Songs like Billy Says Go by Audion
Based on a tempo of (+/- 10%) and a similar genre
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Ghost Culture
Lucky (Audion Remix)
125 bpm • G min • 06:08 • -8.06db
0% Popularity • 76% Danceability • 55% Energy • 15% Liveness
41% Instrumentalness • 6% Positiveness
0% Popularity • 76% Danceability • 55% Energy • 15% Liveness
41% Instrumentalness • 6% Positiveness
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Malóne
Time To Move
125 bpm • B min • 03:08 • -8db
45% Popularity • 74% Danceability • 92% Energy • 6% Liveness
93% Instrumentalness • 57% Positiveness
45% Popularity • 74% Danceability • 92% Energy • 6% Liveness
93% Instrumentalness • 57% Positiveness
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Boris Brejcha
Universe Of Love
125 bpm • G# Maj • 08:28 • -10.8db
39% Popularity • 71% Danceability • 61% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
39% Popularity • 71% Danceability • 61% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Kölsch
All That Matters - ARTBAT Remix
125 bpm • A min • 08:49 • -7.27db
49% Popularity • 66% Danceability • 84% Energy • 6% Liveness
30% Instrumentalness • 7% Positiveness
49% Popularity • 66% Danceability • 84% Energy • 6% Liveness
30% Instrumentalness • 7% Positiveness
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Marten Hørger
I Know
125 bpm • A Maj • 03:22 • -5db
49% Popularity • 68% Danceability • 93% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
49% Popularity • 68% Danceability • 93% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Audion
Noiser
125 bpm • A# min • 08:44 • -11.51db
4% Popularity • 83% Danceability • 50% Energy • 19% Liveness
92% Instrumentalness • 14% Positiveness
4% Popularity • 83% Danceability • 50% Energy • 19% Liveness
92% Instrumentalness • 14% Positiveness
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Radio Slave
Mouth to Mouth - Extended
125 bpm • C# Maj • 10:33 • -7.1db
13% Popularity • 81% Danceability • 61% Energy • 6% Liveness
18% Instrumentalness • 18% Positiveness
13% Popularity • 81% Danceability • 61% Energy • 6% Liveness
18% Instrumentalness • 18% Positiveness
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Dubfire
Ride - Audion Remix
125 bpm • F# min • 06:49 • -10.75db
5% Popularity • 92% Danceability • 45% Energy • 13% Liveness
93% Instrumentalness • 27% Positiveness
5% Popularity • 92% Danceability • 45% Energy • 13% Liveness
93% Instrumentalness • 27% Positiveness
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Boys Noize
Midnight - Audion Remix
125 bpm • F# min • 07:11 • -9.41db
3% Popularity • 69% Danceability • 82% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
3% Popularity • 69% Danceability • 82% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Boris Brejcha
Terminal Zero
125 bpm • C# min • 09:07 • -8.79db
44% Popularity • 79% Danceability • 70% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
44% Popularity • 79% Danceability • 70% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Sharam Jey
Right Back
125 bpm • F# Maj • 03:42 • -6.61db
41% Popularity • 92% Danceability • 92% Energy • 8% Liveness
65% Instrumentalness • 63% Positiveness
41% Popularity • 92% Danceability • 92% Energy • 8% Liveness
65% Instrumentalness • 63% Positiveness
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Audion
Zunk Synth
125 bpm • G# Maj • 04:21 • -10.8db
3% Popularity • 83% Danceability • 66% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
3% Popularity • 83% Danceability • 66% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
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Ellen Allien
Just A Woman - Audion Version
125 bpm • C min • 07:45 • -9.09db
1% Popularity • 92% Danceability • 49% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
1% Popularity • 92% Danceability • 49% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Hugo Cantarra
Validate Yourself
125 bpm • G# Maj • 03:55 • -5.56db
34% Popularity • 75% Danceability • 88% Energy • 22% Liveness
19% Instrumentalness • 50% Positiveness
34% Popularity • 75% Danceability • 88% Energy • 22% Liveness
19% Instrumentalness • 50% Positiveness
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Catz 'n Dogz
Me Me Me
125 bpm • C Maj • 05:38 • -7.03db
52% Popularity • 85% Danceability • 87% Energy • 4% Liveness
49% Instrumentalness • 77% Positiveness
52% Popularity • 85% Danceability • 87% Energy • 4% Liveness
49% Instrumentalness • 77% Positiveness
