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Birds Fly By Flapping their Wings
Songs like
Birds Fly By Flapping their Wings
by
Biosphere
Based on a tempo of (+/- 10%) and a similar genre
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Bing & Ruth
Badwater Psalm - Khotin Remix
108 bpm • C# Maj • 06:00 • -8db
20% Popularity • 70% Danceability • 81% Energy • 11% Liveness
50% Instrumentalness • 56% Positiveness
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Steve Hauschildt
Vicinities
108 bpm • C# min • 05:01 • -16db
26% Popularity • 64% Danceability • 54% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Move D
Beyond The Machine
108 bpm • G min • 05:24 • -18.82db
17% Popularity • 65% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 55% Positiveness
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Biosphere
Birds Fly By Flapping their Wings
108 bpm • A# min • 06:35 • -19.26db
22% Popularity • 23% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Jon Hassell
Dreaming
108 bpm • F min • 06:09 • -13.29db
25% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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G.B. Beckers
Walkman
107 bpm • D Maj • 05:23 • -13.96db
21% Popularity • 72% Danceability • 32% Energy • 25% Liveness
1% Instrumentalness • 23% Positiveness
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Global Communication
12:18
107 bpm • G# min • 12:18 • -16.67db
29% Popularity • 16% Danceability • 29% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Steve Hauschildt
A Reflecting Pool
107 bpm • C# min • 03:10 • -19db
25% Popularity • 54% Danceability • 38% Energy • 13% Liveness
92% Instrumentalness • 57% Positiveness
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Capitol K
Landlocked
109 bpm • G# min • 03:59 • -11db
19% Popularity • 82% Danceability • 62% Energy • 33% Liveness
73% Instrumentalness • 88% Positiveness
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Biosphere
Black Mesa
107 bpm • G Maj • 05:25 • -17.08db
29% Popularity • 75% Danceability • 29% Energy • 17% Liveness
27% Instrumentalness • 60% Positiveness
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Pye Corner Audio
Ganzfeld Effect
107 bpm • E min • 05:05 • -17db
24% Popularity • 45% Danceability • 32% Energy • 19% Liveness
94% Instrumentalness • 5% Positiveness
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Lucrecia Dalt
Tar - Jan Jelinek Remix
109 bpm • C# Maj • 05:59 • -21db
26% Popularity • 67% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Amon Tobin
Full Panther
109 bpm • D Maj • 03:23 • -15.18db
33% Popularity • 88% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 55% Positiveness
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Susumu Yokota
Song Of The Sleeping Forest
107 bpm • G Maj • 04:19 • -10.18db
35% Popularity • 82% Danceability • 70% Energy • 18% Liveness
87% Instrumentalness • 79% Positiveness
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Thomas Fehlmann
Falling Into Your Eyes
110 bpm • G min • 04:08 • -14.31db
22% Popularity • 24% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Biosphere
Black Mesa
107 bpm • D Maj • 03:35 • -14.52db
15% Popularity • 79% Danceability • 29% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
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Yagya
Rigning Einn
110 bpm • F# Maj • 06:03 • -22.05db
20% Popularity • 36% Danceability • 22% Energy • 62% Liveness
12% Instrumentalness • 4% Positiveness
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The Orb
Pomme Fritz (Meat 'N Veg)
110 bpm • B Maj • 09:02 • -16.85db
24% Popularity • 63% Danceability • 44% Energy • 30% Liveness
83% Instrumentalness • 46% Positiveness
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Global Communication
8:07
110 bpm • C Maj • 08:07 • -18.26db
30% Popularity • 66% Danceability • 45% Energy • 37% Liveness
88% Instrumentalness • 48% Positiveness
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Forest Swords
Friend, You Will Never Learn
110 bpm • A min • 08:12 • -12db
26% Popularity • 35% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Murcof
Underwater Lament
110 bpm • C# Maj • 05:20 • -16db
25% Popularity • 48% Danceability • 50% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Biosphere
Shika-1
110 bpm • C Maj • 07:54 • -17.24db
10% Popularity • 80% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Yagya
Motes in the Moonlight
110 bpm • A min • 05:15 • -22.2db
21% Popularity • 59% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 13% Positiveness
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Thomas Fehlmann
Alles, Immer
110 bpm • A# min • 06:18 • -10db
21% Popularity • 68% Danceability • 79% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Global Communication
5 23
110 bpm • E min • 05:23 • -16.56db
32% Popularity • 59% Danceability • 42% Energy • 13% Liveness
85% Instrumentalness • 58% Positiveness
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Dylan Henner
The Peach Tree Next Door Grew over Our F...
