Songs like Benny Anderssons bröllopssång - Vilar glad. I din famn by Gustaf Sjökvists Kammarkör
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
85 bpm • A min • 01:07 • -28.35db
13% Popularity • 27% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Rafsbotn Menighet
Vil du møte meg ved kilden
85 bpm • C min • 04:41 • -18.71db
8% Popularity • 13% Danceability • 12% Energy • 13% Liveness
70% Instrumentalness • 9% Positiveness
8% Popularity • 13% Danceability • 12% Energy • 13% Liveness
70% Instrumentalness • 9% Positiveness
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Knut Nystedt
Cry Out and Shout
85 bpm • D min • 01:30 • -16db
22% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
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McFarland High School A Cappella Choir
The Blessing of Aaron
85 bpm • C# Maj • 01:33 • -25.35db
26% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
26% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
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Claude Debussy
Dieu, qu'il l'a fait bon regarder
85 bpm • G# min • 02:15 • -36db
12% Popularity • 9% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Patrick Cassidy
The Mass: Qui Tollis
85 bpm • A Maj • 03:58 • -19.64db
11% Popularity • 16% Danceability • 18% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 18% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
85 bpm • B min • 01:55 • -31.7db
24% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
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Markus Fricker
Bim Moonschyn
85 bpm • F Maj • 01:44 • -23.58db
10% Popularity • 26% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 26% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Elmar Lehnen
Consolatrix Afflictorum
85 bpm • F Maj • 05:51 • -15.86db
18% Popularity • 14% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 14% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Edward Elgar
2 Choral songs, Op. 73: No. 2. Serenade
86 bpm • D# Maj • 02:04 • -31.21db
9% Popularity • 20% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Louis Spohr
Sechs deutsche Lieder, Opus 41: Nr. 2 Li...
84 bpm • A# min • 01:47 • -13.38db
14% Popularity • 45% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 45% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Vestre Aker kammerkor
For Guds folk er hvilen tilbake
84 bpm • B min • 02:14 • -29.84db
7% Popularity • 12% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Theodoricus Petri Nylandensis
Varen kommer till var frojd
86 bpm • G# Maj • 01:50 • -21db
13% Popularity • 44% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 44% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Hillevi Martinpelto
Forkladd gud (The Disguised God), Op. 24...
86 bpm • A Maj • 06:46 • -23.53db
10% Popularity • 11% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
19% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Tota pulchra es
84 bpm • E Maj • 05:30 • -34db
18% Popularity • 14% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Adolf Fredriks Flickkör
Gånglåt från Äppelbo
86 bpm • G Maj • 00:59 • -17db
13% Popularity • 32% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 32% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Einojuhani Rautavaara
Lorca Suite, Op.72: I. Canción de jinet...
86 bpm • F Maj • 01:10 • -22db
9% Popularity • 44% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 44% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Royal Stockholm Philharmonic Orchestra
Ack Värmeland du sköna (Folksong from ...
86 bpm • D min • 02:24 • -24db
19% Popularity • 18% Danceability • 11% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 11% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Sven-David Sandström
To See a World
84 bpm • G min • 04:01 • -33db
11% Popularity • 8% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
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Knut Nystedt
3 Motets, Op. 43: No. 2, Peace I Leave w...
86 bpm • C# min • 02:41 • -20.75db
14% Popularity • 16% Danceability • 3% Energy • 28% Liveness
73% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 28% Liveness
73% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Unicornis captivatur
84 bpm • E min • 06:39 • -31.14db
18% Popularity • 20% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Dmitry Bortniansky
Cherubic Hymn, No. 7
86 bpm • D Maj • 04:00 • -22db
14% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Mattias Wager
Vi lyfter våra hjärtan
86 bpm • A# Maj • 01:53 • -12db
9% Popularity • 10% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
9% Popularity • 10% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Hillevi Martinpelto
Forkladd gud (The Disguised God), Op. 24...
