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Black and Blue
Songs like
Black and Blue
by
Rory Butler
Based on a tempo of (+/- 10%) and a similar genre
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Rory Butler
Straight Talking Man
83 bpm • B Maj • 03:31 • -10.48db
1% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Hudson Taylor
Let It Begin
83 bpm • A Maj • 04:54 • -9.13db
9% Popularity • 64% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Jacob McLeod
Something New
83 bpm • A# Maj • 04:07 • -7.63db
16% Popularity • 52% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Seán R. McLaughlin & The Wind-Up Crows
Hairband
83 bpm • D Maj • 04:27 • -12.38db
16% Popularity • 43% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 35% Positiveness
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Kelsey Leavitt
Silent Movies
83 bpm • C Maj • 03:28 • -15.26db
23% Popularity • 57% Danceability • 25% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Peter Mulvey
Road to Mallow
83 bpm • G# min • 03:08 • -14.67db
20% Popularity • 55% Danceability • 32% Energy • 9% Liveness
8% Instrumentalness • 49% Positiveness
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Beth Malcolm
Darwin
83 bpm • F# Maj • 03:58 • -8.14db
7% Popularity • 42% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Tammy Bender
From Hometown
83 bpm • C Maj • 02:33 • -7.15db
13% Popularity • 48% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 59% Positiveness
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Brooks Williams
Pony
84 bpm • D# Maj • 03:40 • -10.54db
12% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Rory Butler
Leave It Out (Acoustic)
82 bpm • E Maj • 03:17 • -11.23db
0% Popularity • 45% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Peter Morland
Art Love
83 bpm • B Maj • 02:50 • -10.74db
12% Popularity • 39% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Ford Turrell
Love Me Like That
82 bpm • D# Maj • 04:07 • -12.6db
9% Popularity • 56% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Nicola Brown
Wish You Were Here
82 bpm • B Maj • 02:32 • -11.78db
11% Popularity • 56% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Lone Storm
October
84 bpm • F Maj • 04:02 • -18.94db
23% Popularity • 57% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Peter Hartig
What's On Your Mind
84 bpm • F# min • 02:36 • -12.6db
19% Popularity • 54% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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QUINT
Your Lips Say No
84 bpm • G# Maj • 04:01 • -11.99db
14% Popularity • 45% Danceability • 43% Energy • 18% Liveness
5% Instrumentalness • 6% Positiveness
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Lorenzo Guevarra
As Well As I Do
84 bpm • D# Maj • 03:05 • -18.19db
23% Popularity • 58% Danceability • 25% Energy • 10% Liveness
17% Instrumentalness • 44% Positiveness
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The Thomsons
Beating Of Your Heart
84 bpm • D Maj • 03:33 • -8.72db
11% Popularity • 65% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Kelly McFarling
Arcs
84 bpm • B Maj • 04:41 • -13.49db
7% Popularity • 58% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 12% Positiveness
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Rory Butler
Black and Blue
82 bpm • F# Maj • 03:08 • -8.82db
7% Popularity • 30% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Daniel Rodriguez
Through the Static
82 bpm • A# Maj • 04:15 • -12.65db
17% Popularity • 47% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Holmes
The Healing
84 bpm • D Maj • 03:59 • -12.43db
7% Popularity • 28% Danceability • 33% Energy • 13% Liveness
2% Instrumentalness • 35% Positiveness
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Redvers and Mélissa
Eggs and Toast
84 bpm • F# Maj • 01:11 • -8.98db
31% Popularity • 64% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Sem Jansen
If Only I (2023 Version)
82 bpm • D Maj • 03:08 • -8.87db
12% Popularity • 44% Danceability • 37% Energy • 12% Liveness
4% Instrumentalness • 25% Positiveness
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Pockets Full Of Change
Wake Me Up
84 bpm • C Maj • 04:33 • -11.97db
11% Popularity • 43% Danceability • 29% Energy • 12% Liveness
44% Instrumentalness • 42% Positiveness
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Rory Butler
Leave It Out
82 bpm • B Maj • 03:15 • -9.35db
1% Popularity • 61% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Joel Gardner
When I've Got You - EP Version
81 bpm • E Maj • 04:36 • -11.63db
7% Popularity • 52% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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James Walsh
All That I've Got Left
85 bpm • F Maj • 01:50 • -13.58db
11% Popularity • 51% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Greg Bond
I'm Not Afraid of You
85 bpm • G# Maj • 03:40 • -16.32db
10% Popularity • 55% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Wilder Adkins
Birthday Cards
81 bpm • F Maj • 03:16 • -13.87db
20% Popularity • 42% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Blue Rose Code
Brave Cedars & Pied Wagtails
85 bpm • F# Maj • 03:24 • -10.06db
7% Popularity • 46% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Devan Crist
My Mind
85 bpm • C# Maj • 03:24 • -15.78db
24% Popularity • 67% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Pieter Oliver
Paris
85 bpm • G Maj • 04:04 • -10.2db
