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Black
Songs like
Black (feat. Norah Jones)
by
Danger Mouse
Based on a tempo of (+/- 10%) and a similar genre
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Fever Ray
If I Had a Heart
170 bpm • E Maj • 03:49 • -16.17db
56% Popularity • 40% Danceability • 24% Energy • 11% Liveness
79% Instrumentalness • 14% Positiveness
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Broken Bells
Good Luck
170 bpm • D min • 03:26 • -7.44db
60% Popularity • 62% Danceability • 51% Energy • 11% Liveness
40% Instrumentalness • 62% Positiveness
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EmilÃana Torrini
Gun
169 bpm • D Maj • 05:45 • -8.27db
36% Popularity • 37% Danceability • 55% Energy • 10% Liveness
35% Instrumentalness • 36% Positiveness
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Danger Mouse
Black
170 bpm • F Maj • 03:31 • -9.92db
50% Popularity • 45% Danceability • 64% Energy • 10% Liveness
40% Instrumentalness • 75% Positiveness
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The Kills
DNA
171 bpm • A Maj • 04:32 • -5.4db
39% Popularity • 63% Danceability • 82% Energy • 12% Liveness
39% Instrumentalness • 81% Positiveness
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Wax Poetic
Angels
172 bpm • F# min • 04:03 • -10db
39% Popularity • 66% Danceability • 50% Energy • 13% Liveness
24% Instrumentalness • 52% Positiveness
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Mazzy Star
Into Dust
169 bpm • G Maj • 05:36 • -18.84db
60% Popularity • 42% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 12% Positiveness
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Broken Bells
Holding on for Life
169 bpm • B min • 03:56 • -7.27db
54% Popularity • 34% Danceability • 59% Energy • 21% Liveness
10% Instrumentalness • 48% Positiveness
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Django Django
Life's a Beach
173 bpm • E Maj • 03:05 • -5.24db
50% Popularity • 52% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Fink
Cold Feet
173 bpm • D min • 05:25 • -14.53db
34% Popularity • 38% Danceability • 17% Energy • 16% Liveness
66% Instrumentalness • 17% Positiveness
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The National
Don't Swallow the Cap
174 bpm • F Maj • 04:45 • -8.54db
55% Popularity • 45% Danceability • 66% Energy • 9% Liveness
4% Instrumentalness • 48% Positiveness
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Harry Nilsson
Gotta Get Up
175 bpm • G Maj • 02:24 • -15.19db
53% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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The Silver Seas
Catch Yer Own Train
176 bpm • A min • 03:06 • -6db
48% Popularity • 43% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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LCD Soundsystem
New York, I Love You but You're Bringing...
177 bpm • G min • 05:35 • -8.29db
51% Popularity • 39% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Norah Jones
Happy Pills
178 bpm • C Maj • 03:34 • -6.99db
48% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Travis
Sing
163 bpm • E Maj • 03:48 • -5.05db
68% Popularity • 33% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Low
Congregation
162 bpm • G# Maj • 03:51 • -11.19db
41% Popularity • 59% Danceability • 45% Energy • 31% Liveness
15% Instrumentalness • 66% Positiveness
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Charlie Hunter
Day Is Done
162 bpm • B min • 04:36 • -16db
36% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Kings of Convenience
Misread
161 bpm • F# Maj • 03:08 • -10db
62% Popularity • 64% Danceability • 62% Energy • 13% Liveness
51% Instrumentalness • 90% Positiveness
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The Smile
Pana-vision
179 bpm • F Maj • 04:08 • -10.63db
50% Popularity • 38% Danceability • 43% Energy • 9% Liveness
42% Instrumentalness • 45% Positiveness
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Dusty Springfield
Son Of A Preacher Man
180 bpm • E Maj • 02:28 • -12.33db
79% Popularity • 40% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Little Barrie
Why Don't You Do It
161 bpm • F Maj • 03:10 • -6.64db
37% Popularity • 50% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Astronauts
Skydive
160 bpm • D# min • 04:31 • -11db
38% Popularity • 69% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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The Good, the Bad & the Queen
History Song
160 bpm • A min • 03:05 • -10db
39% Popularity • 42% Danceability • 64% Energy • 36% Liveness
15% Instrumentalness • 58% Positiveness
