Songs like Bhimpalasri alap (solo) by Alam Khan
Based on a tempo of (+/- 10%) and a similar genre
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Shafaat Ahmed Khan
Raga Mishra Pahadi - Gat in Sitarkhani T...
174 bpm • G Maj • 14:44 • -13.99db
17% Popularity • 34% Danceability • 70% Energy • 8% Liveness
60% Instrumentalness • 89% Positiveness
17% Popularity • 34% Danceability • 70% Energy • 8% Liveness
60% Instrumentalness • 89% Positiveness
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Alam Khan
Bhimpalasri alap (solo)
174 bpm • F Maj • 04:14 • -16db
21% Popularity • 50% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
21% Popularity • 50% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Salar Nader
Sayr-i Badakhshan (A Stroll in Badakhsha...
175 bpm • C# Maj • 05:12 • -15.21db
8% Popularity • 44% Danceability • 48% Energy • 10% Liveness
83% Instrumentalness • 94% Positiveness
8% Popularity • 44% Danceability • 48% Energy • 10% Liveness
83% Instrumentalness • 94% Positiveness
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Shruti Sadolikar
Durga
173 bpm • C# Maj • 03:31 • -18db
14% Popularity • 23% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 47% Positiveness
14% Popularity • 23% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 47% Positiveness
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Bokar Rimpoche
Bokar Rimpoche Djémila - Praise Mantra ...
173 bpm • A# Maj • 02:25 • -19.8db
24% Popularity • 32% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 32% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Nikhil Banerjee
Jogiya Kalingra: Medium tintal
172 bpm • A Maj • 05:03 • -19.19db
9% Popularity • 30% Danceability • 50% Energy • 12% Liveness
70% Instrumentalness • 49% Positiveness
9% Popularity • 30% Danceability • 50% Energy • 12% Liveness
70% Instrumentalness • 49% Positiveness
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Lama Gyurme
Paroles de bénédiction
176 bpm • G# Maj • 06:15 • -14.84db
17% Popularity • 21% Danceability • 15% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
17% Popularity • 21% Danceability • 15% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
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Alam Khan
Pahari Jhinjhoti
173 bpm • F Maj • 09:59 • -18.04db
3% Popularity • 56% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 56% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Salar Nader
Hunt for Ali Quli Khan
175 bpm • C Maj • 01:28 • -11.03db
0% Popularity • 40% Danceability • 88% Energy • 18% Liveness
45% Instrumentalness • 40% Positiveness
0% Popularity • 40% Danceability • 88% Energy • 18% Liveness
45% Instrumentalness • 40% Positiveness
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Linda Shanovitch
Pani Hari
176 bpm • C Maj • 02:17 • -10.87db
36% Popularity • 43% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 43% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Ustad Bismillahkhan
Shudh Sarang - Instrumental
177 bpm • D# Maj • 03:26 • -13db
13% Popularity • 21% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
13% Popularity • 21% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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Shruti Sadolikar
Bhimpalasi
177 bpm • C# Maj • 03:41 • -19.38db
16% Popularity • 22% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
16% Popularity • 22% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
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Dharma Publishing
Om Ah Hum Benzar Guru Padma Siddhi Hum
171 bpm • C# min • 03:33 • -14.43db
31% Popularity • 8% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
31% Popularity • 8% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
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Baird Hersey & Prana
Saucha
171 bpm • E Maj • 01:14 • -25.04db
41% Popularity • 8% Danceability • 8% Energy • 15% Liveness
60% Instrumentalness • 3% Positiveness
41% Popularity • 8% Danceability • 8% Energy • 15% Liveness
60% Instrumentalness • 3% Positiveness
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Alam Khan
Messenger
170 bpm • C min • 02:16 • -13.42db
