Songs like Black Eyes Blue by Corey Taylor
Based on a tempo of (+/- 10%) and a similar genre
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Corey Taylor
Black Eyes Blue - Alternative Mix
119 bpm • G# min • 03:07 • -4.69db
15% Popularity • 58% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 58% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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DevilDriver
Sail
119 bpm • D# min • 04:06 • -4.24db
54% Popularity • 46% Danceability • 96% Energy • 23% Liveness
1% Instrumentalness • 16% Positiveness
54% Popularity • 46% Danceability • 96% Energy • 23% Liveness
1% Instrumentalness • 16% Positiveness
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Papa Roach
She Loves Me Not
119 bpm • D Maj • 03:29 • -4.52db
63% Popularity • 60% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 60% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Shinedown
No Sleep Tonight
118 bpm • F# Maj • 02:30 • -2.24db
44% Popularity • 50% Danceability • 96% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
44% Popularity • 50% Danceability • 96% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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Mick Mars
Right Side of Wrong
120 bpm • C min • 03:14 • -4.18db
35% Popularity • 48% Danceability • 94% Energy • 12% Liveness
2% Instrumentalness • 35% Positiveness
35% Popularity • 48% Danceability • 94% Energy • 12% Liveness
2% Instrumentalness • 35% Positiveness
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PAIN
Gimme Shelter
120 bpm • A Maj • 03:58 • -5.73db
42% Popularity • 52% Danceability • 89% Energy • 13% Liveness
1% Instrumentalness • 23% Positiveness
42% Popularity • 52% Danceability • 89% Energy • 13% Liveness
1% Instrumentalness • 23% Positiveness
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Corey Taylor
Black Eyes Blue
119 bpm • G# min • 03:22 • -3.76db
46% Popularity • 55% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 55% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Volbeat
Becoming
120 bpm • G Maj • 04:13 • -6.58db
56% Popularity • 43% Danceability • 94% Energy • 32% Liveness
4% Instrumentalness • 39% Positiveness
56% Popularity • 43% Danceability • 94% Energy • 32% Liveness
4% Instrumentalness • 39% Positiveness
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Fozzy
Burn Me Out
120 bpm • G# Maj • 04:03 • -4.37db
40% Popularity • 62% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 62% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Black Smoke Trigger
Paint the World on Fire
118 bpm • C# Maj • 04:21 • -6db
20% Popularity • 49% Danceability • 94% Energy • 15% Liveness
4% Instrumentalness • 41% Positiveness
20% Popularity • 49% Danceability • 94% Energy • 15% Liveness
4% Instrumentalness • 41% Positiveness
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Drowning Pool
Sinner
121 bpm • E Maj • 02:27 • -2.61db
61% Popularity • 58% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 58% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Slipknot
A Liar's Funeral
117 bpm • B min • 05:27 • -5.32db
50% Popularity • 34% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
50% Popularity • 34% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Corey Taylor
Rainbow in the Dark
120 bpm • F# min • 04:24 • -3.91db
48% Popularity • 53% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 53% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Metallica
The Unforgiven III
122 bpm • E min • 07:46 • -5.63db
59% Popularity • 30% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
59% Popularity • 30% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Skindred
Set Fazers
116 bpm • D Maj • 03:15 • -8.72db
53% Popularity • 70% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
53% Popularity • 70% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Any Given Sin
Dynamite
116 bpm • D min • 03:48 • -3.11db
51% Popularity • 52% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 52% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Life Of Agony
Lay Down
116 bpm • E min • 03:49 • -5.46db
25% Popularity • 64% Danceability • 83% Energy • 21% Liveness
39% Instrumentalness • 39% Positiveness
25% Popularity • 64% Danceability • 83% Energy • 21% Liveness
39% Instrumentalness • 39% Positiveness
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Sons Of Texas
Feed The Need
123 bpm • A# min • 04:40 • -4.65db
28% Popularity • 60% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 60% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Corey Taylor
Halfway Down - Acoustic
120 bpm • F# Maj • 03:49 • -8.1db
18% Popularity • 78% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 78% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 76% Positiveness
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Metallica
I Disappear
123 bpm • C# Maj • 04:26 • -3.64db
