Songs like bend yr ear by Son Little
Based on a tempo of (+/- 10%) and a similar genre
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Son Little
bend yr ear
151 bpm • G min • 03:53 • -9db
40% Popularity • 37% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 37% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Yaya Bey
the root of a thing
150 bpm • F Maj • 02:51 • -10.84db
37% Popularity • 42% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 42% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Bongeziwe Mabandla
ukwahlukana (#027)
150 bpm • F# min • 04:29 • -9.82db
22% Popularity • 48% Danceability • 47% Energy • 12% Liveness
26% Instrumentalness • 14% Positiveness
22% Popularity • 48% Danceability • 47% Energy • 12% Liveness
26% Instrumentalness • 14% Positiveness
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Grimm Lynn
Can't Swim
150 bpm • C Maj • 03:31 • -9.52db
22% Popularity • 63% Danceability • 37% Energy • 13% Liveness
5% Instrumentalness • 43% Positiveness
22% Popularity • 63% Danceability • 37% Energy • 13% Liveness
5% Instrumentalness • 43% Positiveness
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Noa Lauryn
Bubble
152 bpm • D# Maj • 03:15 • -11.25db
35% Popularity • 61% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Full Crate
Beh Beh
150 bpm • F min • 03:18 • -14.78db
34% Popularity • 69% Danceability • 34% Energy • 12% Liveness
34% Instrumentalness • 61% Positiveness
34% Popularity • 69% Danceability • 34% Energy • 12% Liveness
34% Instrumentalness • 61% Positiveness
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Sam Wills
Don't Doubt It
152 bpm • D Maj • 03:02 • -10.59db
39% Popularity • 56% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
39% Popularity • 56% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Gotts Street Park
Lost & Found
148 bpm • E min • 03:46 • -11.8db
28% Popularity • 71% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
28% Popularity • 71% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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NNAVY
Run Away
154 bpm • C Maj • 03:25 • -10.06db
22% Popularity • 39% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 39% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Son Little
neve give up
150 bpm • G min • 03:41 • -9db
47% Popularity • 57% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
47% Popularity • 57% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
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The Suffers
How Do We Heal
154 bpm • F# min • 05:11 • -11db
15% Popularity • 52% Danceability • 45% Energy • 14% Liveness
7% Instrumentalness • 44% Positiveness
15% Popularity • 52% Danceability • 45% Energy • 14% Liveness
7% Instrumentalness • 44% Positiveness
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Dojo Cuts
Rome
154 bpm • B Maj • 03:38 • -8.47db
61% Popularity • 78% Danceability • 50% Energy • 16% Liveness
6% Instrumentalness • 86% Positiveness
61% Popularity • 78% Danceability • 50% Energy • 16% Liveness
6% Instrumentalness • 86% Positiveness
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Izy
Out The Door
154 bpm • D Maj • 04:03 • -9.87db
30% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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BLK ODYSSY
FUNKENTOLOGY
148 bpm • G min • 02:52 • -8.55db
53% Popularity • 51% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
53% Popularity • 51% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Noya Rao
Still
154 bpm • G min • 03:40 • -11.45db
23% Popularity • 68% Danceability • 38% Energy • 19% Liveness
5% Instrumentalness • 33% Positiveness
23% Popularity • 68% Danceability • 38% Energy • 19% Liveness
5% Instrumentalness • 33% Positiveness
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Vahn Black
Settling Down
154 bpm • C# min • 06:15 • -7.32db
33% Popularity • 51% Danceability • 66% Energy • 14% Liveness
28% Instrumentalness • 63% Positiveness
33% Popularity • 51% Danceability • 66% Energy • 14% Liveness
28% Instrumentalness • 63% Positiveness
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Royce Wood Junior
Spit Up
148 bpm • A min • 03:53 • -4.31db
16% Popularity • 80% Danceability • 76% Energy • 10% Liveness
11% Instrumentalness • 94% Positiveness
16% Popularity • 80% Danceability • 76% Energy • 10% Liveness
11% Instrumentalness • 94% Positiveness
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Son Little
after all (i must be wrong)
148 bpm • G# Maj • 03:31 • -11.82db
22% Popularity • 66% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 66% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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vAn
U MOVE ME
155 bpm • A min • 04:42 • -10.33db
15% Popularity • 51% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
15% Popularity • 51% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
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Elli Ingram
Heavy
147 bpm • A# min • 03:18 • -5.63db
