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Better Than You Found 'Em
Songs like
Better Than You Found 'Em
by
Travis Collins
Based on a tempo of (+/- 10%) and a similar genre
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McAlister Kemp
Hell Yeah
170 bpm • D Maj • 03:45 • -3.26db
25% Popularity • 42% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Morgan Evans
Like a Tornado
170 bpm • B min • 04:14 • -5.44db
25% Popularity • 36% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Tuten Brothers
Make a Little Life
170 bpm • G Maj • 03:09 • -5db
29% Popularity • 49% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Tom Curtain
Livin' in the Bush
170 bpm • G Maj • 03:16 • -6.78db
30% Popularity • 63% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Waverly Alston in the Company of Friends
Lil Drumma Boy
170 bpm • C Maj • 05:36 • -9.35db
0% Popularity • 57% Danceability • 66% Energy • 9% Liveness
7% Instrumentalness • 73% Positiveness
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Hurricane Fall
Everything
170 bpm • G Maj • 03:05 • -4.2db
17% Popularity • 22% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Travis Collins
Better Than You Found 'Em
170 bpm • G Maj • 03:07 • -7db
16% Popularity • 42% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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James McKay
Holden V8
170 bpm • G# Maj • 02:00 • -5.15db
37% Popularity • 73% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Willie Tate
King of Killin Time
170 bpm • E Maj • 02:46 • -4.42db
37% Popularity • 50% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Ben Ransom
Let's Go Driving
171 bpm • C Maj • 03:04 • -6.97db
19% Popularity • 62% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Hayley Jensen
Summertime Soundtrack
170 bpm • F# Maj • 03:23 • -3.99db
14% Popularity • 46% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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The McClymonts
Favourite Boyfriend Of The Year
169 bpm • D Maj • 03:17 • -3.97db
25% Popularity • 54% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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TANIA KERNAGHAN
Dunroamin' Station
168 bpm • D Maj • 03:23 • -6.05db
19% Popularity • 54% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Jeff Brown
Beautiful Betsy
172 bpm • G# Maj • 05:05 • -6.77db
20% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Ali S
Girls, Beer, Utes & Rodeo
168 bpm • E Maj • 03:07 • -4.8db
26% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Darlinghurst
Pretty Doesn't Make You Good
172 bpm • G# Maj • 02:53 • -2.85db
29% Popularity • 44% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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LOCASH
Feels Like a Party
168 bpm • E Maj • 02:48 • -4.67db
50% Popularity • 56% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 74% Positiveness
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Troy Kemp
Before Summer Starts To Fall
168 bpm • F# Maj • 03:32 • -4.94db
18% Popularity • 46% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Max Jackson
Like It Like It Is
168 bpm • A Maj • 03:15 • -4.94db
23% Popularity • 56% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Davisson Brothers Band
PO' Boyz
167 bpm • G# Maj • 03:27 • -5.06db
25% Popularity • 57% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Kirsty Lee Akers
Ain't That Kinda Girl
167 bpm • C# Maj • 04:02 • -4.35db
19% Popularity • 46% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Travis Sinclair
50 Tons on Your Back
173 bpm • D Maj • 03:42 • -10.99db
25% Popularity • 52% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Christie Lamb
Flamethrower
174 bpm • G Maj • 02:57 • -4.34db
19% Popularity • 48% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Eckersley Band
Tomorrow Night, Same Again
174 bpm • D Maj • 04:04 • -3.39db
16% Popularity • 49% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Taylor Moss
Get It Girl
166 bpm • G Maj • 03:19 • -3.98db
27% Popularity • 50% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Davisson Brothers Band
Get Down South
174 bpm • G Maj • 03:14 • -4.32db
17% Popularity • 61% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Hinterland
Loud
174 bpm • G Maj • 03:36 • -4.52db
24% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Blake O'Connor
Worth A Little More
174 bpm • F# Maj • 04:24 • -5.01db
22% Popularity • 27% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Drew McAlister
Black Sky
166 bpm • G Maj • 03:11 • -3db
13% Popularity • 49% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Morgan Evans
Best I Never Had
166 bpm • A Maj • 03:25 • -3db
23% Popularity • 32% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Jasmine Rae
Bad Boys Get Me Good
166 bpm • G Maj • 03:20 • -4db
20% Popularity • 51% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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James McKay
Roo Chasing Pig Dog
175 bpm • G Maj • 02:32 • -5.2db
36% Popularity • 52% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Hinterland
Treating Me Good
166 bpm • F# min • 02:54 • -2.41db
36% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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TANIA KERNAGHAN
Nine Mile Run
166 bpm • A Maj • 02:45 • -6.95db
31% Popularity • 57% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
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The McClymonts
Baby's Gone Home
175 bpm • D Maj • 03:04 • -2.88db
25% Popularity • 44% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 85% Positiveness
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Catherine Britt
Hillbilly Pickin' Ramlin' Girl
