Songs like Better On Me by Erin Kinsey
Based on a tempo of (+/- 10%) and a similar genre
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Lauren Alaina
Thicc As Thieves
120 bpm • G Maj • 02:59 • -2.41db
47% Popularity • 69% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 69% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Graham Barham
BREAK IT IN A BAR
120 bpm • B min • 03:39 • -5.69db
67% Popularity • 58% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
67% Popularity • 58% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Gabby Barrett
The Chapter
120 bpm • G Maj • 03:32 • -6.1db
42% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Erin Kinsey
Better On Me
120 bpm • C Maj • 02:29 • -4.05db
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Nate Smith
Wish I Never Felt
120 bpm • G# Maj • 03:16 • -5.16db
66% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Ross
Ain't The One
120 bpm • C Maj • 03:05 • -3.56db
53% Popularity • 60% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 60% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Belles
Loving You Feels Like
120 bpm • F# Maj • 02:25 • -5.49db
25% Popularity • 68% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 68% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Presley & Taylor
Dive Bar Dreamin'
120 bpm • B min • 02:45 • -6.16db
32% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Chase Matthew
Darlin'
120 bpm • D Maj • 02:45 • -6.28db
68% Popularity • 80% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
68% Popularity • 80% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
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Lauren Watkins
Shirley Temple
120 bpm • C Maj • 03:38 • -7.95db
39% Popularity • 42% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 42% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Brian Kelley
See You Next Summer
121 bpm • G# Maj • 02:37 • -4.35db
58% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Ross
Tell Me A Lie
120 bpm • G# Maj • 03:27 • -4.32db
51% Popularity • 53% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
51% Popularity • 53% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Priscilla Block
Fake Names
120 bpm • C# min • 02:39 • -2.88db
49% Popularity • 61% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 61% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Robyn Ottolini
Heartless
121 bpm • E Maj • 03:36 • -9.14db
33% Popularity • 62% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 62% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Alexandra Kay
Painted Him Perfect
121 bpm • D# Maj • 03:10 • -4.56db
56% Popularity • 44% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
56% Popularity • 44% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Gabby Barrett
Dance Like No One’s Watching
122 bpm • F Maj • 03:51 • -5.95db
53% Popularity • 53% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 53% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Faren Rachels
Good Tequila
118 bpm • C# Maj • 03:43 • -4.15db
23% Popularity • 53% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 53% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Parmalee
Boyfriend
122 bpm • G Maj • 02:18 • -4.02db
41% Popularity • 63% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 63% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Carter Faith
I Just Wanna Dance
122 bpm • C Maj • 03:02 • -4.97db
36% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Ashley Anne
fake tan
118 bpm • F Maj • 03:25 • -6.8db
29% Popularity • 66% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 66% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Madeline Merlo
Slide
118 bpm • D Maj • 03:34 • -3.24db
38% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Adam Doleac
Ain't She
118 bpm • D# Maj • 02:51 • -6.12db
60% Popularity • 62% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 62% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Ella Langley
If You Have To
118 bpm • F Maj • 03:19 • -6db
51% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Spencer Crandall
Didn't Do
122 bpm • B Maj • 03:17 • -2.35db
46% Popularity • 65% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 65% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Graham Barham
WHAT DOESN'T KILL YA
123 bpm • G Maj • 03:07 • -3.48db
45% Popularity • 64% Danceability • 84% Energy • 62% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 64% Danceability • 84% Energy • 62% Liveness
0% Instrumentalness • 73% Positiveness
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Max McNown
Dead Set
123 bpm • G Maj • 02:48 • -8.64db
37% Popularity • 56% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 56% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Kassi Ashton
Drive You Out Of My Mind
123 bpm • C# min • 03:32 • -2.5db
59% Popularity • 66% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
59% Popularity • 66% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Presley & Taylor
Never Not a Good Time
117 bpm • D Maj • 03:34 • -6.01db
24% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Megan Moroney
Traitor Joe
117 bpm • F# Maj • 02:33 • -5.7db
55% Popularity • 52% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 52% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Restless Road
Could've Been a Love Song
117 bpm • A Maj • 03:18 • -4.03db
34% Popularity • 46% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 46% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Carter Faith
Man
124 bpm • A# Maj • 02:46 • -5.26db
49% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Kameron Marlowe
Strangers
124 bpm • G# Maj • 03:31 • -4.06db
67% Popularity • 54% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
67% Popularity • 54% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Maddie & Tae
Every Night Every Morning
124 bpm • G Maj • 03:18 • -4.58db
61% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Robyn Ottolini
Tell You Everything
124 bpm • C# Maj • 02:55 • -6.83db
