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Better Days
Songs like
Better Days
by
Pete Murray
Based on a tempo of (+/- 10%) and a similar genre
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Taxiride
Can You Feel
114 bpm • G# Maj • 03:17 • -7db
23% Popularity • 61% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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The Panics
Feeling Is Gone
114 bpm • E Maj • 03:23 • -6.61db
20% Popularity • 52% Danceability • 68% Energy • 38% Liveness
10% Instrumentalness • 39% Positiveness
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DD Smash
Whaling
114 bpm • C Maj • 03:45 • -12.62db
41% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Augie March
One Crowded Hour
113 bpm • A Maj • 04:50 • -8.45db
49% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Dempsey
Addicted
115 bpm • C# Maj • 04:09 • -11.91db
22% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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You Am I
Heavy Heart
113 bpm • C Maj • 03:11 • -11db
41% Popularity • 70% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Ben Lee
Cigarettes Will Kill You
115 bpm • G# Maj • 03:50 • -7.65db
44% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Youth Group
Forever Young
115 bpm • B Maj • 03:58 • -6.99db
53% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Daryl Braithwaite
Don't Hold Back Your Love
113 bpm • G Maj • 05:09 • -12.97db
19% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
24% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Paul Dempsey
Safety In Numbness
113 bpm • A# Maj • 05:01 • -4.25db
12% Popularity • 50% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Boy & Bear
Don't You (Forget About Me) - triple j L...
113 bpm • A Maj • 05:05 • -9db
37% Popularity • 57% Danceability • 53% Energy • 36% Liveness
22% Instrumentalness • 40% Positiveness
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D. Pritzker
(Lover) You Don't Treat Me No Good
112 bpm • B Maj • 04:07 • -12.41db
53% Popularity • 89% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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David Gray
Babylon - US Radio Mix
112 bpm • D# Maj • 03:39 • -6.63db
41% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Living End
Wake Up
116 bpm • B min • 04:31 • -5.49db
36% Popularity • 48% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
32% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Little Birdy
Beautiful To Me
116 bpm • C Maj • 03:29 • -3.77db
35% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Ben Lee
Catch My Disease
116 bpm • B Maj • 04:14 • -6.27db
44% Popularity • 77% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Pete Murray
Hurricane Coming
116 bpm • D min • 03:59 • -6.4db
26% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Miracle
Better Dayz
116 bpm • C# Maj • 03:07 • -4.23db
22% Popularity • 71% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Busby Marou
Paint This Land
112 bpm • D Maj • 04:34 • -7.99db
23% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
39% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Fur Patrol
Lydia
112 bpm • E Maj • 04:15 • -12.3db
38% Popularity • 65% Danceability • 38% Energy • 14% Liveness
22% Instrumentalness • 44% Positiveness
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Cold Chisel
Breakfast At Sweethearts - 2011 Remaster...
