Songs like Bindii Patch by Abby Bella May
Based on a tempo of (+/- 10%) and a similar genre
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Araya
Kiss on the Train
145 bpm • A min • 03:08 • -7.84db
10% Popularity • 51% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 51% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Abby Bella May
Bindii Patch
145 bpm • B Maj • 02:26 • -6.81db
10% Popularity • 79% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 79% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Forest Claudette
Gone Without a Trace
145 bpm • B Maj • 03:02 • -4.14db
26% Popularity • 75% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 75% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Lyrah
Sorry CVS
145 bpm • G Maj • 02:18 • -7.08db
26% Popularity • 72% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 72% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Olive Amun
Sell My Soul
145 bpm • E min • 02:53 • -4.05db
23% Popularity • 67% Danceability • 72% Energy • 22% Liveness
3% Instrumentalness • 72% Positiveness
23% Popularity • 67% Danceability • 72% Energy • 22% Liveness
3% Instrumentalness • 72% Positiveness
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Take Van
What’s on Your Mind?
144 bpm • B Maj • 02:07 • -5.37db
31% Popularity • 65% Danceability • 89% Energy • 29% Liveness
92% Instrumentalness • 95% Positiveness
31% Popularity • 65% Danceability • 89% Energy • 29% Liveness
92% Instrumentalness • 95% Positiveness
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Ash Lune
Sugarcoat
144 bpm • D Maj • 02:10 • -5.64db
13% Popularity • 70% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 70% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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KUÄŒKA
Cry Cry Cry
144 bpm • G# Maj • 03:22 • -8.31db
6% Popularity • 76% Danceability • 68% Energy • 5% Liveness
4% Instrumentalness • 70% Positiveness
6% Popularity • 76% Danceability • 68% Energy • 5% Liveness
4% Instrumentalness • 70% Positiveness
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Roy Bing
Met Someone
144 bpm • G Maj • 02:58 • -7.06db
7% Popularity • 70% Danceability • 74% Energy • 43% Liveness
4% Instrumentalness • 27% Positiveness
7% Popularity • 70% Danceability • 74% Energy • 43% Liveness
4% Instrumentalness • 27% Positiveness
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Yorke
i’ll keep driving
146 bpm • D Maj • 03:42 • -7.65db
20% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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LORA
run
144 bpm • A Maj • 03:53 • -8.89db
14% Popularity • 79% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
14% Popularity • 79% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Abby Bella May
Luvsakilla
144 bpm • C min • 02:46 • -7.09db
4% Popularity • 76% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
4% Popularity • 76% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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CLOE TERARE
Scotty (Beam Me Up)
144 bpm • C# Maj • 03:42 • -5.32db
3% Popularity • 62% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
3% Popularity • 62% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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BENEE
Happen To Me - Space Above Remix
143 bpm • A min • 04:36 • -8db
18% Popularity • 50% Danceability • 78% Energy • 15% Liveness
82% Instrumentalness • 26% Positiveness
18% Popularity • 50% Danceability • 78% Energy • 15% Liveness
82% Instrumentalness • 26% Positiveness
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Mickey Kojak
Landline
147 bpm • G min • 02:58 • -6.01db
21% Popularity • 71% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 71% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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Robotaki
Harbinger
147 bpm • A# min • 04:17 • -5.36db
31% Popularity • 49% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 49% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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LORA
lost
144 bpm • C Maj • 03:37 • -6.23db
16% Popularity • 71% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 71% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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FRANKIE OCTOBER
please be mine
143 bpm • F min • 02:50 • -7.96db
21% Popularity • 69% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 69% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Young & Sick
ANGELS - Gilligan Moss Remix
143 bpm • A# min • 03:18 • -8.5db
27% Popularity • 77% Danceability • 61% Energy • 7% Liveness
82% Instrumentalness • 92% Positiveness
27% Popularity • 77% Danceability • 61% Energy • 7% Liveness
82% Instrumentalness • 92% Positiveness
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Sycco
Jinx
147 bpm • G# Maj • 02:46 • -4.96db
26% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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BIRDEE 王煒
See You, See Me
147 bpm • D Maj • 03:20 • -6.55db
31% Popularity • 60% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 60% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Ella Vos
Glitter and Tears (Myra Molloy Remix)
143 bpm • F Maj • 03:24 • -10.02db
11% Popularity • 41% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 41% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Xavier Dunn
One on One
147 bpm • E min • 03:48 • -8.3db
10% Popularity • 45% Danceability • 48% Energy • 12% Liveness
13% Instrumentalness • 22% Positiveness
10% Popularity • 45% Danceability • 48% Energy • 12% Liveness
