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Big Pine
Songs like
Big Pine
by
Jesse Boyd
Based on a tempo of (+/- 10%) and a similar genre
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Jesse Boyd
Big Pine
172 bpm • B Maj • 05:21 • -14.97db
0% Popularity • 51% Danceability • 44% Energy • 28% Liveness
91% Instrumentalness • 69% Positiveness
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Charles Paul
She Puts It Down - Juke Joint Version
172 bpm • C Maj • 02:13 • -10db
16% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Dekkar
Empty Bottle Live 2024 - Live
172 bpm • E min • 03:38 • -12.39db
14% Popularity • 20% Danceability • 70% Energy • 86% Liveness
0% Instrumentalness • 57% Positiveness
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Rebirth Brass Band
Feel Like Funkin' It Up
171 bpm • G# Maj • 05:05 • -13.54db
10% Popularity • 40% Danceability • 67% Energy • 9% Liveness
58% Instrumentalness • 82% Positiveness
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Good Morning Blues
Good Morning Blues
173 bpm • C Maj • 03:57 • -3.26db
15% Popularity • 43% Danceability • 83% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
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Werner Addison
Nakarin
173 bpm • C Maj • 05:08 • -10.78db
22% Popularity • 74% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Elena Jazz
Celestial Improvisations
171 bpm • A# Maj • 01:30 • -10.73db
27% Popularity • 36% Danceability • 50% Energy • 48% Liveness
52% Instrumentalness • 71% Positiveness
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Jesse Boyd
Disposable Income
173 bpm • D Maj • 04:41 • -15.15db
0% Popularity • 46% Danceability • 40% Energy • 5% Liveness
89% Instrumentalness • 68% Positiveness
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Anthony Q.
Try loving Me - Acoustic Version
174 bpm • F Maj • 04:58 • -8.5db
21% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Tobin Mueller
Straight, No Chaser
174 bpm • F min • 03:47 • -6.17db
16% Popularity • 40% Danceability • 57% Energy • 24% Liveness
59% Instrumentalness • 38% Positiveness
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NDOG Band
Ready Ta Go
170 bpm • E Maj • 03:07 • -11.55db
8% Popularity • 60% Danceability • 44% Energy • 11% Liveness
26% Instrumentalness • 42% Positiveness
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Kentavian Matthews
Shes Freaky
170 bpm • F Maj • 03:50 • -8.19db
25% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Galt MacDermot
When I Was a Child
174 bpm • F min • 02:52 • -9.77db
8% Popularity • 57% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Marie Schlosser
Please Don't Play That Song - Live
169 bpm • C# Maj • 05:49 • -8.44db
17% Popularity • 39% Danceability • 75% Energy • 97% Liveness
0% Instrumentalness • 85% Positiveness
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M Doc Diego
Martin Speaks
169 bpm • C# min • 01:06 • -21.25db
10% Popularity • 37% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 3% Positiveness
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Tobin Mueller
Cliff's Edge
170 bpm • D min • 07:35 • -6.12db
0% Popularity • 48% Danceability • 56% Energy • 5% Liveness
4% Instrumentalness • 54% Positiveness
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Calumet
Black Widow Spider
176 bpm • G Maj • 04:24 • -7.95db
12% Popularity • 54% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Barbara Morrison And The Legacy
Breakin' up Somebody's Home
176 bpm • F Maj • 03:56 • -6.27db
14% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Galt MacDermot
Send Me You
176 bpm • G# Maj • 02:35 • -8.76db
10% Popularity • 59% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Werner Addison
Love Stays Here
168 bpm • A# Maj • 01:37 • -17.15db
23% Popularity • 62% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Lou Mac
Views
168 bpm • C min • 02:31 • -7.51db
32% Popularity • 66% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Mace Francis Orchestra
Empty Landscape
168 bpm • F min • 06:04 • -7.33db
8% Popularity • 37% Danceability • 46% Energy • 8% Liveness
79% Instrumentalness • 41% Positiveness
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Oz Jones
Try
168 bpm • E Maj • 04:24 • -8.3db
9% Popularity • 51% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Loustock Festival de la Canción Infantil
A Roda do Autocarro - Versión de saxof�...
