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Bejeweled
Songs like
Bejeweled
by
Taylor Swift
Based on a tempo of (+/- 10%) and a similar genre
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Taylor Swift
Bejeweled
164 bpm • G Maj • 03:14 • -9.19db
80% Popularity • 70% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Avril Lavigne
Girlfriend
164 bpm • G Maj • 03:36 • -2.43db
76% Popularity • 56% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Tate McRae
cut my hair
164 bpm • D min • 02:55 • -4db
64% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Olivia Rodrigo
jealousy, jealousy
164 bpm • A# min • 02:53 • -6.33db
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Harry Styles
Keep Driving
165 bpm • A Maj • 02:20 • -9.67db
74% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Ava Max
Maybe You’re The Problem
166 bpm • A Maj • 03:10 • -3.65db
70% Popularity • 53% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Taylor Swift
This Is Why We Can't Have Nice Things
164 bpm • F Maj • 03:27 • -5.99db
73% Popularity • 57% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Avril Lavigne
Here's to Never Growing Up
165 bpm • C Maj • 03:34 • -3.15db
69% Popularity • 48% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 74% Positiveness
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Kelly Clarkson
Happier Than Ever
162 bpm • G min • 04:14 • -6.44db
59% Popularity • 36% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Olivia Rodrigo
get him back!
162 bpm • F Maj • 03:31 • -5.72db
82% Popularity • 55% Danceability • 85% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
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girl in red
Too Much
162 bpm • F min • 03:03 • -5.98db
72% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Billie Eilish
Happier Than Ever - Edit
162 bpm • C Maj • 02:31 • -5.74db
74% Popularity • 33% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Jax
Victoria's Secret
167 bpm • F# Maj • 02:56 • -7.64db
69% Popularity • 59% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Big Red Machine
Renegade - Pop Version
168 bpm • C Maj • 03:51 • -7.27db
53% Popularity • 34% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Miley Cyrus
The Climb
161 bpm • E Maj • 03:54 • -6.35db
74% Popularity • 34% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Olivia Rodrigo
good 4 u
167 bpm • A Maj • 02:58 • -5.04db
85% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Tate McRae
she's all i wanna be
160 bpm • D min • 03:27 • -5.32db
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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BLACKPINK
THE GIRLS - BLACKPINK THE GAME OST
160 bpm • D Maj • 02:42 • -4.42db
70% Popularity • 72% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Macklemore
NO BAD DAYS
160 bpm • G# Maj • 02:53 • -6.01db
65% Popularity • 77% Danceability • 86% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
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Big Red Machine
Renegade
168 bpm • C Maj • 04:14 • -8.14db
70% Popularity • 53% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
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Katy Perry
Wide Awake
160 bpm • F Maj • 03:40 • -5.1db
76% Popularity • 51% Danceability • 68% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
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Olivia Rodrigo
love is embarrassing
160 bpm • A Maj • 02:34 • -3.43db
80% Popularity • 52% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Taylor Swift
...Ready For It?
160 bpm • D Maj • 03:28 • -6.51db
84% Popularity • 61% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Melanie Martinez
Soap
168 bpm • F# min • 03:29 • -6.11db
71% Popularity • 60% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Ariana Grande
eternal sunshine
160 bpm • A Maj • 03:30 • -6.95db
87% Popularity • 66% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Reneé Rapp
Someone Gets Hurt
160 bpm • A# min • 03:02 • -7.9db
63% Popularity • 49% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Grace Potter
Something That I Want
169 bpm • F Maj • 02:43 • -5.9db
73% Popularity • 55% Danceability • 82% Energy • 48% Liveness
0% Instrumentalness • 96% Positiveness
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Noah Kahan
You’re Gonna Go Far
170 bpm • G Maj • 04:46 • -9.64db
79% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Post Malone
Chemical
170 bpm • D Maj • 03:04 • -4.91db
82% Popularity • 50% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Swift
Cruel Summer
170 bpm • A Maj • 02:58 • -5.71db
96% Popularity • 55% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Charlie Puth
That’s Not How This Works - Sabrina�...