13% Instrumentalness • 22% Positiveness
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Jim Alxndr
Sticks and Stones
142 bpm • G# Maj • 03:42 • -6.32db
16% Popularity • 49% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 49% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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LORA
fence
148 bpm • A# Maj • 03:13 • -8.06db
21% Popularity • 57% Danceability • 66% Energy • 35% Liveness
4% Instrumentalness • 58% Positiveness
21% Popularity • 57% Danceability • 66% Energy • 35% Liveness
4% Instrumentalness • 58% Positiveness
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Yorke
next life
148 bpm • C# Maj • 03:01 • -7.06db
14% Popularity • 59% Danceability • 58% Energy • 54% Liveness
1% Instrumentalness • 58% Positiveness
14% Popularity • 59% Danceability • 58% Energy • 54% Liveness
1% Instrumentalness • 58% Positiveness
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Blu DeTiger
Lipstick
142 bpm • D Maj • 02:47 • -6.62db
31% Popularity • 74% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 74% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Mac Wetha
Fairytale
142 bpm • F# Maj • 02:45 • -8.32db
19% Popularity • 71% Danceability • 59% Energy • 22% Liveness
4% Instrumentalness • 62% Positiveness
19% Popularity • 71% Danceability • 59% Energy • 22% Liveness
4% Instrumentalness • 62% Positiveness
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Memphis LK
Too Much Fun
149 bpm • F# min • 02:34 • -3.94db
30% Popularity • 67% Danceability • 69% Energy • 17% Liveness
2% Instrumentalness • 56% Positiveness
30% Popularity • 67% Danceability • 69% Energy • 17% Liveness
2% Instrumentalness • 56% Positiveness
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CRITTER
LEMME
141 bpm • C Maj • 02:40 • -6.83db
15% Popularity • 80% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 80% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Bipolar Sunshine
ROMANCE
141 bpm • F min • 03:31 • -5.85db
11% Popularity • 73% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 73% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Abby Bella May
1975
141 bpm • D Maj • 02:44 • -8.03db
13% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Remi Wolf
Cake
150 bpm • F min • 02:47 • -6db
45% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Anna Sofia
No. 5
150 bpm • C min • 03:12 • -6.72db
14% Popularity • 70% Danceability • 58% Energy • 12% Liveness
18% Instrumentalness • 44% Positiveness
14% Popularity • 70% Danceability • 58% Energy • 12% Liveness
18% Instrumentalness • 44% Positiveness
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Denyah
urbody
150 bpm • D min • 03:12 • -10.86db
23% Popularity • 70% Danceability • 68% Energy • 40% Liveness
21% Instrumentalness • 42% Positiveness
23% Popularity • 70% Danceability • 68% Energy • 40% Liveness
21% Instrumentalness • 42% Positiveness
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Paddy Echo
The View
150 bpm • B min • 03:01 • -8.73db
14% Popularity • 64% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 64% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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flowerovlove
Get With You
150 bpm • D min • 01:51 • -7.81db
24% Popularity • 74% Danceability • 45% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 74% Danceability • 45% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Amber Ryann
BEEN HIGH
150 bpm • B min • 02:51 • -5.66db
22% Popularity • 74% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 74% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Stevan
Crash
150 bpm • C# Maj • 02:49 • -5.86db
19% Popularity • 72% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 72% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Blusher
Softly Spoken
150 bpm • G Maj • 02:41 • -4.93db
33% Popularity • 69% Danceability • 75% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 69% Danceability • 75% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
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ASHWARYA
Can't Relate
150 bpm • C# min • 01:49 • -4.34db
11% Popularity • 61% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 61% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 75% Positiveness
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SAFETY
I Might
140 bpm • D Maj • 03:03 • -7.05db
2% Popularity • 68% Danceability • 66% Energy • 15% Liveness
6% Instrumentalness • 54% Positiveness
2% Popularity • 68% Danceability • 66% Energy • 15% Liveness
6% Instrumentalness • 54% Positiveness
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Josie Man
unbreak ur heart
140 bpm • E min • 03:23 • -3.69db
22% Popularity • 66% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 66% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Cub Sport
High For The Summer
140 bpm • C Maj • 03:31 • -8.24db
29% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Cassie Marin
Every Time I See The Ocean
140 bpm • C Maj • 03:32 • -7.59db
13% Popularity • 64% Danceability • 72% Energy • 10% Liveness
35% Instrumentalness • 65% Positiveness
13% Popularity • 64% Danceability • 72% Energy • 10% Liveness
35% Instrumentalness • 65% Positiveness
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FELIVAND
Butterfly Wings
138 bpm • G# Maj • 03:32 • -7.37db
30% Popularity • 74% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 74% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Abby Bella May
Day Job
137 bpm • G Maj • 02:54 • -7.85db
16% Popularity • 76% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 76% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Yb.
