Songs like Big Mandalorian Iron by Kirt Connor
Based on a tempo of (+/- 10%) and a similar genre
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Miracle Of Sound
Redemption Blues
115 bpm • A min • 04:25 • -8.01db
25% Popularity • 55% Danceability • 67% Energy • 11% Liveness
38% Instrumentalness • 15% Positiveness
25% Popularity • 55% Danceability • 67% Energy • 11% Liveness
38% Instrumentalness • 15% Positiveness
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Thomas Benjamin Wild Esq
I've No More ... To Give
115 bpm • F Maj • 03:05 • -11.48db
45% Popularity • 89% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 89% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Ye Banished Privateers
Ship is Sinking
115 bpm • C Maj • 03:39 • -5.36db
35% Popularity • 40% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 40% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Kirt Connor
Big Mandalorian Iron
115 bpm • E Maj • 04:02 • -3.97db
30% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Sea of Thieves
It Had To Be You
115 bpm • G Maj • 02:41 • -12.13db
18% Popularity • 64% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 64% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Hair of the Dog
The Scotsman
115 bpm • D Maj • 02:21 • -11.83db
47% Popularity • 76% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 76% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
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Miracle Of Sound
Beneath the Black Flag
115 bpm • E Maj • 02:40 • -4.95db
50% Popularity • 56% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 56% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Pig with the Face of a Boy
Middle
115 bpm • D Maj • 01:46 • -12db
22% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Thomas Benjamin Wild Esq
I've No More Fucks To Give - Radio Edit
115 bpm • C Maj • 03:01 • -12.19db
25% Popularity • 92% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 92% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny Horton
Sink the Bismark
115 bpm • D# Maj • 03:14 • -12db
44% Popularity • 68% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 68% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Sonya Belousova
The Fishmonger's Daughter
114 bpm • C Maj • 01:16 • -9.16db
40% Popularity • 55% Danceability • 45% Energy • 12% Liveness
2% Instrumentalness • 32% Positiveness
40% Popularity • 55% Danceability • 45% Energy • 12% Liveness
2% Instrumentalness • 32% Positiveness
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Schell Games
I Expect You To Die
115 bpm • G min • 02:36 • -12db
42% Popularity • 38% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 38% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Nathan Lay
Pack Up Your Troubles in Your Old Kit-Ba...
114 bpm • G Maj • 03:08 • -4.02db
27% Popularity • 74% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 74% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Ginny Di
Roll Up Your Attributes
114 bpm • D# Maj • 03:00 • -16.77db
9% Popularity • 83% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 83% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Benjamin Wild Esq
I've No More Fucks to Give - Electric Ti...
115 bpm • F Maj • 03:18 • -4.6db
18% Popularity • 85% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 85% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Ashley Johnson
Your Turn to Roll (Critical Role Theme)
114 bpm • B min • 01:26 • -6.18db
55% Popularity • 63% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 63% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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The Gregory Brothers
Do It For Corn Pop
114 bpm • D Maj • 03:31 • -7.75db
16% Popularity • 78% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 78% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Nanar Studios
When Money Comes Marching Home - Origina...
116 bpm • F min • 01:39 • -9.83db
11% Popularity • 76% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 76% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Micah Risinger
His Name Is Mudd
116 bpm • E min • 02:29 • -14.12db
29% Popularity • 66% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 66% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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The Poxy Boggards
Bang Away Lulu
114 bpm • C Maj • 04:36 • -11.08db
13% Popularity • 78% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 78% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Tom Smith
307 Ale
116 bpm • C Maj • 03:36 • -8.23db
11% Popularity • 66% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 66% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Professor Elemental
Everything Stops for Tea
116 bpm • C Maj • 02:13 • -3.2db
29% Popularity • 79% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 79% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Da Vinci's Notebook
Kingdom In the Sky
116 bpm • A Maj • 03:43 • -12.08db
32% Popularity • 59% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 59% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Mr.B The Gentleman Rhymer
Hail the Chap
114 bpm • C Maj • 02:52 • -6db
26% Popularity • 78% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 78% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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82nd Airborne All-American Chorus
Blood Upon the Risers
114 bpm • C# Maj • 04:34 • -19.96db
24% Popularity • 48% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Smokey Bastard
My Son John
114 bpm • F min • 01:40 • -10.3db
53% Popularity • 83% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 83% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Battlelegs
Fifteen Birds
116 bpm • F min • 02:39 • -16.52db
8% Popularity • 79% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 79% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Rusty Cage
The New Knife Game Song
117 bpm • F Maj • 01:15 • -12.03db
50% Popularity • 86% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 99% Positiveness
50% Popularity • 86% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 99% Positiveness
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David Kincaid
The Irish Volunteer
113 bpm • D Maj • 04:34 • -12.13db
39% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Timcast
Will of the People
117 bpm • B min • 04:11 • -3.33db
33% Popularity • 57% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 57% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Theron Statler
Blackbeard
113 bpm • C Maj • 03:50 • -8.82db
17% Popularity • 50% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 50% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Dos Gringos
Going In For Guns
113 bpm • A Maj • 03:19 • -8db
30% Popularity • 72% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 72% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Enter The Haggis
Dryden Mine
113 bpm • C Maj • 04:53 • -5.2db
16% Popularity • 60% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 60% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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The Jolly Rogers
Voodoo Man
113 bpm • A min • 03:46 • -3.25db
38% Popularity • 81% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 81% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Marc Gunn
The Widow and the Devil
117 bpm • F Maj • 03:23 • -10.65db
26% Popularity • 72% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 72% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Vixy & Tony
Dawson's Christian
113 bpm • A min • 05:34 • -7.39db
35% Popularity • 69% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 69% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Thomas Benjamin Wild Esq
