Songs like BIG TALK by Loome
Based on a tempo of (+/- 10%) and a similar genre
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Noah Andres
Over Now
135 bpm • C Maj • 03:01 • -8.82db
8% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ronnie Watts
Sad Summer - but it's not summer anymore...
135 bpm • C# Maj • 02:31 • -9db
11% Popularity • 77% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 77% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Loome
THOUGHTS ON U
135 bpm • G Maj • 03:22 • -4.9db
16% Popularity • 69% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 69% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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marshall loren
Holly & Mike
135 bpm • C# Maj • 03:13 • -10.62db
8% Popularity • 60% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 60% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Drew Schueler
Can't Say (Word Like That)
135 bpm • D Maj • 03:33 • -7.61db
8% Popularity • 64% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 64% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Clinton N
your favorite song
135 bpm • C# min • 04:16 • -11db
13% Popularity • 50% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
13% Popularity • 50% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Noah Andres
5pm
135 bpm • D Maj • 03:58 • -11.27db
9% Popularity • 59% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 59% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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HARIZ
The Reason - Acoustic
135 bpm • A# Maj • 02:32 • -10.98db
9% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Loome
hated being 18
135 bpm • G# Maj • 03:28 • -8.24db
1% Popularity • 71% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 71% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Obi Ben
you don't feel the same
135 bpm • E min • 03:13 • -14db
18% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Savannah Sgro
Moody
136 bpm • F Maj • 03:09 • -8.45db
42% Popularity • 67% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 67% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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EDEN KAI
Don't Call
134 bpm • A# Maj • 03:32 • -11db
24% Popularity • 75% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 75% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Etham
Marathon Hearts
136 bpm • C Maj • 02:22 • -7.56db
20% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Maro
Take It Back
134 bpm • B min • 02:40 • -7.31db
20% Popularity • 85% Danceability • 46% Energy • 39% Liveness
4% Instrumentalness • 82% Positiveness
20% Popularity • 85% Danceability • 46% Energy • 39% Liveness
4% Instrumentalness • 82% Positiveness
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Loome
BIG TALK
135 bpm • F# min • 03:07 • -9.09db
9% Popularity • 90% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 90% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Pyralid
The End of Us
134 bpm • C# min • 02:55 • -14.11db
6% Popularity • 80% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 78% Positiveness
6% Popularity • 80% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 78% Positiveness
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Celine Vong
My Teenage Dream
134 bpm • A Maj • 02:33 • -5.85db
17% Popularity • 60% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 60% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Laai
Lonely
134 bpm • A# Maj • 02:47 • -10db
22% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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val
Lay Me Down Slowly
134 bpm • A min • 02:37 • -9.78db
19% Popularity • 69% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 69% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Alina Smith
Proud
137 bpm • C# Maj • 02:58 • -8.07db
19% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Clinton N
let go
133 bpm • C min • 02:22 • -7.33db
26% Popularity • 65% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 65% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Willow Stephens
Til the Blue Comes Out
138 bpm • F# Maj • 03:01 • -10.35db
11% Popularity • 69% Danceability • 45% Energy • 25% Liveness
1% Instrumentalness • 29% Positiveness
11% Popularity • 69% Danceability • 45% Energy • 25% Liveness
1% Instrumentalness • 29% Positiveness
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Mac Hunt
My Fault
138 bpm • C# Maj • 02:36 • -11db
15% Popularity • 79% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 79% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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hrishi
Paul McCartney (superstar)
132 bpm • F Maj • 02:44 • -7.67db
14% Popularity • 84% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 84% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Falling Feathers
Happy Birthday To You
132 bpm • F Maj • 02:10 • -8.61db
25% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Maro
Carsick
132 bpm • G min • 02:49 • -8.49db
33% Popularity • 85% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 85% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Clinton N
i'll follow you
138 bpm • A Maj • 03:41 • -10db
12% Popularity • 56% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 56% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Kevin Chung
where do we go from here
138 bpm • B Maj • 03:03 • -6.92db
29% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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C4LVN
Just Okay
131 bpm • E min • 03:06 • -7.8db
16% Popularity • 57% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 57% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 15% Positiveness
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Ben Schuller
Engagement Party - Acoustic
132 bpm • A Maj • 02:59 • -6.71db
5% Popularity • 76% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
5% Popularity • 76% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Rishi
Lonely Broken People
139 bpm • C# min • 03:48 • -10db
23% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Levy
I Hope You Find Somebody
131 bpm • A Maj • 03:05 • -6.46db
0% Popularity • 64% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 64% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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JEN Z
Someone I Never Had - Acoustic
139 bpm • D# Maj • 03:59 • -6.48db
12% Popularity • 49% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 49% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Abudy
Number One
139 bpm • D Maj • 03:25 • -19db
20% Popularity • 54% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 54% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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TheSmartLocal
Before We Lose It All
139 bpm • D# Maj • 04:30 • -10.32db
23% Popularity • 44% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 44% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Sture Zetterberg
Maybe We Can Still Be Friends
140 bpm • C Maj • 03:17 • -10.5db
36% Popularity • 54% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 54% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Baker Grace
Be Ok
140 bpm • D# Maj • 03:13 • -10db
24% Popularity • 65% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 65% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Dnl.