18% Popularity • 34% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
18% Popularity • 34% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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Banaras Baba & Kolkata Kid
Ten Horses
170 bpm • C Maj • 02:32 • -6.93db
29% Popularity • 51% Danceability • 50% Energy • 10% Liveness
38% Instrumentalness • 86% Positiveness
29% Popularity • 51% Danceability • 50% Energy • 10% Liveness
38% Instrumentalness • 86% Positiveness
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Palace on Wheels
Lakshmi
170 bpm • A min • 04:52 • -7.99db
36% Popularity • 55% Danceability • 72% Energy • 7% Liveness
7% Instrumentalness • 6% Positiveness
36% Popularity • 55% Danceability • 72% Energy • 7% Liveness
7% Instrumentalness • 6% Positiveness
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Shruti Sadolikar
Gaud Sarang
178 bpm • C# Maj • 03:41 • -19.41db
11% Popularity • 21% Danceability • 37% Energy • 42% Liveness
1% Instrumentalness • 36% Positiveness
11% Popularity • 21% Danceability • 37% Energy • 42% Liveness
1% Instrumentalness • 36% Positiveness
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Tabla Trance
Let Go
170 bpm • A Maj • 02:48 • -11.67db
40% Popularity • 42% Danceability • 48% Energy • 14% Liveness
57% Instrumentalness • 42% Positiveness
40% Popularity • 42% Danceability • 48% Energy • 14% Liveness
57% Instrumentalness • 42% Positiveness
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Shujaat Khan
Lajo Lajo
169 bpm • F# Maj • 08:50 • -13.68db
17% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
17% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
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Alam Khan
The Moon and The Mountain
169 bpm • F min • 07:59 • -8.08db
10% Popularity • 24% Danceability • 83% Energy • 10% Liveness
31% Instrumentalness • 66% Positiveness
10% Popularity • 24% Danceability • 83% Energy • 10% Liveness
31% Instrumentalness • 66% Positiveness
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Amjad Ali Khan
Raga Darbari - Drut Gat - Teentaal - Ins...
178 bpm • A# min • 09:34 • -7.12db
17% Popularity • 34% Danceability • 71% Energy • 35% Liveness
95% Instrumentalness • 30% Positiveness
17% Popularity • 34% Danceability • 71% Energy • 35% Liveness
95% Instrumentalness • 30% Positiveness
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Palace on Wheels
Nainital Honeymoon
170 bpm • D Maj • 04:15 • -8.32db
34% Popularity • 61% Danceability • 57% Energy • 33% Liveness
72% Instrumentalness • 29% Positiveness
34% Popularity • 61% Danceability • 57% Energy • 33% Liveness
72% Instrumentalness • 29% Positiveness
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Alper Tuzcu
Candles
180 bpm • A Maj • 02:32 • -19.76db
21% Popularity • 15% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
21% Popularity • 15% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Sada Sat Kaur
Bolo Ram
169 bpm • C# Maj • 08:02 • -9.02db
11% Popularity • 41% Danceability • 66% Energy • 18% Liveness
100% Instrumentalness • 65% Positiveness
11% Popularity • 41% Danceability • 66% Energy • 18% Liveness
100% Instrumentalness • 65% Positiveness
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Zakir Hussain
Lineage
168 bpm • F# Maj • 04:59 • -18.9db
10% Popularity • 36% Danceability • 71% Energy • 10% Liveness
73% Instrumentalness • 83% Positiveness
10% Popularity • 36% Danceability • 71% Energy • 10% Liveness
73% Instrumentalness • 83% Positiveness
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Alam Khan
Akash (Ether) Pt. I
180 bpm • A min • 06:55 • -11.24db
4% Popularity • 55% Danceability • 72% Energy • 59% Liveness
72% Instrumentalness • 20% Positiveness
4% Popularity • 55% Danceability • 72% Energy • 59% Liveness
72% Instrumentalness • 20% Positiveness
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Shantala
Brahmanandam
180 bpm • A# Maj • 06:35 • -12.93db
22% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Chand Adwani
Sharad Rtu Hiran
180 bpm • A# Maj • 03:54 • -10.11db
32% Popularity • 21% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 21% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Dechen Shak-Dagsay
