Songs like Beyond the Door by Hadley Fraser
Based on a tempo of (+/- 10%) and a similar genre
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Matt Dahan
On the Threshold of Eternity
77 bpm • A# Maj • 03:51 • -8.95db
24% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Audra McDonald
Your Daddy's Son
77 bpm • G# min • 03:42 • -12.81db
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Stephanie J. Block
Get Out And Stay Out
77 bpm • C# Maj • 04:19 • -8.6db
39% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Danny Burstein
If I Were a Rich Man
77 bpm • C# Maj • 04:39 • -8db
28% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Ricky Allan
All We Dreamed & More
77 bpm • G Maj • 03:01 • -10.4db
11% Popularity • 40% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 40% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Mindi Dickstein
Small Umbrella in the Rain
77 bpm • G Maj • 04:22 • -12.13db
25% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Hadley Fraser
Beyond the Door
77 bpm • G# min • 03:00 • -8db
23% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Cast Recording
Ever After
77 bpm • E min • 02:41 • -11.58db
25% Popularity • 50% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 50% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Emma Hunton
Just One Day
77 bpm • G Maj • 04:30 • -4.95db
32% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Kooman & Dimond
Lost in the Waves
77 bpm • D# Maj • 04:21 • -11.87db
27% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Hugh Jackman
Who Am I?
78 bpm • G# Maj • 02:37 • -13.18db
41% Popularity • 37% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 37% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Solea Pfeiffer
Dare to Dream
78 bpm • A Maj • 03:27 • -6.59db
12% Popularity • 39% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 39% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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James Barbour
The Longer I Live
76 bpm • D# min • 02:49 • -8.2db
23% Popularity • 25% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 25% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Cast Recording
All Grown Up
76 bpm • C# min • 04:11 • -11.46db
28% Popularity • 41% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 41% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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The Scarlet Pimpernel
I'll Forget You
76 bpm • C# min • 03:29 • -13.96db
16% Popularity • 26% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Anne Hathaway
The Docks (Lovely Ladies)
78 bpm • D min • 04:03 • -16.35db
40% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Original Cast of Amélie
Times Are Hard for Dreamers
78 bpm • D# Maj • 03:17 • -6.98db
41% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Solea Pfeiffer
She's Not Me
76 bpm • A min • 03:32 • -8.41db
11% Popularity • 30% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 30% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Joe Dixon, The Prince of Egypt Original Cast Ensemble
One Weak Link
78 bpm • A# Maj • 01:31 • -12.48db
29% Popularity • 47% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 47% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Pia Douwes
Pretty Lies
76 bpm • B min • 02:47 • -11.09db
26% Popularity • 37% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 37% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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William Finn
Time and Music
78 bpm • B min • 02:21 • -3.91db
13% Popularity • 22% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 22% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 31% Positiveness
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Stuart Matthew Price
Daddy, I Met This Boy
78 bpm • C Maj • 03:47 • -8.1db
7% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Dahan
Something After All - Original Version -...