170 bpm • A Maj • 02:46 • -3.93db
60% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Benson Boone
Sugar Sweet
170 bpm • D Maj • 02:49 • -2.95db
71% Popularity • 54% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Melanie Martinez
Pacify Her
158 bpm • A min • 03:40 • -6.02db
77% Popularity • 58% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Noah Kahan
Homesick
170 bpm • F# Maj • 03:14 • -6db
75% Popularity • 50% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Lizzy McAlpine
orange show speedway
158 bpm • C# Maj • 03:46 • -9db
56% Popularity • 63% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Taylor Swift
Would've, Could've, Should've
158 bpm • C Maj • 04:20 • -6.51db
67% Popularity • 49% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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The 1975
Looking For Somebody (To Love)
171 bpm • D Maj • 02:58 • -4.92db
63% Popularity • 52% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Charlie Puth
That’s Not How This Works
170 bpm • A Maj • 02:45 • -4.56db
67% Popularity • 58% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Melanie Martinez
Mrs. Potato Head
170 bpm • C# min • 03:37 • -3.54db
70% Popularity • 52% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Conan Gray
Disaster
171 bpm • C Maj • 02:33 • -5.18db
66% Popularity • 61% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Sabrina Carpenter
Sue Me
157 bpm • F# Maj • 02:59 • -5.42db
67% Popularity • 46% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Taylor Swift
London Boy
158 bpm • C# Maj • 03:10 • -6.64db
76% Popularity • 70% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Olivia Rodrigo
all-american bitch
156 bpm • F# Maj • 02:45 • -4.23db
81% Popularity • 43% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Lizzo
2 Be Loved (Am I Ready)
156 bpm • G Maj • 03:07 • -4.11db
69% Popularity • 72% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Melanie Martinez
Cake
157 bpm • G# Maj • 03:19 • -6.26db
74% Popularity • 52% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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The National
The Alcott
156 bpm • C Maj • 04:27 • -10.6db
69% Popularity • 37% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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girl in red
October Passed Me By
156 bpm • C Maj • 02:45 • -13.09db
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
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Taylor Swift
Getaway Car
172 bpm • D Maj • 03:53 • -6.75db
83% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Conan Gray
The Final Fight
173 bpm • G Maj • 02:09 • -5.4db
58% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Alec Benjamin
If We Have Each Other
173 bpm • A# min • 03:01 • -5.57db
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Coldplay
Yellow
173 bpm • B Maj • 04:26 • -7.23db
89% Popularity • 43% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Claire Rosinkranz
i'm too pretty for this
174 bpm • G Maj • 02:46 • -5.18db
53% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Little Mix
Power
173 bpm • G Maj • 04:07 • -4.02db
72% Popularity • 57% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Swift
We Are Never Ever Getting Back Together ...
172 bpm • G Maj • 03:13 • -6.14db
78% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Charli XCX
Speed Drive
174 bpm • C Maj • 01:57 • -6.41db
74% Popularity • 65% Danceability • 88% Energy • 9% Liveness
9% Instrumentalness • 79% Positiveness
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Harry Styles
As It Was
174 bpm • F# min • 02:47 • -5.34db
91% Popularity • 52% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Miley Cyrus
Rose Colored Lenses
174 bpm • D Maj • 03:43 • -5.34db
65% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Justin Bieber
Ghost
154 bpm • D Maj • 02:33 • -5.57db
87% Popularity • 60% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Leah Kate
10 Things I Hate About You
154 bpm • G# Maj • 02:37 • -2.97db
72% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Taylor Swift
I Knew You Were Trouble (Taylor's Versio...
154 bpm • F# Maj • 03:39 • -6.37db
77% Popularity • 58% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Florence + The Machine
Free
175 bpm • A# min • 03:54 • -6db
66% Popularity • 46% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Stephen Sanchez
High
176 bpm • F# min • 02:41 • -7.83db
81% Popularity • 41% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Ariana Grande
bloodline
152 bpm • D min • 03:36 • -5.19db
81% Popularity • 76% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Gracie Abrams
Where do we go now?
