Songs like Better In College (feat. Ashe) by Robert DeLong
Based on a tempo of (+/- 10%) and a similar genre
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Bear Hands
Back Seat Driver (Spirit Guide)
178 bpm • C Maj • 03:49 • -5db
12% Popularity • 45% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 45% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Robert DeLong
Better In College
178 bpm • C Maj • 03:28 • -5db
32% Popularity • 51% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 51% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Magic Man
Honey
179 bpm • D# min • 03:43 • -9db
23% Popularity • 39% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
23% Popularity • 39% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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BLACKTOP QUEEN
Desert
180 bpm • C# min • 03:14 • -4.81db
27% Popularity • 19% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 19% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 57% Positiveness
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Thick As Thieves
Love Me Blind
176 bpm • E min • 03:33 • -5db
35% Popularity • 49% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 49% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Big Data
Automatic
180 bpm • E min • 05:14 • -5.44db
29% Popularity • 40% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 40% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Zella Day
Mustang Kids
176 bpm • D min • 03:02 • -4.92db
42% Popularity • 47% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 47% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Robert DeLong
Revolutionary
180 bpm • F# min • 03:12 • -5.72db
29% Popularity • 52% Danceability • 68% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 52% Danceability • 68% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
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888
Are You Out?
180 bpm • C Maj • 03:05 • -5.2db
12% Popularity • 65% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 65% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Magic Man
Paris
179 bpm • D Maj • 03:52 • -5db
37% Popularity • 47% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 47% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Weezer
Feels Like Summer
176 bpm • B Maj • 03:15 • -4.99db
52% Popularity • 53% Danceability • 87% Energy • 74% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 53% Danceability • 87% Energy • 74% Liveness
0% Instrumentalness • 74% Positiveness
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New Politics
Dignity
182 bpm • E Maj • 03:14 • -2db
33% Popularity • 39% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 39% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Atlas Genius
A Perfect End
183 bpm • A min • 03:08 • -5.42db
26% Popularity • 47% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 47% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Robert DeLong
Own Worst Enemy
174 bpm • C# Maj • 03:11 • -4.42db
20% Popularity • 45% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 45% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Vesperteen
Shatter in the Night
172 bpm • F Maj • 03:25 • -4.82db
34% Popularity • 42% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 42% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Brinks
Limit Of The Deadline
172 bpm • C min • 03:26 • -5.29db
15% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Big Data
Big Dater
172 bpm • G Maj • 04:25 • -3.99db
35% Popularity • 53% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 53% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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The Federal Empire
The American Dream
172 bpm • F# min • 03:05 • -2.78db
38% Popularity • 34% Danceability • 81% Energy • 55% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 34% Danceability • 81% Energy • 55% Liveness
0% Instrumentalness • 55% Positiveness
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SAINTS OF VALORY
FIGHTING
172 bpm • A min • 03:30 • -4.34db
24% Popularity • 44% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 44% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Robert DeLong
Don't Be Afraid (We're All Gonna Die)
172 bpm • E Maj • 03:12 • -3.87db
7% Popularity • 52% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 52% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Kyd the Band
Ice Cream
172 bpm • E min • 03:04 • -5.4db
20% Popularity • 56% Danceability • 72% Energy • 49% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 56% Danceability • 72% Energy • 49% Liveness
0% Instrumentalness • 72% Positiveness
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Night Riots
Colour Morning
172 bpm • B min • 03:20 • -6.61db
30% Popularity • 49% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 49% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Bear Hands
Blue Lips
171 bpm • B Maj • 03:36 • -4.61db
13% Popularity • 52% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 52% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Matt and Kim
I'm A Goner
186 bpm • E min • 03:32 • -4.33db
29% Popularity • 48% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 48% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Battle Tapes
Last Resort & Spa
186 bpm • F Maj • 04:14 • -4db
44% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Robert DeLong
Did It To Myself - Robert DeLong Remix
172 bpm • F# Maj • 03:26 • -4.87db
1% Popularity • 49% Danceability • 94% Energy • 25% Liveness
1% Instrumentalness • 61% Positiveness
1% Popularity • 49% Danceability • 94% Energy • 25% Liveness
1% Instrumentalness • 61% Positiveness
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The Struts
Kiss This
186 bpm • G# Maj • 02:57 • -3.8db
56% Popularity • 43% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 43% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Foreign Air
The Apartment
170 bpm • G min • 03:52 • -7db
38% Popularity • 55% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 55% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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New Politics
CIA
170 bpm • A# Maj • 03:12 • -3db
27% Popularity • 52% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 52% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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WALK THE MOON
Headphones
170 bpm • C Maj • 03:06 • -3.82db
35% Popularity • 53% Danceability • 88% Energy • 5% Liveness
8% Instrumentalness • 53% Positiveness
35% Popularity • 53% Danceability • 88% Energy • 5% Liveness
8% Instrumentalness • 53% Positiveness
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Young the Giant
Superposition
170 bpm • G Maj • 03:50 • -5.42db
62% Popularity • 59% Danceability • 70% Energy • 14% Liveness
3% Instrumentalness • 43% Positiveness
62% Popularity • 59% Danceability • 70% Energy • 14% Liveness
3% Instrumentalness • 43% Positiveness
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Robert DeLong
This Life
170 bpm • B min • 03:39 • -5.38db
8% Popularity • 27% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 27% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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MONA
Us & Them
167 bpm • D# Maj • 03:20 • -5db
40% Popularity • 35% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 35% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Portugal. The Man
Easy Tiger
168 bpm • B min • 03:37 • -4.43db
40% Popularity • 41% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 41% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Bleachers