58% Popularity • 54% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 54% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Slash
The River Is Rising
123 bpm • D# min • 03:42 • -2.94db
23% Popularity • 29% Danceability • 99% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
23% Popularity • 29% Danceability • 99% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
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Charlie Benante
Funny Vibe
116 bpm • C Maj • 03:24 • -1.79db
3% Popularity • 34% Danceability • 98% Energy • 8% Liveness
82% Instrumentalness • 20% Positiveness
3% Popularity • 34% Danceability • 98% Energy • 8% Liveness
82% Instrumentalness • 20% Positiveness
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Nonpoint
When Doves Cry - Radio Edit
115 bpm • C# Maj • 03:52 • -5.45db
49% Popularity • 47% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 47% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Nita Strauss
The Golden Trail
115 bpm • A# min • 04:40 • -2.75db
38% Popularity • 57% Danceability • 95% Energy • 46% Liveness
86% Instrumentalness • 26% Positiveness
38% Popularity • 57% Danceability • 95% Energy • 46% Liveness
86% Instrumentalness • 26% Positiveness
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Corey Taylor
Meine Lux
117 bpm • F# Maj • 03:12 • -4.89db
27% Popularity • 51% Danceability • 99% Energy • 20% Liveness
3% Instrumentalness • 30% Positiveness
27% Popularity • 51% Danceability • 99% Energy • 20% Liveness
3% Instrumentalness • 30% Positiveness
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Mammoth WVH
I’m Alright
115 bpm • A Maj • 04:35 • -5.48db
46% Popularity • 42% Danceability • 90% Energy • 24% Liveness
19% Instrumentalness • 25% Positiveness
46% Popularity • 42% Danceability • 90% Energy • 24% Liveness
19% Instrumentalness • 25% Positiveness
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Avatar
Let It Burn
115 bpm • A Maj • 03:32 • -4db
49% Popularity • 59% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 59% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Metallica
If Darkness Had a Son
123 bpm • A Maj • 06:36 • -4db
54% Popularity • 48% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 48% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Elegant Weapons
Do Or Die
115 bpm • G Maj • 05:21 • -5.82db
44% Popularity • 55% Danceability • 98% Energy • 25% Liveness
1% Instrumentalness • 32% Positiveness
44% Popularity • 55% Danceability • 98% Energy • 25% Liveness
1% Instrumentalness • 32% Positiveness
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Phil Campbell and the Bastard Sons
Son of a Gun
123 bpm • F min • 03:00 • -5.07db
30% Popularity • 50% Danceability • 98% Energy • 31% Liveness
1% Instrumentalness • 63% Positiveness
30% Popularity • 50% Danceability • 98% Energy • 31% Liveness
1% Instrumentalness • 63% Positiveness
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Corey Taylor
Got To Choose
122 bpm • F# min • 03:21 • -4.52db
25% Popularity • 52% Danceability • 96% Energy • 14% Liveness
12% Instrumentalness • 68% Positiveness
25% Popularity • 52% Danceability • 96% Energy • 14% Liveness
12% Instrumentalness • 68% Positiveness
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Trivium
Losing My Religion
124 bpm • G Maj • 04:41 • -1.95db
45% Popularity • 52% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 52% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Avatar
The Dirt I'm Buried In
115 bpm • B min • 04:04 • -5db
59% Popularity • 61% Danceability • 90% Energy • 11% Liveness
58% Instrumentalness • 67% Positiveness
59% Popularity • 61% Danceability • 90% Energy • 11% Liveness
58% Instrumentalness • 67% Positiveness
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Alice In Chains
Check My Brain
114 bpm • A# Maj • 03:57 • -3.32db
62% Popularity • 44% Danceability • 84% Energy • 72% Liveness
5% Instrumentalness • 30% Positiveness
62% Popularity • 44% Danceability • 84% Energy • 72% Liveness
5% Instrumentalness • 30% Positiveness
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Mark Morton
Sworn Apart
114 bpm • C Maj • 03:57 • -5.15db
33% Popularity • 47% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 47% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Metallica
Sleepwalk My Life Away
125 bpm • B Maj • 06:56 • -4.18db
52% Popularity • 45% Danceability • 95% Energy • 10% Liveness
4% Instrumentalness • 53% Positiveness
52% Popularity • 45% Danceability • 95% Energy • 10% Liveness
4% Instrumentalness • 53% Positiveness
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Corey Taylor
Shakin'
116 bpm • A# min • 03:01 • -4.16db
30% Popularity • 62% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 62% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Halestorm
Love Bites (So Do I)
125 bpm • D min • 03:11 • -1.99db