41% Popularity • 60% Danceability • 81% Energy • 50% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 60% Danceability • 81% Energy • 50% Liveness
0% Instrumentalness • 42% Positiveness
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Madeline Merlo
Makeup
116 bpm • A Maj • 03:07 • -4.97db
41% Popularity • 61% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 61% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Kelsey Lamb
When I Remember You
116 bpm • B Maj • 03:15 • -5db
42% Popularity • 62% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 62% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Matt Cooper
I Don't Wanna Go Home
124 bpm • B min • 02:53 • -4.27db
17% Popularity • 67% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 67% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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CHASE WRIGHT
Who I Want to Be
116 bpm • A Maj • 03:14 • -5.03db
44% Popularity • 55% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 55% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Conner Smith
Take It Slow
116 bpm • F Maj • 02:43 • -4db
64% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
64% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Robyn Ottolini
All My Friends Are Hot
124 bpm • A# Maj • 02:54 • -3.63db
28% Popularity • 62% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 62% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Erin Kinsey
Boys In Boots
116 bpm • F# Maj • 02:54 • -4.84db
45% Popularity • 67% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 67% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Peytan Porter
Grown
116 bpm • F# Maj • 03:34 • -7.43db
43% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tenille Arts
Girl to Girl
116 bpm • D Maj • 03:12 • -3.37db
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Taylor Moss
Dream Baby
125 bpm • C# min • 03:37 • -5.16db
42% Popularity • 62% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 62% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Kyle Clark
Tonight I Do
125 bpm • A# Maj • 02:43 • -4.55db
37% Popularity • 54% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 54% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Robyn Ottolini
Midas
116 bpm • G Maj • 02:55 • -8.67db
26% Popularity • 75% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 75% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Alexandra Kay
Easy
125 bpm • C min • 03:44 • -4.84db
47% Popularity • 60% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 60% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Dylan Scott
What I'd Want Mine To Say
115 bpm • A Maj • 02:54 • -4db
57% Popularity • 56% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 56% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Matt Schuster
Tell Me Tennessee
115 bpm • C Maj • 03:30 • -4.61db
56% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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AUSTIN
Leave Like That
115 bpm • D Maj • 02:34 • -3.13db
35% Popularity • 59% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 59% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Erin Kinsey
Just Drive - Radio Edit
115 bpm • F# Maj • 02:29 • -4.87db
24% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Sophia Scott
You Problem
115 bpm • C# Maj • 02:43 • -4.34db
36% Popularity • 88% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 88% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Kaylee Rose
Last Call Last
115 bpm • C# Maj • 03:04 • -4.93db
15% Popularity • 75% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 75% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Ashley Anne
dear dolly
115 bpm • A Maj • 03:58 • -9db
43% Popularity • 60% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 60% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Megan Moroney
Nothin’ Crazy
126 bpm • A Maj • 03:11 • -5.59db
56% Popularity • 59% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 59% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Kyle Clark
Hope It's Hot Out
126 bpm • G# Maj • 02:47 • -6db
59% Popularity • 63% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 63% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Erin Kinsey
Just Drive
115 bpm • F# Maj • 02:27 • -4db
55% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Sophia Scott
What I'm Wearing Tonight
126 bpm • D Maj • 02:17 • -2.89db
40% Popularity • 62% Danceability • 76% Energy • 54% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 62% Danceability • 76% Energy • 54% Liveness
0% Instrumentalness • 70% Positiveness
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Restless Road
Sundown Somewhere
114 bpm • B Maj • 02:42 • -4.13db
53% Popularity • 61% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 61% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Matt Stell
Breakin' in Boots
114 bpm • C Maj • 02:35 • -4.24db
69% Popularity • 59% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
69% Popularity • 59% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Mackenzie Carpenter
Country Girls (Just Wanna Have Fun)
114 bpm • G# Maj • 03:15 • -3.22db
36% Popularity • 64% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 64% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Dasha
What Happens Now
127 bpm • A Maj • 02:33 • -7.11db
59% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Dylan Scott
What He'll Never Have
113 bpm • F# Maj • 02:33 • -4.47db
78% Popularity • 49% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
78% Popularity • 49% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Sophia Scott
Plastic Rodeo
127 bpm • G# Maj • 03:05 • -4.32db
29% Popularity • 70% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 70% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Erin Kinsey
Stayed A Summer
113 bpm • E Maj • 02:56 • -4.73db
49% Popularity • 63% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 63% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Conner Smith
Baby, I
113 bpm • C Maj • 03:05 • -4.17db
39% Popularity • 54% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 54% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Carter Faith
