Songs like Bhagyada Lakshmi Baramma by Uthara Unnikrishnan
Based on a tempo of (+/- 10%) and a similar genre
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Vivek - Mervin
Heartukulla
155 bpm • D Maj • 03:51 • -4db
54% Popularity • 78% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 78% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Abhirami Ajith
Omana Komala
155 bpm • G Maj • 04:13 • -9.15db
44% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Arvind Venugopal
Vanil Chandrika
155 bpm • C# min • 03:57 • -9.61db
53% Popularity • 62% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 62% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Rajesh Krishnan
I Want To See
156 bpm • B min • 05:22 • -15.43db
30% Popularity • 60% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 60% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Shri Chandra Bhanu Satpathy
Hey Krupasagara
156 bpm • F Maj • 05:40 • -8db
4% Popularity • 59% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
4% Popularity • 59% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Niranjana Ramanan
Swagatham Krishna
156 bpm • A Maj • 03:23 • -6.48db
44% Popularity • 37% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 37% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Anirudh Sharma
Bhagyada Lakshmi Baramma - Madhyamavati ...
154 bpm • C# Maj • 02:57 • -6.27db
32% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Devan Ekambaram
Ore Nyabagam
153 bpm • A# Maj • 01:53 • -14.95db
39% Popularity • 66% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 66% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Sid Sriram
Yaarumillaa - Male
154 bpm • C Maj • 04:08 • -10db
52% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Rajesh Krishnan
Kaarmoda Saridhu
156 bpm • B min • 04:10 • -7.4db
49% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Yuvan Shankar Raja
Madura Veeran
157 bpm • G Maj • 03:49 • -9.48db
50% Popularity • 68% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 68% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Kalabhavan Mani
Nattucha Nerath
152 bpm • F min • 03:54 • -9.16db
19% Popularity • 72% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 72% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Uthara Unnikrishnan
Ya Devi Sarvabhuteshu
152 bpm • C Maj • 09:54 • -7.08db
8% Popularity • 42% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 42% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Geetha Madhuri
Paravaledu Paravaledu
152 bpm • D min • 04:26 • -10.73db
39% Popularity • 78% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 78% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Vineeth Sreenivasan
Aalilayum
159 bpm • D Maj • 03:50 • -5.77db
44% Popularity • 66% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
44% Popularity • 66% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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M. M. Keeravani
Nunugu Misalodu
151 bpm • G# Maj • 05:02 • -11.14db
58% Popularity • 65% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
58% Popularity • 65% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Goutham Vincent
Ethrayo Janmamayi
160 bpm • F min • 03:54 • -11.25db
37% Popularity • 57% Danceability • 51% Energy • 10% Liveness
4% Instrumentalness • 40% Positiveness
37% Popularity • 57% Danceability • 51% Energy • 10% Liveness
4% Instrumentalness • 40% Positiveness
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Phani Narayana
Seetha Kalyana Vaibhogame
160 bpm • D Maj • 06:50 • -14db
34% Popularity • 49% Danceability • 34% Energy • 15% Liveness
9% Instrumentalness • 51% Positiveness
34% Popularity • 49% Danceability • 34% Energy • 15% Liveness
9% Instrumentalness • 51% Positiveness
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Uthara Unnikrishnan
Sri Chakra Raja
160 bpm • G Maj • 07:15 • -8.32db
13% Popularity • 46% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 46% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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C. Sathya
Nandooruthu
150 bpm • D Maj • 04:20 • -8db
60% Popularity • 55% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 55% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Vidyasagar
Ore Oru Oorilae
160 bpm • A Maj • 04:52 • -4.22db
40% Popularity • 64% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 64% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Shahabaz Aman
Sundaranayavane
160 bpm • F min • 02:39 • -9.51db
45% Popularity • 64% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 64% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Kiran