167 bpm • G# Maj • 02:04 • -13.01db
14% Popularity • 58% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Restore Stereotyped
State Director
167 bpm • A Maj • 04:31 • -10.12db
17% Popularity • 47% Danceability • 61% Energy • 50% Liveness
0% Instrumentalness • 90% Positiveness
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Euphoria Brass Band
Joe Avery's Blues
178 bpm • F Maj • 03:46 • -10.24db
7% Popularity • 43% Danceability • 57% Energy • 32% Liveness
6% Instrumentalness • 90% Positiveness
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Mahogany L. Browne
Best Time III
177 bpm • A# Maj • 05:31 • -13.94db
10% Popularity • 46% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Werner Addison
Let Me Bleed
178 bpm • B Maj • 05:30 • -7.77db
22% Popularity • 19% Danceability • 79% Energy • 38% Liveness
30% Instrumentalness • 29% Positiveness
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Andre Thierry
Be My Chauffeur
179 bpm • G# Maj • 03:58 • -6.84db
12% Popularity • 60% Danceability • 79% Energy • 26% Liveness
3% Instrumentalness • 92% Positiveness
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Glen David Andrews
Didn't It Rain
179 bpm • F Maj • 03:32 • -8.6db
13% Popularity • 64% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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A.S.U.R
I'll Tell the World
179 bpm • F Maj • 01:08 • -17.49db
11% Popularity • 34% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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Noah Peterson
Everybody Knows
180 bpm • D# Maj • 03:34 • -8.72db
8% Popularity • 79% Danceability • 74% Energy • 6% Liveness
9% Instrumentalness • 98% Positiveness
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Nicole Pancakes
Quicksand - Acapella
164 bpm • A Maj • 03:12 • -24.86db
13% Popularity • 64% Danceability • 21% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
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Andrew Best
Summer Day
164 bpm • F min • 02:37 • -11.35db
8% Popularity • 59% Danceability • 36% Energy • 57% Liveness
0% Instrumentalness • 57% Positiveness
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Sandra Antoinette
You Can Stay, But Jives Must Leave
181 bpm • C# Maj • 02:58 • -11.88db
23% Popularity • 59% Danceability • 39% Energy • 13% Liveness
53% Instrumentalness • 64% Positiveness
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Wayne L. Barrett
Can’t This Be About Love
164 bpm • B Maj • 03:49 • -4.82db
0% Popularity • 52% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Moses Webster
Gloucester
163 bpm • F Maj • 04:50 • -10.36db
22% Popularity • 61% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 90% Positiveness
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Werner Addison
Impasse
182 bpm • F# min • 05:41 • -7.65db
22% Popularity • 24% Danceability • 71% Energy • 17% Liveness
1% Instrumentalness • 37% Positiveness
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Phoenix Juggernaut
Greater Love Classified Information
160 bpm • A min • 04:24 • -13.55db
14% Popularity • 64% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Bam Mikal
Let It Burn
160 bpm • F Maj • 02:41 • -7.86db
16% Popularity • 51% Danceability • 88% Energy • 84% Liveness
0% Instrumentalness • 51% Positiveness
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Doug Wamble
Don't Give Up
160 bpm • F min • 06:05 • -18db
18% Popularity • 65% Danceability • 8% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
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Robert Starks and the DiamondTones Dance Band
Summer Romance
185 bpm • F min • 02:27 • -9.01db
20% Popularity • 36% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 66% Positiveness
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Get In Da Corner
White Man's Head - Freestyle
160 bpm • A# Maj • 03:52 • -10.85db
15% Popularity • 54% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Farnell Newton
Groove Easy
160 bpm • A# min • 08:05 • -9.54db
8% Popularity • 49% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 64% Positiveness
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Al Green
Ride, Sally Ride - Extended Version
187 bpm • E Maj • 03:59 • -12.2db
7% Popularity • 70% Danceability • 49% Energy • 5% Liveness
2% Instrumentalness • 95% Positiveness
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New Orleans Nightcrawlers
Bourbon St. Parade
187 bpm • F# Maj • 05:40 • -10.76db
8% Popularity • 52% Danceability • 43% Energy • 8% Liveness
28% Instrumentalness • 49% Positiveness
