Songs like Beautiful Sadness by Benson Taylor
Based on a tempo of (+/- 10%) and a similar genre
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Benson Taylor
Hanging on a Thread - Instrumental Versi...
120 bpm • G Maj • 04:30 • -15.66db
0% Popularity • 49% Danceability • 49% Energy • 8% Liveness
80% Instrumentalness • 34% Positiveness
0% Popularity • 49% Danceability • 49% Energy • 8% Liveness
80% Instrumentalness • 34% Positiveness
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Krigarè
Heights
120 bpm • A min • 02:50 • -8.19db
17% Popularity • 38% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 38% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Three Laws
Road To Rome
120 bpm • C min • 03:32 • -9.57db
13% Popularity • 61% Danceability • 63% Energy • 11% Liveness
43% Instrumentalness • 31% Positiveness
13% Popularity • 61% Danceability • 63% Energy • 11% Liveness
43% Instrumentalness • 31% Positiveness
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Beds and Beats
On Top of the World
120 bpm • C Maj • 02:10 • -8.58db
17% Popularity • 61% Danceability • 62% Energy • 62% Liveness
32% Instrumentalness • 28% Positiveness
17% Popularity • 61% Danceability • 62% Energy • 62% Liveness
32% Instrumentalness • 28% Positiveness
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Adeliz
Like The Wolves
120 bpm • A min • 04:42 • -14.28db
9% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Wayne Roberts
Abandon Me
120 bpm • A min • 03:10 • -17.62db
24% Popularity • 58% Danceability • 20% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
24% Popularity • 58% Danceability • 20% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
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The Venice Connection
Lipstick
120 bpm • D Maj • 02:28 • -10db
35% Popularity • 72% Danceability • 49% Energy • 41% Liveness
2% Instrumentalness • 26% Positiveness
35% Popularity • 72% Danceability • 49% Energy • 41% Liveness
2% Instrumentalness • 26% Positiveness
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Aron Wright
Put on Your Paint
120 bpm • D Maj • 03:46 • -6db
16% Popularity • 54% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 54% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Galleaux
Tether Me
120 bpm • C Maj • 04:16 • -12.3db
41% Popularity • 49% Danceability • 31% Energy • 10% Liveness
16% Instrumentalness • 11% Positiveness
41% Popularity • 49% Danceability • 31% Energy • 10% Liveness
16% Instrumentalness • 11% Positiveness
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Sun Heat
Against the Wall
120 bpm • C# Maj • 05:06 • -17.44db
10% Popularity • 52% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 52% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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Kin Palo
Under Attack
120 bpm • A min • 03:12 • -8db
16% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Mike Reed
You Got What I Need
120 bpm • E min • 03:16 • -9.04db
15% Popularity • 55% Danceability • 57% Energy • 10% Liveness
7% Instrumentalness • 41% Positiveness
15% Popularity • 55% Danceability • 57% Energy • 10% Liveness
7% Instrumentalness • 41% Positiveness
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Alexi von Guggenberg
Win or Lose
120 bpm • E min • 02:38 • -8db
16% Popularity • 63% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 63% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Raphael Lake
We Are Golden
120 bpm • G Maj • 03:07 • -6.29db
28% Popularity • 60% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 60% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
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Benson Taylor
In Circles
120 bpm • F Maj • 03:33 • -10db
0% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Calvin Yeah
Crazy for Caring
120 bpm • A min • 02:47 • -9.83db
11% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Venice Connection
Candy
120 bpm • A min • 03:12 • -12db
20% Popularity • 52% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 52% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
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Galleaux
Reborn
120 bpm • E min • 03:37 • -14.1db
11% Popularity • 54% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 54% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 8% Positiveness
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Thornton III Jenkins
Lying In The Tall Grass
120 bpm • A Maj • 01:38 • -12db
0% Popularity • 59% Danceability • 33% Energy • 12% Liveness
82% Instrumentalness • 65% Positiveness
0% Popularity • 59% Danceability • 33% Energy • 12% Liveness
82% Instrumentalness • 65% Positiveness
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Lydia Ainsworth
Wlcm
120 bpm • A min • 03:08 • -10db
18% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Daniel Farrant
The Sound of Thunder
120 bpm • E min • 03:43 • -5.89db
19% Popularity • 56% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 56% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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masses.
