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Bees
Songs like
Bees
by
The Ballroom Thieves
Based on a tempo of (+/- 10%) and a similar genre
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Mt. Joy
Roly Poly
102 bpm • F Maj • 02:36 • -12db
60% Popularity • 77% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 73% Positiveness
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Nathaniel Rateliff
Time Stands
102 bpm • E Maj • 03:52 • -9.32db
52% Popularity • 35% Danceability • 39% Energy • 13% Liveness
5% Instrumentalness • 27% Positiveness
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1969 Collective
Fatal Line
102 bpm • G Maj • 03:01 • -9.06db
40% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The Ballroom Thieves
Bees
102 bpm • C Maj • 03:10 • -15.26db
60% Popularity • 52% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Shakey Graves
If Not For You (Demo)
102 bpm • D Maj • 03:11 • -8.02db
50% Popularity • 63% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Caiola
Faceless Better Half
103 bpm • D min • 02:21 • -9.9db
34% Popularity • 50% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Mt. Joy
Strangers
102 bpm • G Maj • 03:13 • -8.14db
71% Popularity • 56% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 22% Positiveness
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The Barr Brothers
Even the Darkness Has Arms
101 bpm • B Maj • 03:50 • -13.1db
62% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
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Layup
Right Next To You
103 bpm • D# Maj • 02:33 • -10.32db
50% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Dead Tongues
Clip Your Wings
101 bpm • E Maj • 03:13 • -8.62db
29% Popularity • 42% Danceability • 31% Energy • 14% Liveness
7% Instrumentalness • 36% Positiveness
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Watchhouse
Little Worlds
103 bpm • D Maj • 03:30 • -9db
59% Popularity • 54% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Caiola
Alaska
101 bpm • D# Maj • 03:45 • -8.53db
57% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Paper Kites
Halcyon
101 bpm • D Maj • 03:59 • -13.64db
45% Popularity • 63% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
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Harbor & Home
Minnesota
101 bpm • F Maj • 02:36 • -8db
44% Popularity • 59% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The Ballroom Thieves
Bartering
101 bpm • G Maj • 02:37 • -11db
32% Popularity • 64% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Darlingside
Old Friend
101 bpm • D# Maj • 02:28 • -13db
51% Popularity • 41% Danceability • 24% Energy • 11% Liveness
39% Instrumentalness • 37% Positiveness
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Ira Wolf
Ruby
101 bpm • A# Maj • 02:51 • -10db
34% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bahamas
Hockey Teeth
104 bpm • A# Maj • 02:34 • -9.24db
45% Popularity • 75% Danceability • 42% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
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Joe Kaplow
There Will Be a Time
104 bpm • G Maj • 04:02 • -9.54db
34% Popularity • 59% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Morningsiders
Empress
100 bpm • C Maj • 03:19 • -9.72db
61% Popularity • 70% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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The Ballroom Thieves
Trouble
103 bpm • B min • 03:02 • -8.96db
18% Popularity • 47% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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The Suitcase Junket
Ten Rivers
104 bpm • C Maj • 02:52 • -9.3db
32% Popularity • 64% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Oliver Hazard
Take Me Back
104 bpm • C Maj • 02:52 • -10.32db
38% Popularity • 70% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Joshua Burnside
Blood Drive
100 bpm • D Maj • 03:54 • -12.67db
45% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
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The Lumineers
Long Way From Home
100 bpm • A Maj • 02:32 • -8.52db
55% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Brother Brothers
On The Road Again
104 bpm • D# Maj • 02:53 • -11db
39% Popularity • 62% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 69% Positiveness
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The Ballroom Thieves
Peregrine
103 bpm • D Maj • 04:03 • -10.76db
23% Popularity • 48% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 13% Positiveness
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Oshima Brothers
Love Is Tall
100 bpm • G Maj • 02:33 • -10.07db
44% Popularity • 52% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Oliver Hazard
Dandelion
105 bpm • F# Maj • 03:10 • -11db
65% Popularity • 64% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Joe Kaplow
Mavourneen
99 bpm • F Maj • 04:19 • -9.28db
22% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Shakey Graves
A World So Full of Love
105 bpm • C Maj • 02:51 • -8db
60% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Bendigo Fletcher
Soul Factory
105 bpm • D# Maj • 03:41 • -9.34db
42% Popularity • 76% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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The Ballroom Thieves