39% Popularity • 46% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 46% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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KIRBY
Apple
155 bpm • E Maj • 03:19 • -4.63db
40% Popularity • 38% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 38% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Justin Nozuka
Insecure
155 bpm • A min • 04:01 • -12.38db
33% Popularity • 40% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 14% Positiveness
33% Popularity • 40% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 14% Positiveness
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Lady Wray
Joy & Pain
156 bpm • F min • 03:43 • -6.55db
26% Popularity • 40% Danceability • 72% Energy • 16% Liveness
2% Instrumentalness • 66% Positiveness
26% Popularity • 40% Danceability • 72% Energy • 16% Liveness
2% Instrumentalness • 66% Positiveness
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Son Little
Doctor's In
156 bpm • F min • 02:56 • -10db
41% Popularity • 69% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 75% Positiveness
41% Popularity • 69% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 75% Positiveness
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Thierry Ganz
Beach
146 bpm • F min • 02:57 • -13.62db
31% Popularity • 61% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 61% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Gaby Duran
Babe Truth
156 bpm • C# Maj • 03:13 • -11db
33% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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KIRBY
Kool Aid
155 bpm • E min • 02:33 • -4.55db
60% Popularity • 57% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 57% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Anduze
Getting You Off
156 bpm • B min • 04:40 • -7.84db
38% Popularity • 78% Danceability • 75% Energy • 8% Liveness
32% Instrumentalness • 89% Positiveness
38% Popularity • 78% Danceability • 75% Energy • 8% Liveness
32% Instrumentalness • 89% Positiveness
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Lawrence Rothman
Sunny Place for Shady People
146 bpm • D Maj • 02:55 • -5.22db
7% Popularity • 54% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
7% Popularity • 54% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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Son Little
Demon To The Dark
146 bpm • G Maj • 03:49 • -13.48db
25% Popularity • 45% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 45% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Cleo Sol
Spirit
156 bpm • F# Maj • 04:16 • -11.12db
40% Popularity • 72% Danceability • 29% Energy • 10% Liveness
53% Instrumentalness • 72% Positiveness
40% Popularity • 72% Danceability • 29% Energy • 10% Liveness
53% Instrumentalness • 72% Positiveness
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Matt Storm
We Went Our Own Ways
145 bpm • E min • 03:38 • -9db
45% Popularity • 63% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
45% Popularity • 63% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Sabrina Starke
Magic
144 bpm • G Maj • 04:42 • -11.48db
8% Popularity • 60% Danceability • 29% Energy • 11% Liveness
24% Instrumentalness • 20% Positiveness
8% Popularity • 60% Danceability • 29% Energy • 11% Liveness
24% Instrumentalness • 20% Positiveness
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Lady Wray
I Do
144 bpm • C# min • 03:00 • -7.09db
26% Popularity • 45% Danceability • 59% Energy • 30% Liveness
1% Instrumentalness • 59% Positiveness
26% Popularity • 45% Danceability • 59% Energy • 30% Liveness
1% Instrumentalness • 59% Positiveness
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ZEBEDE
Pushin' Ink
144 bpm • G# Maj • 05:33 • -9.88db
31% Popularity • 70% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 70% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Zoe Kypri
MAZE
144 bpm • C# min • 04:32 • -7.15db
33% Popularity • 58% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 58% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Lizzy
Solar Eclipse
160 bpm • D# Maj • 02:30 • -9.66db
43% Popularity • 72% Danceability • 45% Energy • 9% Liveness
3% Instrumentalness • 41% Positiveness
43% Popularity • 72% Danceability • 45% Energy • 9% Liveness
3% Instrumentalness • 41% Positiveness
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Azekel
Just Expectationz
160 bpm • F# Maj • 03:48 • -6.79db
27% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Gaidaa
Still Water
160 bpm • G Maj • 03:02 • -7.72db
28% Popularity • 44% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 44% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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GRiZ
Driftin'
160 bpm • D Maj • 03:13 • -4.69db
41% Popularity • 51% Danceability • 69% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 51% Danceability • 69% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
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Monophonics
Crash & Burn