kinda lonely
140 bpm • C Maj • 02:46 • -6.25db
4% Popularity • 74% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 74% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Asher Postman
that's cap
140 bpm • G# Maj • 02:22 • -9db
27% Popularity • 84% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 84% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Liimo
Old School
140 bpm • G Maj • 03:29 • -4db
26% Popularity • 57% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 57% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Loome
Dizzie
140 bpm • C Maj • 03:47 • -7.12db
0% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ben Schuller
Engagement Party
140 bpm • F# min • 02:45 • -6db
12% Popularity • 82% Danceability • 73% Energy • 11% Liveness
7% Instrumentalness • 74% Positiveness
12% Popularity • 82% Danceability • 73% Energy • 11% Liveness
7% Instrumentalness • 74% Positiveness
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PARRIS MITCHELL
bad place
140 bpm • B Maj • 03:22 • -8.99db
13% Popularity • 75% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 75% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jules Brave
If You Ever Left Me
130 bpm • F min • 02:46 • -5.96db
25% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Wade Graves
Yours Tonight
130 bpm • G# Maj • 03:23 • -6.07db
21% Popularity • 68% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 68% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Chaz Mazzota
positions
130 bpm • A min • 02:25 • -8.72db
11% Popularity • 84% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 84% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Loome
Skin
140 bpm • E Maj • 03:49 • -11db
0% Popularity • 56% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 56% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Drew Smith
Hello My Heart
130 bpm • C Maj • 03:29 • -11db
9% Popularity • 58% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 58% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Ely Waves
I wish u would call me
130 bpm • B min • 03:45 • -10.78db
20% Popularity • 75% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 75% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
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Benjamin Kheng
Find Me
130 bpm • G Maj • 03:19 • -6.37db
15% Popularity • 59% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 59% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Anthea Cheng
lilies
130 bpm • A# Maj • 03:33 • -15db
7% Popularity • 56% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 56% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Tatiana Manaois
Helplessly (Remastered)
141 bpm • B Maj • 03:06 • -12.22db
30% Popularity • 68% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 68% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Loome
Vibe With You
140 bpm • D Maj • 03:23 • -9db
15% Popularity • 66% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 66% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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GARETH FERNANDEZ
Put You Through
130 bpm • A Maj • 02:33 • -10.01db
31% Popularity • 68% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 68% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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No Inertia
I Do Miss You
129 bpm • C Maj • 03:11 • -5.02db
10% Popularity • 56% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 56% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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liesl-mae
The Trip
141 bpm • A Maj • 03:46 • -9.36db
14% Popularity • 39% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 39% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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HARIZ
The Reason
142 bpm • A# Maj • 02:23 • -4.34db
27% Popularity • 55% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 55% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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44phantom
all figured out
129 bpm • C min • 03:05 • -8.46db
30% Popularity • 45% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 45% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Loome
game over
130 bpm • E Maj • 02:29 • -8.77db
8% Popularity • 77% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 77% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Mokita
Before We Can't Stop
142 bpm • C Maj • 03:22 • -7.75db
14% Popularity • 76% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 76% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Maximillian
Mirror
142 bpm • C# Maj • 02:57 • -9.11db
29% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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KXV
You'll Be Alright
128 bpm • C Maj • 03:33 • -8.22db
7% Popularity • 84% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 84% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Eleven Point Two
Midnight Passion (Alternate Universe)
128 bpm • D Maj • 03:31 • -13db
26% Popularity • 75% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 75% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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HIGHST
Lose You
128 bpm • G Maj • 03:03 • -7.35db
6% Popularity • 55% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
6% Popularity • 55% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Loome
PSYCHO
128 bpm • G# Maj • 03:28 • -12db
23% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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DRIXY
Losing Touch
128 bpm • C# Maj • 03:32 • -4db
7% Popularity • 50% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 50% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Bernard
It Ain't Up To Me
128 bpm • A# Maj • 03:44 • -12db
24% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Chaz Mazzota
Dancing in the Moonlight
128 bpm • C# min • 02:42 • -11.36db
11% Popularity • 77% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 77% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Balik
Looks Like U