I'm Around
100 bpm • C Maj • 04:31 • -8.15db
47% Popularity • 44% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Parsonsfield
Barbed Wire
99 bpm • E Maj • 04:22 • -6.06db
26% Popularity • 52% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Fruition
The Meaning
99 bpm • A Maj • 05:01 • -8.19db
41% Popularity • 50% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Dead Horses
Kickapoo Creek
99 bpm • F Maj • 02:28 • -14.39db
29% Popularity • 54% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Honeysuckle
Greenline
99 bpm • D# Maj • 02:52 • -9.77db
24% Popularity • 52% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 14% Positiveness
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Shakey Graves
Hard Wired
106 bpm • C Maj • 04:07 • -8.8db
44% Popularity • 57% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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The Ballroom Thieves
Love Is Easy
104 bpm • A Maj • 03:20 • -8.6db
36% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Trampled by Turtles
Wildflowers
105 bpm • F Maj • 02:48 • -8.62db
55% Popularity • 50% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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The Head And The Heart
Down in the Valley
106 bpm • C Maj • 05:03 • -11db
56% Popularity • 41% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Ira Wolf
Pictures on a Wall
106 bpm • B Maj • 04:01 • -8.15db
39% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Ocie Elliott
Clear in the Eye
106 bpm • E Maj • 02:47 • -14.44db
61% Popularity • 76% Danceability • 27% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
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The Avett Brothers
Murder in the City
106 bpm • D# Maj • 03:12 • -11db
54% Popularity • 63% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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The Ballroom Thieves
Noble Rot
99 bpm • G Maj • 03:20 • -6.47db
19% Popularity • 47% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Shakey Graves
Tomorrow
98 bpm • G Maj • 04:00 • -10.85db
66% Popularity • 56% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Oliver Hazard
Cecilia
106 bpm • E Maj • 02:29 • -8.57db
46% Popularity • 71% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Donovan Woods
It'll Work Itself Out
98 bpm • A# Maj • 03:02 • -13db
48% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Wild Rivers
Wandering Child
98 bpm • D Maj • 03:04 • -12db
65% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Hush Kids
Goodbye Rain
98 bpm • B Maj • 03:45 • -11.86db
37% Popularity • 62% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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The Ballroom Thieves
Pour Down
99 bpm • D Maj • 03:47 • -8.47db
20% Popularity • 50% Danceability • 63% Energy • 15% Liveness
11% Instrumentalness • 34% Positiveness
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Jamestown Revival
Crazy World (Judgement Day)
98 bpm • G Maj • 04:40 • -7.79db
40% Popularity • 63% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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The Wild Reeds
Everything Looks Better (In Hindsight)
98 bpm • A min • 05:28 • -6.51db
40% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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The Dead Tongues
Wildflower Perfume
98 bpm • D min • 03:20 • -9.82db
40% Popularity • 57% Danceability • 38% Energy • 14% Liveness
16% Instrumentalness • 54% Positiveness
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Darlingside
Futures
98 bpm • C Maj • 04:45 • -10.08db
34% Popularity • 35% Danceability • 48% Energy • 10% Liveness
15% Instrumentalness • 17% Positiveness
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Ondara
An Alien In Minneapolis - Edit
106 bpm • F min • 04:19 • -16.22db
45% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Lumineers
In The Light
98 bpm • A Maj • 03:51 • -9.63db
46% Popularity • 69% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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The Ballroom Thieves
For Mercy
97 bpm • F Maj • 03:30 • -10.69db
23% Popularity • 52% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Aoife O'Donovan
Loretta
98 bpm • D# Maj • 02:28 • -9.12db
54% Popularity • 49% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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The Bones of J.R. Jones
Howl
97 bpm • G# Maj • 03:03 • -9.71db
41% Popularity • 62% Danceability • 46% Energy • 9% Liveness
55% Instrumentalness • 35% Positiveness
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The Paper Kites
Never Heard a Sound
97 bpm • D Maj • 02:54 • -17.17db
36% Popularity • 52% Danceability • 15% Energy • 13% Liveness
32% Instrumentalness • 36% Positiveness
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Tall Heights
Horse to Water
97 bpm • F# min • 04:04 • -9.14db
52% Popularity • 52% Danceability • 62% Energy • 50% Liveness
7% Instrumentalness • 51% Positiveness
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Ken Yates
Consolation Prize
97 bpm • E min • 04:00 • -11.64db
50% Popularity • 65% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Oliver Hazard