110 bpm • C# Maj • 05:38 • -17db
33% Popularity • 52% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Pole
Silberfisch
110 bpm • E min • 06:36 • -17db
23% Popularity • 55% Danceability • 54% Energy • 22% Liveness
61% Instrumentalness • 37% Positiveness
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Geir Jenssen
When I Leave - Finely Tuned Version
110 bpm • A# min • 06:48 • -15.18db
5% Popularity • 76% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 27% Positiveness
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The Black Dog
Cup Noodle
110 bpm • A# min • 03:30 • -20.82db
41% Popularity • 70% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
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Thomas Fehlmann
Vergessen
110 bpm • C Maj • 02:26 • -22db
33% Popularity • 41% Danceability • 27% Energy • 63% Liveness
83% Instrumentalness • 7% Positiveness
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K-Lone
In The Pines
110 bpm • C Maj • 05:25 • -14.57db
20% Popularity • 73% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 62% Positiveness
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Leif
Seven Hour Flight to Nowhere
110 bpm • F# min • 05:02 • -17.97db
18% Popularity • 66% Danceability • 40% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
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Jon Hassell
Blue Period
110 bpm • D min • 07:58 • -28db
24% Popularity • 17% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Bochum Welt
La Nuit (Slumber Mix)
106 bpm • B Maj • 02:05 • -13.22db
27% Popularity • 49% Danceability • 46% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
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E Ruscha V
Gravity Waves
110 bpm • D min • 04:48 • -15.67db
14% Popularity • 59% Danceability • 34% Energy • 29% Liveness
48% Instrumentalness • 20% Positiveness
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Thomas Fehlmann
Soft Park
110 bpm • C# Maj • 03:05 • -9.04db
31% Popularity • 76% Danceability • 52% Energy • 9% Liveness
94% Instrumentalness • 49% Positiveness
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CS + Kreme
Saint
110 bpm • C min • 06:30 • -20.61db
19% Popularity • 36% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Gaussian Curve
Ceremony
106 bpm • C# Maj • 05:30 • -11.53db
21% Popularity • 55% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Satoshi & Makoto
White Wall
111 bpm • F# Maj • 03:54 • -18.49db
27% Popularity • 49% Danceability • 30% Energy • 10% Liveness
94% Instrumentalness • 55% Positiveness
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Abul Mogard
Bound Universe
105 bpm • C# Maj • 06:44 • -25.66db
23% Popularity • 20% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 2% Positiveness
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Susumu Yokota
Gekkoh
111 bpm • A# Maj • 04:59 • -11db
28% Popularity • 65% Danceability • 60% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Thomas Fehlmann
Umarmt
110 bpm • E Maj • 04:40 • -14.87db
21% Popularity • 45% Danceability • 58% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
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Tomaga
Idioma
111 bpm • G Maj • 04:13 • -11.04db
25% Popularity • 59% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Luke Abbott
Roses
105 bpm • D Maj • 01:48 • -14.74db
27% Popularity • 47% Danceability • 30% Energy • 10% Liveness
73% Instrumentalness • 16% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
39% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Seefeel
Charlotte's Mouth
105 bpm • F# Maj • 07:27 • -15db
21% Popularity • 29% Danceability • 48% Energy • 12% Liveness
79% Instrumentalness • 26% Positiveness
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Visible Cloaks
Mask
111 bpm • D# min • 05:37 • -15.36db
14% Popularity • 46% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 8% Positiveness
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E Ruscha V
The Hostess
112 bpm • F Maj • 02:04 • -14.28db
37% Popularity • 51% Danceability • 26% Energy • 53% Liveness
97% Instrumentalness • 8% Positiveness
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Steve Hauschildt
Edgewater Prelude
104 bpm • D Maj • 01:22 • -13.36db
37% Popularity • 52% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
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Bersarin Quartett
Staub und Sterne
104 bpm • E min • 04:31 • -14.66db