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Little
Ace in the Hole (Hi Roller)
158 bpm • C Maj • 03:28 • -11.09db
12% Popularity • 57% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Werner Addison
Tomorrow's Man
158 bpm • E Maj • 05:10 • -8.7db
22% Popularity • 22% Danceability • 69% Energy • 14% Liveness
11% Instrumentalness • 34% Positiveness
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Jetse de Jong
All The Fruit
188 bpm • C# Maj • 04:39 • -9.01db
18% Popularity • 50% Danceability • 71% Energy • 5% Liveness
82% Instrumentalness • 83% Positiveness
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Phoenix Juggernaut
A Stubborn King
157 bpm • D# min • 01:49 • -9.43db
14% Popularity • 38% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Mississippi Banging Band
Country Girl
188 bpm • C Maj • 03:10 • -9.42db
22% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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New Orleans Nightcrawlers
Parlor For The 'Crawlers
187 bpm • F# min • 06:37 • -12.53db
15% Popularity • 52% Danceability • 53% Energy • 12% Liveness
86% Instrumentalness • 48% Positiveness
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Realize Easy
Consist Chest
154 bpm • F# Maj • 04:22 • -13.52db
17% Popularity • 52% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Mike Sponza
Rather Than Being Free
152 bpm • A# Maj • 06:44 • -5.71db
16% Popularity • 44% Danceability • 56% Energy • 12% Liveness
2% Instrumentalness • 61% Positiveness
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Billy Preston
God Is Great
151 bpm • A Maj • 03:32 • -8.24db
9% Popularity • 49% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Houston Person
Only Trust Your Heart
151 bpm • C Maj • 05:43 • -11.02db
15% Popularity • 60% Danceability • 27% Energy • 69% Liveness
73% Instrumentalness • 69% Positiveness
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Lacy Haith
Slow Motion
150 bpm • D min • 04:07 • -8.03db
17% Popularity • 58% Danceability • 53% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Irma Thomas
Hittin' On Nothin' - Live At Slim's, San...
151 bpm • C Maj • 04:47 • -14.07db
8% Popularity • 54% Danceability • 62% Energy • 97% Liveness
0% Instrumentalness • 84% Positiveness
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Berton Bowman
Backwater Blue
149 bpm • C Maj • 04:53 • -11.66db
20% Popularity • 76% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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The Hawketts
Mardi Gras Mambo - Remastered 1995
149 bpm • A# Maj • 02:14 • -8.09db
27% Popularity • 75% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Jesse Boyd
Philip St.
149 bpm • D Maj • 06:32 • -17.66db
0% Popularity • 48% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
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The Soul Of John Black
Six Pack of Blues
148 bpm • D# Maj • 04:38 • -7.58db
7% Popularity • 86% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Earth.Boy
El Toreador
148 bpm • C# min • 02:52 • -8.94db
10% Popularity • 69% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
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Bobby Rush
Porcupine Meat
148 bpm • A# Maj • 04:14 • -7.47db
11% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Delfeayo Marsalis
Uptown On Mardi Gras Day
148 bpm • A# min • 03:09 • -9.4db
8% Popularity • 74% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Elizabeth King
Look At Your Life
202 bpm • D# Maj • 02:59 • -8.38db
7% Popularity • 38% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Big Sam's Funky Nation
Come Down To New Orleans
148 bpm • F Maj • 04:22 • -5.29db
18% Popularity • 70% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Rodney Longfellow
Dark Impact Ball
146 bpm • F min • 04:07 • -8.71db
25% Popularity • 55% Danceability • 63% Energy • 13% Liveness
16% Instrumentalness • 72% Positiveness
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Ashley Ladwig
House Of The Rising Sun
146 bpm • D min • 02:27 • -14.09db
7% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Big 6 Brass Band
Go Down
203 bpm • G# Maj • 04:06 • -4.07db
9% Popularity • 38% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Numa Edema
The Moon
209 bpm • A# Maj • 03:38 • -8.12db
8% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Abby
Power
220 bpm • D Maj • 02:41 • -14.21db
16% Popularity • 60% Danceability • 71% Energy • 16% Liveness
95% Instrumentalness • 59% Positiveness
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