Songs like Big Money Sonny by Smokin' Joe Kubek
Based on a tempo of (+/- 10%) and a similar genre
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Dave Meniketti
Just Coastin'
123 bpm • F min • 04:52 • -6.42db
27% Popularity • 53% Danceability • 80% Energy • 6% Liveness
68% Instrumentalness • 59% Positiveness
27% Popularity • 53% Danceability • 80% Energy • 6% Liveness
68% Instrumentalness • 59% Positiveness
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Smokin' Joe Kubek
Big Money Sonny
123 bpm • D Maj • 04:20 • -7.74db
10% Popularity • 68% Danceability • 56% Energy • 26% Liveness
1% Instrumentalness • 39% Positiveness
10% Popularity • 68% Danceability • 56% Energy • 26% Liveness
1% Instrumentalness • 39% Positiveness
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Sena Ehrhardt
Stakes Have Gone Up
123 bpm • C Maj • 03:18 • -6.34db
11% Popularity • 67% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 67% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Danny Bryant's Redeyeband
Good Time Woman
123 bpm • E min • 02:50 • -2.56db
14% Popularity • 54% Danceability • 90% Energy • 21% Liveness
1% Instrumentalness • 87% Positiveness
14% Popularity • 54% Danceability • 90% Energy • 21% Liveness
1% Instrumentalness • 87% Positiveness
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Roomful Of Blues
It All Went Down The Drain
123 bpm • C Maj • 05:28 • -4.04db
21% Popularity • 65% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 65% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
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Mick Clarke
Cheap
123 bpm • C min • 04:24 • -8.86db
21% Popularity • 63% Danceability • 73% Energy • 12% Liveness
66% Instrumentalness • 69% Positiveness
21% Popularity • 63% Danceability • 73% Energy • 12% Liveness
66% Instrumentalness • 69% Positiveness
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Guitar Shorty
Neverland
124 bpm • A min • 03:59 • -5db
39% Popularity • 67% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 67% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Smokin' Joe Kubek
Brown Bomba Mojo
124 bpm • A Maj • 04:50 • -5.38db
2% Popularity • 57% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 57% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Doyle Bramhall
The Hunter
122 bpm • E min • 04:49 • -8.6db
18% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Shemekia Copeland
Wild, Wild Woman
124 bpm • A Maj • 03:21 • -3.09db
20% Popularity • 55% Danceability • 88% Energy • 72% Liveness
2% Instrumentalness • 81% Positiveness
20% Popularity • 55% Danceability • 88% Energy • 72% Liveness
2% Instrumentalness • 81% Positiveness
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Ana Popovic
Red River Blues
122 bpm • C Maj • 03:21 • -3.89db
20% Popularity • 53% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 53% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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William Clarke
Sweet Angel's Gone
124 bpm • G Maj • 04:44 • -15db
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
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Lucky Peterson
Move
124 bpm • G Maj • 03:51 • -8.56db
9% Popularity • 66% Danceability • 76% Energy • 9% Liveness
4% Instrumentalness • 89% Positiveness
9% Popularity • 66% Danceability • 76% Energy • 9% Liveness
4% Instrumentalness • 89% Positiveness
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Altered Five Blues Band
Three Alarm Desire
124 bpm • A Maj • 03:41 • -6.12db
12% Popularity • 46% Danceability • 70% Energy • 45% Liveness
38% Instrumentalness • 61% Positiveness
12% Popularity • 46% Danceability • 70% Energy • 45% Liveness
38% Instrumentalness • 61% Positiveness
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Mark Selby
Smoked
122 bpm • G Maj • 03:32 • -5.18db
22% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Joe "Guitar" Hughes
A Blue Song
124 bpm • G Maj • 05:14 • -12db
27% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Smokin' Joe Kubek
Face to Face
124 bpm • A Maj • 03:22 • -7.09db
2% Popularity • 58% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
2% Popularity • 58% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
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Diunna Greenleaf
Sunny Day Friends
124 bpm • C Maj • 03:40 • -4.66db
29% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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John Campbell John Trio
I Wanna Get Up
122 bpm • A Maj • 03:04 • -8.72db
12% Popularity • 54% Danceability • 69% Energy • 33% Liveness
7% Instrumentalness • 61% Positiveness
12% Popularity • 54% Danceability • 69% Energy • 33% Liveness
