Songs like Before You Close Your Eyes by Jef Martens
Based on a tempo of (+/- 10%) and a similar genre
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Nicola Conti
Chi cerca trova
136 bpm • D# Maj • 02:29 • -25.2db
38% Popularity • 41% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
38% Popularity • 41% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Josh Kramer
Story of You
136 bpm • C# min • 02:19 • -19.77db
45% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
45% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
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Jef Martens
Before You Close Your Eyes
136 bpm • G Maj • 00:55 • -29.47db
15% Popularity • 49% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
15% Popularity • 49% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
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Niall Byrne
Sonder
137 bpm • F min • 02:17 • -36.49db
40% Popularity • 34% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
40% Popularity • 34% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
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Elias Braun
Lifted
135 bpm • C Maj • 02:32 • -25.98db
38% Popularity • 36% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
38% Popularity • 36% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Ben Laver
Her
135 bpm • C min • 02:34 • -25.92db
42% Popularity • 39% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
42% Popularity • 39% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Ole-Bjørn Talstad
Where Are You Now
137 bpm • E min • 02:38 • -26.67db
37% Popularity • 35% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
37% Popularity • 35% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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Piotr Wiese
Above
137 bpm • C Maj • 02:47 • -31.78db
36% Popularity • 41% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
36% Popularity • 41% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Jef Martens
You Must Be a Unicorn
135 bpm • E min • 01:01 • -28.1db
19% Popularity • 46% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 22% Positiveness
19% Popularity • 46% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 22% Positiveness
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Stephanie Ferrer
Lonely Melody
137 bpm • A Maj • 02:07 • -29.89db
39% Popularity • 47% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
39% Popularity • 47% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
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A. Blomqvist
Essential Truth
137 bpm • E min • 02:49 • -28.34db
42% Popularity • 33% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
42% Popularity • 33% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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Matt Stewart-Evans
Twilight
135 bpm • D# min • 02:08 • -31.93db
41% Popularity • 40% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
41% Popularity • 40% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Niall Byrne
Interlude
135 bpm • G min • 02:12 • -30.06db
41% Popularity • 37% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
41% Popularity • 37% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Jøsefine
Grey Skies Move Slowly
138 bpm • D# min • 02:04 • -29.59db
30% Popularity • 26% Danceability • 5% Energy • 11% Liveness
76% Instrumentalness • 7% Positiveness
30% Popularity • 26% Danceability • 5% Energy • 11% Liveness
76% Instrumentalness • 7% Positiveness
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Jef Martens
The Field
138 bpm • A# Maj • 02:26 • -25.36db
7% Popularity • 42% Danceability • 15% Energy • 17% Liveness
93% Instrumentalness • 21% Positiveness
7% Popularity • 42% Danceability • 15% Energy • 17% Liveness
93% Instrumentalness • 21% Positiveness
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Arelius
Wonder
135 bpm • F# Maj • 02:42 • -18.91db
41% Popularity • 22% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
41% Popularity • 22% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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A. Blomqvist
Lumihiutaleet
137 bpm • G min • 02:37 • -25.14db
36% Popularity • 42% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
36% Popularity • 42% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Kiara Leonard
Moonlight
134 bpm • F Maj • 02:20 • -28.1db
35% Popularity • 40% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
35% Popularity • 40% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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James DiResta
Juniper
138 bpm • D min • 03:40 • -33db
43% Popularity • 36% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
43% Popularity • 36% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Christopher Dicker
Solitaire
134 bpm • D min • 01:54 • -22.99db
39% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
39% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Treman
Lost In Thought
138 bpm • F# min • 01:30 • -31db
47% Popularity • 46% Danceability • 0% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
47% Popularity • 46% Danceability • 0% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
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Javi Lobe
Time Of Loneliness
134 bpm • D Maj • 02:50 • -27.42db
37% Popularity • 38% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 34% Positiveness
37% Popularity • 38% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 34% Positiveness
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Ivan Vladusic
Quiet Conversation
138 bpm • D# Maj • 04:21 • -29.34db
28% Popularity • 48% Danceability • 1% Energy • 19% Liveness
95% Instrumentalness • 18% Positiveness
28% Popularity • 48% Danceability • 1% Energy • 19% Liveness
95% Instrumentalness • 18% Positiveness