Flute Music Bit
150 bpm • D Maj • 02:09 • -9.19db
46% Popularity • 71% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 71% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Bhavatharini
Mayil Pola
150 bpm • E min • 04:32 • -14db
28% Popularity • 80% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 80% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Uthara Unnikrishnan
Bo Shambo - Revathi - Adi
160 bpm • C# Maj • 03:51 • -9db
2% Popularity • 26% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
2% Popularity • 26% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Kalabhavan Mani
Kai Kottu Penne
150 bpm • A min • 04:53 • -7.64db
41% Popularity • 83% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 83% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Girishh G
Chandai Alangari
150 bpm • E Maj • 02:56 • -11.78db
36% Popularity • 40% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 40% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Rahul Subrahmanian
Anuragham - Male Version
150 bpm • G Maj • 02:18 • -11.5db
47% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ravi Varma
O Manasa O Manasa
150 bpm • B min • 04:02 • -5.44db
53% Popularity • 72% Danceability • 90% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
53% Popularity • 72% Danceability • 90% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
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Thaman S
Suguna Sundari
150 bpm • A# min • 04:14 • -7.8db
53% Popularity • 53% Danceability • 94% Energy • 9% Liveness
4% Instrumentalness • 77% Positiveness
53% Popularity • 53% Danceability • 94% Energy • 9% Liveness
4% Instrumentalness • 77% Positiveness
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Uthara Unnikrishnan
Sri Vignarajam Bhaje
160 bpm • B Maj • 04:46 • -4db
5% Popularity • 53% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
5% Popularity • 53% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Rahul Vellal
Venkatachala Nilayam
160 bpm • A min • 04:47 • -10.87db
16% Popularity • 42% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 42% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Katike Ramu
Allahe Allaha
150 bpm • A min • 04:24 • -10.73db
53% Popularity • 67% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
53% Popularity • 67% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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G Venugopal
Thamaranoolinal
150 bpm • A min • 04:10 • -10.9db
53% Popularity • 44% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 44% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Sid Sriram
Vaa Vaa Penne
150 bpm • E min • 04:54 • -9db
44% Popularity • 51% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 51% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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C. Sathya
Maasama
150 bpm • B min • 03:58 • -6db
46% Popularity • 89% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 89% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Uthara Unnikrishnan
Shri Ramchandra Kripalu
160 bpm • A Maj • 06:52 • -10.71db
19% Popularity • 42% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 42% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Rahul Vellal
Govardhana Giridhara
150 bpm • A# min • 05:42 • -6.79db
12% Popularity • 45% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 45% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Devi Sri Prasad
Whatamma What Is This Amma
150 bpm • C min • 03:48 • -4.65db
41% Popularity • 78% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 78% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Santhosh Narayanan
Pottakaatil Poovasam
150 bpm • A# Maj • 06:39 • -8db
39% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Rise of Margazhi
Aadalum Paadalum (HH Sri Sri Muralidhara...
150 bpm • G Maj • 06:01 • -12.61db
4% Popularity • 53% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
4% Popularity • 53% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Sayeetharsan
Kanneriley
150 bpm • A# min • 04:49 • -8.75db
45% Popularity • 49% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 49% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Uthara Unnikrishnan
Gopalaka Pahimam
160 bpm • B Maj • 07:00 • -12.9db
3% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
3% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Sagar
Sailaja Sailaja
162 bpm • A# min • 03:53 • -4.9db
51% Popularity • 79% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 79% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Prahalad Raghavendran
Vazhikaati by Prahalad Raghavendran, Uth...