117 bpm • A min • 04:11 • -5.37db
39% Popularity • 64% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Noiseworks
Touch
116 bpm • G Maj • 05:03 • -9.53db
44% Popularity • 38% Danceability • 89% Energy • 32% Liveness
62% Instrumentalness • 16% Positiveness
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Pete Murray
Freedom
117 bpm • F min • 03:16 • -13.88db
22% Popularity • 65% Danceability • 25% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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Lior
This Old Love
117 bpm • C# Maj • 03:03 • -15db
42% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jonathan Routh
Tailored Not to Fit
111 bpm • A Maj • 04:21 • -8.85db
0% Popularity • 71% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Grinspoon
Hard Act To Follow
117 bpm • A Maj • 03:27 • -5db
46% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Busby Marou
This Moment
117 bpm • D Maj • 03:12 • -6.85db
19% Popularity • 72% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Boy & Bear
Harlequin Dream
111 bpm • C min • 04:20 • -5.58db
40% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Evermore
Never Let You Go
111 bpm • D# Maj • 04:16 • -6.08db
32% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Dave Dobbyn
Pour the Wine
118 bpm • A# Maj • 03:02 • -3.73db
18% Popularity • 51% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Pete Murray
Take Me Down
117 bpm • C Maj • 03:46 • -6db
27% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Grinspoon
Passerby
117 bpm • D Maj • 03:34 • -4.41db
33% Popularity • 64% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Mondo Rock
Come Said The Boy - Digitally Remastered
118 bpm • A min • 05:15 • -6.15db
50% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Angus & Julia Stone
Big Jet Plane
118 bpm • B Maj • 04:15 • -16.47db
22% Popularity • 69% Danceability • 38% Energy • 76% Liveness
2% Instrumentalness • 37% Positiveness
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Bob Evans
Someone So Much
118 bpm • D Maj • 03:34 • -7.05db
6% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Shannon Noll
Shine
118 bpm • F# Maj • 03:33 • -2db
38% Popularity • 44% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Pete Murray
Hurricane Coming
118 bpm • A min • 04:25 • -6db
13% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Faker
Sleepwalking
118 bpm • A min • 05:01 • -4.85db
24% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Busby Marou
Lucky Stars
110 bpm • D Maj • 02:46 • -5.43db
23% Popularity • 59% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Ziggy Alberts
Laps Around The Sun
110 bpm • E min • 03:26 • -8.99db
56% Popularity • 77% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Bob Evans
Born Yesterday
118 bpm • A# Maj • 04:33 • -5.03db
11% Popularity • 47% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Oh Mercy
I Feel Possessed
110 bpm • G min • 03:15 • -11db
25% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jonathan Routh
Excuse Me Letter
118 bpm • A min • 03:17 • -10db
0% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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John Farnham
Two Strong Hearts
110 bpm • D Maj • 03:33 • -8.18db
52% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Boy & Bear
Southern Sun
118 bpm • C Maj • 04:40 • -5.95db
52% Popularity • 54% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Australian Crawl
Oh No Not You Again - Remastered
119 bpm • D Maj • 05:08 • -6.99db
54% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Greg Johnson
Don't Be The One
119 bpm • D Maj • 04:47 • -9.38db
9% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Youth Group
Forever Young - Live Acoustic Version
109 bpm • F# min • 03:49 • -7.09db
14% Popularity • 43% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Pete Murray
Found My Place
119 bpm • E min • 03:22 • -8db
21% Popularity • 58% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Lior
Autumn Flow
119 bpm • A# Maj • 04:12 • -8.82db
31% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Ziggy Alberts
Love Me Now
109 bpm • C Maj • 04:03 • -9.19db
51% Popularity • 73% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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John Williamson
True Blue
109 bpm • F Maj • 04:05 • -14.34db
47% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Dempsey
Edge Of Town - triple j Like A Version
109 bpm • G# Maj • 03:37 • -6.9db
33% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Vanessa Amorosi
Perfect
109 bpm • F# Maj • 04:47 • -3.27db
37% Popularity • 63% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Dave Dobbyn
Language
120 bpm • A Maj • 03:27 • -11db
22% Popularity • 61% Danceability • 54% Energy • 7% Liveness
20% Instrumentalness • 61% Positiveness
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The Screaming Jets
Sad Song
120 bpm • B Maj • 02:55 • -5db
29% Popularity • 56% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Boy & Bear
Hold Your Nerve
120 bpm • C# min • 03:35 • -5db
39% Popularity • 51% Danceability • 79% Energy • 15% Liveness
38% Instrumentalness • 34% Positiveness
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The Black Sorrows
Chained To The Wheel
120 bpm • D Maj • 03:57 • -12db
51% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Kasey Chambers
Not Pretty Enough
120 bpm • B Maj • 03:19 • -5.43db
44% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Evermore
Morning Star
120 bpm • C Maj • 03:15 • -12.21db
12% Popularity • 49% Danceability • 24% Energy • 9% Liveness
60% Instrumentalness • 9% Positiveness
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Ben Lee
Nothing Much Happens
120 bpm • C# Maj • 03:38 • -5.99db
23% Popularity • 77% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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The Badloves
Barefoot Bride
120 bpm • A min • 04:13 • -9.36db
22% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Bob Evans
Friend
120 bpm • E Maj • 03:29 • -6.56db
13% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Powderfinger
Lost And Running
120 bpm • F Maj • 03:42 • -7.05db
48% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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John Butler Trio
Better Than
108 bpm • G Maj • 03:29 • -6db
29% Popularity • 62% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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ICEHOUSE
Great Southern Land
120 bpm • A Maj • 05:17 • -5.6db
59% Popularity • 72% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Grinspoon
Comeback
108 bpm • E Maj • 03:06 • -4.61db
31% Popularity • 54% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Matchbox Twenty
3AM
108 bpm • G# Maj • 03:45 • -8.69db
72% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Bob Evans
Sadness & Whiskey
120 bpm • C Maj • 03:12 • -7.44db
14% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Evermore
For One Day
108 bpm • F# min • 04:10 • -6.72db
27% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Cold Chisel
Flame Trees - 2011 Remastered
120 bpm • E Maj • 04:24 • -4.27db
48% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Hunters & Collectors
Where Do You Go?