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Dominique Charpentier
Marin
134 bpm • A Maj • 02:14 • -18.01db
19% Popularity • 36% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
19% Popularity • 36% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Michael Ottosson
Through The Wind
134 bpm • E min • 02:51 • -24.98db
31% Popularity • 40% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
31% Popularity • 40% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Pamela Goldings
Young Love
134 bpm • G Maj • 02:23 • -30.6db
39% Popularity • 40% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
39% Popularity • 40% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Jacob LaVallee
The Mist That Surrounds
134 bpm • A Maj • 02:25 • -15.84db
29% Popularity • 46% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
29% Popularity • 46% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Lake Isabel
Elegy
139 bpm • G# Maj • 03:43 • -23.42db
20% Popularity • 37% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
20% Popularity • 37% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Edvard Kravchuk
Moment of Silence
139 bpm • A Maj • 03:31 • -34.27db
41% Popularity • 36% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 48% Positiveness
41% Popularity • 36% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 48% Positiveness
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Holly Jones
Bloom
133 bpm • C Maj • 02:06 • -25.8db
47% Popularity • 37% Danceability • 1% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
47% Popularity • 37% Danceability • 1% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Mattia Vlad Morleo
Avail
133 bpm • C min • 01:49 • -28db
42% Popularity • 42% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
42% Popularity • 42% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Jef Martens
Stars Swirling In The Night Sky
132 bpm • G# min • 02:44 • -26.63db
13% Popularity • 39% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
13% Popularity • 39% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Jacob David
Stairs - 2024 Remaster
132 bpm • D min • 02:15 • -31.57db
22% Popularity • 31% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
22% Popularity • 31% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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A. Blomqvist
Je m'amoure de cette sensation
132 bpm • F# min • 02:31 • -26.32db
60% Popularity • 37% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
60% Popularity • 37% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Josh Kramer
Kardelen
132 bpm • F# min • 02:47 • -29.64db
44% Popularity • 34% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
44% Popularity • 34% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Christopher Dicker
Sun Burst
141 bpm • D# Maj • 02:23 • -22.27db
32% Popularity • 38% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
32% Popularity • 38% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Ella Lane
Resist
131 bpm • C Maj • 02:10 • -26.69db
28% Popularity • 35% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
28% Popularity • 35% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Franco Robert
Nowhere
141 bpm • A min • 04:46 • -30.51db
30% Popularity • 22% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
30% Popularity • 22% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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April Baxter
My life in a garden
141 bpm • D Maj • 02:40 • -31.59db
28% Popularity • 34% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 19% Positiveness
28% Popularity • 34% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 19% Positiveness
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Jef Martens
In Dreams
131 bpm • F# Maj • 02:18 • -28.62db
11% Popularity • 35% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
11% Popularity • 35% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Josh Kramer
Akogare
131 bpm • D# Maj • 04:13 • -21.36db
13% Popularity • 43% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
13% Popularity • 43% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Treman
We Met in the Garden
141 bpm • C Maj • 02:23 • -32.16db
30% Popularity • 42% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 42% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Edvard Kravchuk
one way
131 bpm • D# Maj • 02:44 • -40.11db
38% Popularity • 39% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 35% Positiveness
38% Popularity • 39% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 35% Positiveness
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Nolan Khan
Faraway
141 bpm • F min • 02:13 • -29.77db
43% Popularity • 44% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
43% Popularity • 44% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Fabrizio Paterlini
The Long Path to Imperfection
131 bpm • D Maj • 01:32 • -31.75db
27% Popularity • 55% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 9% Positiveness
27% Popularity • 55% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 9% Positiveness
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Jef Martens
Zenith
131 bpm • A min • 01:52 • -28.98db
3% Popularity • 42% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
3% Popularity • 42% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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A. Blomqvist
New Chapter
131 bpm • G Maj • 02:29 • -29.95db
49% Popularity • 36% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
49% Popularity • 36% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
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Doeke
Vogeltrek
142 bpm • F# min • 02:14 • -29.85db
38% Popularity • 32% Danceability • 1% Energy • 14% Liveness
90% Instrumentalness • 32% Positiveness
38% Popularity • 32% Danceability • 1% Energy • 14% Liveness