55% Popularity • 54% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
55% Popularity • 54% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Tremonti
Leave It Alone
113 bpm • B Maj • 04:39 • -4.68db
43% Popularity • 45% Danceability • 94% Energy • 21% Liveness
4% Instrumentalness • 23% Positiveness
43% Popularity • 45% Danceability • 94% Energy • 21% Liveness
4% Instrumentalness • 23% Positiveness
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Asking Alexandria
Psycho
125 bpm • G min • 03:56 • -5.5db
58% Popularity • 58% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 58% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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The Dead Deads
Murder Ballad II
125 bpm • B min • 04:11 • -5db
32% Popularity • 60% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 60% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Drowning Pool
A Devil More Damned
125 bpm • F# Maj • 04:54 • -2.42db
37% Popularity • 61% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 61% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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Corey Taylor
The Maria Fire
124 bpm • F# Maj • 03:52 • -5.11db
25% Popularity • 61% Danceability • 86% Energy • 16% Liveness
1% Instrumentalness • 84% Positiveness
25% Popularity • 61% Danceability • 86% Energy • 16% Liveness
1% Instrumentalness • 84% Positiveness
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![NOTHING TO SOME [Feat. Corey Taylor] cover art](https://i.scdn.co/image/ab67616d00001e02b10d185a6bb7684c2c6636d6)
FLAT BLACK
NOTHING TO SOME [Corey Taylor]
125 bpm • D Maj • 03:25 • -4.27db
53% Popularity • 61% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 61% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Avatar
Dance Devil Dance
125 bpm • G Maj • 04:00 • -3.72db
50% Popularity • 50% Danceability • 97% Energy • 11% Liveness
86% Instrumentalness • 62% Positiveness
50% Popularity • 50% Danceability • 97% Energy • 11% Liveness
86% Instrumentalness • 62% Positiveness
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Trivium
The Heart from Your Hate
113 bpm • A# min • 04:03 • -4.66db
63% Popularity • 58% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
63% Popularity • 58% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Apocalyptica
White Room
113 bpm • C Maj • 04:05 • -4.24db
39% Popularity • 52% Danceability • 96% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
39% Popularity • 52% Danceability • 96% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
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Black Label Society
Funeral Bell
113 bpm • A# min • 04:41 • -5.39db
58% Popularity • 57% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
58% Popularity • 57% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Corey Taylor
Black Eyes Blue - Acoustic
114 bpm • G# min • 03:22 • -7.09db
29% Popularity • 74% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 74% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Stone Sour
Hesitate
126 bpm • A# Maj • 04:16 • -4.19db
51% Popularity • 45% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 45% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Metallica
Halo On Fire
126 bpm • E min • 08:15 • -3.51db
44% Popularity • 32% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 32% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Black Smoke Trigger
Caught in the Undertow
112 bpm • B Maj • 03:51 • -5.15db
40% Popularity • 48% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 48% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Fear Factory
Linchpin
112 bpm • C Maj • 03:24 • -3.39db
58% Popularity • 69% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 69% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Black Label Society
Set You Free
112 bpm • C# min • 03:57 • -4.79db
43% Popularity • 43% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 43% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Corey Taylor
Thunder Force
111 bpm • D# Maj • 03:41 • -6.09db
20% Popularity • 33% Danceability • 94% Energy • 33% Liveness
1% Instrumentalness • 59% Positiveness
20% Popularity • 33% Danceability • 94% Energy • 33% Liveness
1% Instrumentalness • 59% Positiveness
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Trivium
Master of Puppets
111 bpm • C# Maj • 08:09 • -4.29db
46% Popularity • 58% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 58% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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DownShift
Give It to You
128 bpm • F min • 03:05 • -7.92db
16% Popularity • 53% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 53% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Dead By Sunrise
Crawl Back In
128 bpm • D Maj • 03:02 • -3.36db
46% Popularity • 50% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 50% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Black Smoke Trigger