Change Your Mind
153 bpm • D Maj • 03:31 • -7db
17% Popularity • 26% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 26% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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MIZUKI
How Far We've Come
154 bpm • D min • 03:13 • -9.25db
21% Popularity • 70% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 70% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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MAX RAD
Roll Out
154 bpm • F# min • 03:10 • -7.58db
17% Popularity • 72% Danceability • 72% Energy • 10% Liveness
18% Instrumentalness • 66% Positiveness
17% Popularity • 72% Danceability • 72% Energy • 10% Liveness
18% Instrumentalness • 66% Positiveness
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Keli Holiday
Only Fashion
154 bpm • G# Maj • 02:30 • -5.98db
21% Popularity • 65% Danceability • 85% Energy • 65% Liveness
50% Instrumentalness • 88% Positiveness
21% Popularity • 65% Danceability • 85% Energy • 65% Liveness
50% Instrumentalness • 88% Positiveness
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EGOISM
For Ages
136 bpm • A Maj • 03:04 • -4.84db
12% Popularity • 72% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 72% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Vera Blue
Alright Now
154 bpm • F# min • 03:32 • -8db
30% Popularity • 66% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 66% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Stevan
AUTO
136 bpm • D Maj • 03:03 • -6.51db
31% Popularity • 70% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 98% Positiveness
31% Popularity • 70% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 98% Positiveness
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Apricot Ink
Call Me Good
155 bpm • A# Maj • 02:54 • -9.18db
13% Popularity • 80% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 80% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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RIIKI REID
Meet U Again
135 bpm • E Maj • 02:35 • -6.58db
14% Popularity • 60% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 54% Positiveness
14% Popularity • 60% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 54% Positiveness
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Jalle
Downers
135 bpm • B Maj • 02:46 • -8.32db
11% Popularity • 74% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 74% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Memphis LK
Coffee
135 bpm • A# Maj • 03:13 • -7.47db
38% Popularity • 76% Danceability • 86% Energy • 8% Liveness
18% Instrumentalness • 42% Positiveness
38% Popularity • 76% Danceability • 86% Energy • 8% Liveness
18% Instrumentalness • 42% Positiveness
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Emerson Leif
More or Less
135 bpm • G min • 02:57 • -6.61db
26% Popularity • 75% Danceability • 56% Energy • 12% Liveness
6% Instrumentalness • 27% Positiveness
26% Popularity • 75% Danceability • 56% Energy • 12% Liveness
6% Instrumentalness • 27% Positiveness
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L'FREAQ
Phenomenal
135 bpm • A Maj • 04:00 • -6.83db
20% Popularity • 77% Danceability • 82% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
20% Popularity • 77% Danceability • 82% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
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Nicole Millar
hugs
135 bpm • F# Maj • 02:39 • -7.56db
10% Popularity • 65% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 65% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Vera Blue
Wherever We Go
156 bpm • E Maj • 03:19 • -7.99db
25% Popularity • 70% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 70% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Ruby Red
Can We Talk?
156 bpm • E Maj • 03:46 • -7db
11% Popularity • 71% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 71% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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SG Lewis
Plain Sailing
134 bpm • G# Maj • 03:24 • -6.92db
29% Popularity • 70% Danceability • 79% Energy • 31% Liveness
3% Instrumentalness • 29% Positiveness
29% Popularity • 70% Danceability • 79% Energy • 31% Liveness
3% Instrumentalness • 29% Positiveness
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milk.
2.