90% Instrumentalness • 32% Positiveness
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Comet Blue
Into The Water
142 bpm • C Maj • 03:12 • -24.64db
20% Popularity • 42% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
20% Popularity • 42% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Christopher Dicker
A Time For Conscience
130 bpm • A min • 04:03 • -26.99db
32% Popularity • 27% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
32% Popularity • 27% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Josh Kramer
Box of Memories
130 bpm • D Maj • 02:42 • -27.83db
51% Popularity • 30% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
51% Popularity • 30% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Jef Martens
After The Rain
130 bpm • G# Maj • 02:06 • -20.58db
9% Popularity • 32% Danceability • 7% Energy • 12% Liveness
74% Instrumentalness • 3% Positiveness
9% Popularity • 32% Danceability • 7% Energy • 12% Liveness
74% Instrumentalness • 3% Positiveness
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Piotr Wiese
Waltz, Interrupted
130 bpm • C min • 02:11 • -25.18db
32% Popularity • 48% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
32% Popularity • 48% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Hiroko Murakami
Everlasting Oath
130 bpm • F min • 02:50 • -29.63db
29% Popularity • 43% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
29% Popularity • 43% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
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Michiel Borstlap
Bloem / Λουλούδι / Virág
130 bpm • G min • 01:46 • -26.64db
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 24% Positiveness
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 24% Positiveness
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Christopher Dicker
A Breath / A Pause
143 bpm • B min • 02:00 • -28.2db
34% Popularity • 30% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
34% Popularity • 30% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
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Edgar De Vries
Sunset Aglow
130 bpm • G# Maj • 02:42 • -31.2db
43% Popularity • 40% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
43% Popularity • 40% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
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Jef Martens
Faraway So Close
142 bpm • B Maj • 02:28 • -27.12db
10% Popularity • 41% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
10% Popularity • 41% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Moux
heart pieces
130 bpm • E Maj • 02:29 • -31.95db
55% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
55% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Dominique Charpentier
Berceuse d'été
143 bpm • G min • 02:23 • -20.53db
39% Popularity • 44% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
39% Popularity • 44% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Albert Riqueti
Comforting
143 bpm • D# Maj • 02:11 • -21.18db
31% Popularity • 32% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 14% Positiveness
31% Popularity • 32% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 14% Positiveness
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Lorraine J. Kovach
Loquacious
143 bpm • B min • 01:29 • -21.31db
31% Popularity • 30% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
31% Popularity • 30% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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William Cas
Hour of Rest
143 bpm • F Maj • 01:52 • -28.34db
51% Popularity • 31% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
51% Popularity • 31% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Jef Martens
We Don't Need Words
130 bpm • G# Maj • 01:49 • -34.89db
13% Popularity • 34% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
13% Popularity • 34% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Edvard Kravchuk
instant
129 bpm • G# Maj • 02:52 • -31.92db
38% Popularity • 33% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 48% Positiveness
38% Popularity • 33% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 48% Positiveness
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Arelius
Winter
129 bpm • C min • 01:32 • -20.95db
38% Popularity • 34% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
38% Popularity • 34% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Patrik Berg Almkvisth
145 - Revisited
128 bpm • C Maj • 02:21 • -29.89db
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 47% Positiveness
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 47% Positiveness
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Adrian Kuipers
Home
127 bpm • C Maj • 03:57 • -25.1db
49% Popularity • 50% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
49% Popularity • 50% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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George Eardley-Wilmot
Here To Stay
145 bpm • A Maj • 02:50 • -28.99db
17% Popularity • 31% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 86% Positiveness
17% Popularity • 31% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 86% Positiveness
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Jef Martens
When I Dream Of You
145 bpm • C Maj • 01:48 • -28.31db
5% Popularity • 38% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
5% Popularity • 38% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
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Moux
how we sleep
146 bpm • G Maj • 03:02 • -24db
38% Popularity • 36% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
38% Popularity • 36% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Arelius
Waltz of Angels
128 bpm • F min • 02:08 • -18.17db
31% Popularity • 36% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
31% Popularity • 36% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Josh Kramer
Night Solace
146 bpm • B Maj • 02:41 • -25.7db
46% Popularity • 41% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
46% Popularity • 41% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Fredrik Lundberg
Broken Wings
127 bpm • D# min • 02:00 • -28.18db
40% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
40% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Robin Bennich
Free Fall
126 bpm • B Maj • 01:41 • -19.22db
48% Popularity • 30% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
48% Popularity • 30% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Jef Martens
Sunlight Through The Curtains
128 bpm • E Maj • 01:20 • -25.28db
15% Popularity • 32% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
15% Popularity • 32% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Lea Lewis
Time Will Tell
126 bpm • G# Maj • 02:07 • -28.21db
37% Popularity • 42% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
37% Popularity • 42% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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April Baxter
Forget Me Not
147 bpm • A Maj • 02:22 • -30.34db
37% Popularity • 41% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
37% Popularity • 41% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Nolan Khan
Otherworldly
147 bpm • G Maj • 02:25 • -25.92db
45% Popularity • 48% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
45% Popularity • 48% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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Christopher Dicker
Sungazer
147 bpm • A min • 02:12 • -26.49db
29% Popularity • 30% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
29% Popularity • 30% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Lôrinc Tzigane
Hiányérzet
125 bpm • B Maj • 02:30 • -24.15db
29% Popularity • 31% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
29% Popularity • 31% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Niall Byrne
Lambay
147 bpm • G min • 02:13 • -35.16db
42% Popularity • 31% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
42% Popularity • 31% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
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Aleksy Wysocki
Jesień
148 bpm • D# Maj • 01:59 • -26.34db
39% Popularity • 41% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
39% Popularity • 41% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Madelene Olsson
Sonata
148 bpm • A min • 04:23 • -30.57db
52% Popularity • 35% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
52% Popularity • 35% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Joy Meyer-Williams
Sapphire Tears
125 bpm • G# Maj • 02:47 • -29.06db
55% Popularity • 41% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
55% Popularity • 41% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Willow J. Wilson
That Nothing Lasts Forever
148 bpm • E min • 02:10 • -27.58db
16% Popularity • 27% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
16% Popularity • 27% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Justus Rümenapp
Pure
149 bpm • G# min • 02:02 • -27.46db
38% Popularity • 23% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 23% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Muriël Bostdorp
Whatever Begins, Also Ends
124 bpm • C min • 02:43 • -29.94db
31% Popularity • 45% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
31% Popularity • 45% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Clara Nishimoto
Pioggia Eterna
124 bpm • G Maj • 02:50 • -32.4db
24% Popularity • 45% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
24% Popularity • 45% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Matt Stewart-Evans
Closer
124 bpm • C# Maj • 02:24 • -29db
41% Popularity • 41% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
41% Popularity • 41% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Gunnel Boek
Persistence
124 bpm • C# Maj • 02:19 • -24.57db
47% Popularity • 58% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
47% Popularity • 58% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
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Jef Martens
Prologue
123 bpm • F# min • 01:52 • -27.78db
10% Popularity • 31% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
10% Popularity • 31% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
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A. Blomqvist
1.6.18
150 bpm • C# Maj • 02:29 • -30.02db
42% Popularity • 39% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
42% Popularity • 39% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
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Jacob David
By the Swings
124 bpm • F# Maj • 03:38 • -27.92db
21% Popularity • 41% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 40% Positiveness
21% Popularity • 41% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 40% Positiveness
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S.J Morgan
Hummelviken
150 bpm • G# Maj • 01:51 • -29db
29% Popularity • 37% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
29% Popularity • 37% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Christopher Dicker
Hands
150 bpm • A Maj • 02:12 • -26.62db
26% Popularity • 42% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 42% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Muriël Bostdorp
Dearest
123 bpm • C# Maj • 03:10 • -26.91db
13% Popularity • 37% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
13% Popularity • 37% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Niall Byrne
Afterthought
123 bpm • C Maj • 02:29 • -29.87db
38% Popularity • 34% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
38% Popularity • 34% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