148 bpm • A Maj • 03:33 • -11.23db
5% Popularity • 53% Danceability • 50% Energy • 11% Liveness
11% Instrumentalness • 27% Positiveness
5% Popularity • 53% Danceability • 50% Energy • 11% Liveness
11% Instrumentalness • 27% Positiveness
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Bharath
Kani Penchina Ma Ammake
148 bpm • A min • 04:08 • -6.74db
43% Popularity • 79% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 79% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Sukhwinder Singh
Aata Kaavala
148 bpm • A# min • 04:35 • -11.06db
52% Popularity • 50% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 50% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Devi Sri Prasad
Orey Oru
148 bpm • F min • 03:57 • -3.13db
38% Popularity • 72% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 72% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
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Uthara Unnikrishnan
Pibare Rama Rasam
150 bpm • D Maj • 05:08 • -10.21db
10% Popularity • 50% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 50% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Udit Narayan
Chellam Vada
147 bpm • E min • 03:47 • -5db
45% Popularity • 80% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 80% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Sri
Jagamanta Kutumbam
146 bpm • C# min • 04:18 • -8.29db
45% Popularity • 46% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 46% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Kalabhavan Mani
Minnaaminungee
146 bpm • D min • 05:28 • -9.14db
43% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Rajesh, Sujatha
Urumulu Nimuvvalai
147 bpm • D Maj • 04:31 • -8.39db
46% Popularity • 70% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 70% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Pradeep Palluruthy
Paandimelam
146 bpm • B Maj • 03:53 • -6db
47% Popularity • 89% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
47% Popularity • 89% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Uthara Unnikrishnan
Seetha Kalyana Vaibhogame
160 bpm • D Maj • 06:54 • -10.78db
18% Popularity • 52% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 52% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Vijay Prakash
Taanu Nenu
146 bpm • B Maj • 04:13 • -12.44db
47% Popularity • 50% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
47% Popularity • 50% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Jassie Gift
Ninte Mizhimuna
146 bpm • D Maj • 04:43 • -10db
52% Popularity • 77% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 77% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Thaman S
Edhathan Kandutte
165 bpm • C# Maj • 02:42 • -7.21db
53% Popularity • 68% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 68% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Mangli
Shivaratri Song 2019
165 bpm • F min • 04:56 • -3.39db
44% Popularity • 70% Danceability • 74% Energy • 48% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 70% Danceability • 74% Energy • 48% Liveness
0% Instrumentalness • 65% Positiveness
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Kalabhavan Mani
Aa Paralu Ee Paralu
165 bpm • A min • 04:23 • -7.15db
45% Popularity • 71% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
45% Popularity • 71% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Uthara Unnikrishnan
Maadu Meikum Kanne
150 bpm • D Maj • 07:20 • -8.33db
14% Popularity • 71% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 71% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Rajesh Krishnan
Kilikal Parannatho
145 bpm • D Maj • 04:27 • -8.41db
32% Popularity • 50% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 50% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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P. Jayachandran
Thanga Manassu
146 bpm • D# Maj • 04:54 • -9db
34% Popularity • 70% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 70% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Jassie Gift
Ole Ole
145 bpm • G min • 04:43 • -5.62db
51% Popularity • 71% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 71% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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G. V. Prakash
Jithu Jilladi
145 bpm • G# Maj • 04:49 • -5.8db
49% Popularity • 77% Danceability • 82% Energy • 82% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 77% Danceability • 82% Energy • 82% Liveness
0% Instrumentalness • 64% Positiveness
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Tippu
Choododde Nannu
145 bpm • F min • 04:21 • -7db
56% Popularity • 81% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
56% Popularity • 81% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Uthara Unnikrishnan
Velava Velava
150 bpm • A# min • 06:12 • -7db
20% Popularity • 44% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 44% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Fahad
Poove Oru Mazhamutham
145 bpm • G min • 05:02 • -10db
50% Popularity • 67% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 67% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Sagar
Jabilammavo
145 bpm • C# min • 04:34 • -7db
52% Popularity • 74% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 74% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Rahul Vellal
Theeratha Vilayattu Pillai
145 bpm • F min • 06:23 • -9.05db
16% Popularity • 62% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 62% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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K. S. Harisankar
Pinnenthe Enthe Mulle
145 bpm • C min • 04:40 • -9db