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Super Flu
AMA
125 bpm • G# min • 05:34 • -10.11db
43% Popularity • 71% Danceability • 84% Energy • 7% Liveness
66% Instrumentalness • 13% Positiveness
43% Popularity • 71% Danceability • 84% Energy • 7% Liveness
66% Instrumentalness • 13% Positiveness
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Radio Slave
Mouth to Mouth
125 bpm • C# Maj • 04:37 • -5.64db
14% Popularity • 71% Danceability • 85% Energy • 31% Liveness
13% Instrumentalness • 44% Positiveness
14% Popularity • 71% Danceability • 85% Energy • 31% Liveness
13% Instrumentalness • 44% Positiveness
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Audion
Mouth to Mouth - Jamie Jones Remix
125 bpm • F# min • 06:45 • -11.56db
1% Popularity • 80% Danceability • 60% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
1% Popularity • 80% Danceability • 60% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Claude VonStroke
Who's Afraid of Detroit - Audion Remix
125 bpm • C# Maj • 08:15 • -10.69db
2% Popularity • 81% Danceability • 58% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
2% Popularity • 81% Danceability • 58% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
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Niko The Kid
Hella Good
125 bpm • G# Maj • 02:55 • -6.41db
56% Popularity • 70% Danceability • 93% Energy • 14% Liveness
10% Instrumentalness • 60% Positiveness
56% Popularity • 70% Danceability • 93% Energy • 14% Liveness
10% Instrumentalness • 60% Positiveness
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Matroda
Gimme Some Keys
125 bpm • B min • 02:49 • -5db
61% Popularity • 80% Danceability • 72% Energy • 6% Liveness
82% Instrumentalness • 86% Positiveness
61% Popularity • 80% Danceability • 72% Energy • 6% Liveness
82% Instrumentalness • 86% Positiveness
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Bedouin
Tijuana - Vintage Culture Remix
125 bpm • C# min • 03:51 • -8.77db
46% Popularity • 75% Danceability • 80% Energy • 9% Liveness
76% Instrumentalness • 69% Positiveness
46% Popularity • 75% Danceability • 80% Energy • 9% Liveness
76% Instrumentalness • 69% Positiveness
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Space Motion
Hera - Radio Edit
125 bpm • A# min • 03:25 • -4.76db
53% Popularity • 70% Danceability • 95% Energy • 10% Liveness
85% Instrumentalness • 26% Positiveness
53% Popularity • 70% Danceability • 95% Energy • 10% Liveness
85% Instrumentalness • 26% Positiveness
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Audion
Rubber
125 bpm • A# min • 03:38 • -10.18db
1% Popularity • 81% Danceability • 62% Energy • 33% Liveness
91% Instrumentalness • 67% Positiveness
1% Popularity • 81% Danceability • 62% Energy • 33% Liveness
91% Instrumentalness • 67% Positiveness
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BLOND:ISH
We Like To Party - Rework
125 bpm • D Maj • 02:24 • -5.66db
54% Popularity • 76% Danceability • 94% Energy • 34% Liveness
82% Instrumentalness • 60% Positiveness
54% Popularity • 76% Danceability • 94% Energy • 34% Liveness
82% Instrumentalness • 60% Positiveness
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Sllash & Doppe
Kyrenia
125 bpm • C# min • 03:05 • -6.62db
40% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 65% Positiveness
40% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 65% Positiveness
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Layla Benitez
Toxic Trip
125 bpm • B min • 03:37 • -8.14db
36% Popularity • 66% Danceability • 86% Energy • 20% Liveness
45% Instrumentalness • 39% Positiveness
36% Popularity • 66% Danceability • 86% Energy • 20% Liveness
45% Instrumentalness • 39% Positiveness
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Tita Lau
One Of A Kind
125 bpm • C Maj • 02:18 • -6.81db
52% Popularity • 80% Danceability • 96% Energy • 8% Liveness
89% Instrumentalness • 43% Positiveness
52% Popularity • 80% Danceability • 96% Energy • 8% Liveness
89% Instrumentalness • 43% Positiveness
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True School Players
Blow Your Mind
125 bpm • G Maj • 03:08 • -8.56db
18% Popularity • 76% Danceability • 80% Energy • 15% Liveness
20% Instrumentalness • 28% Positiveness
18% Popularity • 76% Danceability • 80% Energy • 15% Liveness
20% Instrumentalness • 28% Positiveness
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Audion
Mouth to Mouth - C2's Ending Credits Rem...