76 bpm • F Maj • 03:22 • -11db
13% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Emma
Once Upon a Dream
75 bpm • B Maj • 02:49 • -17db
29% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Arielle Jacobs
Another Chapter
75 bpm • A min • 04:28 • -7.13db
24% Popularity • 48% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 48% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Ricky Allan
The Day Elizabeth Died
79 bpm • B min • 03:09 • -9.38db
14% Popularity • 38% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 38% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Megan McGinnis
I Couldn't Know Someone Less
79 bpm • E Maj • 03:08 • -8db
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Douglas Sills
Prayer
79 bpm • A min • 03:34 • -9.28db
23% Popularity • 24% Danceability • 34% Energy • 52% Liveness
1% Instrumentalness • 10% Positiveness
23% Popularity • 24% Danceability • 34% Energy • 52% Liveness
1% Instrumentalness • 10% Positiveness
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Daniel Boys
Out of Your World
79 bpm • G# Maj • 03:26 • -9.02db
7% Popularity • 23% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 23% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Hadley Fraser
But For Me
79 bpm • D Maj • 04:21 • -6.21db
10% Popularity • 42% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 42% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Michael James Scott
A Killer Party
79 bpm • D# Maj • 03:11 • -4.65db
10% Popularity • 56% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 56% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
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Corey Cott
This Is Life
75 bpm • G# Maj • 02:55 • -12.16db
20% Popularity • 34% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 34% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Josh Groban
Dust and Ashes
79 bpm • D# Maj • 06:24 • -9.91db
41% Popularity • 34% Danceability • 36% Energy • 50% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 34% Danceability • 36% Energy • 50% Liveness
0% Instrumentalness • 20% Positiveness
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E. Clayton Cornelious
Advice from a Caterpillar
80 bpm • D min • 04:22 • -13.94db
24% Popularity • 61% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 61% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Betsy Wolfe
See I'm Smiling
80 bpm • D Maj • 05:10 • -9db
15% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Neil Bartram
Promise Me This
80 bpm • C Maj • 04:53 • -14.86db
25% Popularity • 46% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 46% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Finn Anderson
Finfolk Song
80 bpm • A# Maj • 01:38 • -15.94db
17% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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'Come From Away' Company
Something's Missing
80 bpm • G Maj • 05:36 • -9.6db
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Taylor Louderman
Distant Melody
74 bpm • F# Maj • 03:12 • -13.14db
16% Popularity • 24% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 24% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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The Original Broadway Cast Of 'Curtains'
I Miss The Music
74 bpm • F Maj • 05:08 • -20.17db
24% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Heidi Blickenstaff
Parents Lie
74 bpm • B Maj • 02:51 • -10db
27% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Finn Anderson
The Splitting of the Islands
74 bpm • G Maj • 02:25 • -15db
20% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Ciara Renée
The Man I Know
74 bpm • A Maj • 03:14 • -8db
14% Popularity • 34% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 34% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Heather Headley
Easy As Life
73 bpm • G# Maj • 04:13 • -8.52db
34% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Janet Dacal
Finding Wonderland
73 bpm • A Maj • 03:35 • -12.56db
28% Popularity • 26% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 26% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Original Cast of Aristos: The Musical
Cleopatra
81 bpm • A min • 02:23 • -17.37db
12% Popularity • 39% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 39% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Christine Andreas
Only Love
81 bpm • G# Maj • 04:08 • -11.22db
22% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Solea Pfeiffer
I'm Not Afraid of Anything
81 bpm • D Maj • 04:49 • -9.13db
32% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Ricky Allan
The Inevitable
81 bpm • D min • 03:50 • -8.72db
16% Popularity • 46% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 46% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Lea Michele
Whispering - Original Broadway Cast Reco...
81 bpm • E min • 03:35 • -16.06db
33% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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The 'Les Misérables 2010' Company
One Day More - Live
82 bpm • D Maj • 03:40 • -8.94db
37% Popularity • 26% Danceability • 46% Energy • 74% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 26% Danceability • 46% Energy • 74% Liveness
0% Instrumentalness • 12% Positiveness
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Robert Lonsdale
Fight the Fight
82 bpm • E Maj • 02:40 • -7db
14% Popularity • 46% Danceability • 63% Energy • 72% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 46% Danceability • 63% Energy • 72% Liveness
0% Instrumentalness • 52% Positiveness
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Gianluca Cucchiara
The Man She Once Saw In Me
82 bpm • A# Maj • 02:58 • -5.51db
10% Popularity • 42% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 42% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Kelsey Grammer
Something About This Night - Original Br...
82 bpm • G Maj • 02:13 • -6.57db
30% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Cast of Galavant
Galavant (Isabella Reprise)
72 bpm • D# Maj • 01:00 • -7.53db
11% Popularity • 37% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 37% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Original London Cast Of The Wind In The Willows
Spring
72 bpm • E min • 04:14 • -7.95db
19% Popularity • 22% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 22% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Laura Osnes
Love Will Come and Find Me Again
82 bpm • D Maj • 03:02 • -8.49db
30% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Lora Lee Gayer
It Comes as No Surprise
72 bpm • A Maj • 03:41 • -11.37db
8% Popularity • 34% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 34% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Douglas Sills
Into the Fire
83 bpm • D Maj • 03:50 • -11db
27% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Lewis Flinn
Where Am I Now?