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The Last Shadow Puppets
Standing Next To Me
183 bpm • A min • 02:22 • -6.29db
59% Popularity • 32% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Grizzly Bear
Two Weeks
160 bpm • F Maj • 04:06 • -6db
70% Popularity • 53% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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Fever Ray
Keep the Streets Empty for Me
158 bpm • A Maj • 05:39 • -11db
47% Popularity • 58% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 31% Positiveness
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Nick Cave & The Bad Seeds
Abattoir Blues
158 bpm • C Maj • 03:58 • -6.53db
44% Popularity • 73% Danceability • 82% Energy • 16% Liveness
6% Instrumentalness • 59% Positiveness
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Outkast
Take Off Your Cool
158 bpm • C Maj • 02:38 • -11.3db
47% Popularity • 47% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
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Mazzy Star
Fade Into You
157 bpm • A Maj • 04:55 • -13.93db
81% Popularity • 42% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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The National
Bloodbuzz Ohio
157 bpm • A Maj • 04:35 • -6.37db
55% Popularity • 40% Danceability • 84% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
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Belle and Sebastian
Another Sunny Day
156 bpm • G# Maj • 04:04 • -5.41db
48% Popularity • 40% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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T. Rex
Cosmic Dancer
156 bpm • C Maj • 04:26 • -8.09db
57% Popularity • 36% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
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Norah Jones
Sunrise
157 bpm • G# Maj • 03:20 • -13.8db
76% Popularity • 53% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 68% Positiveness
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Broken Bells
Perfect World
156 bpm • C# min • 06:24 • -7.33db
42% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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David Rawlings
Cumberland Gap
156 bpm • C Maj • 02:55 • -8.53db
57% Popularity • 59% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Whitey
STAY ON THE OUTSIDE
155 bpm • B min • 05:03 • -15.57db
41% Popularity • 74% Danceability • 42% Energy • 11% Liveness
39% Instrumentalness • 16% Positiveness
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Joan As Police Woman
The Magic
155 bpm • C# Maj • 04:09 • -6db
45% Popularity • 64% Danceability • 81% Energy • 13% Liveness
19% Instrumentalness • 83% Positiveness
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Monsters Of Folk
His Master's Voice
154 bpm • C Maj • 04:48 • -8.5db
34% Popularity • 31% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Kevin Morby
I Have Been to the Mountain
188 bpm • A# min • 03:14 • -5.71db
51% Popularity • 38% Danceability • 89% Energy • 13% Liveness
43% Instrumentalness • 57% Positiveness
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I Monster
Daydream In Blue
154 bpm • F min • 03:43 • -6.3db
62% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Blue Mink
Good Morning Freedom
188 bpm • B min • 02:49 • -9.14db
44% Popularity • 56% Danceability • 77% Energy • 2% Liveness
8% Instrumentalness • 70% Positiveness
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Jonathan Wilson
Desert Raven
189 bpm • D min • 07:58 • -10.93db
43% Popularity • 31% Danceability • 59% Energy • 9% Liveness
16% Instrumentalness • 41% Positiveness
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Arcade Fire
Ready to Start
189 bpm • A Maj • 04:15 • -4.67db
60% Popularity • 28% Danceability • 93% Energy • 7% Liveness
2% Instrumentalness • 52% Positiveness
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Yusuf / Cat Stevens
Wild World
153 bpm • C Maj • 03:20 • -8.51db
78% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Tindersticks
Tiny Tears
153 bpm • E min • 05:45 • -16.63db
42% Popularity • 25% Danceability • 24% Energy • 18% Liveness
36% Instrumentalness • 10% Positiveness
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Danger Mouse
Problem Queen
153 bpm • C min • 02:36 • -7.53db
28% Popularity • 54% Danceability • 71% Energy • 11% Liveness
54% Instrumentalness • 62% Positiveness
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Fleetwood Mac
The Chain - 2004 Remaster
152 bpm • A Maj • 04:30 • -8.81db
82% Popularity • 55% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Thom Yorke
Suspirium