125 bpm • C# Maj • 09:42 • -9.66db
1% Popularity • 53% Danceability • 86% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
1% Popularity • 53% Danceability • 86% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
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BluePrint
Mind Fuck
125 bpm • G Maj • 03:42 • -9.8db
17% Popularity • 74% Danceability • 98% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
17% Popularity • 74% Danceability • 98% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
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Bontan
Make It Work
125 bpm • A# min • 03:07 • -6.47db
36% Popularity • 80% Danceability • 95% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
36% Popularity • 80% Danceability • 95% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
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Boris Brejcha
Dimension
125 bpm • C# Maj • 08:01 • -11.37db
46% Popularity • 81% Danceability • 48% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
46% Popularity • 81% Danceability • 48% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Piero Pirupa
Change Your Mind
125 bpm • G Maj • 02:16 • -5db
39% Popularity • 67% Danceability • 88% Energy • 4% Liveness
1% Instrumentalness • 11% Positiveness
39% Popularity • 67% Danceability • 88% Energy • 4% Liveness
1% Instrumentalness • 11% Positiveness
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DJ Koze
Raw - Audion Mix
125 bpm • E min • 07:12 • -13.47db
1% Popularity • 80% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
1% Popularity • 80% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Audion
Billy Says Go
125 bpm • B Maj • 06:09 • -8.41db
3% Popularity • 79% Danceability • 54% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
3% Popularity • 79% Danceability • 54% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
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Carlita
Cash For Love
125 bpm • C# min • 04:36 • -8.07db
52% Popularity • 65% Danceability • 87% Energy • 14% Liveness
80% Instrumentalness • 91% Positiveness
52% Popularity • 65% Danceability • 87% Energy • 14% Liveness
80% Instrumentalness • 91% Positiveness
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Tinlicker
Blowfish
125 bpm • D min • 05:53 • -6.74db
42% Popularity • 52% Danceability • 99% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
42% Popularity • 52% Danceability • 99% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Eats Everything
Dancing (Again!)
125 bpm • D Maj • 06:39 • -7db
26% Popularity • 97% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 97% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Green Velvet
BARBEE - On Acid
125 bpm • A Maj • 03:28 • -4.87db
32% Popularity • 72% Danceability • 95% Energy • 5% Liveness
68% Instrumentalness • 61% Positiveness
32% Popularity • 72% Danceability • 95% Energy • 5% Liveness
68% Instrumentalness • 61% Positiveness
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Adriatique
The Future Is Unknown
125 bpm • C# Maj • 04:23 • -8.41db
51% Popularity • 78% Danceability • 77% Energy • 10% Liveness
85% Instrumentalness • 34% Positiveness
51% Popularity • 78% Danceability • 77% Energy • 10% Liveness
85% Instrumentalness • 34% Positiveness
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Audion
Traanc
125 bpm • C# Maj • 04:34 • -14.62db
1% Popularity • 78% Danceability • 44% Energy • 6% Liveness
91% Instrumentalness • 53% Positiveness
1% Popularity • 78% Danceability • 44% Energy • 6% Liveness
91% Instrumentalness • 53% Positiveness
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Far&High
Sans Vetements - Plastic Robots Remix - ...