176 bpm • C Maj • 02:46 • -9.39db
28% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Brooke McClymont & Adam Eckersley
Memory Lane
176 bpm • F Maj • 03:33 • -4.41db
25% Popularity • 38% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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James McKay
Born Again Pigger
175 bpm • G Maj • 02:12 • -5.4db
38% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Blake O'Connor
Travelin' Man
164 bpm • C# Maj • 04:22 • -8db
13% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Jayne Denham
Black Coffee and White Lines
176 bpm • D Maj • 02:55 • -7.7db
18% Popularity • 42% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The McClymonts
Save Yourself
165 bpm • G Maj • 03:33 • -3.06db
17% Popularity • 48% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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TANIA KERNAGHAN
True Country
164 bpm • A Maj • 02:57 • -5.93db
21% Popularity • 51% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Will Day
Always A Girl
164 bpm • C Maj • 03:08 • -3.98db
19% Popularity • 41% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Travis Collins
Drink
164 bpm • E Maj • 03:20 • -4.98db
11% Popularity • 46% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Jody Direen
Anyman of Mine
164 bpm • G# Maj • 03:27 • -6db
22% Popularity • 48% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Jayne Denham
Feral Kev and General Leroy
164 bpm • C Maj • 03:51 • -5db
20% Popularity • 52% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Andrew Swift
Ball & Chain
177 bpm • G Maj • 03:10 • -6.15db
11% Popularity • 37% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Amber Lawrence
Cheers to the Girls
178 bpm • G# Maj • 03:04 • -4.83db
16% Popularity • 41% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Christie Lamb
Old Country Soul
178 bpm • C Maj • 03:07 • -8.51db
28% Popularity • 55% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Jetty Road
Shakedown
178 bpm • F min • 03:30 • -3.93db
13% Popularity • 51% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Drew McAlister
Till Summer Slips Away
178 bpm • C Maj • 03:41 • -4.72db
11% Popularity • 38% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Travis Collins
Make Up
162 bpm • D Maj • 02:58 • -6.32db
20% Popularity • 50% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Andrew Swift
Right on Down
162 bpm • G Maj • 02:43 • -7.02db
20% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Hayley Jensen
Four Boots
162 bpm • G Maj • 03:04 • -4.48db
22% Popularity • 58% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Travis Sinclair
Midnight Run
162 bpm • C# Maj • 03:32 • -7db
33% Popularity • 54% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Tom Curtain
Campdrafting
162 bpm • F Maj • 03:35 • -7db
23% Popularity • 65% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Hurricane Fall
Hell Of A Ride
162 bpm • D Maj • 03:24 • -3.69db
22% Popularity • 45% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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Tori Darke
You Better Run
162 bpm • F# Maj • 03:22 • -4db
14% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Lane Pittman
Who They Were
162 bpm • C# Maj • 02:57 • -3.73db
13% Popularity • 47% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Travis Collins
Own A Boat
162 bpm • G Maj • 03:13 • -5.85db
9% Popularity • 48% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Slim Dusty
Ringer From The Top End
162 bpm • C# Maj • 02:33 • -9db
43% Popularity • 46% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Steve Forde
Guns & Guitars
180 bpm • G Maj • 03:17 • -7db
27% Popularity • 47% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Clayton Smalley
Slow Hands
180 bpm • F# min • 02:58 • -3db
23% Popularity • 56% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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McAlister Kemp
Paid for Drinking Beer
160 bpm • A Maj • 03:12 • -4.35db
10% Popularity • 47% Danceability • 93% Energy • 62% Liveness
0% Instrumentalness • 44% Positiveness
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Jake Davey
The Way She Does
160 bpm • A# Maj • 02:58 • -4.7db
16% Popularity • 58% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Travis Collins
High Horse
180 bpm • D# Maj • 03:20 • -7.03db
28% Popularity • 52% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Max Jackson
Stratosphere
160 bpm • D Maj • 03:07 • -4.58db
22% Popularity • 56% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Viper Creek Band
Just Press Play
160 bpm • G Maj • 03:22 • -7db
24% Popularity • 56% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Zac & George
Bar Stool
160 bpm • C# Maj • 03:18 • -4.46db
41% Popularity • 56% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Brooke McClymont & Adam Eckersley
Train Wreck
160 bpm • C# Maj • 03:43 • -3.83db
27% Popularity • 38% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Southbound xo
Drink
160 bpm • C# Maj • 03:02 • -3db
37% Popularity • 45% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Travis Collins
Any Less Anymore
180 bpm • G# Maj • 02:51 • -5.47db
20% Popularity • 40% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Troy Kemp
Takin' Me Back
160 bpm • E min • 03:01 • -5.65db
17% Popularity • 47% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 40% Positiveness
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Catherine Britt
Fav'Rit Song
160 bpm • C Maj • 03:33 • -5db
25% Popularity • 45% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Zac & George
Jump Right In
160 bpm • D# Maj • 03:07 • -5.08db
30% Popularity • 38% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Moss
What Am I Gonna Do?