13% Popularity • 17% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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The Black Dog
Sleep Deprivation 1
112 bpm • G# Maj • 04:53 • -29.62db
30% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Bedouin Ascent
Joyriding III
112 bpm • A min • 02:00 • -17.63db
31% Popularity • 73% Danceability • 15% Energy • 4% Liveness
67% Instrumentalness • 56% Positiveness
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Jan Jelinek
Universal Band Silhouette
112 bpm • A# Maj • 07:06 • -12.68db
15% Popularity • 31% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Isan
No. 2. - Lent Et Triste
104 bpm • D min • 01:54 • -15.83db
28% Popularity • 65% Danceability • 36% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
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Terekke
Jqm
104 bpm • F# min • 05:17 • -23.05db
17% Popularity • 72% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
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Pan-American
The Cloud Room
104 bpm • A Maj • 07:36 • -15db
25% Popularity • 27% Danceability • 31% Energy • 19% Liveness
92% Instrumentalness • 18% Positiveness
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Ricardo Villalobos
Recat
104 bpm • B min • 07:15 • -21.63db
25% Popularity • 56% Danceability • 42% Energy • 9% Liveness
76% Instrumentalness • 32% Positiveness
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Susumu Yokota
Kirakiraboshi
104 bpm • C# Maj • 01:55 • -18db
40% Popularity • 41% Danceability • 33% Energy • 39% Liveness
95% Instrumentalness • 12% Positiveness
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Teebs
Atoms Song
113 bpm • C# Maj • 07:40 • -18.82db
35% Popularity • 48% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Bochum Welt
Southern England in Summer
112 bpm • A min • 02:08 • -16db
31% Popularity • 65% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Vladislav Delay
Ranta
104 bpm • A min • 04:31 • -17.19db
12% Popularity • 37% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Pole
Stadt
104 bpm • G Maj • 03:27 • -15.04db
22% Popularity • 84% Danceability • 36% Energy • 28% Liveness
68% Instrumentalness • 38% Positiveness
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GAS
Pop 2
113 bpm • G# Maj • 08:33 • -20db
34% Popularity • 16% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
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Biosphere
Mestigoth
103 bpm • A# min • 01:43 • -21.72db
31% Popularity • 29% Danceability • 28% Energy • 90% Liveness
73% Instrumentalness • 17% Positiveness
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Autechre
Bronchusevenmx
113 bpm • B Maj • 09:44 • -17.05db
22% Popularity • 42% Danceability • 81% Energy • 9% Liveness
95% Instrumentalness • 78% Positiveness
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Lord Of The Isles
Waiting in Arisaig
103 bpm • A min • 06:43 • -11db
26% Popularity • 57% Danceability • 54% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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James Holden
Blackpool Late Eighties
113 bpm • G Maj • 08:38 • -10.15db
28% Popularity • 67% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
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Kelly Moran
Helix - Edit
113 bpm • D# min • 04:45 • -15db
22% Popularity • 37% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
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Higher Intelligence Agency
Cannon Hill - Remastered
103 bpm • C# min • 07:44 • -23.84db
12% Popularity • 34% Danceability • 20% Energy • 88% Liveness
77% Instrumentalness • 16% Positiveness
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John Beltran
Collage Revisited
114 bpm • C# Maj • 02:40 • -15.88db
9% Popularity • 39% Danceability • 50% Energy • 11% Liveness
96% Instrumentalness • 64% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
38% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Intrusion
Seduction
102 bpm • G# Maj • 08:16 • -19db
25% Popularity • 55% Danceability • 42% Energy • 11% Liveness
76% Instrumentalness • 29% Positiveness
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DJ Python
Lampara
103 bpm • B min • 04:47 • -12.28db
14% Popularity • 42% Danceability • 56% Energy • 14% Liveness
90% Instrumentalness • 20% Positiveness
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Two Lone Swordsmen
Constant Reminder
102 bpm • F# Maj • 01:30 • -17.54db