Dcham Päl Yang
167 bpm • B Maj • 05:26 • -23.93db
17% Popularity • 12% Danceability • 6% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 6% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
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Lama Gyurme
Longevity Prayer To Kalu Rinpoche
167 bpm • D Maj • 03:09 • -12.56db
28% Popularity • 16% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
28% Popularity • 16% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Shiuli Subaya
Har Har Wahe Guru
166 bpm • F# Maj • 07:27 • -11.67db
10% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Alam Khan
Rebirth
180 bpm • C Maj • 03:21 • -11.14db
10% Popularity • 20% Danceability • 44% Energy • 12% Liveness
78% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 44% Energy • 12% Liveness
78% Instrumentalness • 7% Positiveness
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L. Subramaniam
Raga kirvani : Pallavî
166 bpm • B Maj • 11:26 • -13.28db
17% Popularity • 41% Danceability • 55% Energy • 30% Liveness
92% Instrumentalness • 76% Positiveness
17% Popularity • 41% Danceability • 55% Energy • 30% Liveness
92% Instrumentalness • 76% Positiveness
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Ali Akbar Khan
Sadra in Sankara Karan
166 bpm • A# Maj • 06:44 • -14.27db
19% Popularity • 45% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
19% Popularity • 45% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Ronu Majumdar
Dhyaan - Raag Khamaj
165 bpm • E Maj • 06:10 • -17.6db
12% Popularity • 9% Danceability • 6% Energy • 35% Liveness
90% Instrumentalness • 9% Positiveness
12% Popularity • 9% Danceability • 6% Energy • 35% Liveness
90% Instrumentalness • 9% Positiveness
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Bokar Rimpoche
Taking Refuge By Lama Tcheupel - Monk At...
166 bpm • D# min • 02:00 • -16.1db
24% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Shruti Sadolikar
Yaman
163 bpm • G# Maj • 03:41 • -18.13db
10% Popularity • 23% Danceability • 37% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
10% Popularity • 23% Danceability • 37% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
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Alam Khan
Akash (Ether) Pt. II
182 bpm • C Maj • 03:38 • -10.38db
3% Popularity • 35% Danceability • 79% Energy • 22% Liveness
46% Instrumentalness • 19% Positiveness
3% Popularity • 35% Danceability • 79% Energy • 22% Liveness
46% Instrumentalness • 19% Positiveness
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Siddharth Amit Bhavsar
Vande Gurunam - Yoga Mantra
162 bpm • F Maj • 10:11 • -8.94db
18% Popularity • 20% Danceability • 45% Energy • 10% Liveness
5% Instrumentalness • 5% Positiveness
18% Popularity • 20% Danceability • 45% Energy • 10% Liveness
5% Instrumentalness • 5% Positiveness
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TCO
Sanskrit Healing Mantra - Mantra Perform...
160 bpm • C min • 08:07 • -9.58db
17% Popularity • 57% Danceability • 48% Energy • 11% Liveness
75% Instrumentalness • 38% Positiveness
17% Popularity • 57% Danceability • 48% Energy • 11% Liveness
75% Instrumentalness • 38% Positiveness
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Ronu Majumdar
Remembering Kabir (Raga Khamaj)
185 bpm • B Maj • 09:54 • -13db
21% Popularity • 31% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 31% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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U. Srinivas
Raghupathi Raghava Rajaram
159 bpm • A min • 03:06 • -17db
18% Popularity • 66% Danceability • 29% Energy • 37% Liveness
88% Instrumentalness • 52% Positiveness
18% Popularity • 66% Danceability • 29% Energy • 37% Liveness
88% Instrumentalness • 52% Positiveness
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Shruti Sadolikar
Bhatiyar
191 bpm • G# Maj • 04:10 • -17.4db
16% Popularity • 19% Danceability • 32% Energy • 28% Liveness
4% Instrumentalness • 26% Positiveness
16% Popularity • 19% Danceability • 32% Energy • 28% Liveness
4% Instrumentalness • 26% Positiveness