125 bpm • C Maj • 04:21 • -7.05db
20% Popularity • 78% Danceability • 76% Energy • 10% Liveness
83% Instrumentalness • 49% Positiveness
20% Popularity • 78% Danceability • 76% Energy • 10% Liveness
83% Instrumentalness • 49% Positiveness
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KREAM
The Switch
125 bpm • G Maj • 03:26 • -5.64db
49% Popularity • 64% Danceability • 98% Energy • 10% Liveness
71% Instrumentalness • 56% Positiveness
49% Popularity • 64% Danceability • 98% Energy • 10% Liveness
71% Instrumentalness • 56% Positiveness
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Azzecca
Other Side
125 bpm • A Maj • 04:04 • -6.47db
56% Popularity • 77% Danceability • 85% Energy • 10% Liveness
77% Instrumentalness • 14% Positiveness
56% Popularity • 77% Danceability • 85% Energy • 10% Liveness
77% Instrumentalness • 14% Positiveness
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Green Velvet
BARBEE
125 bpm • A Maj • 03:29 • -6.66db
37% Popularity • 78% Danceability • 92% Energy • 1% Liveness
1% Instrumentalness • 79% Positiveness
37% Popularity • 78% Danceability • 92% Energy • 1% Liveness
1% Instrumentalness • 79% Positiveness
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Rafael
That Girl
125 bpm • G Maj • 04:45 • -6.83db
19% Popularity • 82% Danceability • 70% Energy • 7% Liveness
32% Instrumentalness • 31% Positiveness
19% Popularity • 82% Danceability • 70% Energy • 7% Liveness
32% Instrumentalness • 31% Positiveness
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Audion
Mouth to Mouth - Guy Gerber Remix
125 bpm • G Maj • 09:16 • -10.75db
1% Popularity • 74% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
1% Popularity • 74% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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SG Lewis
Costa
125 bpm • D# min • 03:36 • -6.25db
55% Popularity • 78% Danceability • 88% Energy • 13% Liveness
31% Instrumentalness • 63% Positiveness
55% Popularity • 78% Danceability • 88% Energy • 13% Liveness
31% Instrumentalness • 63% Positiveness
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MEDUZA
I Got Nothing
125 bpm • C# Maj • 03:23 • -6.91db
62% Popularity • 59% Danceability • 90% Energy • 18% Liveness
21% Instrumentalness • 41% Positiveness
62% Popularity • 59% Danceability • 90% Energy • 18% Liveness
21% Instrumentalness • 41% Positiveness
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Salomé Le Chat
Single Kiss
125 bpm • E min • 03:52 • -9.08db
30% Popularity • 67% Danceability • 82% Energy • 12% Liveness
43% Instrumentalness • 57% Positiveness
30% Popularity • 67% Danceability • 82% Energy • 12% Liveness
43% Instrumentalness • 57% Positiveness
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Chris Avantgarde
Perception
125 bpm • C Maj • 04:42 • -4.9db
58% Popularity • 64% Danceability • 95% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
58% Popularity • 64% Danceability • 95% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
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Groove Armada
Get Down - Mark Knight Remix
125 bpm • C# Maj • 03:15 • -5.5db
46% Popularity • 66% Danceability • 94% Energy • 24% Liveness
12% Instrumentalness • 33% Positiveness
46% Popularity • 66% Danceability • 94% Energy • 24% Liveness
12% Instrumentalness • 33% Positiveness
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Audion
Your Place or Mine
125 bpm • F# min • 06:29 • -13.06db
2% Popularity • 95% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
2% Popularity • 95% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Mark Knight
Lady (Hear Me Tonight)
125 bpm • A min • 02:14 • -3.37db
55% Popularity • 69% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 69% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Anyma
After Love
125 bpm • A# min • 03:10 • -5.33db
57% Popularity • 68% Danceability • 94% Energy • 36% Liveness
10% Instrumentalness • 6% Positiveness
57% Popularity • 68% Danceability • 94% Energy • 36% Liveness
10% Instrumentalness • 6% Positiveness
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Deeper Purpose
That Sound
125 bpm • G Maj • 02:46 • -5.2db
