Songs like Between the Lines by Sarah Klang
Based on a tempo of (+/- 10%) and a similar genre
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Amason
Kelly
117 bpm • C# min • 03:38 • -9db
30% Popularity • 75% Danceability • 52% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
30% Popularity • 75% Danceability • 52% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
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Slowgold
NÃ¥t
117 bpm • G# Maj • 03:41 • -10.29db
26% Popularity • 63% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
26% Popularity • 63% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
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Sarah Klang
Ghost Killer
117 bpm • D Maj • 03:17 • -8.76db
38% Popularity • 67% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
38% Popularity • 67% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Moonica Mac
80's
117 bpm • C# min • 03:30 • -9.01db
49% Popularity • 70% Danceability • 46% Energy • 32% Liveness
2% Instrumentalness • 19% Positiveness
49% Popularity • 70% Danceability • 46% Energy • 32% Liveness
2% Instrumentalness • 19% Positiveness
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Metteson
Convince Me
117 bpm • G# Maj • 02:49 • -8.91db
29% Popularity • 58% Danceability • 77% Energy • 34% Liveness
59% Instrumentalness • 65% Positiveness
29% Popularity • 58% Danceability • 77% Energy • 34% Liveness
59% Instrumentalness • 65% Positiveness
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Deportees
Lost You For a While
117 bpm • G Maj • 04:23 • -9.86db
47% Popularity • 56% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
47% Popularity • 56% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Johan Airijoki
FÃ¥r jag vara din kille
116 bpm • C# min • 04:32 • -14.96db
22% Popularity • 54% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 54% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Vargas & Lagola
Suddenly
118 bpm • G# Maj • 03:32 • -4.67db
26% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Sarah Klang
Between the Lines
117 bpm • A Maj • 03:17 • -6.32db
25% Popularity • 60% Danceability • 78% Energy • 23% Liveness
1% Instrumentalness • 73% Positiveness
25% Popularity • 60% Danceability • 78% Energy • 23% Liveness
1% Instrumentalness • 73% Positiveness
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Moonica Mac
Dalarna
118 bpm • F# min • 04:00 • -14.06db
45% Popularity • 53% Danceability • 26% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
45% Popularity • 53% Danceability • 26% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
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Gustaf & Viktor Norén
Walk with You
116 bpm • D Maj • 03:23 • -5db
33% Popularity • 58% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 58% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Alba August
Pretty Bird
116 bpm • B min • 03:28 • -6.41db
29% Popularity • 60% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 60% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Amason
Yvonne
118 bpm • G Maj • 04:04 • -8.12db
21% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Linnea Dale
Favourite Mistake
118 bpm • D min • 04:59 • -11.47db
11% Popularity • 74% Danceability • 40% Energy • 7% Liveness
31% Instrumentalness • 39% Positiveness
11% Popularity • 74% Danceability • 40% Energy • 7% Liveness
31% Instrumentalness • 39% Positiveness
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Sarah Klang
Strangers
118 bpm • A# Maj • 03:52 • -8.54db
36% Popularity • 59% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 59% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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April Snow
Don't Ever Lie To Me
116 bpm • C# Maj • 04:04 • -10.14db
27% Popularity • 62% Danceability • 44% Energy • 11% Liveness
32% Instrumentalness • 15% Positiveness
27% Popularity • 62% Danceability • 44% Energy • 11% Liveness
32% Instrumentalness • 15% Positiveness
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Sara Zacharias
Bättre än du tror
118 bpm • F# Maj • 02:54 • -5.61db
42% Popularity • 72% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 72% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Clara Klingenström
Engelbrekts väg
116 bpm • G# Maj • 03:29 • -6.74db
17% Popularity • 61% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 61% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Amason
The Kluski Report
118 bpm • C# min • 03:51 • -9.18db
27% Popularity • 72% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
27% Popularity • 72% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
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Loney Dear
Hulls - Atlantis
118 bpm • C# Maj • 03:55 • -12.5db
22% Popularity • 66% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
22% Popularity • 66% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Alba August
Said Goodbye Too Many Times
116 bpm • B Maj • 03:33 • -11.73db
27% Popularity • 47% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
27% Popularity • 47% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Ellen Krauss
New York