Greener Pasture
113 bpm • C Maj • 03:09 • -7db
54% Popularity • 63% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 63% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Lauren Watkins
Fly On The Wall
128 bpm • A# min • 03:48 • -4.63db
51% Popularity • 53% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 53% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Stell
Take the Girl
128 bpm • A# Maj • 02:32 • -4.46db
53% Popularity • 68% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 68% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Megan Moroney
I'm Not Pretty
128 bpm • A# Maj • 03:01 • -5.56db
73% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
73% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Erin Kinsey
stayed a summer (fall version) 8.19.22
113 bpm • E Maj • 03:02 • -7.41db
32% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Steven Lee Olsen
Outta Yours
112 bpm • E Maj • 02:58 • -5db
52% Popularity • 59% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 59% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Kyle Clark
Hair Down
112 bpm • F# Maj • 03:03 • -5.73db
35% Popularity • 54% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 54% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
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Spencer Crandall
Red Flags
112 bpm • G min • 02:34 • -2.99db
39% Popularity • 70% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 70% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Mackenzie Carpenter
Don’t Mess With Exes
112 bpm • A Maj • 03:27 • -5.39db
43% Popularity • 77% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 77% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Mitchell Tenpenny
Breaking My Heart
112 bpm • C# min • 03:40 • -4.86db
62% Popularity • 66% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
62% Popularity • 66% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Erin Kinsey
never been closer 5.22.22
128 bpm • A Maj • 02:34 • -5.58db
37% Popularity • 64% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 64% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Kelsey Lamb
Happy Hour Sad
112 bpm • G# Maj • 02:58 • -4.88db
35% Popularity • 54% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 54% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Anslee Davidson
Made Me
129 bpm • E Maj • 03:09 • -5.51db
40% Popularity • 63% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 63% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Haley Mae Campbell
Somewhere With You
112 bpm • F# min • 04:18 • -5.16db
23% Popularity • 65% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 65% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Tayler Holder
Time In This Truck
129 bpm • G# Maj • 03:02 • -3.75db
44% Popularity • 59% Danceability • 86% Energy • 36% Liveness
1% Instrumentalness • 63% Positiveness
44% Popularity • 59% Danceability • 86% Energy • 36% Liveness
1% Instrumentalness • 63% Positiveness
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Robyn Ottolini
I Kissed Your Boyfriend
129 bpm • D min • 03:08 • -5.24db
33% Popularity • 62% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 62% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Megan Moroney
28th of June
129 bpm • A Maj • 03:45 • -7.04db
67% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
67% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tenille Arts
Last Time Last
111 bpm • A Maj • 03:03 • -3.54db
41% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Anslee Davidson
Be Mine
129 bpm • E Maj • 03:20 • -4.82db
27% Popularity • 54% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 54% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Shaylen
Been There Before
111 bpm • C# Maj • 03:32 • -6.7db
57% Popularity • 59% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 59% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Ella Langley
Hell Of A Man
111 bpm • C# Maj • 03:20 • -5.25db
39% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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James Barker Band
Ahead of Our Time
130 bpm • F# Maj • 03:07 • -3.7db
46% Popularity • 58% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 58% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Josh Ross
Ain't Doin' Jack
130 bpm • B Maj • 02:40 • -4.11db
77% Popularity • 59% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
77% Popularity • 59% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Roman Alexander
If I Had You
130 bpm • G# Maj • 03:04 • -6.84db
34% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Restless Road
I Don't Wanna Be That Guy
130 bpm • F# Maj • 03:10 • -4.9db
37% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Lily Rose
Parking Lot
130 bpm • A# Maj • 03:03 • -4.86db
51% Popularity • 65% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 65% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Brooks Hoffman
Favorite Dress
130 bpm • D Maj • 03:01 • -4.77db
43% Popularity • 49% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 49% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Mason Horne
Tonight I Need You
130 bpm • E Maj • 03:18 • -3.64db
33% Popularity • 52% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 52% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Josh Ross
Single Again
130 bpm • C# Maj • 02:59 • -4.52db
68% Popularity • 54% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
68% Popularity • 54% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Abbey Cone
If You Were A Song
110 bpm • E Maj • 04:19 • -4.84db
52% Popularity • 68% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 68% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Avery Anna
la di da
110 bpm • B Maj • 02:58 • -4db
38% Popularity • 68% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 68% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Alexandra Kay
I Can Do Anything
131 bpm • C Maj • 03:47 • -6.7db
46% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