36% Popularity • 38% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Pauline Anna Strom
Virgin Ice
114 bpm • E Maj • 04:38 • -16db
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
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Yagya
The Salt On Her Cheeks
114 bpm • A min • 06:56 • -22.07db
34% Popularity • 67% Danceability • 30% Energy • 39% Liveness
90% Instrumentalness • 12% Positiveness
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Tim Hecker
The Piano Drop
114 bpm • C# min • 02:53 • -12db
36% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Mark Barrott
Cirrus & Cumulus
102 bpm • A# Maj • 05:10 • -13.83db
19% Popularity • 65% Danceability • 58% Energy • 6% Liveness
89% Instrumentalness • 41% Positiveness
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Global Communication
14:31
115 bpm • A# min • 14:31 • -16.98db
34% Popularity • 55% Danceability • 39% Energy • 68% Liveness
90% Instrumentalness • 14% Positiveness
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Pantha Du Prince
Pius in Tacet
115 bpm • D Maj • 05:39 • -12.67db
30% Popularity • 63% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Murcof
Memoria
115 bpm • G# Maj • 05:58 • -15.99db
23% Popularity • 74% Danceability • 62% Energy • 12% Liveness
82% Instrumentalness • 5% Positiveness
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Biosphere
Iberia Eterea
101 bpm • A# min • 06:38 • -24.73db
13% Popularity • 21% Danceability • 31% Energy • 31% Liveness
83% Instrumentalness • 16% Positiveness
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Roedelius
Sonnengeflecht
101 bpm • B Maj • 03:29 • -18db
18% Popularity • 36% Danceability • 48% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
27% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Global Communication
4:02
115 bpm • D# min • 04:02 • -20.99db
25% Popularity • 17% Danceability • 16% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Mouse On Mars
Kompod
101 bpm • F# Maj • 04:10 • -18db
29% Popularity • 77% Danceability • 53% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
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Arne Nordheim
Les Fleurs Du Mal
116 bpm • G# min • 11:23 • -21.93db
7% Popularity • 33% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Biosphere
Endurium
101 bpm • C# Maj • 10:47 • -18.78db
16% Popularity • 76% Danceability • 28% Energy • 46% Liveness
86% Instrumentalness • 4% Positiveness
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Bochum Welt
Canyon Drive
116 bpm • C Maj • 03:08 • -24.6db
17% Popularity • 17% Danceability • 5% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Albrecht La'Brooy
Tidal River
116 bpm • C min • 05:56 • -16.17db
22% Popularity • 68% Danceability • 47% Energy • 7% Liveness
92% Instrumentalness • 28% Positiveness
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Terekke
Need U
116 bpm • A# Maj • 05:44 • -21.19db
19% Popularity • 74% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
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Dauwd
Theory of Colours
116 bpm • C# min • 05:27 • -17.37db
38% Popularity • 56% Danceability • 47% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Brothomstates
Mdrmx
116 bpm • A Maj • 05:59 • -16.65db
24% Popularity • 42% Danceability • 45% Energy • 18% Liveness
9% Instrumentalness • 17% Positiveness
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Tomaga
A Perspective with No End
116 bpm • G min • 04:09 • -10.91db
29% Popularity • 70% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Gaussian Curve
Ride
100 bpm • C Maj • 05:09 • -12db
30% Popularity • 81% Danceability • 16% Energy • 5% Liveness
94% Instrumentalness • 22% Positiveness
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Actress
Hubble
117 bpm • C# min • 04:18 • -10.24db
35% Popularity • 79% Danceability • 57% Energy • 13% Liveness
84% Instrumentalness • 32% Positiveness
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Terekke
Closer
100 bpm • C Maj • 03:31 • -30db
23% Popularity • 28% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Higher Intelligence Agency
Orange
100 bpm • G# Maj • 09:12 • -19.2db
10% Popularity • 58% Danceability • 34% Energy • 35% Liveness
1% Instrumentalness • 8% Positiveness
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Susumu Yokota
I Imagine
117 bpm • C Maj • 02:34 • -20.59db
38% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Birds Fly By Flapping their Wings