48% Popularity • 58% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 58% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Yuvan Shankar Raja
En Nenjil
145 bpm • G# Maj • 05:05 • -8.86db
51% Popularity • 68% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 68% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Uthara Unnikrishnan
Muddugare Yashoda
149 bpm • D Maj • 07:04 • -8.85db
23% Popularity • 45% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 45% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Bijibal
Theliveyil
145 bpm • C Maj • 02:47 • -11.34db
45% Popularity • 58% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 58% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Benny Dayal
Thangaali Thandeya
166 bpm • C# min • 04:40 • -5db
41% Popularity • 64% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 64% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Rahul Vellal
Thaye Yashoda
144 bpm • A min • 07:03 • -7.18db
15% Popularity • 63% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 63% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Harisankar
Vennilave
144 bpm • F Maj • 05:27 • -8db
53% Popularity • 58% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 58% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Shaan Rahman
Neelakkannulla Maanea
144 bpm • F# Maj • 04:05 • -5.86db
39% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Uthara Unnikrishnan
Mādhava Māmava
148 bpm • D Maj • 05:41 • -10.07db
19% Popularity • 36% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 36% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Santhosh Dhayanidhi
Paatha Oru Lookula
144 bpm • A# min • 03:50 • -4.89db
45% Popularity • 84% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
45% Popularity • 84% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Sithara Krishnakumar
Enundodi
168 bpm • A Maj • 03:58 • -6db
35% Popularity • 61% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 61% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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M G Sreekumar
Kithachethum Kaatte
144 bpm • G Maj • 05:20 • -6.27db
27% Popularity • 78% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 78% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Ajeesh Sivakumar
Aagaya Neelame
168 bpm • D# Maj • 04:40 • -8.98db
4% Popularity • 52% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
4% Popularity • 52% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Vineeth Sreenivasan
Aa Oruthi
168 bpm • E Maj • 04:20 • -6.37db
41% Popularity • 65% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
41% Popularity • 65% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Saleem Kodathoor
Adutha Veetile
168 bpm • F min • 05:15 • -6.4db
33% Popularity • 69% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 69% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Priya Hemesh
Diyalo Diyala
142 bpm • D Maj • 06:30 • -1.66db
46% Popularity • 63% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
46% Popularity • 63% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Prithvi Chandrasekhar
Naan Varaigira Vaanam
142 bpm • E Maj • 04:14 • -12.29db
9% Popularity • 55% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 55% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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M G Sreekumar
Pazhanimala
142 bpm • F Maj • 05:35 • -10.37db
31% Popularity • 66% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 66% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Anitha Karthikeyan
Chandhamama
142 bpm • A# Maj • 04:26 • -2.97db
30% Popularity • 75% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 75% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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M.L.R. Karthikeyan
Srimanthuda
170 bpm • A Maj • 02:03 • -6.99db
44% Popularity • 65% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 65% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Vineeth Sreenivasan
Ente Khalbile
170 bpm • C Maj • 04:21 • -9.34db
53% Popularity • 70% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
53% Popularity • 70% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Harini
Andagaada
170 bpm • B Maj • 05:20 • -7.86db
52% Popularity • 42% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 42% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Job Kurian
Chilluranthal
170 bpm • F# min • 05:03 • -10db
46% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Uthara Unnikrishnan
Aanandhaa - Amrithavarshini - Adi
170 bpm • G# Maj • 03:06 • -9.72db
2% Popularity • 24% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 24% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Santhosh Narayanan
Thattaan Thattaan
170 bpm • C Maj • 04:50 • -7.4db
51% Popularity • 63% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 63% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 60% Positiveness
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Udit Narayan
Naa Manusukemayindi
170 bpm • A min • 04:46 • -7db
55% Popularity • 71% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
55% Popularity • 71% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Anirudh Ravichander
Naanum Rowdy Dhaan
170 bpm • C# Maj • 02:57 • -7.24db
45% Popularity • 62% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 62% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Vijay Yesudas
Poomuthole
170 bpm • F min • 04:50 • -12.58db
51% Popularity • 54% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
51% Popularity • 54% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