160 bpm • A# min • 04:56 • -7.98db
29% Popularity • 32% Danceability • 61% Energy • 46% Liveness
3% Instrumentalness • 32% Positiveness
29% Popularity • 32% Danceability • 61% Energy • 46% Liveness
3% Instrumentalness • 32% Positiveness
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Benny Atlas
Make A Place
142 bpm • F min • 03:19 • -9db
36% Popularity • 82% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 82% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Leon Bridges
Sho Nuff
142 bpm • G min • 03:07 • -11.31db
50% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Tora-i
Palace
142 bpm • C Maj • 02:32 • -7.76db
27% Popularity • 49% Danceability • 60% Energy • 8% Liveness
10% Instrumentalness • 77% Positiveness
27% Popularity • 49% Danceability • 60% Energy • 8% Liveness
10% Instrumentalness • 77% Positiveness
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Sanura
Chocolate Love
142 bpm • B min • 03:10 • -9.1db
33% Popularity • 72% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 72% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Charlie Bereal
The Makings of you
141 bpm • F# min • 02:52 • -9.81db
31% Popularity • 54% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
31% Popularity • 54% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Debbie
Summer In December
141 bpm • D Maj • 02:57 • -9db
32% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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CARRTOONS
Something About You
141 bpm • A# min • 03:07 • -5db
29% Popularity • 57% Danceability • 74% Energy • 28% Liveness
18% Instrumentalness • 30% Positiveness
29% Popularity • 57% Danceability • 74% Energy • 28% Liveness
18% Instrumentalness • 30% Positiveness
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Cleo Sol
Build Me Up
140 bpm • D Maj • 08:02 • -17.14db
42% Popularity • 38% Danceability • 18% Energy • 11% Liveness
18% Instrumentalness • 19% Positiveness
42% Popularity • 38% Danceability • 18% Energy • 11% Liveness
18% Instrumentalness • 19% Positiveness
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Yebba
Louie Bag - Live at Electric Lady
140 bpm • C# min • 04:22 • -10db
42% Popularity • 55% Danceability • 36% Energy • 32% Liveness
68% Instrumentalness • 44% Positiveness
42% Popularity • 55% Danceability • 36% Energy • 32% Liveness
68% Instrumentalness • 44% Positiveness
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Dallas Tamaira
No Flowers
140 bpm • D Maj • 03:04 • -7.95db
42% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Shishani
Belong To You
140 bpm • C Maj • 03:05 • -10.34db
33% Popularity • 65% Danceability • 51% Energy • 9% Liveness
38% Instrumentalness • 30% Positiveness
33% Popularity • 65% Danceability • 51% Energy • 9% Liveness
38% Instrumentalness • 30% Positiveness
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GeeJay
Staring in the Mirror
140 bpm • B min • 02:59 • -8.31db
39% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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SIPHO.
BEADY EYES
140 bpm • C# Maj • 03:38 • -5.86db
36% Popularity • 52% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 52% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Cleo Sol
Shine
140 bpm • C# Maj • 03:46 • -10.11db
62% Popularity • 74% Danceability • 50% Energy • 10% Liveness
52% Instrumentalness • 60% Positiveness
62% Popularity • 74% Danceability • 50% Energy • 10% Liveness
52% Instrumentalness • 60% Positiveness
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Lizzie Berchie
Flaws & All
140 bpm • A# Maj • 03:15 • -11.13db
38% Popularity • 66% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 56% Positiveness
38% Popularity • 66% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 56% Positiveness
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Yaya Bey
you up?
140 bpm • D Maj • 01:14 • -10db
72% Popularity • 61% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
72% Popularity • 61% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Ogi
I Got It
140 bpm • F# min • 03:27 • -6.94db
46% Popularity • 72% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 72% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Sabrina Starke
Sooner Or Later
140 bpm • E min • 05:20 • -10.02db
4% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
4% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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DRAM
Big Baby DRAM
140 bpm • A min • 05:05 • -11.23db
31% Popularity • 66% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 66% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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NNAVY
Stay
139 bpm • A# min • 04:30 • -12.25db
47% Popularity • 68% Danceability • 22% Energy • 12% Liveness
6% Instrumentalness • 15% Positiveness
47% Popularity • 68% Danceability • 22% Energy • 12% Liveness
6% Instrumentalness • 15% Positiveness
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Lady Wray
Beauty In The Fire Kenneth Wray Sr.