The Way I'm Wired
111 bpm • F min • 04:21 • -6db
29% Popularity • 48% Danceability • 96% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
29% Popularity • 48% Danceability • 96% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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Dope
Believe
128 bpm • D Maj • 04:36 • -5.42db
40% Popularity • 54% Danceability • 86% Energy • 7% Liveness
12% Instrumentalness • 12% Positiveness
40% Popularity • 54% Danceability • 86% Energy • 7% Liveness
12% Instrumentalness • 12% Positiveness
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Finger Eleven
Together Right
128 bpm • A# min • 03:01 • -3.8db
47% Popularity • 50% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 50% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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FLAT BLACK
HALO
128 bpm • F# Maj • 03:42 • -5.02db
34% Popularity • 51% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 51% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Posehn
The Fox (What Does the Fox Say)
128 bpm • F# Maj • 04:29 • -4.13db
12% Popularity • 56% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 56% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Three Days Grace
The Good Life
128 bpm • A# Maj • 02:53 • -3.7db
65% Popularity • 55% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
65% Popularity • 55% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Mammoth WVH
Mr. Ed
128 bpm • A Maj • 03:44 • -3.4db
40% Popularity • 46% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 46% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Dope
Dead World
128 bpm • F# min • 04:01 • -4.72db
47% Popularity • 60% Danceability • 84% Energy • 4% Liveness
4% Instrumentalness • 17% Positiveness
47% Popularity • 60% Danceability • 84% Energy • 4% Liveness
4% Instrumentalness • 17% Positiveness
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Metallica
Now That We’re Dead
128 bpm • D Maj • 06:59 • -3.83db
48% Popularity • 56% Danceability • 95% Energy • 25% Liveness
10% Instrumentalness • 33% Positiveness
48% Popularity • 56% Danceability • 95% Energy • 25% Liveness
10% Instrumentalness • 33% Positiveness
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HELLYEAH
Love Falls
110 bpm • G Maj • 04:34 • -4.11db
57% Popularity • 58% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 58% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
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Mushroomhead
Seen It All
110 bpm • C# Maj • 03:56 • -2.95db
39% Popularity • 58% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 58% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Nita Strauss
Our Most Desperate Hour
110 bpm • C# Maj • 04:04 • -4db
33% Popularity • 52% Danceability • 94% Energy • 15% Liveness
97% Instrumentalness • 46% Positiveness
33% Popularity • 52% Danceability • 94% Energy • 15% Liveness
97% Instrumentalness • 46% Positiveness
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Volbeat
A Warrior's Call
109 bpm • A# Maj • 04:23 • -4.49db
68% Popularity • 37% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 37% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Slipknot
Nero Forte
130 bpm • G Maj • 05:15 • -2.36db
69% Popularity • 34% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
69% Popularity • 34% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Skindred
Electric Avenue
130 bpm • D Maj • 03:10 • -5db
47% Popularity • 65% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
47% Popularity • 65% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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HELLYEAH
Perfect
130 bpm • F min • 03:21 • -3.08db
39% Popularity • 59% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 59% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Bad Wolves
Learn To Walk Again
130 bpm • G# Maj • 02:47 • -4.79db
64% Popularity • 48% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 48% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Tech N9ne
Wither
130 bpm • C# Maj • 04:43 • -3db
45% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
45% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Volbeat
The Devil's Bleeding Crown
110 bpm • G Maj • 03:58 • -4.61db
65% Popularity • 32% Danceability • 91% Energy • 4% Liveness
14% Instrumentalness • 21% Positiveness
65% Popularity • 32% Danceability • 91% Energy • 4% Liveness
14% Instrumentalness • 21% Positiveness
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Corey Taylor
HWY 666
130 bpm • G# Maj • 04:09 • -4.52db
44% Popularity • 46% Danceability • 99% Energy • 39% Liveness
1% Instrumentalness • 13% Positiveness
44% Popularity • 46% Danceability • 99% Energy • 39% Liveness
1% Instrumentalness • 13% Positiveness