15% Popularity • 30% Danceability • 45% Energy • 41% Liveness
0% Instrumentalness • 4% Positiveness
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The Brothers Gillespie
Pilgrim Song
85 bpm • C# Maj • 05:40 • -11.4db
10% Popularity • 45% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Augenpulver
Red
81 bpm • E Maj • 03:33 • -10.14db
8% Popularity • 36% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
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Police Dog Hogan
Devon Fields
85 bpm • D Maj • 06:11 • -11.55db
7% Popularity • 38% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Tyler Griffin
No Face
80 bpm • G# Maj • 02:10 • -11.92db
11% Popularity • 37% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Kyle Rathbun
Leave Out Loud
80 bpm • D# Maj • 03:46 • -12.66db
13% Popularity • 45% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Dean Owens
Man From Leith
86 bpm • G Maj • 06:38 • -9.02db
8% Popularity • 28% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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clay pigeon
Dark Blue
86 bpm • A Maj • 03:36 • -11.82db
13% Popularity • 52% Danceability • 50% Energy • 12% Liveness
15% Instrumentalness • 81% Positiveness
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Jeff Pianki
Breakfast
86 bpm • D# Maj • 02:40 • -13.85db
19% Popularity • 61% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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August Gilde
My Darkest Night
80 bpm • G# min • 03:00 • -19.46db
18% Popularity • 42% Danceability • 10% Energy • 11% Liveness
15% Instrumentalness • 6% Positiveness
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Gareth Williams
Song from the Last Page of At the Loch o...
80 bpm • F Maj • 03:16 • -16.19db
10% Popularity • 33% Danceability • 12% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
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JD and The Stonemasons
Let It Blow Over
86 bpm • G Maj • 03:20 • -13.77db
10% Popularity • 55% Danceability • 21% Energy • 15% Liveness
2% Instrumentalness • 37% Positiveness
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James Dunderman
Lover
80 bpm • A# Maj • 01:59 • -17db
12% Popularity • 41% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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B. Hamilton
Everyone’s Exhausting (Except for You)
80 bpm • C Maj • 03:35 • -10.45db
19% Popularity • 50% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Lokiproject
Come to My Dream
80 bpm • C min • 04:17 • -9.66db
17% Popularity • 40% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Andy Squyres
As The Sparks Fly Upward - Voice Memos D...
86 bpm • F Maj • 02:44 • -10.35db
7% Popularity • 50% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Shandra
Heart Wont'
80 bpm • C Maj • 03:19 • -7.98db
13% Popularity • 62% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Henry Grace
Too Close
87 bpm • C Maj • 03:02 • -17.52db
24% Popularity • 37% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Pickering Pick
Everything Is Past
87 bpm • F min • 03:28 • -20.39db
11% Popularity • 51% Danceability • 13% Energy • 11% Liveness
24% Instrumentalness • 43% Positiveness
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Thomas Deheck
Heading Back
79 bpm • B Maj • 02:48 • -8.92db
12% Popularity • 30% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Baby Did a Bad Thing
Love Is A River
87 bpm • D# Maj • 04:04 • -13db
16% Popularity • 21% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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El Porto
Take It All
87 bpm • C Maj • 01:26 • -7.23db
30% Popularity • 33% Danceability • 44% Energy • 11% Liveness
27% Instrumentalness • 26% Positiveness
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Smith & Brewer
Another Shade of Blue
87 bpm • D Maj • 03:19 • -15.38db
7% Popularity • 37% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Bobbie Lee Stamper
This Much Light
79 bpm • F# Maj • 03:34 • -16.27db
15% Popularity • 51% Danceability • 30% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
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VENICE
Avalon By The Sea
79 bpm • G Maj • 03:30 • -8.81db
26% Popularity • 32% Danceability • 56% Energy • 16% Liveness
3% Instrumentalness • 38% Positiveness
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Adam Fabianski
Dreamscape
79 bpm • E Maj • 03:01 • -10.98db
12% Popularity • 52% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Kenneth Beide
Dreamer
79 bpm • B Maj • 01:59 • -6.73db
13% Popularity • 37% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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William Saunders
Here
79 bpm • G Maj • 01:53 • -16db
23% Popularity • 46% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Eliot Bronson
Alone #2
79 bpm • A Maj • 03:58 • -12.09db
10% Popularity • 43% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Silent Winters
The Duke Hotel
87 bpm • A min • 03:52 • -13.27db
7% Popularity • 52% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Kirkpatrick
Feathered Omen
79 bpm • D Maj • 03:09 • -12.87db
7% Popularity • 29% Danceability • 31% Energy • 13% Liveness
29% Instrumentalness • 40% Positiveness
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Lior & Domini
Anchor
79 bpm • F min • 04:13 • -14.42db
16% Popularity • 43% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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Tammy Bender
Oh Snow