83 bpm • A# Maj • 04:09 • -8.85db
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Brian Stokes Mitchell
Make Them Hear You
83 bpm • E Maj • 02:47 • -12.83db
14% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Brandi Burkhardt
When the World Was Mine
83 bpm • A# Maj • 02:53 • -10.71db
28% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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William Finn
I'd Rather Be Sailing
71 bpm • C# Maj • 03:02 • -8.03db
26% Popularity • 33% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 33% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
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Jekyll & Hyde Cast Ensemble
Once Upon a Dream - Jekyll
71 bpm • G# Maj • 02:25 • -16.98db
25% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Santino Fontana
I Won't Let You Down
71 bpm • E Maj • 03:03 • -10.87db
11% Popularity • 31% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 31% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Ricky Allan
The Cold, Hard, Ground
83 bpm • A min • 03:41 • -10.88db
17% Popularity • 32% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 32% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Cast Recording
Once Upon A Time
83 bpm • E min • 02:11 • -16.71db
25% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Dr. Henry Jekyll
Lost in the Darkness
83 bpm • C# min • 01:56 • -18db
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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Anne Hathaway
Fantine’s Arrest
83 bpm • F Maj • 01:59 • -15.68db
38% Popularity • 46% Danceability • 11% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 46% Danceability • 11% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
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Rebecca Faulkenberry
Playing Nancy
71 bpm • D Maj • 03:11 • -8db
32% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Mindi Dickstein
Some Things Are Meant to Be
84 bpm • G Maj • 04:25 • -10.6db
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Reeve Carney
Doubt Comes In
84 bpm • G min • 04:51 • -9db
48% Popularity • 38% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
48% Popularity • 38% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Arielle Jacobs
Between the Lines
84 bpm • G Maj • 04:42 • -10.46db
21% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Thomas Borchert
Every Day a Little Death
84 bpm • F min • 04:25 • -12.03db
32% Popularity • 33% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 33% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Krystina Alabado
Say The Word
84 bpm • G# Maj • 04:13 • -10db
24% Popularity • 47% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 47% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Jekyll Hyde
Confrontation
84 bpm • E min • 03:42 • -9.4db
35% Popularity • 29% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 29% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Andy Mientus
SOS
85 bpm • G Maj • 04:19 • -10.47db
12% Popularity • 38% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 38% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Emma Hunton
Bring My Baby (Brother) Home
70 bpm • C# Maj • 03:02 • -5db
26% Popularity • 62% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 62% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Stuart Matthew Price
The Painting
85 bpm • F Maj • 03:09 • -12.17db
7% Popularity • 43% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 43% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Alison Fraser
Hold On
85 bpm • G# min • 03:03 • -12db
24% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Christine Andreas
When I Look at You
70 bpm • G Maj • 03:58 • -11db
29% Popularity • 21% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 21% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Damian Perkins
How I Know You
85 bpm • F Maj • 02:35 • -11.81db
30% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Anthony Warlow
Board of Govenors
69 bpm • E min • 09:25 • -10.77db
31% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Lindsay Mendez
Pretty Funny
70 bpm • G Maj • 04:49 • -10db
39% Popularity • 44% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 44% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Hugh Jackman
The Confrontation
86 bpm • A# Maj • 01:54 • -11.05db
41% Popularity • 40% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 40% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Diana Original Broadway Cast
Underestimated
86 bpm • E Maj • 03:08 • -8.08db
27% Popularity • 47% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 47% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Stuart Matthew Price
Sketches
69 bpm • C Maj • 02:50 • -6.35db
6% Popularity • 50% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
6% Popularity • 50% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Jennifer Damiano
Everything Else
69 bpm • C Maj • 01:49 • -12db
38% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Nick Cordero
You Will Still Be Mine
86 bpm • D# Maj • 02:18 • -9.05db
45% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Letters
86 bpm • A Maj • 06:27 • -7.36db
38% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Carolyn Maitland
Children of the Wind
86 bpm • G Maj • 02:55 • -9.9db
18% Popularity • 33% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 33% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Matthew Morrison
When Your Feet Don’t Touch The Ground
87 bpm • D min • 04:00 • -10.76db
29% Popularity • 32% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 32% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