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FEVER 333
BURN IT
130 bpm • F# Maj • 03:52 • -3.07db
53% Popularity • 59% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 59% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Fozzy
Drinkin with Jesus
130 bpm • F min • 03:56 • -3db
33% Popularity • 53% Danceability • 97% Energy • 19% Liveness
17% Instrumentalness • 54% Positiveness
33% Popularity • 53% Danceability • 97% Energy • 19% Liveness
17% Instrumentalness • 54% Positiveness
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Bad Wolves
Learn To Live
130 bpm • C# Maj • 03:40 • -3.75db
52% Popularity • 45% Danceability • 98% Energy • 14% Liveness
34% Instrumentalness • 20% Positiveness
52% Popularity • 45% Danceability • 98% Energy • 14% Liveness
34% Instrumentalness • 20% Positiveness
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![This Is Mongol (Warrior Souls) [feat. William DuVall of Alice In Chains] cover art](https://i.scdn.co/image/ab67616d00001e0237a1ad086239dee6e365fdec)
The HU
This Is Mongol (Warrior Souls)
130 bpm • A# min • 03:41 • -7.68db
49% Popularity • 71% Danceability • 71% Energy • 27% Liveness
21% Instrumentalness • 70% Positiveness
49% Popularity • 71% Danceability • 71% Energy • 27% Liveness
21% Instrumentalness • 70% Positiveness
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Marilyn Manson
The Fight Song
130 bpm • C# min • 02:55 • -3.78db
65% Popularity • 47% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
65% Popularity • 47% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Puddle Of Mudd
Famous
130 bpm • F# min • 03:16 • -3.39db
55% Popularity • 41% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 41% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Phil Campbell and the Bastard Sons
Dropping the Needle
131 bpm • D Maj • 01:50 • -5.68db
35% Popularity • 58% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 58% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Corey Taylor
All This And More
130 bpm • F# Maj • 02:53 • -3.79db
24% Popularity • 47% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 47% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Sons Of Texas
Under the Gun
108 bpm • F# Maj • 04:30 • -7.47db
31% Popularity • 62% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 62% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Trivium
What The Dead Men Say
108 bpm • G# Maj • 04:45 • -4.07db
48% Popularity • 34% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 34% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Skindred
Warning
108 bpm • C# Maj • 03:50 • -2.77db
43% Popularity • 56% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 56% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Mark Morton
Back From The Dead
108 bpm • G Maj • 04:03 • -5.82db
21% Popularity • 56% Danceability • 97% Energy • 38% Liveness
2% Instrumentalness • 33% Positiveness
21% Popularity • 56% Danceability • 97% Energy • 38% Liveness
2% Instrumentalness • 33% Positiveness
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Slipknot
Finale
107 bpm • E min • 05:07 • -4.5db
48% Popularity • 47% Danceability • 92% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
48% Popularity • 47% Danceability • 92% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
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The HU
Yuve Yuve Yu
132 bpm • A# min • 04:13 • -4.75db
49% Popularity • 55% Danceability • 97% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
49% Popularity • 55% Danceability • 97% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
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Sevendust
Praise
132 bpm • F# Maj • 03:38 • -3.69db
52% Popularity • 56% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 56% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 48% Positiveness
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Bush
Nowhere To Go But Everywhere
132 bpm • G Maj • 04:03 • -6.97db
32% Popularity • 48% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 48% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Black Label Society
Stillborn
107 bpm • F min • 03:18 • -4.7db
40% Popularity • 60% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 60% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Powerman 5000
Free
132 bpm • A# min • 03:42 • -3db
49% Popularity • 51% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 51% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Mötley Crüe
Saints of Los Angeles
107 bpm • F min • 03:22 • -4.28db
54% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
54% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Avatar
Smells Like a Freakshow
107 bpm • C Maj • 04:53 • -3.77db
45% Popularity • 58% Danceability • 98% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
45% Popularity • 58% Danceability • 98% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness