popularity • 71% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 71% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Cyndi Thomson
I'm Gone
107 bpm • F Maj • 03:50 • -5.53db
11% Popularity • 78% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 78% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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BlackHawk
Love Like This
120 bpm • G Maj • 03:03 • -8.85db
30% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Kristen Kelly
Ex-Old Man
120 bpm • B Maj • 04:00 • -7.72db
14% Popularity • 88% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 88% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Shania Twain
(If You're Not In It For Love) I'm Outta...
120 bpm • F Maj • 03:51 • -2.18db
40% Popularity • 72% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 72% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Trick Pony
It's A Heartache
120 bpm • C Maj • 03:29 • -4db
31% Popularity • 56% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 56% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Michelle Wright
Rock Me Gently
120 bpm • F Maj • 03:31 • -5.59db
8% Popularity • 71% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 71% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Trisha Yearwood
Believe Me Baby (I Lied)
120 bpm • C# Maj • 03:43 • -6.68db
30% Popularity • 66% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 66% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Lonestar
Come Cryin' To Me
120 bpm • B Maj • 03:41 • -7db
34% Popularity • 69% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 69% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Deana Carter
I've Loved Enough To Know
120 bpm • G# Maj • 03:23 • -8db
27% Popularity • 64% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 64% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Shania Twain
(If You're Not In It For Love) I'm Outta...
120 bpm • F Maj • 04:30 • -8db
53% Popularity • 77% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
53% Popularity • 77% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Martina McBride
Wrong Baby Wrong Baby Wrong
106 bpm • F# Maj • 03:41 • -5.57db
30% Popularity • 57% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 57% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Trick Pony
The Bride
120 bpm • C# Maj • 02:58 • -2.96db
18% Popularity • 59% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 59% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Keith Urban
I Told You So
106 bpm • C# min • 04:02 • -5.85db
20% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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SHeDAISY
Before Me And You
106 bpm • D# Maj • 03:09 • -6.95db
21% Popularity • 63% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 63% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Billy Ray Cyrus
Could've Been Me
120 bpm • G Maj • 03:44 • -10.53db
41% Popularity • 62% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 62% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Sons Of The Desert
Whatever Comes First
121 bpm • F Maj • 03:02 • -6.55db
21% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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The Chicks
Never Say Die
106 bpm • C Maj • 03:57 • -6.47db
38% Popularity • 67% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 67% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Kevin Sharp
Measure of a Man
121 bpm • D Maj • 03:08 • -5.4db
16% Popularity • 72% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 72% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Collin Raye
Anyone Else
121 bpm • F Maj • 03:47 • -9.89db
23% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Patty Loveless
You Can Feel Bad
121 bpm • D Maj • 03:24 • -7db
32% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Steve Wariner
Two Teardrops
121 bpm • F Maj • 04:29 • -9db
37% Popularity • 75% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 75% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Carter's Chord
Different Breed
105 bpm • F# min • 04:40 • -5.18db
17% Popularity • 63% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 63% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Deana Carter
There's No Limit
105 bpm • C# Maj • 03:29 • -6.99db
18% Popularity • 56% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 56% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Julie Roberts
Unlove Me
122 bpm • C# Maj • 03:12 • -9.02db
31% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Trisha Yearwood
Seven Year Ache
122 bpm • A min • 03:33 • -6.81db
26% Popularity • 59% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 59% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Blue County
Good Little Girls
122 bpm • D Maj • 03:01 • -5db
17% Popularity • 67% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 67% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Ty Herndon
Loved Too Much
122 bpm • F Maj • 03:40 • -8.02db
29% Popularity • 64% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 64% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Travis Tritt
What Say You
122 bpm • G# Maj • 03:19 • -4.38db
21% Popularity • 60% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 60% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Deana Carter
Strawberry Wine - 2021 Version
122 bpm • B Maj • 05:19 • -6.09db
35% Popularity • 56% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 56% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Heidi Newfield
What Am I Waiting For
105 bpm • A Maj • 04:21 • -8.18db
11% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Trick Pony
Just What I Do
122 bpm • F Maj • 03:22 • -5.65db
29% Popularity • 67% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 67% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Martina McBride
Be That Way
105 bpm • G# Maj • 03:33 • -6.78db
18% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Sherrié Austin
Lucky In Love
122 bpm • D Maj • 03:28 • -4db
20% Popularity • 70% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 70% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