I Don't Want Kids
113 bpm • D Maj • 03:05 • -12.6db
28% Popularity • 84% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 84% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Smokey Bastard
The Cumberland Crew
112 bpm • A min • 04:22 • -3.24db
34% Popularity • 52% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 52% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Hank Cramer
Blood on the Risers
112 bpm • E Maj • 04:23 • -12.75db
19% Popularity • 64% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 64% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Pride of Bedlam
Hoist the Colors
112 bpm • B Maj • 03:20 • -8.39db
30% Popularity • 41% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 41% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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The Chalkeaters
It Just Works
112 bpm • C Maj • 04:39 • -4.74db
46% Popularity • 65% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 65% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Pepper Coyote
At Least Not Yet
118 bpm • A Maj • 03:22 • -12.75db
20% Popularity • 75% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 75% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Chris Burke
By God We'll Have Our Home Again
118 bpm • F# min • 02:53 • -10.17db
29% Popularity • 88% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 88% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Rusty Cage
The Family-Friendly Noose Song
118 bpm • G# Maj • 01:24 • -12.91db
42% Popularity • 90% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 90% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Hilary Summers
So Long & Thanks For All The Fish - Soun...
112 bpm • G Maj • 02:26 • -11.31db
34% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Merry Wives Of Windsor
The Cockerel Song
118 bpm • E Maj • 02:39 • -8db
12% Popularity • 84% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 84% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Great Big Sea
The Chemical Worker's Song - Process Man
112 bpm • B min • 02:36 • -10.53db
49% Popularity • 83% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 83% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Pepper Coyote
Duck and Cover
112 bpm • C# min • 02:12 • -14.12db
29% Popularity • 71% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 71% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Derek Warfield
Get Out Ye Black and Tans
118 bpm • D min • 02:49 • -5db
44% Popularity • 47% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 47% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Brian Gulland
Sailing over the Dogger Bank
118 bpm • D Maj • 02:58 • -9.8db
22% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Dick Jonas
Son Of Satan's Angels
111 bpm • G Maj • 02:11 • -19.81db
16% Popularity • 73% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 73% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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The_miracle_aligner
Pumped up Kicks in Old English
119 bpm • C# Maj • 04:12 • -11.6db
28% Popularity • 83% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 83% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Hair of the Dog
Mary Mac
111 bpm • D Maj • 03:03 • -9.04db
34% Popularity • 41% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 41% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
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Harry Callaghan
The Android Hell Blues
119 bpm • F min • 03:36 • -8.71db
34% Popularity • 75% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 75% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Elton Britt
Uranium Fever
119 bpm • D# Maj • 02:19 • -8.25db
52% Popularity • 79% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
52% Popularity • 79% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Thomas Benjamin Wild Esq
I Called Someone To Fix It
119 bpm • F Maj • 03:25 • -10.65db
14% Popularity • 95% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 95% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Da Vinci's Notebook
Enormous Penis
119 bpm • E Maj • 02:44 • -9.45db
52% Popularity • 70% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 70% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Corb Lund
Horse Soldier, Horse Soldier
111 bpm • E min • 05:12 • -10.46db
44% Popularity • 72% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 72% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Jolly Rogers
The Flying Dutchman
111 bpm • D min • 04:03 • -5.23db
50% Popularity • 80% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 80% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Harry Callaghan
The Android Hell Blues (Extended)
119 bpm • F min • 04:28 • -8.64db
23% Popularity • 75% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 75% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Musical Blades
Chemical Workers Song
119 bpm • E min • 02:14 • -7.81db
14% Popularity • 72% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 72% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Dos Gringos
I Wish I Had a Gun Just Like the A-10
111 bpm • A Maj • 02:06 • -7.92db
26% Popularity • 66% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 66% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Salt Sea Pirates
Whale Of A Tale
111 bpm • A Maj • 02:38 • -15.86db
16% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Poor Man's Poison
Poor Man's Poison
111 bpm • C# Maj • 03:05 • -11.67db
43% Popularity • 41% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 41% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Ben Bostick
Feeling Mean
120 bpm • C min • 04:22 • -6.15db
30% Popularity • 55% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
30% Popularity • 55% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
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Tennessee Ernie Ford
The Army Of The Free
111 bpm • G# Maj • 02:09 • -10db
35% Popularity • 58% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 58% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Annie Hurdy Gurdy
Bosun Bill
120 bpm • C min • 02:41 • -5.61db
20% Popularity • 40% Danceability • 45% Energy • 66% Liveness
77% Instrumentalness • 58% Positiveness
20% Popularity • 40% Danceability • 45% Energy • 66% Liveness
77% Instrumentalness • 58% Positiveness
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Thomas Benjamin Wild Esq
Stop Being An Arsehole
120 bpm • C# Maj • 03:01 • -9.93db
21% Popularity • 78% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 78% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Martin Purvis
On the Frontier
120 bpm • F min • 04:07 • -13.91db
12% Popularity • 77% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 77% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
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Reflections of Sound
Coming Home from Tarwins Gap
110 bpm • A min • 02:09 • -14.32db
13% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Abney Park
Chitty Chitty Bang Bang
120 bpm • F min • 02:58 • -9.69db
33% Popularity • 74% Danceability • 93% Energy • 32% Liveness
76% Instrumentalness • 84% Positiveness
33% Popularity • 74% Danceability • 93% Energy • 32% Liveness
76% Instrumentalness • 84% Positiveness
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The Poxy Boggards
Untitled Bitter Song
120 bpm • C Maj • 02:50 • -8.6db
16% Popularity • 81% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 81% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Musical Blades
Raise the Black
120 bpm • E min • 04:41 • -8.26db
20% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Gregory Brothers
Who's It Gonna Be?