118 bpm • B Maj • 02:56 • -7.01db
51% Popularity • 83% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
51% Popularity • 83% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Moonica Mac
Vittran
118 bpm • D Maj • 04:34 • -10.57db
25% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Amanda Bergman
Wild Geese, Wild Love
115 bpm • E Maj • 05:23 • -9.06db
43% Popularity • 60% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 60% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Sarah Klang
Hospital Window
115 bpm • G Maj • 03:15 • -10.14db
29% Popularity • 49% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 20% Positiveness
29% Popularity • 49% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 20% Positiveness
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moonstown
Don't Go
119 bpm • C Maj • 04:09 • -10.24db
4% Popularity • 69% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
4% Popularity • 69% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Anna Ternheim
Oh Mary
115 bpm • C Maj • 02:39 • -8.68db
13% Popularity • 80% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
13% Popularity • 80% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
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Maja Francis
Lucky
115 bpm • B min • 03:42 • -11.08db
22% Popularity • 62% Danceability • 31% Energy • 14% Liveness
2% Instrumentalness • 12% Positiveness
22% Popularity • 62% Danceability • 31% Energy • 14% Liveness
2% Instrumentalness • 12% Positiveness
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Augustifamiljen
The River
115 bpm • B Maj • 02:42 • -8.78db
17% Popularity • 41% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 41% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Augustine
Coast (Stripped)
115 bpm • F# Maj • 02:39 • -8db
37% Popularity • 62% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 62% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Sarah Klang
When You Walk
115 bpm • A Maj • 03:00 • -12.09db
19% Popularity • 66% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 66% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sibille Attar
Somebody's Watching
115 bpm • G min • 03:56 • -9.18db
9% Popularity • 48% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 48% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ludwig Hart
A Dream I Keep Returning To - Acoustic
115 bpm • D Maj • 04:37 • -8.49db
13% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Moonica Mac
Till slutet av augusti
119 bpm • C Maj • 03:51 • -15.2db
53% Popularity • 40% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
53% Popularity • 40% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Magnus Häll
Walk me home
119 bpm • D# Maj • 03:40 • -12.71db
22% Popularity • 46% Danceability • 30% Energy • 24% Liveness
11% Instrumentalness • 20% Positiveness
22% Popularity • 46% Danceability • 30% Energy • 24% Liveness
11% Instrumentalness • 20% Positiveness
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Frøkedal
Takedown
119 bpm • G Maj • 04:44 • -9.28db
8% Popularity • 49% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 49% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Sarah Klang
Canyon
119 bpm • D min • 03:19 • -8.47db
40% Popularity • 37% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 21% Positiveness
40% Popularity • 37% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 21% Positiveness
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Annie
The Streets Where I Belong
115 bpm • C Maj • 04:10 • -7.51db
33% Popularity • 84% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
33% Popularity • 84% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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Amason
You Don't Have To Call Me
120 bpm • G min • 04:23 • -8.33db
29% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Magnus Carlson
My Love is Not Blind
120 bpm • E min • 03:14 • -5.36db
21% Popularity • 47% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 47% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Embla and the Karidotters
Why Fall Asleep, When You Can Fall in Lo...
120 bpm • C# Maj • 02:57 • -8db
24% Popularity • 52% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 52% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Ellen Krauss
Often
120 bpm • G min • 03:16 • -7.69db
47% Popularity • 76% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 76% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Moa Holmsten
Tougher Than the Rest - Radio Edit
120 bpm • F Maj • 04:02 • -9db
18% Popularity • 42% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
18% Popularity • 42% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
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Steget
Flyktsoda
120 bpm • F Maj • 04:57 • -10db
30% Popularity • 52% Danceability • 27% Energy • 22% Liveness
32% Instrumentalness • 12% Positiveness
30% Popularity • 52% Danceability • 27% Energy • 22% Liveness
32% Instrumentalness • 12% Positiveness
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Moa Lignell
Sunday Night
120 bpm • A Maj • 03:04 • -7.19db
36% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Hannes
Every Young Boy's Song
120 bpm • B Maj • 03:33 • -13.09db
45% Popularity • 95% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
45% Popularity • 95% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Sarah Klang
Sleep
114 bpm • A min • 04:20 • -10.41db
24% Popularity • 27% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 27% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ellen Krauss
Let Me Have It
120 bpm • D# min • 02:59 • -6.61db
40% Popularity • 71% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 71% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Christel Alsos
That Lonely Feeling
120 bpm • C Maj • 03:50 • -8.67db
11% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Denniz Pop Awards
It's My Life
120 bpm • C Maj • 03:12 • -8.05db
33% Popularity • 66% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 66% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Highasakite
Too Much To Handle
120 bpm • A# Maj • 05:25 • -9.26db
3% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Ellen Sundberg
Genesarets sjö
120 bpm • C Maj • 04:57 • -12.2db
35% Popularity • 74% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 74% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Amanda Bergman
Golden
120 bpm • A Maj • 04:04 • -10db
35% Popularity • 72% Danceability • 60% Energy • 8% Liveness
44% Instrumentalness • 46% Positiveness
35% Popularity • 72% Danceability • 60% Energy • 8% Liveness
44% Instrumentalness • 46% Positiveness
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Sarah Klang
New Day Coming
120 bpm • F Maj • 03:30 • -6db
41% Popularity • 56% Danceability • 70% Energy • 30% Liveness
2% Instrumentalness • 57% Positiveness
41% Popularity • 56% Danceability • 70% Energy • 30% Liveness
2% Instrumentalness • 57% Positiveness
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Vargas & Lagola
Pick It Up
120 bpm • E min • 03:59 • -4.37db
21% Popularity • 77% Danceability • 94% Energy • 22% Liveness
9% Instrumentalness • 96% Positiveness
21% Popularity • 77% Danceability • 94% Energy • 22% Liveness
9% Instrumentalness • 96% Positiveness
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Augustine
Coast
120 bpm • A Maj • 02:52 • -7.17db
50% Popularity • 82% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 82% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Band of Gold
I Wanna Dance with You Again
120 bpm • C min • 03:47 • -9.11db
18% Popularity • 78% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
18% Popularity • 78% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
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Metteson
Grounded
120 bpm • F# Maj • 03:26 • -9.93db
23% Popularity • 61% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 61% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Moa Holmsten
Tougher Than the Rest
120 bpm • F Maj • 05:43 • -6.48db
10% Popularity • 62% Danceability • 58% Energy • 8% Liveness
5% Instrumentalness • 50% Positiveness
10% Popularity • 62% Danceability • 58% Energy • 8% Liveness
5% Instrumentalness • 50% Positiveness
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Sarah Klang
Vile
120 bpm • D Maj • 03:17 • -8.85db
25% Popularity • 58% Danceability • 56% Energy • 18% Liveness
8% Instrumentalness • 62% Positiveness
25% Popularity • 58% Danceability • 56% Energy • 18% Liveness
8% Instrumentalness • 62% Positiveness
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Esther
Meeting Place
120 bpm • A min • 03:53 • -10.6db
10% Popularity • 65% Danceability • 54% Energy • 16% Liveness
10% Instrumentalness • 67% Positiveness
10% Popularity • 65% Danceability • 54% Energy • 16% Liveness
10% Instrumentalness • 67% Positiveness
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Alba August
Honey
120 bpm • C Maj • 03:36 • -6.08db
32% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Amanda Bergman
Taxis
120 bpm • B min • 03:10 • -8db
30% Popularity • 68% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 68% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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Anna Ternheim
Lost Times
120 bpm • A min • 03:24 • -7.31db
14% Popularity • 67% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 67% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Highasakite
Hail Of Bullets
114 bpm • G# Maj • 05:43 • -12.5db
3% Popularity • 56% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
3% Popularity • 56% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Sarah Klang
Wildfire
120 bpm • C# Maj • 03:06 • -6.29db
36% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Tomas Andersson Wij
STHLM ekar utan dig
114 bpm • C min • 03:35 • -7.81db
25% Popularity • 65% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
25% Popularity • 65% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Gustaf & Viktor Norén
Rise Again - Acoustic Version
120 bpm • C Maj • 03:01 • -9.27db
14% Popularity • 47% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 47% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 16% Positiveness
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Säkert!