I Wanna Get Better
190 bpm • A Maj • 03:24 • -6.22db
64% Popularity • 45% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 45% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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BØRNS
Dug My Heart
166 bpm • A Maj • 03:09 • -5.5db
51% Popularity • 57% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 57% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Night Riots
Breaking Free
166 bpm • G Maj • 04:03 • -4.92db
37% Popularity • 45% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 45% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Robert DeLong
Chaos Chaos Chaos
169 bpm • C Maj • 02:06 • -3.93db
6% Popularity • 25% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
6% Popularity • 25% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
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Foreign Air
Lying
192 bpm • D Maj • 03:36 • -5db
39% Popularity • 40% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 40% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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New Politics
Everywhere I Go (Kings and Queens)
164 bpm • E Maj • 03:25 • -3.4db
38% Popularity • 48% Danceability • 98% Energy • 65% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 48% Danceability • 98% Energy • 65% Liveness
0% Instrumentalness • 50% Positiveness
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Weathers
1983
164 bpm • C Maj • 03:14 • -4db
39% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Andrew McMahon in the Wilderness
High Dive
163 bpm • C min • 03:47 • -7db
40% Popularity • 56% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 56% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Night Riots
Oh My Heart
163 bpm • G# Maj • 03:11 • -5db
31% Popularity • 47% Danceability • 89% Energy • 51% Liveness
54% Instrumentalness • 48% Positiveness
31% Popularity • 47% Danceability • 89% Energy • 51% Liveness
54% Instrumentalness • 48% Positiveness
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WALK THE MOON
Tightrope
162 bpm • C# min • 03:29 • -6.17db
49% Popularity • 47% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 47% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Robert DeLong
Pass Out
168 bpm • G Maj • 03:25 • -6.52db
11% Popularity • 34% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 34% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Coast Modern
Comb My Hair
162 bpm • G# Maj • 04:16 • -5.22db
32% Popularity • 43% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 43% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Weathers
Alone Again
162 bpm • C# Maj • 02:56 • -6db
34% Popularity • 55% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 55% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Foreign Air
Your Touch
162 bpm • E min • 03:45 • -6db
46% Popularity • 56% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
46% Popularity • 56% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
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Bear Hands
Déjà Vu
160 bpm • F# Maj • 03:16 • -6.33db
5% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
5% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Atlas Genius
63 Days
160 bpm • C# min • 03:07 • -6.54db
32% Popularity • 68% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 68% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Robert DeLong
That's What We Call Love
164 bpm • A Maj • 02:51 • -8.77db
11% Popularity • 42% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 42% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Moontower
William
160 bpm • A Maj • 03:14 • -5db
27% Popularity • 72% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 72% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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New Politics
One of Us
200 bpm • E Maj • 04:20 • -3.68db
37% Popularity • 50% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 50% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
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CRUISR
All Over
158 bpm • D Maj • 03:02 • -5.17db
47% Popularity • 55% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 55% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Smallpools
American Love
157 bpm • G# Maj • 02:59 • -5db
42% Popularity • 43% Danceability • 68% Energy • 21% Liveness
2% Instrumentalness • 40% Positiveness
42% Popularity • 43% Danceability • 68% Energy • 21% Liveness
2% Instrumentalness • 40% Positiveness
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Atlas Genius
Where I Belong
158 bpm • A min • 03:59 • -5.49db
27% Popularity • 46% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 46% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Cemetery Sun
Fake Love
158 bpm • G min • 03:38 • -4.17db
44% Popularity • 51% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 51% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Bryce Fox
Horns
156 bpm • F# Maj • 03:37 • -5.41db
66% Popularity • 49% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 49% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Big Data
Sick for Me
156 bpm • E min • 03:39 • -4.04db
24% Popularity • 48% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 48% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Young the Giant
Jungle Youth
156 bpm • F Maj • 03:40 • -4.34db
37% Popularity • 56% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 56% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Glass Animals
Wyrd
156 bpm • C# Maj • 04:05 • -10.21db
45% Popularity • 55% Danceability • 59% Energy • 34% Liveness
1% Instrumentalness • 19% Positiveness
45% Popularity • 55% Danceability • 59% Energy • 34% Liveness
1% Instrumentalness • 19% Positiveness
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Finish Ticket
Scavenger
156 bpm • C Maj • 03:30 • -3.2db
27% Popularity • 34% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 34% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Winters Island
Ares
155 bpm • G min • 03:34 • -7.92db
32% Popularity • 51% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 51% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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The Darcys
Coming Up For Air
155 bpm • G Maj • 03:35 • -2.33db
11% Popularity • 65% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 65% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Death Cab for Cutie
The Ghosts of Beverly Drive
155 bpm • D Maj • 04:03 • -6.56db
52% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
52% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Foster The People
Doing It for the Money
155 bpm • G min • 03:46 • -4.67db
48% Popularity • 56% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 56% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Castlecomer
All Of The Noise - Big Data Remix
154 bpm • D Maj • 03:41 • -5.68db
28% Popularity • 64% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 64% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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grandson
Blood // Water - AWOLNATION Remix
154 bpm • G# min • 03:48 • -4.67db
27% Popularity • 48% Danceability • 88% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
27% Popularity • 48% Danceability • 88% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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Ocean Park Standoff
Good Time - Robert DeLong Remix
154 bpm • C# min • 04:03 • -5.01db
6% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
6% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