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Alam Khan
Embark
160 bpm • G min • 04:35 • -11.1db
13% Popularity • 51% Danceability • 48% Energy • 27% Liveness
89% Instrumentalness • 25% Positiveness
13% Popularity • 51% Danceability • 48% Energy • 27% Liveness
89% Instrumentalness • 25% Positiveness
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Shahid Parvez
Raga Kirwani Gat
158 bpm • B Maj • 08:47 • -13db
11% Popularity • 24% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
11% Popularity • 24% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Ariana Delawari
In the Snow
192 bpm • C# Maj • 03:24 • -10.74db
0% Popularity • 62% Danceability • 62% Energy • 11% Liveness
92% Instrumentalness • 77% Positiveness
0% Popularity • 62% Danceability • 62% Energy • 11% Liveness
92% Instrumentalness • 77% Positiveness
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Ronu Majumdar
Raaga Bhairav - Dadra
158 bpm • E Maj • 10:31 • -18db
31% Popularity • 39% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
31% Popularity • 39% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Veena Sahasrabuddhe
Mahadeva Deva
158 bpm • C# Maj • 04:32 • -19db
19% Popularity • 32% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 32% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Laya Project
A New Day
156 bpm • C Maj • 04:03 • -9.78db
21% Popularity • 42% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
21% Popularity • 42% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Alam Khan
Misra Kirwani in tintal
157 bpm • G min • 11:55 • -9.4db
2% Popularity • 42% Danceability • 65% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
2% Popularity • 42% Danceability • 65% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
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Shruti Sadolikar
Tilak Kamod
156 bpm • G# Maj • 04:06 • -18.8db
9% Popularity • 27% Danceability • 34% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
9% Popularity • 27% Danceability • 34% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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Salar Nader
Overture I
154 bpm • C Maj • 03:35 • -12.2db
0% Popularity • 38% Danceability • 73% Energy • 12% Liveness
12% Instrumentalness • 90% Positiveness
0% Popularity • 38% Danceability • 73% Energy • 12% Liveness
12% Instrumentalness • 90% Positiveness
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Chinmaya Dunster
Sufis and Gypsies
154 bpm • F# min • 05:42 • -9db
22% Popularity • 60% Danceability • 65% Energy • 10% Liveness
76% Instrumentalness • 62% Positiveness
22% Popularity • 60% Danceability • 65% Energy • 10% Liveness
76% Instrumentalness • 62% Positiveness
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Shahid Parvez
Raga Yaman Gat
153 bpm • C# Maj • 11:39 • -15db
14% Popularity • 29% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
14% Popularity • 29% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
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Deepak Ram
Vrindavan Lullaby
196 bpm • A min • 02:14 • -12.62db
28% Popularity • 31% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 23% Positiveness
28% Popularity • 31% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 23% Positiveness
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Alam Khan
Kaushi Kanra in Drut Tintal
152 bpm • A# Maj • 05:37 • -9.41db
5% Popularity • 34% Danceability • 86% Energy • 9% Liveness
86% Instrumentalness • 76% Positiveness
5% Popularity • 34% Danceability • 86% Energy • 9% Liveness
86% Instrumentalness • 76% Positiveness
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Pawan Krishna
Midnight Dream
152 bpm • G Maj • 03:18 • -7.05db
36% Popularity • 62% Danceability • 64% Energy • 14% Liveness
97% Instrumentalness • 27% Positiveness
36% Popularity • 62% Danceability • 64% Energy • 14% Liveness
97% Instrumentalness • 27% Positiveness
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Cheb i Sabbah
Tum Bin Shyam
151 bpm • B min • 06:55 • -10db
15% Popularity • 44% Danceability • 62% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