Wondering
108 bpm • F Maj • 02:25 • -7.5db
31% Popularity • 80% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Nathaniel Rateliff
Boil & Fight
97 bpm • D Maj • 03:02 • -11.29db
41% Popularity • 75% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Leif Vollebekk
Apalachee Plain
108 bpm • A Maj • 03:40 • -7.8db
50% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Jason Isbell and the 400 Unit
If We Were Vampires
97 bpm • F Maj • 03:35 • -16.23db
39% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Watchhouse
Echo
96 bpm • G Maj • 03:21 • -9.69db
55% Popularity • 62% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Bendigo Fletcher
Pterodactyl
96 bpm • G Maj • 04:06 • -9.98db
36% Popularity • 48% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Darlingside
Whippoorwill
96 bpm • B Maj • 04:38 • -9.09db
31% Popularity • 64% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
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The Lumineers
Gun Song
96 bpm • G Maj • 03:36 • -5.51db
48% Popularity • 68% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Oliver Hazard
Saratoga
108 bpm • G# Maj • 03:50 • -8.1db
46% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Kenneth Pattengale & Joey Ryan
Maybe It's Time
108 bpm • F Maj • 04:26 • -10.32db
30% Popularity • 58% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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Aoife O'Donovan
IOWA
96 bpm • C# Maj • 04:35 • -11db
36% Popularity • 53% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Joy Oladokun
jordan
96 bpm • E Maj • 04:01 • -10db
52% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Max GarcÃa Conover
mud
109 bpm • D Maj • 02:06 • -8.29db
21% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Lumineers
Walls
108 bpm • A# Maj • 03:19 • -6.32db
51% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Bahamas
Stronger Than That
96 bpm • C Maj • 02:37 • -4db
61% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Oliver Hazard
Illinois
108 bpm • G# min • 02:23 • -8db
44% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Devarrow
Little Road
109 bpm • G# Maj • 03:15 • -8.14db
43% Popularity • 66% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Mt. Joy
Highway Queen
109 bpm • G Maj • 03:32 • -5.8db
55% Popularity • 59% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Caiola
22nd Time
109 bpm • D min • 04:07 • -7.29db
25% Popularity • 65% Danceability • 60% Energy • 32% Liveness
42% Instrumentalness • 70% Positiveness
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The Copper Children
Nowhere
109 bpm • C Maj • 03:22 • -12.53db
31% Popularity • 43% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Bahamas
Whole Wide World
109 bpm • F Maj • 02:35 • -9.04db
61% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Wild Rivers
Already Gone
95 bpm • A# Maj • 03:42 • -13db
58% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Head And The Heart
Lost in My Mind
95 bpm • D Maj • 04:19 • -9db
62% Popularity • 37% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Darlingside
A Light On In The Dark
95 bpm • G# Maj • 03:51 • -10.14db
30% Popularity • 40% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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The Avett Brothers
I Wish I Was
109 bpm • B Maj • 05:16 • -8.86db
55% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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River Whyless
It Ain't Me Babe
95 bpm • C# Maj • 03:40 • -11.16db
41% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Dead Horses
Turntable
95 bpm • C Maj • 03:16 • -10.33db
53% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Raye Zaragoza
He Calls Me River
95 bpm • F# Maj • 03:27 • -10db
27% Popularity • 53% Danceability • 51% Energy • 8% Liveness
3% Instrumentalness • 39% Positiveness
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Humbird
Pharmakon
95 bpm • A Maj • 02:35 • -12.56db
55% Popularity • 68% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Ocie Elliott
Down by the Water
95 bpm • E Maj • 02:58 • -12db
74% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Penny and Sparrow
Alabama Haint
95 bpm • E min • 03:02 • -11db
49% Popularity • 59% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
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Layup
Favorite Place to Go
95 bpm • G Maj • 02:54 • -13.71db
59% Popularity • 57% Danceability • 27% Energy • 13% Liveness
8% Instrumentalness • 28% Positiveness
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Five Islands
Smoke
110 bpm • G Maj • 03:46 • -5.31db
34% Popularity • 53% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Watchhouse
Hey Stranger
95 bpm • C Maj • 03:27 • -10.2db
48% Popularity • 61% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Ezra Bell
i prefer your statue to any mannequin
110 bpm • G Maj • 01:42 • -13.13db
32% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Mike Duhaime
honey!
110 bpm • D Maj • 03:54 • -10db
37% Popularity • 41% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Penny and Sparrow
Adeline
95 bpm • A min • 03:08 • -13db
36% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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Bees