120 bpm • B Maj • 03:34 • -8.13db
24% Popularity • 83% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 83% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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The Young Wolfe Tones
Come Out Ye Black 'N' Tans
120 bpm • G min • 04:33 • -7db
33% Popularity • 57% Danceability • 91% Energy • 15% Liveness
53% Instrumentalness • 86% Positiveness
33% Popularity • 57% Danceability • 91% Energy • 15% Liveness
53% Instrumentalness • 86% Positiveness
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Jimlapbap
Sail Shanty
120 bpm • C# Maj • 03:32 • -8.36db
31% Popularity • 69% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 69% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Ye Banished Privateers
Hush Now My Child
110 bpm • A# Maj • 03:42 • -12.12db
25% Popularity • 59% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 59% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
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The Poxy Boggards
She's A Whore
120 bpm • D Maj • 02:27 • -7.58db
31% Popularity • 74% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 74% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Bad Lip Reading
Seagulls! (Stop It Now)
120 bpm • A# min • 03:12 • -5.8db
53% Popularity • 94% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
53% Popularity • 94% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Orcumentary
Where There's a Whip, There's a Way
120 bpm • G# Maj • 02:56 • -5db
12% Popularity • 39% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 39% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Derek Warfield & The Young Wolfe Tones
The Foggy Dew
120 bpm • D min • 04:28 • -4.59db
39% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Jimlapbap
Milkshake Shanty
120 bpm • A Maj • 03:12 • -14.64db
21% Popularity • 78% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 78% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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The Cooties
My Calling
110 bpm • F min • 04:40 • -10db
35% Popularity • 44% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 44% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Poxy Boggards
The Ballad Of Onan
120 bpm • A min • 03:23 • -7.61db
21% Popularity • 77% Danceability • 79% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 77% Danceability • 79% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
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James Peters
Leave All Places Better (A Critical Role...
120 bpm • D# Maj • 02:43 • -15.26db
15% Popularity • 75% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 75% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Thomas Benjamin Wild Esq
Well, This Is Shit
110 bpm • G Maj • 03:24 • -10.39db
32% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Rally Point
Battle Hymn of the Engineers
110 bpm • B Maj • 03:48 • -5.03db
23% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Chase Noseworthy
Comin' Are the Nein
110 bpm • G min • 03:26 • -17db
35% Popularity • 61% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 61% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Miracle Of Sound
Another Day In Paradise
110 bpm • B min • 03:52 • -7.22db
30% Popularity • 67% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 67% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Wicked Shallows
Devils Point
110 bpm • B min • 04:29 • -5.05db
38% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Mark Rutherford
Men of Harlech
120 bpm • A# Maj • 01:42 • -7db
29% Popularity • 38% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 38% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Benjamin Wild Esq
Just One Day More
110 bpm • D Maj • 03:56 • -11.96db
9% Popularity • 87% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 87% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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James Brian Coffey
Streamliners
110 bpm • E min • 03:30 • -8.98db
20% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Perly I Lotry
Donkey Riding (A Cappella)
110 bpm • F Maj • 01:44 • -6.61db
37% Popularity • 86% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 86% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Rally Point
They Say That in the Army
110 bpm • A# min • 03:21 • -3.78db
15% Popularity • 61% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 61% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Captain's Daughter & The Sailors
Hey! Ho! to the Bottle I Go!
110 bpm • B min • 02:33 • -7.61db
20% Popularity • 84% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 84% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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Jreg
Print Money
110 bpm • C# Maj • 01:31 • -10db
28% Popularity • 75% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 75% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Thomas Benjamin Wild Esq
Drinking in the Rain
110 bpm • D Maj • 05:32 • -9.64db
9% Popularity • 89% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 89% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
