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Better Than I Know Myself
Songs like
Better Than I Know Myself
by
Adam Lambert
Based on a tempo of (+/- 10%) and a similar genre
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Jason Reeves
Save My Heart
109 bpm • B Maj • 03:44 • -5db
33% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Adam Lambert
Better Than I Know Myself
109 bpm • A# Maj • 03:36 • -5db
45% Popularity • 48% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Ross Copperman
I Don't Wanna Let You Go
109 bpm • B Maj • 03:16 • -3.94db
20% Popularity • 46% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Karmin
Coming Up Strong
110 bpm • F Maj • 03:38 • -3.1db
20% Popularity • 59% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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David Cook
Come Back to Me
108 bpm • E Maj • 04:08 • -4.86db
47% Popularity • 48% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Kate Voegele
No Good
110 bpm • A min • 04:13 • -4.91db
35% Popularity • 61% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Austin Mahone
Till I Find You
110 bpm • B min • 03:00 • -4.9db
36% Popularity • 78% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Christina Grimmie
Feelin' Good
110 bpm • F min • 04:03 • -2.58db
26% Popularity • 75% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
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Simon Curtis
Joystick
110 bpm • C min • 04:15 • -7.68db
37% Popularity • 77% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Natalia Kills
If I Was God
110 bpm • G min • 04:43 • -3.98db
16% Popularity • 76% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Drew Seeley
How A Heart Breaks
110 bpm • A Maj • 04:15 • -5db
11% Popularity • 64% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Jennifer Lopez
(What Is) LOVE?
110 bpm • G# min • 04:26 • -5.02db
38% Popularity • 72% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Adam Lambert
These Boys
110 bpm • G Maj • 03:25 • -4.31db
24% Popularity • 68% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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The Pussycat Dolls
I Hate This Part
112 bpm • F Maj • 03:38 • -4.37db
63% Popularity • 76% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Lifehouse
Only You're The One
112 bpm • F min • 03:29 • -6.63db
29% Popularity • 50% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Austin Mahone
Secret
112 bpm • G# min • 03:18 • -4.61db
33% Popularity • 77% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Olly Murs
Troublemaker
106 bpm • C min • 03:05 • -3.69db
76% Popularity • 76% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Rixton
Appreciated
106 bpm • C# Maj • 03:52 • -6.39db
43% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Greyson Chance
Heart Like Stone
113 bpm • D Maj • 03:48 • -5.77db
18% Popularity • 65% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Fraggle Rock
Free and High
105 bpm • F Maj • 02:18 • -8.26db
35% Popularity • 58% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Marianas Trench
Here's To The Zeros
105 bpm • F# Maj • 03:50 • -5.73db
44% Popularity • 78% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Thirty Seconds To Mars
City Of Angels
105 bpm • D Maj • 05:02 • -6.15db
52% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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The Saturdays
My Heart Takes Over - Radio Edit
104 bpm • A Maj • 03:44 • -2db
23% Popularity • 62% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Rixton
Hotel Ceiling
105 bpm • A# Maj • 03:10 • -7.76db
50% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Kate Voegele
You Can't Break A Broken Heart
114 bpm • F Maj • 03:38 • -4db
32% Popularity • 56% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Train
Mermaid
104 bpm • G# Maj • 03:16 • -3db
49% Popularity • 72% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Simon Curtis
I Hate U
104 bpm • F# min • 03:21 • -4db
38% Popularity • 75% Danceability • 80% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
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The Script
Exit Wounds
115 bpm • C Maj • 04:24 • -4.56db
38% Popularity • 54% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Trading Yesterday
Love Song Requiem
104 bpm • F Maj • 04:33 • -9.85db
30% Popularity • 54% Danceability • 58% Energy • 29% Liveness
3% Instrumentalness • 26% Positiveness
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Mitchel Musso
The In Crowd
115 bpm • D# Maj • 03:44 • -3.84db
30% Popularity • 59% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Alana Lee
Synchronize
115 bpm • B Maj • 03:07 • -5.38db
16% Popularity • 72% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Train
Angel in Blue Jeans
115 bpm • C Maj • 03:25 • -5db
52% Popularity • 61% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Rixton
Speakerphone
115 bpm • B Maj • 03:28 • -6.09db
45% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Miranda Cosgrove
Adored
115 bpm • B min • 03:32 • -4.12db