Det ska hända dig med
120 bpm • A Maj • 03:20 • -10db
33% Popularity • 62% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 62% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Ludwig Hart
Cowboys
121 bpm • C min • 04:21 • -7.25db
26% Popularity • 59% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 59% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Highasakite
Too Early
120 bpm • D# Maj • 04:05 • -11.89db
4% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
4% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Irya Gmeyner
You Never Said Goodbye
114 bpm • G min • 02:40 • -11.3db
7% Popularity • 71% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 71% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 11% Positiveness
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Sarah Klang
Strange
114 bpm • D Maj • 04:14 • -13.27db
43% Popularity • 33% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
43% Popularity • 33% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Weeping Willows
Tombstones
113 bpm • B Maj • 04:00 • -7.7db
13% Popularity • 51% Danceability • 61% Energy • 31% Liveness
12% Instrumentalness • 42% Positiveness
13% Popularity • 51% Danceability • 61% Energy • 31% Liveness
12% Instrumentalness • 42% Positiveness
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Augustine
Luzon
113 bpm • G min • 03:01 • -6.03db
37% Popularity • 78% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 78% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Embla and the Karidotters
Burn the City Down
113 bpm • F# min • 04:39 • -10.77db
8% Popularity • 37% Danceability • 43% Energy • 25% Liveness
5% Instrumentalness • 24% Positiveness
8% Popularity • 37% Danceability • 43% Energy • 25% Liveness
5% Instrumentalness • 24% Positiveness
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Highasakite
Keep it alive
120 bpm • C Maj • 04:39 • -7.82db
40% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Frida Hyvönen
14 at 41
121 bpm • A Maj • 06:31 • -11.75db
13% Popularity • 44% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 44% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Amason
It's Getting Harder
113 bpm • D Maj • 04:53 • -8db
22% Popularity • 63% Danceability • 52% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
22% Popularity • 63% Danceability • 52% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
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Maja Francis
PMS Party
113 bpm • D Maj • 02:45 • -8.41db
32% Popularity • 60% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 60% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Stina Wollter
Let me help you pack the bags
122 bpm • C Maj • 04:24 • -11.51db
7% Popularity • 69% Danceability • 51% Energy • 11% Liveness
34% Instrumentalness • 31% Positiveness
7% Popularity • 69% Danceability • 51% Energy • 11% Liveness
34% Instrumentalness • 31% Positiveness
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Dylan LeBlanc
Born Again
122 bpm • D Maj • 03:30 • -5.3db
17% Popularity • 48% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 48% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Highasakite
Mexico
114 bpm • A# Maj • 04:08 • -7.93db
3% Popularity • 54% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 8% Positiveness
3% Popularity • 54% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 8% Positiveness
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Ludwig Hart
Helpless
122 bpm • A# Maj • 03:35 • -7.8db
19% Popularity • 49% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 49% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Gustaf & Viktor Norén
Rise Again
122 bpm • E min • 03:41 • -5.38db
35% Popularity • 60% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 60% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Franska Trion
När du är på botten
122 bpm • G min • 03:28 • -11db
21% Popularity • 48% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 48% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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April Snow
We Fucked It Up
122 bpm • G Maj • 03:19 • -7.4db
27% Popularity • 52% Danceability • 59% Energy • 14% Liveness
2% Instrumentalness • 19% Positiveness
27% Popularity • 52% Danceability • 59% Energy • 14% Liveness
2% Instrumentalness • 19% Positiveness
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Metteson
Harder
122 bpm • C# Maj • 02:48 • -8.27db
30% Popularity • 62% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 62% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Highasakite
Can I Be Forgiven
120 bpm • G# Maj • 04:30 • -6.77db
17% Popularity • 50% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 50% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Moa Lignell
If Someone
122 bpm • G# min • 03:26 • -11.71db
45% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Gustaf & Viktor Norén
Amerika
122 bpm • D Maj • 03:46 • -7.36db
26% Popularity • 56% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 56% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Irya Gmeyner
Sisters
112 bpm • F# min • 02:36 • -6.68db
10% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Alba August
Passion For Life
112 bpm • C Maj • 03:30 • -6.73db
31% Popularity • 54% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 54% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Amason
Helitrop
112 bpm • C# Maj • 04:44 • -10.69db
22% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Bendik Brænne
Ain't Nobody Like Me
122 bpm • F Maj • 03:23 • -7.69db
16% Popularity • 63% Danceability • 56% Energy • 34% Liveness
20% Instrumentalness • 70% Positiveness
16% Popularity • 63% Danceability • 56% Energy • 34% Liveness
20% Instrumentalness • 70% Positiveness
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Per Gessle
Around The Corner (The Comfort Song)
122 bpm • G min • 03:42 • -10.4db
17% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Amanda Bergman
Blue Eyes
122 bpm • A# Maj • 03:50 • -13.49db
26% Popularity • 45% Danceability • 27% Energy • 11% Liveness
30% Instrumentalness • 18% Positiveness
26% Popularity • 45% Danceability • 27% Energy • 11% Liveness
30% Instrumentalness • 18% Positiveness
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Janove
Marlene
112 bpm • D Maj • 05:15 • -8.88db
28% Popularity • 33% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 33% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