Quiet F
120 bpm • D min • 04:02 • -14.15db
13% Popularity • 42% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 42% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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The Venice Connection
The Sail Song
120 bpm • G# Maj • 03:40 • -11.55db
9% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Raphael Lake
Forever Here
120 bpm • F Maj • 03:12 • -7.44db
18% Popularity • 57% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 57% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Benson Taylor
Beautiful Sadness - Instrumental Version
120 bpm • D min • 03:25 • -12.58db
0% Popularity • 46% Danceability • 44% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
0% Popularity • 46% Danceability • 44% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Nilka
Arrow
120 bpm • C min • 03:21 • -7db
15% Popularity • 41% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 41% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Jonathan Elias
Rise Of Legends
120 bpm • A# Maj • 02:03 • -15.87db
0% Popularity • 31% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
0% Popularity • 31% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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The New Mastersounds
Blue
120 bpm • A# min • 03:22 • -10.36db
1% Popularity • 70% Danceability • 77% Energy • 13% Liveness
86% Instrumentalness • 89% Positiveness
1% Popularity • 70% Danceability • 77% Energy • 13% Liveness
86% Instrumentalness • 89% Positiveness
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FJØRA
This is the End
120 bpm • E min • 03:08 • -7.69db
24% Popularity • 25% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 25% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Alon Apollo
Wait for You
120 bpm • C min • 03:47 • -11.45db
19% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Benson Taylor
Beautiful Sadness
120 bpm • D min • 03:26 • -9.39db
3% Popularity • 50% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
3% Popularity • 50% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Sun Heat
Running Out of Time
120 bpm • C# Maj • 07:02 • -15db
21% Popularity • 49% Danceability • 46% Energy • 16% Liveness
9% Instrumentalness • 9% Positiveness
21% Popularity • 49% Danceability • 46% Energy • 16% Liveness
9% Instrumentalness • 9% Positiveness
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Lexxi Saal
Save Your Soul
120 bpm • G Maj • 03:47 • -11db
36% Popularity • 58% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 58% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Heather Christian
Air Fire Water Earth
120 bpm • F min • 03:17 • -12.03db
9% Popularity • 22% Danceability • 63% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 63% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Thomas McNeice
Starving
121 bpm • D# min • 03:47 • -5.48db
22% Popularity • 59% Danceability • 78% Energy • 19% Liveness
1% Instrumentalness • 41% Positiveness
22% Popularity • 59% Danceability • 78% Energy • 19% Liveness
1% Instrumentalness • 41% Positiveness
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Joanna Jones as The Dame
Blood In the Water
119 bpm • C# Maj • 03:54 • -10db
39% Popularity • 49% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 49% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Benson Taylor
Hanging on a Thread
120 bpm • G Maj • 04:30 • -9.84db
2% Popularity • 54% Danceability • 46% Energy • 8% Liveness
15% Instrumentalness • 32% Positiveness
2% Popularity • 54% Danceability • 46% Energy • 8% Liveness
15% Instrumentalness • 32% Positiveness
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Louise Lemón
Egyptian Darkness
119 bpm • F Maj • 04:09 • -8.43db
12% Popularity • 24% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 24% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 10% Positiveness
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Jamie Norton
My Poison
120 bpm • G# min • 02:36 • -8db
17% Popularity • 33% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 33% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Young Summer
Will It Ever Be the Same
119 bpm • F Maj • 04:02 • -6db
39% Popularity • 58% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
39% Popularity • 58% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Thomas McNeice
Revelling
122 bpm • D# Maj • 03:52 • -5.62db
20% Popularity • 70% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 70% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Seven of Cups
The Secrets I Kept Safe
122 bpm • G min • 03:30 • -11.42db
8% Popularity • 62% Danceability • 49% Energy • 10% Liveness
80% Instrumentalness • 30% Positiveness
8% Popularity • 62% Danceability • 49% Energy • 10% Liveness
80% Instrumentalness • 30% Positiveness
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Benson Taylor
Past Reflections
120 bpm • A# min • 02:30 • -18.16db
1% Popularity • 42% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
1% Popularity • 42% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Jeffrey Amor
Best Intentions (The End)
122 bpm • D min • 04:02 • -10db
17% Popularity • 27% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 9% Positiveness
17% Popularity • 27% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 9% Positiveness
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Markus Schmidt
Lonely Play (As Featured in "The White P...