26% Popularity • 76% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Natalia Kills
Break You Hard
103 bpm • E min • 04:22 • -3.95db
22% Popularity • 66% Danceability • 81% Energy • 41% Liveness
0% Instrumentalness • 11% Positiveness
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Rita Ora
How We Do (Party)
116 bpm • G Maj • 04:07 • -3.94db
54% Popularity • 74% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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JoJo
Coming For You
115 bpm • G# Maj • 03:30 • -6.21db
36% Popularity • 76% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Cheryl
Parachute
116 bpm • C Maj • 03:40 • -7db
47% Popularity • 80% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Bridgit Mendler
All I See Is Gold
102 bpm • C# min • 02:53 • -8.33db
34% Popularity • 55% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Kristinia DeBarge
Cried Me A River
117 bpm • F# Maj • 04:21 • -5.55db
20% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Natalia Kills
Wonderland
117 bpm • A# min • 03:31 • -3.39db
42% Popularity • 65% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Rixton
We All Want The Same Thing
117 bpm • E min • 03:45 • -4.82db
38% Popularity • 71% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Saturdays
Higher
117 bpm • A# Maj • 03:27 • -3.29db
51% Popularity • 64% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Katy Perry
Rise
101 bpm • B Maj • 03:23 • -6.45db
61% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Lambert
Map
101 bpm • E min • 03:46 • -7.11db
11% Popularity • 65% Danceability • 60% Energy • 41% Liveness
0% Instrumentalness • 38% Positiveness
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Nelly Furtado
Spirit Indestructible
118 bpm • D min • 03:58 • -6.58db
27% Popularity • 74% Danceability • 94% Energy • 37% Liveness
54% Instrumentalness • 16% Positiveness
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Tamar Kaprelian
New Day
118 bpm • F min • 03:07 • -3db
25% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Rixton
Beautiful Excuses
101 bpm • G# Maj • 04:09 • -5.95db
32% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Cassadee Pope
Secondhand
118 bpm • C# Maj • 04:10 • -4.54db
21% Popularity • 61% Danceability • 82% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
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Greyson Chance
Hold On 'Til The Night
118 bpm • F# Maj • 03:41 • -4db
27% Popularity • 65% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Ronan Keating
Fires
118 bpm • F Maj • 03:50 • -3.29db
23% Popularity • 58% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Timbaland
Apologize
118 bpm • G# Maj • 03:04 • -6.01db
73% Popularity • 66% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Olly Murs
You Don't Know Love
119 bpm • D min • 03:19 • -5.69db
49% Popularity • 67% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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The Saturdays
What About Us
119 bpm • G Maj • 03:24 • -5.51db
33% Popularity • 46% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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He Is We
Happily Ever After
100 bpm • E Maj • 04:04 • -4.98db
43% Popularity • 57% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Austin Mahone
What About Love
100 bpm • D Maj • 03:23 • -7db
49% Popularity • 63% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 28% Positiveness
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The Script
If You Could See Me Now
100 bpm • C Maj • 03:39 • -6.86db
60% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Adam Lambert
Shady
100 bpm • C# Maj • 02:58 • -5.66db
35% Popularity • 73% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Olly Murs
Never Been Better
100 bpm • F# Maj • 04:16 • -5.7db
30% Popularity • 58% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Kristinia DeBarge
Future Love
100 bpm • D Maj • 03:23 • -3.63db
33% Popularity • 73% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Emily Osment
Marisol
100 bpm • G Maj • 04:14 • -5.76db
20% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Austin Mahone
Say You're Just a Friend
100 bpm • C# Maj • 03:02 • -4.73db
47% Popularity • 74% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Gwen Stefani
Baby Don't Lie
100 bpm • A# min • 03:22 • -5.5db
44% Popularity • 69% Danceability • 55% Energy • 10% Liveness
23% Instrumentalness • 26% Positiveness
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Little Mix
Always Be Together
100 bpm • C# min • 04:28 • -5.09db
43% Popularity • 52% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Adam Lambert
Evil in the Night
119 bpm • C# Maj • 03:56 • -5.28db
35% Popularity • 60% Danceability • 92% Energy • 83% Liveness
0% Instrumentalness • 62% Positiveness
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Kristinia DeBarge
Cry Wolf
100 bpm • E Maj • 03:13 • -4db
22% Popularity • 69% Danceability • 60% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
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The Vamps
Wild Heart
119 bpm • C# Maj • 03:11 • -4.82db