121 bpm • G Maj • 03:58 • -3.52db
40% Popularity • 66% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 68% Positiveness
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Jonathan Routh
Car Park Attendant
121 bpm • D Maj • 05:10 • -10.14db
0% Popularity • 72% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Pete Murray
Hold It All For Love
108 bpm • E Maj • 04:44 • -7.25db
19% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Amy Shark
Be Alright - triple j Like A Version
121 bpm • B Maj • 03:33 • -9db
39% Popularity • 50% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Bob Evans
Hand Me Downs
121 bpm • G Maj • 03:32 • -6db
4% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Cruel Sea
It Won't Last
107 bpm • A# Maj • 03:21 • -6.24db
34% Popularity • 86% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Hunters & Collectors
We The People
121 bpm • A Maj • 03:42 • -3.55db
23% Popularity • 63% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Seeker Lover Keeper
Even Though I'm A Woman
121 bpm • F Maj • 04:08 • -10.31db
35% Popularity • 66% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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Dragon
April Sun in Cuba
121 bpm • D Maj • 03:27 • -13.89db
58% Popularity • 79% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Cold Chisel
All For You
121 bpm • A Maj • 04:55 • -3.89db
32% Popularity • 59% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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David Gray
The One I Love
107 bpm • C Maj • 03:29 • -4db
56% Popularity • 60% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Jebediah
Leaving Home
122 bpm • F# Maj • 03:01 • -6.61db
46% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Bob Evans
Not Fair - triple j Like A Version
107 bpm • D min • 03:45 • -11.82db
23% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Killing Heidi
Black Sheep
122 bpm • C Maj • 02:17 • -7.51db
15% Popularity • 70% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Busby Marou
Getaway Car
122 bpm • B Maj • 03:05 • -5.91db
25% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Taxiride
Back Again
106 bpm • A Maj • 01:28 • -13db
25% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Dave Dobbyn
Slice of Heaven
122 bpm • G Maj • 04:37 • -9.55db
58% Popularity • 82% Danceability • 65% Energy • 62% Liveness
0% Instrumentalness • 97% Positiveness
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Faker
This Heart Attack
122 bpm • C# min • 03:47 • -4db
48% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Bernard Fanning
Wish You Well
123 bpm • D Maj • 02:31 • -3.98db
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Australian Crawl
Downhearted - Remastered
123 bpm • D min • 03:09 • -7db
50% Popularity • 64% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Hoodoo Gurus
Bittersweet - 2005 Remaster
122 bpm • G Maj • 03:50 • -4.59db
50% Popularity • 49% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Dragon
Are You Old Enough
123 bpm • D Maj • 04:08 • -14.39db
49% Popularity • 69% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Bob Evans
Nowhere Without You
123 bpm • A min • 04:19 • -7db
26% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Better Days