128 bpm • G# Maj • 02:56 • -9.82db
11% Popularity • 53% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 53% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Ralph Alvern
Over the Phone
143 bpm • D# min • 04:16 • -7.98db
25% Popularity • 76% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 76% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Loome
wrecked my heart
144 bpm • F# Maj • 03:43 • -8.18db
24% Popularity • 59% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 59% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Ollie Wade
A Song for Me
127 bpm • C Maj • 03:44 • -10.52db
11% Popularity • 66% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 66% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Ethan Dufault
Casualties
144 bpm • D# Maj • 03:42 • -10.39db
45% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Chris James
The Fallout
144 bpm • F Maj • 03:11 • -11.63db
21% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Jack Newsome
The Year the World Stood Still
144 bpm • D Maj • 02:30 • -10.87db
15% Popularity • 62% Danceability • 42% Energy • 26% Liveness
1% Instrumentalness • 54% Positiveness
15% Popularity • 62% Danceability • 42% Energy • 26% Liveness
1% Instrumentalness • 54% Positiveness
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raph
Whole World
144 bpm • G Maj • 03:36 • -6.66db
39% Popularity • 55% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 55% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Dreon
Letting Go
144 bpm • D Maj • 03:55 • -5db
24% Popularity • 64% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 64% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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David Archuleta
Losin' Sleep
144 bpm • C# min • 02:43 • -7.02db
26% Popularity • 87% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 87% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Mindme
I'm Never Coming Down
144 bpm • G# min • 03:08 • -8db
23% Popularity • 48% Danceability • 55% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 48% Danceability • 55% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
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HIGHST
NYE
144 bpm • F# Maj • 03:47 • -5.6db
18% Popularity • 49% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 49% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Bri Tolani
Hazy
126 bpm • C# min • 03:21 • -7.63db
24% Popularity • 80% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 80% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Abigail
Status Quo
126 bpm • A# Maj • 02:59 • -6.71db
19% Popularity • 69% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 69% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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ELWIN
Unstable
126 bpm • F# min • 03:11 • -5.32db
26% Popularity • 79% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 79% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Axel Mansoor
Cold Sweat
145 bpm • C Maj • 02:31 • -9.77db
36% Popularity • 73% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 73% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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YAØ
Lose Face
145 bpm • F# min • 02:40 • -5.53db
15% Popularity • 75% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 75% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Mitchel Logan
I Give it All 2 U
125 bpm • B Maj • 02:33 • -8.28db
13% Popularity • 58% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 58% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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SHN
dark places
145 bpm • A Maj • 03:19 • -9.53db
19% Popularity • 63% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 63% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
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Beat The System
Chasing the High
125 bpm • F Maj • 03:12 • -4.85db
9% Popularity • 70% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 70% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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TheSmartLocal
Get Better (Singapore NDP 2020)
146 bpm • G# Maj • 03:33 • -9.21db
10% Popularity • 42% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 42% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Travis Atreo
Fix Me
125 bpm • B Maj • 03:46 • -7db
26% Popularity • 66% Danceability • 67% Energy • 43% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 66% Danceability • 67% Energy • 43% Liveness
0% Instrumentalness • 24% Positiveness
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Taylor Castro
This Ain't Love
125 bpm • A min • 02:43 • -8.39db
17% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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ReN
We'll be fine - English Version
125 bpm • C Maj • 03:17 • -6.82db
35% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Zyke
Leave Me Breathless
125 bpm • G# Maj • 03:05 • -7.12db
31% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Liimo
If You Love Me
146 bpm • D Maj • 03:38 • -6db
19% Popularity • 56% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 56% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ben Provencial
Better Off
125 bpm • F Maj • 02:26 • -7.14db
13% Popularity • 81% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 81% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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3rd Silhouette
Forgotten Heroes
125 bpm • C Maj • 02:47 • -14.09db
22% Popularity • 60% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 60% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Comfort Club
idk forever
146 bpm • F# Maj • 03:02 • -9.84db
13% Popularity • 71% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 71% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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KHAi
Victoria
125 bpm • D# Maj • 03:47 • -8db
28% Popularity • 69% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 69% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