182 bpm • D Maj • 02:46 • -3.26db
31% Popularity • 50% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Jody Direen
Dirt Rich
182 bpm • E min • 02:42 • -3.5db
9% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Travis Collins
Who We Are
160 bpm • G# Maj • 03:31 • -6.12db
11% Popularity • 54% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Troy Kemp
A Little More Country
182 bpm • G Maj • 03:44 • -3.08db
26% Popularity • 35% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Travis Sinclair
Still Riding That Line
158 bpm • A# Maj • 03:45 • -10.13db
23% Popularity • 35% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Kaylens Rain
Lost in the Moonshine
158 bpm • D Maj • 03:09 • -3.7db
28% Popularity • 53% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Andrew Swift
Cheap Liquor
158 bpm • G Maj • 04:13 • -5.22db
16% Popularity • 47% Danceability • 82% Energy • 15% Liveness
43% Instrumentalness • 32% Positiveness
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James McKay
Western Dream
158 bpm • E Maj • 03:41 • -6db
27% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Travis Collins
What Happens on the Road
160 bpm • E Maj • 03:27 • -4.6db
15% Popularity • 48% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Steve Forde
Another Man
158 bpm • G Maj • 02:53 • -5.35db
22% Popularity • 49% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Hurricane Fall
Another One More Time
158 bpm • C Maj • 03:16 • -3db
26% Popularity • 48% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Josh Arnold
Taste the Country Life
184 bpm • G Maj • 03:07 • -3.64db
15% Popularity • 43% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Caitlyn Shadbolt
My Breakup Anthem
184 bpm • G# Maj • 03:10 • -7.17db
24% Popularity • 55% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Steve Forde and The Flange
No Wrong
184 bpm • D Maj • 03:28 • -3.41db
10% Popularity • 20% Danceability • 90% Energy • 46% Liveness
0% Instrumentalness • 75% Positiveness
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Travis Collins
Weekend
160 bpm • G Maj • 03:19 • -6.2db
19% Popularity • 52% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Darlinghurst
Gotta Go Rodeo
185 bpm • E Maj • 03:05 • -4.27db
29% Popularity • 41% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Missy Lancaster
Heatwave
156 bpm • E Maj • 03:16 • -4db
25% Popularity • 50% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Steve Forde
The Letter
157 bpm • E Maj • 04:19 • -5.52db
15% Popularity • 42% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Route 33
Showing Off
156 bpm • G# Maj • 03:32 • -4db
24% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Andrew Swift
Courting Calamity
156 bpm • C Maj • 03:28 • -4.93db
14% Popularity • 58% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Travis Collins
Hillbilly
184 bpm • E Maj • 02:50 • -4.72db
13% Popularity • 46% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Troy Kemp
Small Town Girl
186 bpm • A Maj • 03:21 • -4.16db
13% Popularity • 46% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Morgan Evans
Country Outta My Girl
188 bpm • G Maj • 03:22 • -4db
35% Popularity • 45% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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DJ Garth
8teen
155 bpm • G Maj • 04:49 • -5.21db
5% Popularity • 51% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Deep Creek Road
Anchor
188 bpm • A Maj • 03:34 • -3.8db
18% Popularity • 42% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Better Than You Found 'Em