53% Popularity • 62% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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The Cab
That '70s Song
119 bpm • A min • 03:33 • -2db
34% Popularity • 52% Danceability • 91% Energy • 52% Liveness
0% Instrumentalness • 60% Positiveness
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Cobra Starship
Good Girls Go Bad
120 bpm • C Maj • 03:16 • -3.72db
64% Popularity • 59% Danceability • 87% Energy • 55% Liveness
0% Instrumentalness • 63% Positiveness
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Cheyenne Jackson
I'm Blue, Skies
120 bpm • D Maj • 03:43 • -4.32db
9% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Adam Lambert
Broken English
120 bpm • F# Maj • 03:37 • -5.82db
25% Popularity • 54% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Kristinia DeBarge
Goodbye
120 bpm • C# min • 03:28 • -3db
44% Popularity • 78% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Natalia Kills
Love Is A Suicide
120 bpm • D Maj • 03:57 • -4.2db
23% Popularity • 57% Danceability • 84% Energy • 13% Liveness
67% Instrumentalness • 29% Positiveness
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Gym Class Heroes
The Fighter
99 bpm • G Maj • 03:48 • -3.47db
54% Popularity • 59% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Tove Lo
Talking Body
120 bpm • E min • 03:58 • -5.45db
66% Popularity • 74% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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MKTO
Forever Until Tomorrow
120 bpm • C# Maj • 03:46 • -4.95db
36% Popularity • 52% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Adam Lambert
Trespassing
120 bpm • D Maj • 03:29 • -5.26db
43% Popularity • 87% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Karmin
Brokenhearted
120 bpm • C# min • 03:47 • -2.73db
61% Popularity • 76% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Delta Goodrem
Wings
120 bpm • A min • 03:25 • -3.23db
42% Popularity • 63% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Vanessa Hudgens
Paper Cut
120 bpm • D# Maj • 02:47 • -5db
21% Popularity • 63% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Lindsay Lohan
Confessions Of A Broken Heart (Daughter ...
120 bpm • G# min • 03:40 • -4.31db
43% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Rachel Platten
Beating Me Up
120 bpm • B Maj • 03:09 • -3.87db
35% Popularity • 66% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Lambert
Naked Love
120 bpm • G# Maj • 03:22 • -4.85db
27% Popularity • 71% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Marianas Trench
Haven't Had Enough
120 bpm • D Maj • 03:28 • -5.04db
52% Popularity • 79% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Christina Grimmie
Absolutely Final Goodbye
120 bpm • G# Maj • 02:40 • -4.79db
25% Popularity • 71% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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MKTO
Could Be Me
120 bpm • E Maj • 03:30 • -5.09db
40% Popularity • 73% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Matthew Morrison
Still Got Tonight
99 bpm • D# Maj • 04:29 • -5db
28% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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JoJo
When Love Hurts
120 bpm • C# min • 03:35 • -4db
32% Popularity • 68% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Aly & AJ
Like Whoa
121 bpm • G# min • 02:30 • -4.97db
53% Popularity • 70% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Rebecca Black
In Your Words
98 bpm • C# Maj • 03:06 • -6.42db
12% Popularity • 54% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Jacquie
Tears Fall
98 bpm • C# min • 03:34 • -5.03db
23% Popularity • 62% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 20% Positiveness
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Kelly Rowland
Rose Colored Glasses
98 bpm • A min • 04:00 • -5db
21% Popularity • 72% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Jake Miller
First Flight Home
98 bpm • G Maj • 03:11 • -5.69db
26% Popularity • 63% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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OneRepublic
Burning Bridges
98 bpm • C# Maj • 04:17 • -5db
41% Popularity • 58% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Mitchel Musso
Us Against The World
122 bpm • G# min • 04:01 • -5db
16% Popularity • 54% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Marianas Trench
B Team
122 bpm • C Maj • 03:51 • -6.47db
42% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Maddi Jane
Barricade
122 bpm • D min • 03:34 • -5.72db
18% Popularity • 78% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Casey Abrams
Get Out
97 bpm • F# Maj • 03:31 • -4db
34% Popularity • 69% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Natalia Kills
Free - New Version
123 bpm • A# min • 04:28 • -4db
38% Popularity • 73% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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MKTO
American Dream
123 bpm • C Maj • 03:45 • -5db
57% Popularity • 55% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Better Than I Know Myself