49% Popularity • 76% Danceability • 93% Energy • 7% Liveness
58% Instrumentalness • 61% Positiveness
49% Popularity • 76% Danceability • 93% Energy • 7% Liveness
58% Instrumentalness • 61% Positiveness
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Claptone
Euphoria
125 bpm • G min • 02:38 • -5.95db
58% Popularity • 43% Danceability • 86% Energy • 17% Liveness
82% Instrumentalness • 8% Positiveness
58% Popularity • 43% Danceability • 86% Energy • 17% Liveness
82% Instrumentalness • 8% Positiveness
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THYKIER
Just Like You
125 bpm • G# min • 02:20 • -3.53db
40% Popularity • 81% Danceability • 99% Energy • 12% Liveness
83% Instrumentalness • 60% Positiveness
40% Popularity • 81% Danceability • 99% Energy • 12% Liveness
83% Instrumentalness • 60% Positiveness
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Audion
Gut Man Cometh
125 bpm • G Maj • 05:34 • -12.39db
1% Popularity • 80% Danceability • 70% Energy • 14% Liveness
84% Instrumentalness • 52% Positiveness
1% Popularity • 80% Danceability • 70% Energy • 14% Liveness
84% Instrumentalness • 52% Positiveness
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Eats Everything
Dancing (Again!) - Radio Edit
125 bpm • B min • 03:19 • -5.88db
35% Popularity • 90% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 90% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Lifelike
Discopolis 2.0 (Mixed) - MEDUZA Remix
125 bpm • F# min • 01:12 • -9.86db
59% Popularity • 60% Danceability • 70% Energy • 17% Liveness
94% Instrumentalness • 15% Positiveness
59% Popularity • 60% Danceability • 70% Energy • 17% Liveness
94% Instrumentalness • 15% Positiveness
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Matroda
Saturday Love
125 bpm • C Maj • 02:21 • -5.19db
63% Popularity • 88% Danceability • 82% Energy • 7% Liveness
27% Instrumentalness • 36% Positiveness
63% Popularity • 88% Danceability • 82% Energy • 7% Liveness
27% Instrumentalness • 36% Positiveness
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Maceo Plex
Clickbait (This Ain't Hollywood)
125 bpm • B Maj • 04:08 • -6.86db
29% Popularity • 71% Danceability • 72% Energy • 12% Liveness
5% Instrumentalness • 71% Positiveness
29% Popularity • 71% Danceability • 72% Energy • 12% Liveness
5% Instrumentalness • 71% Positiveness
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Low Steppa
Dance To The Music
126 bpm • A min • 02:38 • -7.28db
52% Popularity • 79% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 79% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Audion
Timewarp
125 bpm • G Maj • 05:27 • -15.65db
1% Popularity • 80% Danceability • 57% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
1% Popularity • 80% Danceability • 57% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Tom Enzy
Pégate
124 bpm • B min • 03:17 • -6.84db
46% Popularity • 74% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
46% Popularity • 74% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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IDRIS
La Trumpeta
126 bpm • C Maj • 03:20 • -6.12db
52% Popularity • 61% Danceability • 81% Energy • 33% Liveness
78% Instrumentalness • 34% Positiveness
52% Popularity • 61% Danceability • 81% Energy • 33% Liveness
78% Instrumentalness • 34% Positiveness
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Massano
Shut Down
126 bpm • D Maj • 03:51 • -6.22db
53% Popularity • 53% Danceability • 78% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
53% Popularity • 53% Danceability • 78% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Moontalk
Virtual Friends
124 bpm • A Maj • 03:48 • -12.79db
30% Popularity • 81% Danceability • 57% Energy • 8% Liveness
84% Instrumentalness • 74% Positiveness
30% Popularity • 81% Danceability • 57% Energy • 8% Liveness
84% Instrumentalness • 74% Positiveness
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Matt Sassari
Snare Thing
126 bpm • B Maj • 03:00 • -6.46db
46% Popularity • 90% Danceability • 91% Energy • 34% Liveness
27% Instrumentalness • 79% Positiveness
46% Popularity • 90% Danceability • 91% Energy • 34% Liveness