140 bpm • A min • 03:29 • -6.33db
21% Popularity • 50% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 50% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Son Little
Real Goodbye
139 bpm • F Maj • 02:56 • -10.85db
22% Popularity • 53% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 53% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Devon Gilfillian
All I Really Wanna Do
164 bpm • F min • 03:42 • -7.02db
44% Popularity • 69% Danceability • 71% Energy • 8% Liveness
6% Instrumentalness • 76% Positiveness
44% Popularity • 69% Danceability • 71% Energy • 8% Liveness
6% Instrumentalness • 76% Positiveness
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Re:um
Nighthawk
139 bpm • G min • 01:52 • -17.06db
49% Popularity • 42% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 42% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Danielle Ponder
The Only Way Out
164 bpm • A min • 03:19 • -6.2db
31% Popularity • 52% Danceability • 73% Energy • 55% Liveness
37% Instrumentalness • 43% Positiveness
31% Popularity • 52% Danceability • 73% Energy • 55% Liveness
37% Instrumentalness • 43% Positiveness
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Sophie Faith
Heart Is On My Sleeve
139 bpm • B Maj • 04:13 • -12.4db
38% Popularity • 45% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 45% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Meaghan Maples
Someone
139 bpm • A# Maj • 02:48 • -7.93db
11% Popularity • 41% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 41% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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NNAVY
If You
139 bpm • F Maj • 03:18 • -14.21db
24% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Yazmin Lacey
Own Your Own - A COLORS SHOW
166 bpm • G Maj • 04:38 • -11db
34% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Amber Mark
Waiting - Demo
138 bpm • C Maj • 01:41 • -9.16db
57% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Monophonics
Never Stop Saying These Words
138 bpm • A Maj • 04:25 • -7.93db
27% Popularity • 35% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 35% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lizzie Berchie
Pass Time
138 bpm • D min • 03:39 • -9.01db
32% Popularity • 57% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 57% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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![chuu [feat. Topaz Jones] cover art](https://i.scdn.co/image/ab67616d00001e0249fca1d60a090efc825e2505)
anaiis
chuu
137 bpm • C# min • 04:13 • -9.86db
32% Popularity • 72% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 72% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Son Little
6 AM
137 bpm • B Maj • 03:50 • -8.4db
33% Popularity • 42% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 42% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Eric Zayne
Only Want You
137 bpm • F Maj • 03:50 • -9.4db
43% Popularity • 72% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 72% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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MALIA
How Come You Don't Call Me
136 bpm • F# Maj • 03:21 • -6.47db
31% Popularity • 76% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 76% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Lady Wray
Make Me Over
136 bpm • A min • 02:24 • -9db
31% Popularity • 51% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 51% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Rayana Jay
it's you
136 bpm • B min • 02:41 • -12.48db
53% Popularity • 71% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
53% Popularity • 71% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Dayo Bello
What About Me?
136 bpm • C Maj • 03:25 • -12.83db
21% Popularity • 82% Danceability • 42% Energy • 9% Liveness
50% Instrumentalness • 60% Positiveness
21% Popularity • 82% Danceability • 42% Energy • 9% Liveness
50% Instrumentalness • 60% Positiveness
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Son Little
Your Love Will Blow Me Away When My Hear...
137 bpm • F min • 03:03 • -7.09db
31% Popularity • 60% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 60% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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T-Shawn
Spread My Wings And Fly
136 bpm • A min • 03:21 • -9.64db
37% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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The Dip
Eye to Eye
135 bpm • E Maj • 03:22 • -11.44db
45% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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TOI
Way That We Feel
135 bpm • C min • 03:10 • -7.3db
25% Popularity • 70% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 70% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Reggie Becton
Traffic
169 bpm • A# min • 01:46 • -9db
42% Popularity • 60% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 60% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Kwaku Asante
Scared
135 bpm • G Maj • 03:51 • -8.65db
21% Popularity • 65% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 65% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Full Crate
Tell Me Why
169 bpm • C Maj • 03:08 • -7.74db
37% Popularity • 62% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
37% Popularity • 62% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Son Little
Charging Bull
170 bpm • C# Maj • 03:15 • -9.03db
22% Popularity • 61% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 61% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Johnny Burgos
Hit Me Like
170 bpm • D Maj • 03:20 • -7.49db
35% Popularity • 63% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 63% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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![By Design [Evel Knievel] cover art](https://i.scdn.co/image/ab67616d00001e026bbe302a044664c94a4a6c08)
Jacob Banks
By Design [Evel Knievel]
170 bpm • F# Maj • 03:46 • -7.92db
40% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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James Vickery
All That I Am
170 bpm • B min • 03:41 • -11.3db
37% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Latanya Alberto
Being Loved
170 bpm • C min • 04:22 • -9.61db
35% Popularity • 63% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
35% Popularity • 63% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Cosma Joy
The Loneliest Thing
134 bpm • A min • 02:59 • -13.44db
36% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Son Little
about her. again.
170 bpm • B Maj • 03:46 • -10.22db
44% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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BLK ODYSSY
HANG LOW
170 bpm • A min • 02:32 • -6.54db
59% Popularity • 44% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
59% Popularity • 44% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Katie Tupper
Misbehavin'
170 bpm • A# Maj • 02:37 • -9db
34% Popularity • 76% Danceability • 44% Energy • 8% Liveness
15% Instrumentalness • 59% Positiveness
34% Popularity • 76% Danceability • 44% Energy • 8% Liveness
15% Instrumentalness • 59% Positiveness
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Jerome Thomas
Water
134 bpm • B Maj • 03:05 • -7.48db
34% Popularity • 49% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 49% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 62% Positiveness
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The Meltdown
Side By Side
170 bpm • E Maj • 04:16 • -7.68db
56% Popularity • 70% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
56% Popularity • 70% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness