Songs like BeVerly Hills BoYfRiEnd by Claire Rosinkranz
Based on a tempo of (+/- 10%) and a similar genre
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FINNEAS
Partners in Crime
173 bpm • G Maj • 03:43 • -12.71db
54% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Claire Rosinkranz
BeVerly Hills BoYfRiEnd
173 bpm • C Maj • 02:43 • -11db
40% Popularity • 59% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 59% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Alt Bloom
Damn Baby
173 bpm • G Maj • 02:53 • -5db
41% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
41% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Peach Tree Rascals
I Need That
172 bpm • B min • 02:30 • -5.8db
41% Popularity • 71% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 71% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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sundial
social anxiety
174 bpm • C# Maj • 01:31 • -7.3db
28% Popularity • 76% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 76% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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asking for a friend
I Need Someone
175 bpm • G Maj • 03:04 • -10.86db
33% Popularity • 40% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 40% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Lyn Lapid
Producer Man
174 bpm • A# min • 02:21 • -5.36db
56% Popularity • 66% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 66% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Claire Rosinkranz
BeVerly Hills BoYfRiEnd
173 bpm • C Maj • 02:43 • -8.71db
47% Popularity • 61% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 61% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Audrey Mika
Red Gatorade
176 bpm • C Maj • 03:07 • -7.44db
34% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Emei
Late to the Party
170 bpm • D# min • 02:57 • -8.77db
56% Popularity • 68% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 68% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Alexander 23
Sad
176 bpm • G# Maj • 02:43 • -5.16db
30% Popularity • 70% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 70% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 62% Positiveness
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Aidan Bissett
Dumped
176 bpm • B Maj • 02:43 • -5db
43% Popularity • 56% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 56% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Palmer
stay inside
170 bpm • A Maj • 03:39 • -16.99db
27% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Claire Rosinkranz
i'm too pretty for this
174 bpm • G Maj • 02:46 • -5.18db
53% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Emily Bear
u suck
170 bpm • C# Maj • 03:19 • -6db
28% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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david hugo
we made it.
176 bpm • F Maj • 02:44 • -7.91db
50% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Malcolm.
Jim & Pam (Goddamn)
176 bpm • G Maj • 03:25 • -7.35db
18% Popularity • 54% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 54% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Aidan Bissett
All That I'm Craving
170 bpm • A Maj • 03:12 • -5db
49% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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ROLE MODEL
minimal
170 bpm • C# Maj • 02:43 • -4.44db
49% Popularity • 57% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 57% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Lyn Lapid
Saturn
170 bpm • D min • 03:33 • -6.94db
47% Popularity • 32% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 32% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Peach Tree Rascals
Change My Mind
178 bpm • C# Maj • 02:01 • -5.47db
47% Popularity • 70% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 70% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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renforshort
fuck, i luv my friends
168 bpm • E Maj • 02:43 • -5.67db
42% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Forrest Nolan
stupid i miss u
168 bpm • G Maj • 02:20 • -5.75db
45% Popularity • 59% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 59% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Thomas Headon
UrbanAngel1999
168 bpm • F Maj • 03:10 • -11.71db
42% Popularity • 58% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 58% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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ROLE MODEL
forever&more
168 bpm • A Maj • 02:56 • -5.84db
58% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Alexander 23
20 Something
168 bpm • G Maj • 02:20 • -5.81db
25% Popularity • 63% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 63% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Stephen Dawes
It Could Be Me
179 bpm • E Maj • 02:07 • -9.05db
47% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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EASHA
I Can't Breathe
180 bpm • G# Maj • 02:54 • -5.98db
15% Popularity • 44% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 44% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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DOUBLECAMP
Confetti
168 bpm • D Maj • 03:04 • -4.15db
45% Popularity • 70% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 70% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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kenzie
happy for me
180 bpm • C# Maj • 03:11 • -6.78db
35% Popularity • 42% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 42% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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MICO
down!
180 bpm • F Maj • 02:42 • -7.72db
46% Popularity • 68% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 68% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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sundial
that's love
180 bpm • B min • 02:56 • -7.94db
36% Popularity • 80% Danceability • 41% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 80% Danceability • 41% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Anja Kotar
Tuscany
166 bpm • A# Maj • 03:25 • -6.91db
30% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Conan Gray
Crush Culture
180 bpm • C Maj • 03:24 • -5.4db
66% Popularity • 52% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
66% Popularity • 52% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Peach Tree Rascals
Let U Go
164 bpm • C# min • 02:48 • -4.29db
42% Popularity • 69% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
42% Popularity • 69% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Lyn Lapid
poster boy
164 bpm • C# Maj • 02:46 • -6.66db
61% Popularity • 53% Danceability • 70% Energy • 19% Liveness
11% Instrumentalness • 46% Positiveness
61% Popularity • 53% Danceability • 70% Energy • 19% Liveness
11% Instrumentalness • 46% Positiveness
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THE DRIVER ERA
flashdrive
164 bpm • A Maj • 03:33 • -5.41db
45% Popularity • 46% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 46% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Andy Yu
Castaways (Indie Pop)
162 bpm • G min • 01:18 • -14.3db
32% Popularity • 79% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 79% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Thomas Headon
Bored
162 bpm • D Maj • 02:39 • -6.54db
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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ella jane
AUGUST IS A FEVER
162 bpm • A# Maj • 03:37 • -10db
33% Popularity • 83% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 83% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Ian Hugel
SUMMER GIRL
160 bpm • E Maj • 02:48 • -13.11db
47% Popularity • 56% Danceability • 43% Energy • 27% Liveness
1% Instrumentalness • 21% Positiveness
47% Popularity • 56% Danceability • 43% Energy • 27% Liveness
1% Instrumentalness • 21% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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Valley
hiccup
160 bpm • A Maj • 02:44 • -8.96db
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Claire Rosinkranz
Tough Guy
160 bpm • B Maj • 03:07 • -8.37db
36% Popularity • 69% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 69% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Aidan Bissett
More Than Friends
160 bpm • F# Maj • 03:03 • -6.79db
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Forrest Nolan
to the moon
160 bpm • B Maj • 03:17 • -9.93db
16% Popularity • 68% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 68% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Louis The Child
Walls
160 bpm • F# min • 02:20 • -3.97db
36% Popularity • 78% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 78% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Lance Redeker
Truman
160 bpm • C Maj • 03:28 • -7.31db
30% Popularity • 58% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 58% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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EASHA
Dying Is a Beautiful Thing to Do
159 bpm • C Maj • 03:05 • -15.28db
39% Popularity • 44% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 44% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Claire Rosinkranz
Screw Time
160 bpm • E Maj • 03:05 • -6.61db
37% Popularity • 55% Danceability • 94% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 55% Danceability • 94% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
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Aidan Bissett
Different
160 bpm • B min • 03:20 • -5.51db
41% Popularity • 52% Danceability • 62% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 52% Danceability • 62% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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renforshort
museum
188 bpm • A# Maj • 02:37 • -6.92db
25% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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carobae
dance around
159 bpm • A# Maj • 02:27 • -7db
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Peach Tree Rascals
C'est La Vie
157 bpm • A Maj • 03:00 • -5.06db
35% Popularity • 58% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 58% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Forrest Nolan
Hotel Room
156 bpm • C# Maj • 02:59 • -8.04db
23% Popularity • 80% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 80% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Claire Rosinkranz
Sad in Hawaii
157 bpm • D Maj • 02:31 • -4.69db
42% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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ROLE MODEL
for the people in the back
156 bpm • D# min • 02:34 • -4.43db
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Aidan Bissett
Worst Girls of All Time
159 bpm • F# Maj • 02:53 • -5.97db
35% Popularity • 45% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 45% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Ashes To Amber
ARIZONA THUNDER
156 bpm • A Maj • 02:41 • -10.67db
38% Popularity • 66% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 66% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Stephen Dawes
Friends Don’t Keep Secrets
155 bpm • A Maj • 02:11 • -17db
41% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Forrest Nolan
you make me feel alright
156 bpm • D# Maj • 02:58 • -10.49db
21% Popularity • 72% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 72% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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khai dreams
Sunkissed - again&again Remix
154 bpm • F# Maj • 02:56 • -7db
36% Popularity • 65% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 65% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Boyu
Flower Garden
153 bpm • D Maj • 03:17 • -8.6db
34% Popularity • 65% Danceability • 69% Energy • 60% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 65% Danceability • 69% Energy • 60% Liveness
0% Instrumentalness • 65% Positiveness
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Conan Gray
Checkmate
151 bpm • C# Maj • 02:28 • -4.13db
61% Popularity • 51% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 51% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Dhruv
stable life
150 bpm • D Maj • 03:16 • -9.09db
41% Popularity • 50% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 50% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Claire Rosinkranz
Gum
150 bpm • F# min • 02:13 • -7.11db
35% Popularity • 69% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 69% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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khai dreams
Sunkissed
154 bpm • F# Maj • 02:06 • -9.49db
65% Popularity • 77% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
65% Popularity • 77% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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DWLLRS
Iced Coffee
150 bpm • D# min • 03:04 • -6.57db
26% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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FIG
You're Kinda Perfect
150 bpm • C Maj • 02:26 • -10db
24% Popularity • 55% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 55% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Elle Mills
Still in Love with Me
150 bpm • E Maj • 02:38 • -9.24db
24% Popularity • 66% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 66% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Juniper
Angelina
150 bpm • D# Maj • 03:10 • -7db
30% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Katherine Li
Happening Again
149 bpm • C Maj • 02:53 • -6db
48% Popularity • 65% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 65% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
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khai dreams
Good Advice
149 bpm • G# Maj • 02:44 • -9.56db
39% Popularity • 80% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 80% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Belaganas
Silk
148 bpm • E Maj • 03:53 • -5db
31% Popularity • 57% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 57% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Claire Rosinkranz
Banksy
148 bpm • C# min • 02:54 • -5.78db
33% Popularity • 59% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 59% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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FINNEAS
I Don't Miss You at All
148 bpm • C# min • 02:08 • -7.57db
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Ashe
I'm Fine
148 bpm • A Maj • 02:16 • -6.55db
45% Popularity • 52% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 52% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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sundial
worst of me
148 bpm • C min • 02:37 • -4.48db
35% Popularity • 77% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 77% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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teak
Cheerios & Chocolate Milk
148 bpm • B min • 03:34 • -6.46db
33% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Christian French
bright side of the moon
148 bpm • B min • 03:10 • -5.88db
41% Popularity • 65% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 65% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Claire Rosinkranz
Wes Anderson
148 bpm • C# Maj • 02:47 • -4.22db
36% Popularity • 66% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 66% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