151 bpm • A# Maj • 04:03 • -10.64db
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
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Taylor Swift
Miss Americana & The Heartbreak Prince
150 bpm • B min • 03:54 • -6.93db
81% Popularity • 66% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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girl in red
girls
150 bpm • F Maj • 03:18 • -14.46db
70% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
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Selena Gomez
People You Know
150 bpm • G# min • 03:14 • -8.08db
78% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Maggie Rogers
Shatter
150 bpm • A Maj • 03:40 • -2db
58% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Ariana Grande
imperfect for you
150 bpm • E Maj • 03:02 • -7.41db
83% Popularity • 64% Danceability • 39% Energy • 43% Liveness
0% Instrumentalness • 24% Positiveness
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Baby Queen
Colours Of You
150 bpm • F min • 04:15 • -7.88db
39% Popularity • 49% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Swift
Daylight
150 bpm • C Maj • 04:53 • -9.6db
81% Popularity • 56% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Florence + The Machine
Dog Days Are Over
150 bpm • G Maj • 04:12 • -5.26db
80% Popularity • 50% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Avril Lavigne
What the Hell
150 bpm • F# min • 03:40 • -3.69db
73% Popularity • 58% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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NewJeans
Super Shy
150 bpm • F min • 02:34 • -6.02db
84% Popularity • 78% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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James Arthur
Car's Outside
150 bpm • A Maj • 04:08 • -7.18db
84% Popularity • 34% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Reneé Rapp
Tummy Hurts
150 bpm • E Maj • 02:48 • -5.86db
75% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Noah Kahan
Everywhere, Everything
180 bpm • B Maj • 04:17 • -9.76db
68% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Dove Cameron
Boyfriend
180 bpm • G min • 02:33 • -6.54db
74% Popularity • 34% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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BLACKPINK
Pink Venom
180 bpm • E Maj • 03:06 • -6.19db
74% Popularity • 69% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Conan Gray
Crush Culture
180 bpm • C Maj • 03:24 • -5.4db
66% Popularity • 52% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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JVKE
moon and back
180 bpm • D Maj • 02:28 • -4.26db
62% Popularity • 59% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Madison Beer
Reckless
180 bpm • D# Maj • 03:23 • -6.64db
73% Popularity • 39% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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girl in red
Serotonin
149 bpm • D Maj • 03:02 • -4.71db
64% Popularity • 58% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Reneé Rapp
Bruises
181 bpm • A Maj • 02:41 • -7.89db
63% Popularity • 50% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Olivia Rodrigo
deja vu
181 bpm • D Maj • 03:35 • -7.22db
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Benson Boone
Slow It Down
181 bpm • G# Maj • 02:41 • -4.68db
62% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Miley Cyrus
Used To Be Young
147 bpm • E Maj • 03:11 • -3.84db
80% Popularity • 45% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Zara Larsson
Can't Tame Her
182 bpm • F# min • 03:16 • -3.2db
64% Popularity • 57% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Sabrina Carpenter
because i liked a boy
147 bpm • B Maj • 03:16 • -7.3db
77% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Harry Styles
Grapejuice
183 bpm • F Maj • 03:11 • -4.39db
70% Popularity • 64% Danceability • 72% Energy • 20% Liveness
14% Instrumentalness • 88% Positiveness
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Charlie Puth
Light Switch
184 bpm • F# Maj • 03:07 • -5.69db
74% Popularity • 69% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Gracie Abrams
Difficult
146 bpm • D Maj • 04:18 • -9.09db
61% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Ava Max
One Of Us
145 bpm • C min • 02:58 • -3.83db
60% Popularity • 63% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Sabrina Carpenter
I Knew You Were Trouble - Spotify Single...
145 bpm • F# Maj • 03:53 • -6.63db
63% Popularity • 34% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Harry Styles
Daylight
146 bpm • C Maj • 02:44 • -7.19db
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Tate McRae
feel like shit
145 bpm • G Maj • 03:23 • -7.17db
70% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Bejeweled