15% Popularity • 44% Danceability • 62% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Kishori Amonkar
Ek Hi Sang Hute
151 bpm • C# Maj • 04:53 • -17db
18% Popularity • 33% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 38% Positiveness
18% Popularity • 33% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 38% Positiveness
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Salar Nader
Tabla Solo in Drut Teental
152 bpm • G Maj • 04:43 • -12.26db
0% Popularity • 48% Danceability • 84% Energy • 11% Liveness
84% Instrumentalness • 82% Positiveness
0% Popularity • 48% Danceability • 84% Energy • 11% Liveness
84% Instrumentalness • 82% Positiveness
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Karnamrita
The Glories of Sri Radha
150 bpm • A# Maj • 04:11 • -12db
17% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Iqubal Huein
Raga Kirwani - Alap Gat - Teental
151 bpm • C min • 10:13 • -11db
19% Popularity • 45% Danceability • 60% Energy • 28% Liveness
50% Instrumentalness • 36% Positiveness
19% Popularity • 45% Danceability • 60% Energy • 28% Liveness
50% Instrumentalness • 36% Positiveness
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Purbayan Chatterjee
Soul Mate
150 bpm • D Maj • 03:38 • -6.04db
12% Popularity • 58% Danceability • 65% Energy • 14% Liveness
92% Instrumentalness • 46% Positiveness
12% Popularity • 58% Danceability • 65% Energy • 14% Liveness
92% Instrumentalness • 46% Positiveness
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Monk Party
Aum Shivaya Namaha
150 bpm • D Maj • 05:37 • -9.93db
24% Popularity • 43% Danceability • 51% Energy • 9% Liveness
84% Instrumentalness • 16% Positiveness
24% Popularity • 43% Danceability • 51% Energy • 9% Liveness
84% Instrumentalness • 16% Positiveness
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Stewart Copeland
Wonders Of Life
150 bpm • G Maj • 04:15 • -13.01db
38% Popularity • 39% Danceability • 33% Energy • 22% Liveness
3% Instrumentalness • 5% Positiveness
38% Popularity • 39% Danceability • 33% Energy • 22% Liveness
3% Instrumentalness • 5% Positiveness
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Suhel Rais Khan, Ustad Sultan Khan
Found you again - Original
150 bpm • D Maj • 04:27 • -7.93db
14% Popularity • 39% Danceability • 61% Energy • 28% Liveness
85% Instrumentalness • 37% Positiveness
14% Popularity • 39% Danceability • 61% Energy • 28% Liveness
85% Instrumentalness • 37% Positiveness
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Shivkumar Sharma
Twilight Shadows
150 bpm • F Maj • 03:56 • -15db
20% Popularity • 49% Danceability • 35% Energy • 25% Liveness
4% Instrumentalness • 28% Positiveness
20% Popularity • 49% Danceability • 35% Energy • 25% Liveness
4% Instrumentalness • 28% Positiveness
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Alam Khan
Miyan Ki Malhar
149 bpm • C Maj • 10:08 • -17.29db
3% Popularity • 51% Danceability • 2% Energy • 7% Liveness
34% Instrumentalness • 15% Positiveness
3% Popularity • 51% Danceability • 2% Energy • 7% Liveness
34% Instrumentalness • 15% Positiveness
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Karnamrita Dasi
Ragha
149 bpm • A# Maj • 04:11 • -12db
30% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Cheb i Sabbah
Violin Solo
149 bpm • D# Maj • 02:41 • -11.14db
13% Popularity • 49% Danceability • 69% Energy • 39% Liveness
3% Instrumentalness • 71% Positiveness
13% Popularity • 49% Danceability • 69% Energy • 39% Liveness
3% Instrumentalness • 71% Positiveness
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Bismillah Khan
Mishra Bhairavi
149 bpm • C# Maj • 05:53 • -11.62db
22% Popularity • 40% Danceability • 49% Energy • 17% Liveness
65% Instrumentalness • 60% Positiveness
22% Popularity • 40% Danceability • 49% Energy • 17% Liveness
65% Instrumentalness • 60% Positiveness
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Ustad Bismillahkhan
Todi - Instrumental
148 bpm • D# Maj • 03:30 • -15db
13% Popularity • 34% Danceability • 40% Energy • 23% Liveness
91% Instrumentalness • 31% Positiveness
13% Popularity • 34% Danceability • 40% Energy • 23% Liveness
91% Instrumentalness • 31% Positiveness