79 bpm • C Maj • 02:49 • -9.22db
13% Popularity • 31% Danceability • 47% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
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Lynn Agosto
Before I Go
87 bpm • D Maj • 02:00 • -9.91db
16% Popularity • 49% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Matt Sucich
Waste It
88 bpm • C# Maj • 03:35 • -16.12db
8% Popularity • 41% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Megan Henwood
Fresh Water
87 bpm • A Maj • 04:49 • -13.97db
8% Popularity • 58% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Brian Hillebert
Dusty Deserts
88 bpm • A# Maj • 02:55 • -12.62db
12% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Reg Meuross
One Way Ticket to Louise
88 bpm • D Maj • 03:19 • -13.24db
14% Popularity • 39% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Cameron Alexander
Sore
79 bpm • A# Maj • 03:51 • -9db
10% Popularity • 43% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Mel Parsons
Headland
88 bpm • F min • 04:25 • -9.03db
16% Popularity • 44% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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FØR
Swan
78 bpm • G# Maj • 02:55 • -14.46db
21% Popularity • 26% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Matthew Rieger
One More Chance
78 bpm • C Maj • 02:38 • -12.07db
15% Popularity • 51% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Silent Winters
Borrowed Time
78 bpm • D# Maj • 03:36 • -17.75db
9% Popularity • 58% Danceability • 14% Energy • 13% Liveness
6% Instrumentalness • 50% Positiveness
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Reg Meuross
Phil Ochs & Elvis Eating Lunch in Morris...
88 bpm • D Maj • 03:26 • -16.32db
14% Popularity • 58% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Fugitives
Wing and a Prayer
88 bpm • C# Maj • 04:15 • -10.83db
8% Popularity • 51% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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DaviaH
Still Mine
88 bpm • C Maj • 02:39 • -11.96db
14% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Guipago Dreams
Be Here To Love Me
78 bpm • G Maj • 04:14 • -17.39db
9% Popularity • 22% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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FØR
Halcyon
78 bpm • B Maj • 04:20 • -10.03db
20% Popularity • 46% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Dead Nettle
Egret
78 bpm • D Maj • 03:59 • -9.79db
18% Popularity • 47% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Luke James Williams
Jenny Writes Letters
78 bpm • G min • 03:28 • -10.49db
8% Popularity • 46% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Martyn Joseph
Driving Her Back To London
78 bpm • C# Maj • 03:56 • -15.94db
17% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Reillys
Beautiful Things - Acoustic
78 bpm • G Maj • 02:52 • -17.36db
29% Popularity • 29% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Nir Shemmer
Without It
89 bpm • C# min • 06:16 • -10.86db
14% Popularity • 38% Danceability • 42% Energy • 12% Liveness
29% Instrumentalness • 14% Positiveness
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DEHAZE
round and round
89 bpm • A# min • 03:22 • -12.91db
11% Popularity • 53% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Abigail Lapell
Sally
89 bpm • A Maj • 02:38 • -14.91db
14% Popularity • 60% Danceability • 11% Energy • 10% Liveness
45% Instrumentalness • 27% Positiveness
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Blue Rose Code
Ghosts Of Leith
77 bpm • D# Maj • 02:54 • -13.66db
13% Popularity • 64% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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James Kirby
Anywhere
89 bpm • D Maj • 03:49 • -7.63db
10% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Benjamin Swinburne
Will You Come Back to Me
89 bpm • G Maj • 03:31 • -14.87db
29% Popularity • 47% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lapwing
Luskentyre
77 bpm • F Maj • 04:24 • -11.3db
27% Popularity • 60% Danceability • 37% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
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The Eighty Six Seas
Scenes from an Art Heist
89 bpm • C Maj • 03:07 • -12.66db
8% Popularity • 45% Danceability • 40% Energy • 10% Liveness
13% Instrumentalness • 30% Positiveness
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Niamh Regan
Sweetest Drop
90 bpm • F# Maj • 04:11 • -13.66db
22% Popularity • 37% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Blue Rose Code
Come the Springtime
89 bpm • E Maj • 05:10 • -15.12db
8% Popularity • 34% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Colourshop
Coming Back to You
77 bpm • G# Maj • 04:20 • -12.77db
12% Popularity • 60% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Keith McInally
Heartbeats
90 bpm • D# Maj • 02:42 • -14.63db
12% Popularity • 53% Danceability • 24% Energy • 12% Liveness
23% Instrumentalness • 45% Positiveness
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Megan Henwood
Apples
90 bpm • A# Maj • 03:11 • -15.88db
8% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Tariq Shihadah
Come Close
90 bpm • D Maj • 02:58 • -11.87db
9% Popularity • 33% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Davis Keats
Goner
90 bpm • F Maj • 03:35 • -9.41db
11% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Blue Rose Code
Sunday
90 bpm • E Maj • 04:26 • -16.57db
8% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Black and Blue