134 bpm • D Maj • 03:20 • -7.84db
33% Popularity • 65% Danceability • 78% Energy • 14% Liveness
92% Instrumentalness • 50% Positiveness
33% Popularity • 65% Danceability • 78% Energy • 14% Liveness
92% Instrumentalness • 50% Positiveness
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Indigo Eyes
Cross Your Mind
134 bpm • F# Maj • 02:44 • -5.54db
32% Popularity • 83% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 83% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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EFÉ
LIME
158 bpm • A min • 03:15 • -6.85db
16% Popularity • 65% Danceability • 62% Energy • 20% Liveness
5% Instrumentalness • 27% Positiveness
16% Popularity • 65% Danceability • 62% Energy • 20% Liveness
5% Instrumentalness • 27% Positiveness
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Dulcie
Nothing Left
158 bpm • C# Maj • 03:03 • -6.61db
12% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Abby Bella May
Drive-in Movie
133 bpm • G Maj • 03:17 • -8.46db
8% Popularity • 88% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 88% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Jack Panther
WEEKEND AT BERNIES
133 bpm • G Maj • 03:04 • -5.6db
17% Popularity • 73% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 73% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Caroline & Claude
it's not that bad
133 bpm • G Maj • 02:40 • -7.64db
17% Popularity • 61% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 61% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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ELIO
Body Language
132 bpm • C Maj • 02:45 • -5.83db
37% Popularity • 77% Danceability • 76% Energy • 28% Liveness
5% Instrumentalness • 40% Positiveness
37% Popularity • 77% Danceability • 76% Energy • 28% Liveness
5% Instrumentalness • 40% Positiveness
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Holiday87
Running Back To You
133 bpm • F Maj • 03:14 • -9db
16% Popularity • 51% Danceability • 62% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
16% Popularity • 51% Danceability • 62% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
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Legwurk
Panic
132 bpm • A# Maj • 02:38 • -8.28db
13% Popularity • 80% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
13% Popularity • 80% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
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G Luné
BLOCKED
160 bpm • C# Maj • 02:18 • -4.97db
35% Popularity • 41% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 41% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Vallis Alps
Higher Than This
160 bpm • C# min • 02:47 • -6.15db
26% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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PLANT
Lucid Dreams
160 bpm • A# min • 03:17 • -10.05db
19% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Memphis LK
Tricky
160 bpm • C min • 02:06 • -6.54db
18% Popularity • 64% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 68% Positiveness
18% Popularity • 64% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 68% Positiveness
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Eden Rain
Oh God
160 bpm • B min • 02:59 • -7.85db
20% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Micah Jasper
Something for Nothing
131 bpm • D# Maj • 02:44 • -2.74db
13% Popularity • 56% Danceability • 70% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
13% Popularity • 56% Danceability • 70% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Lee Sugar
What I Don't Know
160 bpm • G# Maj • 02:40 • -10db
18% Popularity • 67% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 67% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Vallis Alps
Set It Off, Set It Right
160 bpm • F Maj • 03:39 • -4.88db
24% Popularity • 59% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 59% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Charlotte Plank
Lost Boys
161 bpm • A min • 02:21 • -6.63db
18% Popularity • 62% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 62% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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North Naim
444
130 bpm • E min • 03:18 • -10.26db
14% Popularity • 49% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 49% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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G Luné
SORRY
161 bpm • C# Maj • 02:23 • -4.81db
29% Popularity • 47% Danceability • 82% Energy • 19% Liveness
39% Instrumentalness • 58% Positiveness
29% Popularity • 47% Danceability • 82% Energy • 19% Liveness
39% Instrumentalness • 58% Positiveness
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maxime.
‎can't ‎u ‎tell ‎?
130 bpm • C# Maj • 02:38 • -2.98db
22% Popularity • 72% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
22% Popularity • 72% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
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Legwurk
Night Gown
130 bpm • A# Maj • 02:49 • -9db
11% Popularity • 81% Danceability • 43% Energy • 9% Liveness
13% Instrumentalness • 42% Positiveness
11% Popularity • 81% Danceability • 43% Energy • 9% Liveness
13% Instrumentalness • 42% Positiveness
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UMI
wish that i could - Memphis LK Remix
130 bpm • D# Maj • 03:01 • -4.9db
37% Popularity • 76% Danceability • 87% Energy • 10% Liveness
20% Instrumentalness • 97% Positiveness
37% Popularity • 76% Danceability • 87% Energy • 10% Liveness
20% Instrumentalness • 97% Positiveness
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Mel Blue
Everything About You
130 bpm • G# Maj • 03:43 • -8.95db
39% Popularity • 67% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 67% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Dallas James
Stranger
130 bpm • F# min • 02:58 • -3.92db
21% Popularity • 71% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 71% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Yukon
Comet
130 bpm • A min • 02:48 • -5.02db
25% Popularity • 78% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 78% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Mom Tudie
radio silence
130 bpm • C Maj • 02:10 • -9.75db
15% Popularity • 71% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 71% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Memphis LK
Bad For Me
130 bpm • C min • 02:03 • -5.1db
31% Popularity • 68% Danceability • 83% Energy • 29% Liveness
43% Instrumentalness • 54% Positiveness
31% Popularity • 68% Danceability • 83% Energy • 29% Liveness
43% Instrumentalness • 54% Positiveness
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teddie
slow it down
130 bpm • E Maj • 02:49 • -7.81db
16% Popularity • 62% Danceability • 85% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
16% Popularity • 62% Danceability • 85% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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Ruby Red
Too Late (To Call)
130 bpm • A min • 03:41 • -6db
37% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Oh Boy
b i g g i r l
130 bpm • G Maj • 02:46 • -5.53db
13% Popularity • 77% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 77% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Planet CeCe
flakers
130 bpm • G# min • 03:08 • -4.59db
8% Popularity • 68% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 68% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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KANADA THE LOOP
Blurr
130 bpm • D Maj • 02:15 • -5.82db
20% Popularity • 74% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 74% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
