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Bei Mir Bist Du Schon - Remastered
Songs like
Bei Mir Bist Du Schon - Remastered
by
The Andrews Sisters
Based on a tempo of (+/- 10%) and a similar genre
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The Andrews Sisters
Bei Mir Bist Du Schon - Remastered
166 bpm • F min • 03:06 • -10.41db
24% Popularity • 61% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Benny Goodman Quartet
Sweet Sue - Just You
167 bpm • G Maj • 03:18 • -14.56db
25% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
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Bob Crosby & The Bob Cats
Down Argentina Way - Remastered
166 bpm • G Maj • 02:35 • -4.71db
25% Popularity • 60% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 88% Positiveness
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Lucky Millinder
Who Threw the Whiskey in the Well
167 bpm • A# Maj • 03:00 • -9.43db
19% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
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California Feetwarmers
Always Got a Home
167 bpm • D min • 02:51 • -7.99db
30% Popularity • 51% Danceability • 54% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
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Johnny Dankworth and Cleo Laine
Let's Sip Away
167 bpm • G min • 02:37 • -8.27db
12% Popularity • 39% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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The Andrews Sisters
Boogie Woogie Bugle Boy
167 bpm • G Maj • 02:41 • -11.55db
52% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Wingy Manone
Besame Mucho
167 bpm • G# min • 02:41 • -9.37db
28% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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The Bryan Ferry Orchestra
Slave to Love
167 bpm • C Maj • 02:38 • -14.25db
9% Popularity • 67% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 86% Positiveness
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Bob Crosby & The Bob Cats
The End Of The World
164 bpm • D# Maj • 02:32 • -13.63db
16% Popularity • 55% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Teddy Wilson
The Way You Look Tonight (10-21-36)
164 bpm • C# Maj • 03:02 • -13.07db
29% Popularity • 54% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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The Andrews Sisters
Bei Mir Bist Du Schoen - 1937 Single Ver...
164 bpm • C Maj • 03:06 • -9.79db
39% Popularity • 64% Danceability • 34% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
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Martha Tilton
I'll Walk Alone
168 bpm • D Maj • 03:17 • -12db
9% Popularity • 27% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Wilbur De Paris
In a Persian Market
168 bpm • D min • 03:50 • -17.11db
11% Popularity • 52% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 92% Positiveness
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Chris Barber's Jazz Band
The Entertainer
163 bpm • C Maj • 03:47 • -15.49db
15% Popularity • 58% Danceability • 27% Energy • 6% Liveness
88% Instrumentalness • 83% Positiveness
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Bennie Moten
Kansas City Shuffle (Alternate Take)
169 bpm • D# Maj • 02:53 • -11.08db
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
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Jack Shaindlin
I'm Tickled Pink
169 bpm • F min • 01:53 • -15.4db
46% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Andrews Sisters
Begin The Beguine
168 bpm • C Maj • 02:48 • -12.36db
9% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Eddie Condon
I'll Build a Stairway to Paradise
162 bpm • C Maj • 02:51 • -11db
13% Popularity • 51% Danceability • 43% Energy • 32% Liveness
22% Instrumentalness • 90% Positiveness
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Vaughn Monroe
Rum & Coca-Cola
170 bpm • C Maj • 03:14 • -9.16db
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Bryan Ferry Orchestra
Oh! You Have No Idea
170 bpm • G Maj • 02:56 • -9.51db
26% Popularity • 48% Danceability • 45% Energy • 13% Liveness
36% Instrumentalness • 93% Positiveness
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Eileen Barton
If I Knew You Were Comin' I'd've Baked a...
170 bpm • G# Maj • 02:39 • -8db
32% Popularity • 74% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Perry Como
Glendora
170 bpm • C min • 02:43 • -11.25db
8% Popularity • 54% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Wilbur De Paris
Martinique
162 bpm • A# min • 05:18 • -14.22db
16% Popularity • 57% Danceability • 42% Energy • 16% Liveness
81% Instrumentalness • 81% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
37% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Temperance Seven
The Charleston
171 bpm • D min • 03:00 • -11.53db
11% Popularity • 61% Danceability • 39% Energy • 11% Liveness
57% Instrumentalness • 91% Positiveness
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London Symphony Orchestra
Symphony No. 8 In B Minor
161 bpm • G# Maj • 03:40 • -8.68db
17% Popularity • 58% Danceability • 32% Energy • 12% Liveness
59% Instrumentalness • 77% Positiveness
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Ruth Brown
Lucky Lips
161 bpm • A# Maj • 02:09 • -12.04db
34% Popularity • 65% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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The Andrews Sisters
Rum And Coca-Cola
161 bpm • G min • 03:11 • -13.23db
15% Popularity • 72% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Wilbur De Paris
In a Persian Market
161 bpm • C# Maj • 05:32 • -15db
9% Popularity • 50% Danceability • 46% Energy • 11% Liveness
49% Instrumentalness • 72% Positiveness
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Buster Smith
E-Flat Boogie
161 bpm • G# Maj • 06:54 • -11.09db
27% Popularity • 46% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Jimmie Lunceford
Tain't What You Do
160 bpm • G# Maj • 03:07 • -10.47db
19% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It The First Time (The Spi...