86 bpm • G min • 01:27 • -35.09db
8% Popularity • 55% Danceability • 3% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 55% Danceability • 3% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Lorenzo Perosi
Missa Pontificalis: Gloria
86 bpm • D Maj • 06:10 • -24.49db
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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César Franck
Ave Maria, FWV 62
83 bpm • E Maj • 02:23 • -21.54db
11% Popularity • 9% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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John David
You Are the New Day (Arr. P. Knight)
83 bpm • C Maj • 02:46 • -22.12db
7% Popularity • 15% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 15% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Robert Sund
Nu har jag fatt den jag vill ha (arr. R....
87 bpm • D min • 03:00 • -37.6db
10% Popularity • 17% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 17% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Þorvaldur Blöndal
Nú sefur jörðin sumargræn
87 bpm • F Maj • 02:42 • -33.06db
12% Popularity • 17% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 14% Positiveness
12% Popularity • 17% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
83 bpm • D Maj • 01:44 • -39.68db
40% Popularity • 18% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
40% Popularity • 18% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Poznan boys choir
Pastoralka I
87 bpm • B min • 02:01 • -16.45db
11% Popularity • 20% Danceability • 20% Energy • 9% Liveness
72% Instrumentalness • 15% Positiveness
11% Popularity • 20% Danceability • 20% Energy • 9% Liveness
72% Instrumentalness • 15% Positiveness
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Kristina Arakelyan
You Know Me
83 bpm • A# Maj • 04:04 • -25.32db
28% Popularity • 16% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
28% Popularity • 16% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Lars-Erik Larsson
Forkladd gud, Op. 24: Prelude
87 bpm • F Maj • 04:47 • -16db
12% Popularity • 9% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Sven-Erik Bäck
Sven Erik Bäck: Våren
87 bpm • G Maj • 01:19 • -32.85db
10% Popularity • 10% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 3% Positiveness
10% Popularity • 10% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 3% Positiveness
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Tomás Luis de Victoria
O magnum mysterium: O Magnum Mysterium
87 bpm • A min • 04:27 • -25.77db
17% Popularity • 9% Danceability • 12% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 12% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Ungverskt þjóðlag
Lati sÃgauninn
87 bpm • D Maj • 02:06 • -24.05db
10% Popularity • 37% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 43% Positiveness
10% Popularity • 37% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 43% Positiveness
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Ola Gjeilo
The Ground
83 bpm • D# Maj • 03:41 • -29db
26% Popularity • 10% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 10% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Västermalms församlings körer
Upp ur vilda, djupa vatten - Svps 386
83 bpm • G# Maj • 03:36 • -14.26db
9% Popularity • 14% Danceability • 22% Energy • 14% Liveness
10% Instrumentalness • 25% Positiveness
9% Popularity • 14% Danceability • 22% Energy • 14% Liveness
10% Instrumentalness • 25% Positiveness
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Karin Rehnqvist
Var inte rädd för mörkret
87 bpm • C# min • 01:24 • -23.44db
21% Popularity • 29% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 29% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Paul Hellmuth
Dypt heller året
87 bpm • G# Maj • 03:08 • -28.56db
8% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Urban Dahlberg
En Kärleksvisa
87 bpm • D min • 01:50 • -20.69db
0% Popularity • 52% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 52% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Thomas Tallis
Tunes for Archbishop Parker's Psalter: N...
87 bpm • A min • 03:47 • -20.07db
15% Popularity • 20% Danceability • 12% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
15% Popularity • 20% Danceability • 12% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
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Tibblekören
Klinga mina klockor
83 bpm • A Maj • 03:11 • -15.11db
11% Popularity • 56% Danceability • 22% Energy • 12% Liveness
23% Instrumentalness • 73% Positiveness
11% Popularity • 56% Danceability • 22% Energy • 12% Liveness
23% Instrumentalness • 73% Positiveness
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August Melcher Myrberg
Serenad, "Slumra hulda vid min sang"
87 bpm • G# Maj • 01:44 • -31.8db
9% Popularity • 16% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Mathias Christensen
En lærke letted
88 bpm • F Maj • 02:43 • -25.61db
14% Popularity • 19% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 19% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Helen Sjöholm
Bred dina vida vingar
83 bpm • A Maj • 04:07 • -19.07db
16% Popularity • 15% Danceability • 16% Energy • 71% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 15% Danceability • 16% Energy • 71% Liveness
0% Instrumentalness • 19% Positiveness
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Urban Dahlberg
I Ungdomen
82 bpm • D Maj • 02:18 • -23.2db
0% Popularity • 22% Danceability • 19% Energy • 16% Liveness
2% Instrumentalness • 9% Positiveness
0% Popularity • 22% Danceability • 19% Energy • 16% Liveness
2% Instrumentalness • 9% Positiveness
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Christoph Ernst Friedrich Weyse
Det er så yndigt at følges ad
82 bpm • G# Maj • 03:56 • -25.47db
8% Popularity • 18% Danceability • 6% Energy • 15% Liveness
31% Instrumentalness • 13% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 15% Liveness
31% Instrumentalness • 13% Positiveness
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Lajos Bárdos
Karácsonyi bölcsödal, Berceuse de No�...