151 bpm • C# min • 03:21 • -15.43db
59% Popularity • 46% Danceability • 22% Energy • 14% Liveness
92% Instrumentalness • 44% Positiveness
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The Beta Band
Dry the Rain
150 bpm • E Maj • 06:06 • -11.29db
52% Popularity • 59% Danceability • 63% Energy • 22% Liveness
17% Instrumentalness • 75% Positiveness
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Fink
Pilgrim
150 bpm • F# min • 07:02 • -10.77db
41% Popularity • 54% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
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Villagers
A Trick of the Light
150 bpm • B Maj • 04:08 • -8.16db
53% Popularity • 56% Danceability • 61% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
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Danger Mouse
Her Hollow Ways
151 bpm • G Maj • 02:29 • -9.89db
25% Popularity • 50% Danceability • 63% Energy • 22% Liveness
89% Instrumentalness • 75% Positiveness
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Morcheeba
The Sea
150 bpm • B min • 05:47 • -7.59db
59% Popularity • 54% Danceability • 76% Energy • 5% Liveness
11% Instrumentalness • 25% Positiveness
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Say Hi
Oh Oh Oh Oh Oh Oh Oh Oh
150 bpm • D Maj • 02:56 • -9.88db
38% Popularity • 73% Danceability • 68% Energy • 8% Liveness
17% Instrumentalness • 90% Positiveness
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Kevin Morby
Parade
150 bpm • A Maj • 05:25 • -10.85db
45% Popularity • 50% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Son Of Dave
Shake a Bone
149 bpm • C# Maj • 03:04 • -17db
43% Popularity • 86% Danceability • 39% Energy • 31% Liveness
29% Instrumentalness • 96% Positiveness
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Tame Impala
Feels Like We Only Go Backwards
150 bpm • D min • 03:12 • -2.35db
76% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
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Radiohead
Burn the Witch
149 bpm • B Maj • 03:40 • -6.52db
57% Popularity • 54% Danceability • 85% Energy • 11% Liveness
27% Instrumentalness • 62% Positiveness
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Beirut
The Rip Tide
149 bpm • B Maj • 04:26 • -7.78db
43% Popularity • 39% Danceability • 56% Energy • 16% Liveness
80% Instrumentalness • 35% Positiveness
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Charles Bradley
Changes
148 bpm • C Maj • 05:42 • -8.27db
61% Popularity • 41% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Morcheeba
Otherwise
148 bpm • D min • 03:42 • -8db
56% Popularity • 69% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Nina Simone
Sinnerman
148 bpm • B min • 10:22 • -13.35db
62% Popularity • 44% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Patrick Watson
Adventures In Your Own Backyard
147 bpm • F min • 04:51 • -10db
4% Popularity • 35% Danceability • 54% Energy • 28% Liveness
9% Instrumentalness • 19% Positiveness
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Norah Jones
All A Dream
146 bpm • C min • 06:29 • -10.56db
37% Popularity • 63% Danceability • 49% Energy • 11% Liveness
30% Instrumentalness • 39% Positiveness
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Kings of Convenience
Toxic Girl
147 bpm • F# min • 03:09 • -15db
48% Popularity • 64% Danceability • 45% Energy • 9% Liveness
39% Instrumentalness • 89% Positiveness
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Devendra Banhart
Heard Somebody Say
145 bpm • A Maj • 03:20 • -10.4db
36% Popularity • 63% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 62% Positiveness
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Mercury Rev
Goddess on a Hiway
145 bpm • A Maj • 03:45 • -5.89db
50% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Bob Dylan
The Man in Me
145 bpm • G# Maj • 03:06 • -9.37db
60% Popularity • 42% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 90% Positiveness
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Lou Reed
Perfect Day
145 bpm • A# Maj • 03:45 • -12.49db
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Raury
God's Whisper
144 bpm • A min • 04:03 • -10.07db
46% Popularity • 62% Danceability • 54% Energy • 10% Liveness
27% Instrumentalness • 46% Positiveness
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Portugal. The Man
Sleep Forever
145 bpm • G Maj • 06:20 • -8.31db
44% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Gorillaz
To Binge
206 bpm • D Maj • 03:55 • -7.01db
55% Popularity • 58% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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