7% Instrumentalness • 61% Positiveness
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Danny Bryant's Redeyeband
Long Time Coming
122 bpm • F min • 03:56 • -4db
18% Popularity • 52% Danceability • 77% Energy • 59% Liveness
2% Instrumentalness • 87% Positiveness
18% Popularity • 52% Danceability • 77% Energy • 59% Liveness
2% Instrumentalness • 87% Positiveness
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Ronnie Baker Brooks
Twine Time
122 bpm • C Maj • 04:15 • -6db
30% Popularity • 75% Danceability • 80% Energy • 53% Liveness
55% Instrumentalness • 96% Positiveness
30% Popularity • 75% Danceability • 80% Energy • 53% Liveness
55% Instrumentalness • 96% Positiveness
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Nick Moss Band
The High Cost Of Low Living
122 bpm • D Maj • 04:04 • -2db
28% Popularity • 57% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 57% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Smokin' Joe Kubek
Bite Me
124 bpm • G Maj • 04:39 • -6.43db
1% Popularity • 62% Danceability • 86% Energy • 36% Liveness
33% Instrumentalness • 97% Positiveness
1% Popularity • 62% Danceability • 86% Energy • 36% Liveness
33% Instrumentalness • 97% Positiveness
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Mark Selby
Kink In The Chain
124 bpm • A Maj • 03:34 • -5db
29% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Debbie Davies
Takin' It All To Vegas
122 bpm • F# min • 03:14 • -7.95db
27% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Joanna Connor
Nothin' But The Blues
125 bpm • A Maj • 04:03 • -5db
14% Popularity • 72% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 72% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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The Sonny Moorman Group
Key to the Highway
121 bpm • A Maj • 05:13 • -7.93db
15% Popularity • 57% Danceability • 73% Energy • 50% Liveness
12% Instrumentalness • 67% Positiveness
15% Popularity • 57% Danceability • 73% Energy • 50% Liveness
12% Instrumentalness • 67% Positiveness
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Kim Simmonds
Laura Lee
124 bpm • F min • 04:23 • -2.95db
19% Popularity • 50% Danceability • 95% Energy • 15% Liveness
2% Instrumentalness • 69% Positiveness
19% Popularity • 50% Danceability • 95% Energy • 15% Liveness
2% Instrumentalness • 69% Positiveness
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Lil Ed & The Blues Imperials
Deep In My Soul
125 bpm • A# Maj • 04:33 • -5db
19% Popularity • 60% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
19% Popularity • 60% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
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The Smokin' Joe Kubek Band
Still A Fool
125 bpm • E Maj • 05:36 • -10.53db
2% Popularity • 37% Danceability • 68% Energy • 38% Liveness
16% Instrumentalness • 67% Positiveness
2% Popularity • 37% Danceability • 68% Energy • 38% Liveness
16% Instrumentalness • 67% Positiveness
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Mark Selby
You're Gonna Miss My Love
125 bpm • B min • 04:47 • -5db
29% Popularity • 71% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 71% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Joe Louis Walker
Pickin' The Blues
125 bpm • E Maj • 02:53 • -5.77db
21% Popularity • 46% Danceability • 87% Energy • 19% Liveness
85% Instrumentalness • 86% Positiveness
21% Popularity • 46% Danceability • 87% Energy • 19% Liveness
85% Instrumentalness • 86% Positiveness
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Lou Ann Barton
Sugar Coated Love
121 bpm • C# Maj • 03:56 • -11.21db
22% Popularity • 63% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 63% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Smokin' Joe Kubek
Flame Thrower
125 bpm • G# Maj • 03:16 • -4.33db
4% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
4% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Lil Ed & The Blues Imperials
Old Oak Tree
125 bpm • G Maj • 04:31 • -11.09db
19% Popularity • 56% Danceability • 63% Energy • 30% Liveness
2% Instrumentalness • 55% Positiveness
19% Popularity • 56% Danceability • 63% Energy • 30% Liveness
2% Instrumentalness • 55% Positiveness
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Bob Margolin
Moving South
125 bpm • B min • 03:57 • -8.06db
13% Popularity • 53% Danceability • 87% Energy • 24% Liveness
19% Instrumentalness • 92% Positiveness
13% Popularity • 53% Danceability • 87% Energy • 24% Liveness
19% Instrumentalness • 92% Positiveness
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Mark Selby
This Is Why We Rock & Roll
125 bpm • A Maj • 03:06 • -4db
15% Popularity • 70% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 70% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Chris Cain
Drinking Straight Tequila
125 bpm • B min • 02:52 • -4.72db
30% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Sean Chambers
World on Fire
121 bpm • G# Maj • 05:07 • -5.44db
15% Popularity • 42% Danceability • 92% Energy • 15% Liveness
14% Instrumentalness • 55% Positiveness
15% Popularity • 42% Danceability • 92% Energy • 15% Liveness
14% Instrumentalness • 55% Positiveness
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B.B. & The Blues Shacks
Businessmen
121 bpm • G Maj • 03:58 • -5.94db
14% Popularity • 62% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 62% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Lonnie Brooks
Eyeballin'
121 bpm • C Maj • 03:38 • -12.61db
25% Popularity • 75% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 75% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Jimmy Thackery And The Drivers
Cool Guitars
125 bpm • A Maj • 03:43 • -9.08db
31% Popularity • 61% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 61% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmy D. Lane
What Makes People
125 bpm • C# min • 03:31 • -11db
16% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Cain
Middle Name Is Trouble
125 bpm • C Maj • 03:08 • -10.07db
11% Popularity • 64% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 64% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Smokin' Joe Kubek
Play with Fire
121 bpm • G Maj • 04:03 • -7.29db
7% Popularity • 67% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 67% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Junior Wells
I'm Gonna Move To Kansas City
125 bpm • B min • 03:39 • -13.8db
9% Popularity • 78% Danceability • 36% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
9% Popularity • 78% Danceability • 36% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
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The Smokin' Joe Kubek Band
Texas Cadillac
126 bpm • E Maj • 04:12 • -9.57db
18% Popularity • 56% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 56% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Watermelon Slim
Blues for Howard
126 bpm • D Maj • 02:19 • -6db
12% Popularity • 63% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 63% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Roy Gaines
Bluesman for Life - Remastered
120 bpm • F min • 05:10 • -9.9db
29% Popularity • 61% Danceability • 65% Energy • 43% Liveness
65% Instrumentalness • 79% Positiveness
29% Popularity • 61% Danceability • 65% Energy • 43% Liveness
65% Instrumentalness • 79% Positiveness
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Jimmy Thackery And The Drivers
Blues Dog Prowl
126 bpm • B min • 06:01 • -7.51db
13% Popularity • 54% Danceability • 82% Energy • 36% Liveness
69% Instrumentalness • 50% Positiveness
13% Popularity • 54% Danceability • 82% Energy • 36% Liveness
69% Instrumentalness • 50% Positiveness
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Smokin' Joe Kubek
Cold Folks Boogie
126 bpm • C min • 04:43 • -2.87db
3% Popularity • 54% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
3% Popularity • 54% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Debbie Davies
Can't Find The Blues
126 bpm • A Maj • 03:04 • -5.96db
30% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Lew Jetton & 61 South
Tattoo Blues
126 bpm • C Maj • 03:45 • -7.88db
10% Popularity • 56% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
10% Popularity • 56% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Lightning Hall
That Old Thing
120 bpm • B Maj • 05:23 • -19.36db
14% Popularity • 22% Danceability • 39% Energy • 20% Liveness
97% Instrumentalness • 34% Positiveness
14% Popularity • 22% Danceability • 39% Energy • 20% Liveness
97% Instrumentalness • 34% Positiveness
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Lonnie Brooks
Rockin' Red Rooster
120 bpm • D Maj • 04:13 • -10.36db
23% Popularity • 55% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 55% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Mississippi Heat
Sweet Poison
120 bpm • D Maj • 03:53 • -3.41db
7% Popularity • 59% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 59% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Smokin' Joe Kubek
Headed for Ruin
126 bpm • C Maj • 04:40 • -6.61db
2% Popularity • 83% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
2% Popularity • 83% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Shemekia Copeland
In The Blood Of The Blues
120 bpm • D Maj • 04:52 • -5.52db
30% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Blacktop Deluxe
Shotgun Callin' Blues
120 bpm • A min • 03:10 • -11.99db
11% Popularity • 80% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 80% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Smokin' Joe Kubek Band
Show You What They See
120 bpm • G Maj • 02:09 • -11.5db
4% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
4% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Magic Slim
Baby Please Don't Say Goodbye
120 bpm • E Maj • 02:57 • -6.65db
10% Popularity • 68% Danceability • 78% Energy • 12% Liveness
6% Instrumentalness • 93% Positiveness
10% Popularity • 68% Danceability • 78% Energy • 12% Liveness
6% Instrumentalness • 93% Positiveness
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Kenny Neal
Look But Don't Touch
120 bpm • A min • 03:22 • -10.81db
29% Popularity • 72% Danceability • 73% Energy • 4% Liveness
2% Instrumentalness • 79% Positiveness
29% Popularity • 72% Danceability • 73% Energy • 4% Liveness
2% Instrumentalness • 79% Positiveness
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Lil Ed & The Blues Imperials
Packin' Up
120 bpm • D Maj • 03:54 • -15.64db
26% Popularity • 57% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 57% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Andrew "Jr Boy" Jones
Whiskey Drinkin' Blues
120 bpm • G Maj • 04:33 • -5.57db
34% Popularity • 66% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 66% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Savoy Brown
That's All I Want Baby
126 bpm • C# Maj • 03:20 • -8.73db
13% Popularity • 63% Danceability • 55% Energy • 16% Liveness
17% Instrumentalness • 42% Positiveness
13% Popularity • 63% Danceability • 55% Energy • 16% Liveness
17% Instrumentalness • 42% Positiveness
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Jimmy Thackery And The Drivers
Drive To Survive
127 bpm • D Maj • 04:09 • -7.24db
15% Popularity • 59% Danceability • 95% Energy • 21% Liveness
5% Instrumentalness • 57% Positiveness
15% Popularity • 59% Danceability • 95% Energy • 21% Liveness
5% Instrumentalness • 57% Positiveness
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A.C. Reed
I Can't Go This Way
126 bpm • A min • 04:05 • -9db
29% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Johnny Copeland
Flyin' High (Yesterday)
120 bpm • A Maj • 03:14 • -12.65db
14% Popularity • 46% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 46% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Kim Simmonds
Goin' To The Delta
120 bpm • D Maj • 05:55 • -5.26db
19% Popularity • 57% Danceability • 84% Energy • 20% Liveness
20% Instrumentalness • 54% Positiveness
19% Popularity • 57% Danceability • 84% Energy • 20% Liveness
20% Instrumentalness • 54% Positiveness
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Bill Perry
Fade To Blue
119 bpm • G Maj • 04:56 • -10.06db
9% Popularity • 53% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 75% Positiveness
9% Popularity • 53% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 75% Positiveness
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Guitar Shorty
What Good Is Life?
127 bpm • G# Maj • 04:04 • -4.53db
26% Popularity • 62% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 62% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmy Thackery And The Drivers
Wild Night Out
127 bpm • D Maj • 04:06 • -10.64db
10% Popularity • 53% Danceability • 83% Energy • 27% Liveness
1% Instrumentalness • 82% Positiveness
10% Popularity • 53% Danceability • 83% Energy • 27% Liveness
1% Instrumentalness • 82% Positiveness
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John Primer
Going Back To Mississippi
119 bpm • A Maj • 04:36 • -6.4db
8% Popularity • 46% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 46% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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The Smokin' Joe Kubek Band
Can't See For Lookin'
127 bpm • D Maj • 04:42 • -10.27db
2% Popularity • 47% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 68% Positiveness
2% Popularity • 47% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 68% Positiveness
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Kim Simmonds
Nuthin' Like the Blues
127 bpm • D Maj • 04:56 • -6.78db
29% Popularity • 59% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 88% Positiveness
29% Popularity • 59% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 88% Positiveness
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Doyle Bramhall
I'm in the Mood
119 bpm • A Maj • 03:32 • -11.12db
11% Popularity • 62% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 62% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Guitar Shorty
Who Needs It?
127 bpm • A min • 03:22 • -5.42db
15% Popularity • 56% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 56% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmy Thackery And The Drivers
Detroit Iron
127 bpm • G Maj • 05:05 • -4.33db
9% Popularity • 42% Danceability • 82% Energy • 60% Liveness
12% Instrumentalness • 29% Positiveness
9% Popularity • 42% Danceability • 82% Energy • 60% Liveness
12% Instrumentalness • 29% Positiveness
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Mark May
Wound Up
119 bpm • A# Maj • 04:56 • -9.92db
13% Popularity • 56% Danceability • 77% Energy • 10% Liveness
16% Instrumentalness • 86% Positiveness
13% Popularity • 56% Danceability • 77% Energy • 10% Liveness
16% Instrumentalness • 86% Positiveness
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Kirk Fletcher
Worried Man Blues
119 bpm • D Maj • 02:57 • -6.43db
14% Popularity • 53% Danceability • 82% Energy • 33% Liveness
2% Instrumentalness • 62% Positiveness
14% Popularity • 53% Danceability • 82% Energy • 33% Liveness
2% Instrumentalness • 62% Positiveness
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Smokehouse
Them Jelly Blues
119 bpm • E Maj • 03:24 • -5.79db
8% Popularity • 54% Danceability • 69% Energy • 26% Liveness
8% Instrumentalness • 64% Positiveness
8% Popularity • 54% Danceability • 69% Energy • 26% Liveness
8% Instrumentalness • 64% Positiveness
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Blindside Blues Band
Dirty Double Dealer
119 bpm • A Maj • 04:16 • -5.09db
12% Popularity • 42% Danceability • 87% Energy • 15% Liveness
9% Instrumentalness • 76% Positiveness
12% Popularity • 42% Danceability • 87% Energy • 15% Liveness
9% Instrumentalness • 76% Positiveness
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Bill Perry
Waitin' For My Luck To Change
127 bpm • B min • 02:47 • -5.37db
9% Popularity • 40% Danceability • 85% Energy • 65% Liveness
2% Instrumentalness • 67% Positiveness
9% Popularity • 40% Danceability • 85% Energy • 65% Liveness
2% Instrumentalness • 67% Positiveness
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Anthony Gomes
Blues in Technicolor
128 bpm • D Maj • 04:09 • -7.42db
14% Popularity • 50% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 50% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Guitar Shorty
What She Don't Know
118 bpm • E min • 03:16 • -5.59db
41% Popularity • 72% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 72% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Ezra Charles
88 Answers
128 bpm • C Maj • 03:19 • -7.01db
30% Popularity • 60% Danceability • 80% Energy • 34% Liveness
1% Instrumentalness • 65% Positiveness
30% Popularity • 60% Danceability • 80% Energy • 34% Liveness
1% Instrumentalness • 65% Positiveness
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Smokin' Joe Kubek
Must Be Karma
118 bpm • A Maj • 02:51 • -3.83db
4% Popularity • 51% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
4% Popularity • 51% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Buddy Whittington
Pay the Band
118 bpm • A Maj • 04:33 • -5db
35% Popularity • 69% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 69% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Toronzo Cannon
The Preacher, The Politican Or The Pimp
118 bpm • A# min • 04:12 • -6.57db
23% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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King King
Wait on Time - Live
118 bpm • E Maj • 06:26 • -8.4db
31% Popularity • 56% Danceability • 80% Energy • 71% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 56% Danceability • 80% Energy • 71% Liveness
0% Instrumentalness • 59% Positiveness
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Guitar Shorty
Texas Women
128 bpm • F# min • 04:24 • -5db
25% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Too Slim and the Taildraggers
Trouble
128 bpm • G# min • 05:18 • -6.69db
17% Popularity • 56% Danceability • 78% Energy • 25% Liveness
26% Instrumentalness • 74% Positiveness
17% Popularity • 56% Danceability • 78% Energy • 25% Liveness
26% Instrumentalness • 74% Positiveness
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Danny Bryant
On the Rocks
128 bpm • C Maj • 03:59 • -5.74db
8% Popularity • 47% Danceability • 85% Energy • 18% Liveness
87% Instrumentalness • 63% Positiveness
8% Popularity • 47% Danceability • 85% Energy • 18% Liveness
87% Instrumentalness • 63% Positiveness
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Buddy Whittington
Ain't Got the Scratch
118 bpm • G Maj • 03:45 • -5.57db
29% Popularity • 85% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 85% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Ana Popovic
Hot Southern Night
128 bpm • A# min • 03:39 • -5.89db
21% Popularity • 61% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 61% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Copeland
Catch Up With The Blues
128 bpm • F min • 05:01 • -8.9db
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
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Blindside Blues Band
Rock Me Baby
128 bpm • C Maj • 04:15 • -7.13db
19% Popularity • 43% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 43% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Hubert Sumlin
Blues is Here to Stay
118 bpm • D Maj • 03:14 • -6.41db
21% Popularity • 71% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 71% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