82 bpm • B min • 02:11 • -40.61db
10% Popularity • 8% Danceability • 0% Energy • 11% Liveness
25% Instrumentalness • 5% Positiveness
10% Popularity • 8% Danceability • 0% Energy • 11% Liveness
25% Instrumentalness • 5% Positiveness
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Carl Nielsen
Aftenstemning (Evening Mood), FS 48
82 bpm • C# Maj • 02:34 • -28db
25% Popularity • 14% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
25% Popularity • 14% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 3. Double, doub...
88 bpm • F# Maj • 03:28 • -16db
12% Popularity • 42% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 42% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Louis Spohr
Sechs deutsche Lieder, Opus 37: Nr. 6 Li...
82 bpm • D Maj • 01:40 • -13.5db
13% Popularity • 73% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 73% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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John Stainer
God So Loved The World
82 bpm • D Maj • 03:18 • -25db
23% Popularity • 11% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
23% Popularity • 11% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Benny Andersson
O klang och jubeltid
82 bpm • G Maj • 03:27 • -20.66db
11% Popularity • 15% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 15% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Cape Town Camerata
Meguru
82 bpm • G# Maj • 02:37 • -28.63db
19% Popularity • 20% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 8% Positiveness
19% Popularity • 20% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 8% Positiveness
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Benny Anderssons Orkester
Kärlekens tid
82 bpm • E Maj • 02:27 • -18db
30% Popularity • 21% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 21% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Kör ur Täby musikklasser
Visa vid midsommartid
88 bpm • D# Maj • 02:15 • -13.18db
13% Popularity • 35% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 35% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Sofia Kammarkör
Wintertide
88 bpm • A min • 03:09 • -23.29db
9% Popularity • 10% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 12% Positiveness
9% Popularity • 10% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 12% Positiveness
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Hillevi Martinpelto
Forkladd gud (The Disguised God), Op. 24...
82 bpm • A min • 01:47 • -34.94db
7% Popularity • 56% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 56% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Stockholms Gosskör
Vi lyfter våra hjärtan
82 bpm • A# Maj • 01:54 • -15.51db
13% Popularity • 20% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
13% Popularity • 20% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Urban Dahlberg
Sagoförtäljerskan
89 bpm • F# min • 01:49 • -21.1db
0% Popularity • 25% Danceability • 14% Energy • 9% Liveness
12% Instrumentalness • 11% Positiveness
0% Popularity • 25% Danceability • 14% Energy • 9% Liveness
12% Instrumentalness • 11% Positiveness
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Ars Nova Copenhagen
PÃ¥skeblomst, Hvad Vil Du Her?
82 bpm • F Maj • 04:44 • -28db
7% Popularity • 18% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 18% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Francis Poulenc
Quatre petites prières de Saint Franço...
81 bpm • E Maj • 01:22 • -29.32db
16% Popularity • 17% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Anna Stadling
Din klara sol går åter opp
81 bpm • B Maj • 02:47 • -12.66db
7% Popularity • 15% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 15% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Amy Beach
Peace I Leave With You
89 bpm • D# Maj • 01:30 • -32.18db
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Benny Andersson
Kärlekens tid
81 bpm • E Maj • 02:23 • -20db
25% Popularity • 24% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 5% Positiveness
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Urban Dahlberg
Tröst
82 bpm • G min • 02:49 • -23.53db
0% Popularity • 18% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
0% Popularity • 18% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 4. Full fathom ...