161 bpm • D# Maj • 03:01 • -11.99db
27% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Gene Krupa
Drum Boogie
172 bpm • D# Maj • 03:09 • -13.72db
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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The Andrews Sisters
Rum and Coca-Cola
161 bpm • A# Maj • 03:11 • -15.87db
13% Popularity • 71% Danceability • 24% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Anders Johan Greger Lewen
Hello Gorgeous
172 bpm • G Maj • 02:29 • -11.79db
10% Popularity • 57% Danceability • 57% Energy • 27% Liveness
84% Instrumentalness • 93% Positiveness
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Wayne Newton
Volare (Nel Blu Di Pinto Di Blu) - Remas...
172 bpm • F Maj • 02:04 • -11.94db
38% Popularity • 44% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
28% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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The Dinning Sisters
Fun and Fancy Free
160 bpm • A min • 02:40 • -14.6db
12% Popularity • 78% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Harry Belafonte
I Do Adore Her
173 bpm • F# Maj • 02:50 • -13.81db
33% Popularity • 68% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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The Andrews Sisters
Alexander's Ragtime Band
171 bpm • C# Maj • 03:01 • -10.68db
12% Popularity • 59% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Benny Goodman Quartet
Sweet Georgia Brown - 1996 Remastered
173 bpm • F min • 03:04 • -11.87db
27% Popularity • 76% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 82% Positiveness
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Ottilie Patterson
Let Him Go, Let Him Tarry
173 bpm • F min • 02:33 • -10.37db
12% Popularity • 51% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Helen Kane
Button up Your Overcoat
159 bpm • A min • 02:56 • -14.98db
17% Popularity • 63% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It the First Time (Alterna...
159 bpm • D# Maj • 02:57 • -10.11db
19% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Jan Savitt
720 in the Books
159 bpm • F min • 02:54 • -7.95db
15% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
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The Andrews Sisters
Rum And Coca Cola
161 bpm • A# Maj • 03:03 • -14db
31% Popularity • 76% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Stan Kenton & His Orchestra
Tampico
159 bpm • G# Maj • 02:43 • -10.08db
34% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Guy Lombardo & His Royal Canadians
Sweet Georgia Brown
174 bpm • F Maj • 02:00 • -12.02db
31% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
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Ruth Etting
Ten Cents a Dance
174 bpm • C Maj • 03:15 • -13.6db
23% Popularity • 54% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Julia Lee And Her Boyfriends
Last Call (For Alcohol)
173 bpm • F Maj • 02:36 • -10db
19% Popularity • 58% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Marion Harris
Look for the Silver Lining
174 bpm • A Maj • 02:58 • -9.67db
10% Popularity • 24% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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The Andrews Sisters
Boogie Woogie Bugle Boy
172 bpm • C# Maj • 02:38 • -10.81db
24% Popularity • 65% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Kid Ory
Joshua Fit the Battle of Jericho - Remas...
158 bpm • F min • 02:58 • -6.74db
23% Popularity • 67% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 85% Positiveness
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The Beau Hunks
Honolulu Baby
175 bpm • A min • 02:41 • -19.24db
20% Popularity • 67% Danceability • 10% Energy • 12% Liveness
31% Instrumentalness • 73% Positiveness
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Bob Crosby
Bye Bye Baby
175 bpm • G# Maj • 01:46 • -10db
33% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
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Andy Williams
Music to Watch Girls By
157 bpm • G# Maj • 02:36 • -10db
44% Popularity • 43% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Wayne Newton
Hello, Dolly! - Remastered
157 bpm • G# min • 02:12 • -12.35db
39% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Andrews Sisters
Rhumboogie - 1940 Single Version
159 bpm • F Maj • 02:37 • -12.43db
17% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Kay Kyser & His Orchestra
A zoot suit
176 bpm • F Maj • 03:05 • -14.3db
6% Popularity • 65% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Hot Sugar Band
Wham!!!
176 bpm • A# Maj • 03:16 • -12.97db
32% Popularity • 70% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Teddy Wilson
He Ain't Got Rhythm (01-25-37)
176 bpm • C# Maj • 02:51 • -12.19db
19% Popularity • 57% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Perry Como
It's A Lovely Day Today
156 bpm • G Maj • 02:40 • -12.8db
53% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Guy Lombardo Trio
This Cant Be Love
177 bpm • G Maj • 02:25 • -14db
26% Popularity • 55% Danceability • 22% Energy • 34% Liveness
37% Instrumentalness • 92% Positiveness
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The Andrews Sisters
Ti-Pi-Tin
173 bpm • G# Maj • 02:47 • -12.36db
5% Popularity • 64% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Benny Carter
Swinging the Blues
177 bpm • A# Maj • 03:02 • -9.49db
15% Popularity • 60% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 96% Positiveness
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Don Cornell
Red Silk Stockings and Green Perfume
177 bpm • F min • 02:43 • -10.36db
8% Popularity • 53% Danceability • 33% Energy • 28% Liveness
2% Instrumentalness • 88% Positiveness
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Meschiya Lake and The Little Big Horns
Communication
178 bpm • A# min • 02:44 • -9.8db
12% Popularity • 51% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Joe Loss & His Orchestra
At the Woodchoppers Ball
178 bpm • F min • 03:21 • -15db
15% Popularity • 52% Danceability • 31% Energy • 13% Liveness
64% Instrumentalness • 86% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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The Andrews Sisters
Ti Pi Tin - Remastered
173 bpm • G# Maj • 02:48 • -11.91db
10% Popularity • 64% Danceability • 27% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Anton Karas
The Third Man Theme - Later Version
178 bpm • C# Maj • 02:14 • -11.14db
13% Popularity • 49% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
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Tex Beneke
In the Mood
178 bpm • G# Maj • 03:16 • -11.18db
10% Popularity • 53% Danceability • 35% Energy • 11% Liveness
76% Instrumentalness • 85% Positiveness
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Guy Lombardo & His Royal Canadians
Music! Music! Music!
178 bpm • G# min • 02:57 • -12db
22% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
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Black Swan Classic Jazz Band
Dude Ranch Blues
178 bpm • A# Maj • 03:53 • -5.57db
17% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Bob Crosby & The Bob Cats
Cecilia
178 bpm • C min • 03:15 • -9db
25% Popularity • 49% Danceability • 45% Energy • 10% Liveness
31% Instrumentalness • 87% Positiveness
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The Andrews Sisters
Beat Me Daddy, Eight To The Bar - 1940 S...
156 bpm • A# Maj • 02:50 • -13.02db
22% Popularity • 78% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Margaret Whiting
Pass That Peace Pipe
179 bpm • C min • 02:59 • -12.47db
29% Popularity • 62% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Larry Clinton
Dipsy Doodle
179 bpm • B Maj • 02:58 • -13db
15% Popularity • 53% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Midnight Serenaders
Who Walks In When I Walk Out
179 bpm • C Maj • 03:20 • -11.08db
31% Popularity • 62% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Four Clefs
I Like Pie, I Like Cake
179 bpm • C# Maj • 02:47 • -11.92db
29% Popularity • 62% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 94% Positiveness
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Lil Armstrong
Let's Get Happy Together
179 bpm • G Maj • 02:59 • -4.17db
4% Popularity • 64% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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The Andrews Sisters
Rum and Coca Cola
156 bpm • A Maj • 03:16 • -7.96db
9% Popularity • 72% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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George Lewis
Down by the Riverside
179 bpm • G min • 02:54 • -7db
36% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
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The Charleston Chasers
Delirium
179 bpm • C# Maj • 03:14 • -13.69db
15% Popularity • 60% Danceability • 27% Energy • 6% Liveness
32% Instrumentalness • 91% Positiveness
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Wilbur De Paris
Frankie & Johnny
153 bpm • C# Maj • 03:47 • -13db
15% Popularity • 43% Danceability • 63% Energy • 35% Liveness
47% Instrumentalness • 68% Positiveness
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Harlem Hamfats
When The Sun Goes Down In Harlem
180 bpm • G# Maj • 02:36 • -12.11db
10% Popularity • 64% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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King Of Swing Orchestra
Bei Mir Bist Du Schön - The Best of Kin...
180 bpm • A min • 02:44 • -9.24db
34% Popularity • 40% Danceability • 56% Energy • 94% Liveness
0% Instrumentalness • 76% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
35% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Gene Krupa and His Orchestra
Opus NO. 1
153 bpm • A min • 02:56 • -7.2db
19% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Gene Krupa
Let Me off Uptown
152 bpm • C# Maj • 03:06 • -8.66db
18% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Charlie Barnet
Spanish Kick
181 bpm • D# Maj • 02:49 • -11db
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
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Ruth Wallis
Queer Things
182 bpm • E Maj • 03:25 • -10db
13% Popularity • 62% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Linnzi Zaorski
Better off Dead
182 bpm • A Maj • 02:31 • -8.89db
20% Popularity • 67% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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The Merry Macs
Jingle Jangle Jingle (Alternate Take)
183 bpm • C# Maj • 02:53 • -14db
22% Popularity • 76% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Bob Crosby & The Bob Cats
Coquette
183 bpm • D# Maj • 03:08 • -10.13db
31% Popularity • 49% Danceability • 58% Energy • 23% Liveness
94% Instrumentalness • 96% Positiveness
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Paul Anka
Mr. Brightside
150 bpm • F Maj • 03:49 • -5.17db
18% Popularity • 67% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Bei Mir Bist Du Schon - Remastered