27% Instrumentalness • 79% Positiveness
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Audion
Mouth to Mouth - Boys Noize Remix
125 bpm • G# Maj • 06:24 • -8.03db
13% Popularity • 65% Danceability • 72% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
13% Popularity • 65% Danceability • 72% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
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Jansons
Switch (Follow The Drum)
126 bpm • A# min • 02:22 • -7.4db
44% Popularity • 82% Danceability • 90% Energy • 30% Liveness
21% Instrumentalness • 88% Positiveness
44% Popularity • 82% Danceability • 90% Energy • 30% Liveness
21% Instrumentalness • 88% Positiveness
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Alesso
Zig Zag
126 bpm • C Maj • 04:14 • -3.89db
58% Popularity • 72% Danceability • 97% Energy • 15% Liveness
84% Instrumentalness • 48% Positiveness
58% Popularity • 72% Danceability • 97% Energy • 15% Liveness
84% Instrumentalness • 48% Positiveness
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Adam Ten
Toys
124 bpm • G# Maj • 04:20 • -8.39db
45% Popularity • 80% Danceability • 60% Energy • 11% Liveness
79% Instrumentalness • 76% Positiveness
45% Popularity • 80% Danceability • 60% Energy • 11% Liveness
79% Instrumentalness • 76% Positiveness
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Moontalk
Acid Disko
124 bpm • C# Maj • 04:12 • -7.41db
27% Popularity • 79% Danceability • 86% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
27% Popularity • 79% Danceability • 86% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
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Maceo Plex
Just You And I
126 bpm • C# Maj • 06:08 • -4.64db
30% Popularity • 78% Danceability • 76% Energy • 11% Liveness
36% Instrumentalness • 20% Positiveness
30% Popularity • 78% Danceability • 76% Energy • 11% Liveness
36% Instrumentalness • 20% Positiveness
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Audion
Mouth to Mouth - Scuba's Orbital 93 Mix
125 bpm • C# Maj • 08:17 • -12.47db
2% Popularity • 80% Danceability • 73% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
2% Popularity • 80% Danceability • 73% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Anyma
Now Or Never
126 bpm • F# min • 03:59 • -6.17db
64% Popularity • 59% Danceability • 91% Energy • 61% Liveness
10% Instrumentalness • 16% Positiveness
64% Popularity • 59% Danceability • 91% Energy • 61% Liveness
10% Instrumentalness • 16% Positiveness
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Nic Fanciulli
YSD
126 bpm • C min • 03:10 • -6.51db
39% Popularity • 67% Danceability • 94% Energy • 38% Liveness
76% Instrumentalness • 83% Positiveness
39% Popularity • 67% Danceability • 94% Energy • 38% Liveness
76% Instrumentalness • 83% Positiveness
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Jenn Getz & Alfie
Vibration
126 bpm • B min • 02:57 • -7.65db
41% Popularity • 80% Danceability • 74% Energy • 11% Liveness
16% Instrumentalness • 37% Positiveness
41% Popularity • 80% Danceability • 74% Energy • 11% Liveness
16% Instrumentalness • 37% Positiveness
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Route 94
House & Pressure
126 bpm • A# min • 02:28 • -6.08db
50% Popularity • 87% Danceability • 66% Energy • 8% Liveness
20% Instrumentalness • 39% Positiveness
50% Popularity • 87% Danceability • 66% Energy • 8% Liveness
20% Instrumentalness • 39% Positiveness
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Cloonee
To The Beat
126 bpm • F Maj • 03:56 • -10.3db
58% Popularity • 83% Danceability • 70% Energy • 44% Liveness
2% Instrumentalness • 15% Positiveness
58% Popularity • 83% Danceability • 70% Energy • 44% Liveness
2% Instrumentalness • 15% Positiveness
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Audion
Sucker
125 bpm • F Maj • 05:14 • -13.65db
4% Popularity • 80% Danceability • 88% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
4% Popularity • 80% Danceability • 88% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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Tiga
Pink Bells
124 bpm • C# Maj • 06:55 • -9.59db