89 bpm • G# Maj • 02:22 • -24db
9% Popularity • 15% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Edward Elgar
2 Partsongs, Op. 26: No. 1, The Snow
81 bpm • E min • 04:31 • -19.46db
11% Popularity • 18% Danceability • 11% Energy • 26% Liveness
34% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 11% Energy • 26% Liveness
34% Instrumentalness • 4% Positiveness
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Carl Orff
Odi et amo
81 bpm • D# min • 01:31 • -21db
8% Popularity • 28% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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SÃ¥nggruppen
Länge leve livet
89 bpm • G# min • 01:48 • -13db
9% Popularity • 51% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 51% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
17% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Andrew Smith
An Old Irish Blessing
89 bpm • C# Maj • 02:44 • -23.17db
19% Popularity • 20% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
19% Popularity • 20% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
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Stuart Beatch
The Debate
89 bpm • G# min • 01:36 • -19.48db
13% Popularity • 24% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Örebro Chamber Choir
Dofta, dofta, vit syren: Dofta, dofta vi...
81 bpm • A min • 01:38 • -27.43db
17% Popularity • 14% Danceability • 5% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
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Akademiska Sångföreningen
Modersmålets sång
89 bpm • F Maj • 02:06 • -21.29db
10% Popularity • 30% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 30% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Västermalms församlings körer
Lilla liv - Svps 901
90 bpm • D# Maj • 01:56 • -22db
10% Popularity • 24% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 19% Positiveness
10% Popularity • 24% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 19% Positiveness
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Björn Johansson
Jag lyfter ögat mot himmelen
90 bpm • E Maj • 02:00 • -15.4db
9% Popularity • 34% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 34% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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Phoenix Chamber Choir
Deep in the Night
90 bpm • B Maj • 02:40 • -33.18db
17% Popularity • 24% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 24% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lina Mktrchyan (contralto)
J.S.Bach - Ch.Gounod. Ave Maria
81 bpm • C Maj • 03:14 • -19.76db
8% Popularity • 15% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Johannes Brahms
In stiller Nacht
90 bpm • D Maj • 02:06 • -31db
16% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Laestadian Lutheran Church
Church Bells Are Ringing SHZ 601
80 bpm • E min • 03:08 • -15.74db
10% Popularity • 8% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Nils Lindberg
Shall I Compare Thee To A Summer's Day? ...
80 bpm • A min • 02:58 • -29.18db
11% Popularity • 20% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 20% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Gustaf Sjökvists Kammarkör
Johannespassionen: Koral VII: Guds rena ...
90 bpm • A# min • 01:01 • -16.54db
3% Popularity • 26% Danceability • 18% Energy • 10% Liveness
31% Instrumentalness • 5% Positiveness
3% Popularity • 26% Danceability • 18% Energy • 10% Liveness
31% Instrumentalness • 5% Positiveness
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Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
14% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
14% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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Trad
Se, hvor klarner det nu opp på jorden (...
91 bpm • E min • 04:41 • -23db
8% Popularity • 20% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 20% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Västermalms församlings körer
Barn och stjärnor - Svps 744
80 bpm • G min • 03:03 • -18.36db
7% Popularity • 14% Danceability • 17% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 17% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Te Deum in B-Flat
91 bpm • A# Maj • 06:11 • -20.35db
7% Popularity • 18% Danceability • 19% Energy • 11% Liveness
22% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 19% Energy • 11% Liveness
22% Instrumentalness • 7% Positiveness
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Béla Bartók
27 2- and 3- Part Choruses, BB 111, Vol....
80 bpm • C min • 01:36 • -33.48db
23% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
23% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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London Philharmonic Choir
O For The Wings Of A Dove
79 bpm • G Maj • 02:33 • -26.21db
12% Popularity • 8% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 8% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 5% Positiveness
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Γιάννη Yang
Underlige Aftenlufte
91 bpm • D# Maj • 01:50 • -5db
16% Popularity • 32% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 32% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Ralph Vaughan Williams
Three Elizabethan Partsongs: I. Sweet Da...
91 bpm • E min • 02:01 • -30db
9% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
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F. Mendelsohn
Lyftu þÃnum augum upp
79 bpm • B Maj • 02:00 • -34.4db
10% Popularity • 14% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