118 bpm • D min • 02:36 • -15.36db
8% Popularity • 23% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
8% Popularity • 23% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Alexina
Silent Killer
122 bpm • E min • 03:03 • -5db
28% Popularity • 44% Danceability • 84% Energy • 41% Liveness
1% Instrumentalness • 14% Positiveness
28% Popularity • 44% Danceability • 84% Energy • 41% Liveness
1% Instrumentalness • 14% Positiveness
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Kaleida
Aliaa
123 bpm • A# min • 03:47 • -11db
33% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Klergy
Dark Outside
117 bpm • C min • 02:49 • -11.54db
30% Popularity • 36% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
30% Popularity • 36% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Benson Taylor
Snake Pit
118 bpm • C min • 02:34 • -13.79db
0% Popularity • 44% Danceability • 83% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
0% Popularity • 44% Danceability • 83% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
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Phlotilla
Going Down Fighting
117 bpm • C Maj • 04:42 • -10.96db
20% Popularity • 58% Danceability • 48% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
20% Popularity • 58% Danceability • 48% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
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ITG Studios
Rectify
123 bpm • B min • 03:05 • -6.36db
18% Popularity • 38% Danceability • 62% Energy • 13% Liveness
6% Instrumentalness • 18% Positiveness
18% Popularity • 38% Danceability • 62% Energy • 13% Liveness
6% Instrumentalness • 18% Positiveness
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Krysta Youngs
Black Hole
117 bpm • C Maj • 03:36 • -6.98db
8% Popularity • 68% Danceability • 61% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
8% Popularity • 68% Danceability • 61% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Ghost Monroe
Mother Mary
117 bpm • G# Maj • 05:17 • -13db
26% Popularity • 22% Danceability • 28% Energy • 11% Liveness
9% Instrumentalness • 10% Positiveness
26% Popularity • 22% Danceability • 28% Energy • 11% Liveness
9% Instrumentalness • 10% Positiveness
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nilu
Hummingbird
124 bpm • D# Maj • 04:21 • -11db
26% Popularity • 50% Danceability • 63% Energy • 13% Liveness
49% Instrumentalness • 10% Positiveness
26% Popularity • 50% Danceability • 63% Energy • 13% Liveness
49% Instrumentalness • 10% Positiveness
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Benson Taylor
Burst of Bluebells
122 bpm • B Maj • 02:15 • -10.89db
0% Popularity • 59% Danceability • 38% Energy • 13% Liveness
83% Instrumentalness • 79% Positiveness
0% Popularity • 59% Danceability • 38% Energy • 13% Liveness
83% Instrumentalness • 79% Positiveness
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Jonathan Buchanan
Under My Spell
124 bpm • A min • 02:48 • -16db
13% Popularity • 54% Danceability • 42% Energy • 21% Liveness
12% Instrumentalness • 5% Positiveness
13% Popularity • 54% Danceability • 42% Energy • 21% Liveness
12% Instrumentalness • 5% Positiveness
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Blonde Diamond
Easy Nothing
124 bpm • A# min • 03:55 • -6.73db
22% Popularity • 61% Danceability • 68% Energy • 17% Liveness
1% Instrumentalness • 13% Positiveness
22% Popularity • 61% Danceability • 68% Energy • 17% Liveness
1% Instrumentalness • 13% Positiveness
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susie wilkins
The Legend of Julia Brown
124 bpm • D# min • 02:57 • -8.8db
11% Popularity • 51% Danceability • 73% Energy • 30% Liveness
4% Instrumentalness • 10% Positiveness
11% Popularity • 51% Danceability • 73% Energy • 30% Liveness
4% Instrumentalness • 10% Positiveness
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5 Alarm
Battle of the Brave
116 bpm • B min • 03:38 • -7.94db
8% Popularity • 46% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 46% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Syd Duran
Black Widow
124 bpm • C Maj • 03:31 • -11.13db
9% Popularity • 36% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 36% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Benson Taylor
Look in the Mirror
124 bpm • F min • 04:33 • -9db
10% Popularity • 50% Danceability • 57% Energy • 8% Liveness
27% Instrumentalness • 28% Positiveness
10% Popularity • 50% Danceability • 57% Energy • 8% Liveness
27% Instrumentalness • 28% Positiveness
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Nick Kingsley
Our Kingdom Falls
116 bpm • C min • 03:13 • -7.96db
18% Popularity • 63% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 63% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Fassine
Feather Jesus
116 bpm • E min • 03:17 • -8.36db
24% Popularity • 66% Danceability • 75% Energy • 11% Liveness
5% Instrumentalness • 51% Positiveness
24% Popularity • 66% Danceability • 75% Energy • 11% Liveness
5% Instrumentalness • 51% Positiveness
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Jonathon Deering
Sink Or Swim
125 bpm • G Maj • 02:29 • -8.49db
10% Popularity • 44% Danceability • 76% Energy • 7% Liveness
3% Instrumentalness • 20% Positiveness
10% Popularity • 44% Danceability • 76% Energy • 7% Liveness
3% Instrumentalness • 20% Positiveness
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Jamie Norton
Back to Life
125 bpm • F# min • 03:38 • -7.9db
13% Popularity • 46% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 46% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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FJØRA
twisted games
125 bpm • C min • 03:23 • -12.55db
21% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Benson Taylor
Look in the Mirror - Instrumental Versio...
124 bpm • F min • 04:31 • -12.07db
1% Popularity • 50% Danceability • 49% Energy • 9% Liveness
82% Instrumentalness • 29% Positiveness
1% Popularity • 50% Danceability • 49% Energy • 9% Liveness
82% Instrumentalness • 29% Positiveness
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Amy Guess
Enter Sandman
125 bpm • E min • 03:33 • -9.31db
9% Popularity • 22% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Cavale
1234
125 bpm • E Maj • 03:49 • -11.1db
11% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Thornton III Jenkins
The Other Side
125 bpm • G Maj • 01:32 • -13.73db
0% Popularity • 68% Danceability • 44% Energy • 11% Liveness
79% Instrumentalness • 58% Positiveness
0% Popularity • 68% Danceability • 44% Energy • 11% Liveness
79% Instrumentalness • 58% Positiveness
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DeLaurentis
A Big Part of a Big Sun
125 bpm • G min • 03:34 • -9.11db
27% Popularity • 58% Danceability • 64% Energy • 7% Liveness
14% Instrumentalness • 16% Positiveness
27% Popularity • 58% Danceability • 64% Energy • 7% Liveness
14% Instrumentalness • 16% Positiveness
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Ruelle
The World We Made
125 bpm • A min • 03:04 • -6.43db
45% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Benson Taylor
3 On 1
125 bpm • G Maj • 02:39 • -14db
0% Popularity • 54% Danceability • 58% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
0% Popularity • 54% Danceability • 58% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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The Venice Connection
Feeling Good
115 bpm • G Maj • 02:39 • -8.58db
12% Popularity • 74% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 74% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Zella Day
Bloodline
115 bpm • D# Maj • 03:50 • -9.96db
20% Popularity • 45% Danceability • 56% Energy • 8% Liveness
6% Instrumentalness • 31% Positiveness
20% Popularity • 45% Danceability • 56% Energy • 8% Liveness
6% Instrumentalness • 31% Positiveness
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Faunea
Sound of Breaking
115 bpm • F# min • 04:39 • -10.87db
23% Popularity • 59% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 59% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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ITG Studios
Capture My Soul
115 bpm • D min • 03:26 • -15.05db
20% Popularity • 63% Danceability • 25% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
20% Popularity • 63% Danceability • 25% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Born Rivals
Regular at the Harpoon
115 bpm • C Maj • 03:23 • -7.26db
31% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Benson Taylor
Starlit Future
115 bpm • C Maj • 03:27 • -8.85db
0% Popularity • 44% Danceability • 55% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 44% Danceability • 55% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Portals
It's All Happening Now
126 bpm • F# min • 03:44 • -7.08db
23% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tribal Blood
I Will Fight
126 bpm • D Maj • 04:07 • -6.13db
30% Popularity • 40% Danceability • 73% Energy • 9% Liveness
66% Instrumentalness • 7% Positiveness
30% Popularity • 40% Danceability • 73% Energy • 9% Liveness
66% Instrumentalness • 7% Positiveness
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Lissie
Meet Me in the Mystery
126 bpm • G# Maj • 03:04 • -9.9db
19% Popularity • 52% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 52% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Steelfeather
Something in the Air
126 bpm • F# min • 03:08 • -7db
38% Popularity • 58% Danceability • 63% Energy • 8% Liveness
10% Instrumentalness • 18% Positiveness
38% Popularity • 58% Danceability • 63% Energy • 8% Liveness
10% Instrumentalness • 18% Positiveness
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5 Alarm
How the Mighty Fall
126 bpm • A# min • 03:04 • -9.51db
26% Popularity • 66% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 66% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Raphael Lake
Speed of Light
126 bpm • G Maj • 03:35 • -8db
22% Popularity • 56% Danceability • 87% Energy • 25% Liveness
76% Instrumentalness • 40% Positiveness
22% Popularity • 56% Danceability • 87% Energy • 25% Liveness
76% Instrumentalness • 40% Positiveness
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Nick Kingsley
Watch Me Coil
114 bpm • E min • 03:24 • -8.18db
22% Popularity • 52% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 52% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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FEAXHERS
Bjutiful
114 bpm • G Maj • 03:13 • -8.92db
9% Popularity • 60% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 60% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 42% Positiveness
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Gary Neumann
Tear Me Down
114 bpm • E min • 03:27 • -6.95db
8% Popularity • 65% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 65% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Must Save Jane
Can You Hear Me Breathe
127 bpm • C Maj • 03:55 • -12.87db
15% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Klergy
Will You Follow Me Into the Dark
127 bpm • C min • 03:48 • -8.61db
40% Popularity • 42% Danceability • 52% Energy • 25% Liveness
19% Instrumentalness • 14% Positiveness
40% Popularity • 42% Danceability • 52% Energy • 25% Liveness
19% Instrumentalness • 14% Positiveness
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RAIGN
Empire Of Our Own (Orchestral Mix)
127 bpm • G min • 03:17 • -7.75db
35% Popularity • 33% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 33% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Benson Taylor
Bedshaped
113 bpm • G Maj • 03:06 • -9.36db
0% Popularity • 53% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 53% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Anita Lester
You Want It Darker
128 bpm • D min • 04:49 • -11.15db
31% Popularity • 45% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
31% Popularity • 45% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
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Lee Richardson
You Can Run
128 bpm • G Maj • 02:25 • -7db
23% Popularity • 44% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 44% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Holly Knight's Story of O
Love Is a Battlefield
128 bpm • A Maj • 05:07 • -7.4db
21% Popularity • 67% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 67% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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SPELLES
Wild Heart
128 bpm • B min • 05:08 • -6.79db
31% Popularity • 43% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 43% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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ELKAE
Get Ready For the Rumours
128 bpm • G# min • 03:21 • -8.55db
12% Popularity • 59% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 59% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Benson Taylor
Axiom
128 bpm • F min • 03:18 • -10.67db
0% Popularity • 61% Danceability • 51% Energy • 12% Liveness
70% Instrumentalness • 12% Positiveness
0% Popularity • 61% Danceability • 51% Energy • 12% Liveness
70% Instrumentalness • 12% Positiveness