4% Popularity • 65% Danceability • 86% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
4% Popularity • 65% Danceability • 86% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Rafael Cerato
Step On The Lead
126 bpm • D Maj • 05:27 • -7.16db
32% Popularity • 77% Danceability • 94% Energy • 2% Liveness
78% Instrumentalness • 70% Positiveness
32% Popularity • 77% Danceability • 94% Energy • 2% Liveness
78% Instrumentalness • 70% Positiveness
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Matt Sassari
Stuck In
126 bpm • A Maj • 02:14 • -7.81db
31% Popularity • 81% Danceability • 79% Energy • 28% Liveness
68% Instrumentalness • 56% Positiveness
31% Popularity • 81% Danceability • 79% Energy • 28% Liveness
68% Instrumentalness • 56% Positiveness
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Chris Lake
Deceiver - VIP
124 bpm • C# min • 02:35 • -4.36db
51% Popularity • 89% Danceability • 90% Energy • 8% Liveness
67% Instrumentalness • 84% Positiveness
51% Popularity • 89% Danceability • 90% Energy • 8% Liveness
67% Instrumentalness • 84% Positiveness
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GENESI
Acid (All Night Long)
126 bpm • E Maj • 02:33 • -5.79db
45% Popularity • 59% Danceability • 88% Energy • 49% Liveness
37% Instrumentalness • 13% Positiveness
45% Popularity • 59% Danceability • 88% Energy • 49% Liveness
37% Instrumentalness • 13% Positiveness
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Audion
Just Fucking - Roman Flügel’s 23 Posi...
125 bpm • G Maj • 05:35 • -13.87db
4% Popularity • 79% Danceability • 80% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
4% Popularity • 79% Danceability • 80% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Mau P
BEATS FOR THE UNDERGROUND
126 bpm • A# min • 03:34 • -4.88db
66% Popularity • 75% Danceability • 98% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
66% Popularity • 75% Danceability • 98% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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KH
Looking at Your Pager - Chris Lake Remix
126 bpm • B min • 03:39 • -6db
36% Popularity • 81% Danceability • 94% Energy • 12% Liveness
84% Instrumentalness • 46% Positiveness
36% Popularity • 81% Danceability • 94% Energy • 12% Liveness
84% Instrumentalness • 46% Positiveness
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ARTBAT
Artefact
126 bpm • G# min • 05:25 • -7.78db
44% Popularity • 73% Danceability • 84% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
44% Popularity • 73% Danceability • 84% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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James Hurr
Powder In The Nose
126 bpm • F# Maj • 02:31 • -3.62db
36% Popularity • 68% Danceability • 98% Energy • 31% Liveness
85% Instrumentalness • 57% Positiveness
36% Popularity • 68% Danceability • 98% Energy • 31% Liveness
85% Instrumentalness • 57% Positiveness
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Spencer Brown
Ladies Love LFOs
126 bpm • G# min • 05:17 • -10.26db
32% Popularity • 80% Danceability • 84% Energy • 8% Liveness
90% Instrumentalness • 28% Positiveness
32% Popularity • 80% Danceability • 84% Energy • 8% Liveness
90% Instrumentalness • 28% Positiveness
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Audion
Just Fucking
125 bpm • F# min • 05:52 • -6.17db
2% Popularity • 94% Danceability • 72% Energy • 7% Liveness
58% Instrumentalness • 24% Positiveness
2% Popularity • 94% Danceability • 72% Energy • 7% Liveness
58% Instrumentalness • 24% Positiveness
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Riva Starr
This Is The Sound
126 bpm • A min • 03:12 • -4.65db
57% Popularity • 77% Danceability • 97% Energy • 37% Liveness
23% Instrumentalness • 43% Positiveness
57% Popularity • 77% Danceability • 97% Energy • 37% Liveness
23% Instrumentalness • 43% Positiveness
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Hot Since 82
Reach Out
126 bpm • F# min • 05:02 • -7.89db
46% Popularity • 57% Danceability • 90% Energy • 25% Liveness
39% Instrumentalness • 48% Positiveness
46% Popularity • 57% Danceability • 90% Energy • 25% Liveness
39% Instrumentalness • 48% Positiveness
