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Blackbird
Songs like
Blackbird
by
Ellen Andersson
Based on a tempo of (+/- 10%) and a similar genre
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Miriam Netti
If I Had You
104 bpm • C Maj • 05:20 • -11db
28% Popularity • 59% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Ellen Andersson
Blackbird
104 bpm • E Maj • 03:59 • -16.01db
30% Popularity • 59% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 55% Positiveness
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Kurt Elling
A Hard Rain's A-Gonna Fall
104 bpm • E Maj • 08:05 • -10.72db
38% Popularity • 52% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Muriel Zoe
Body And Soul
104 bpm • D# min • 04:22 • -13db
31% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Sachal Vasandani
Unforgettable
104 bpm • A# Maj • 02:56 • -11.86db
46% Popularity • 49% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Lucy Yeghiazaryan
There's a Lull in My Life
103 bpm • G# Maj • 03:31 • -17.98db
38% Popularity • 37% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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NYC Jazz Quartett
What A Difference A Day Makes
105 bpm • G min • 06:25 • -7.4db
29% Popularity • 48% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Ellen Andersson
I Get Along Without You Very Well
103 bpm • C# Maj • 03:20 • -13.03db
3% Popularity • 49% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Katrine Madsen
They Can't Take That Away from Me
103 bpm • E min • 03:35 • -18.92db
16% Popularity • 57% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Holliday
god bless the child
105 bpm • D# Maj • 04:04 • -20.72db
30% Popularity • 65% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Hailey Tuck
So in Love
105 bpm • C# Maj • 02:45 • -8.3db
54% Popularity • 72% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Ann Hampton Callaway
Slow
105 bpm • A min • 05:09 • -15.72db
34% Popularity • 51% Danceability • 24% Energy • 10% Liveness
40% Instrumentalness • 32% Positiveness
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Svetlana
Moonlight
105 bpm • F Maj • 05:59 • -11db
37% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Flora MartÃnez
Lover Man (Oh, Where Can You Be?)
105 bpm • G Maj • 03:03 • -12.46db
47% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Roberta Gambarini
So In Love
103 bpm • D Maj • 03:04 • -17.31db
33% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Judy Whitmore
The Nearness of You
105 bpm • C Maj • 05:33 • -12.49db
33% Popularity • 36% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
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Hila Hutmacher
You Go to My Head
105 bpm • G Maj • 06:39 • -16.7db
31% Popularity • 47% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Parry Ray
Can't Take That Away from Me
105 bpm • A# Maj • 03:01 • -10.45db
21% Popularity • 61% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ruth Cameron
Bird Alone - Live
103 bpm • C Maj • 03:26 • -19.26db
11% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Emma Smith
There's No Business Like Show Business
105 bpm • D# Maj • 06:43 • -12.28db
36% Popularity • 46% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Michael Stephenson
When a Man Loves a Woman
106 bpm • G# Maj • 04:18 • -10db
31% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Connie Lansberg
Everything Happens to Me
102 bpm • C Maj • 06:19 • -16.63db
39% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Rigmor Gustafsson
Is It a Crime
106 bpm • C min • 04:12 • -10.53db
23% Popularity • 47% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Hailey Tuck
Tell Him No
102 bpm • C min • 03:19 • -10db
53% Popularity • 75% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
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MarÃna Ósk
In the Wee Small Hours of the Morning
106 bpm • G# Maj • 03:14 • -11.67db
28% Popularity • 56% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Tony DeSare
Want You
102 bpm • D# min • 04:36 • -12db
33% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Peter Cincotti
Comes Love
106 bpm • G min • 04:17 • -12db
44% Popularity • 63% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Lara Louise
Speak Low
106 bpm • F min • 03:53 • -14.39db
48% Popularity • 75% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 36% Positiveness
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Anna Nygren
Easy Love
102 bpm • F min • 05:36 • -13db
16% Popularity • 77% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Erin Boheme
What Love Is
102 bpm • F min • 05:00 • -17db
30% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Robin Mckelle
You Brought a New Kind of Love
106 bpm • C# Maj • 02:52 • -12db
30% Popularity • 57% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Sinne Eeg
With or Without You
102 bpm • F# Maj • 04:15 • -9.67db
22% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Peter Cincotti
Lovers, Secrets, Lies
102 bpm • G Maj • 03:45 • -13db
40% Popularity • 70% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Kurt Elling
Save Your Love For Me - Live
102 bpm • E min • 07:12 • -15.95db
27% Popularity • 41% Danceability • 20% Energy • 74% Liveness
0% Instrumentalness • 17% Positiveness
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Jane Monheit
I Believe In You
102 bpm • E min • 02:58 • -8.52db
28% Popularity • 63% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Katherine Kostoff
It Happens Like That
102 bpm • A min • 03:31 • -10.77db
17% Popularity • 44% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Emma Smith
My Revelation
106 bpm • G Maj • 03:21 • -12.8db
33% Popularity • 63% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Sinne Eeg
Round Midnight
106 bpm • D Maj • 07:45 • -17.01db
28% Popularity • 54% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Anthony Strong
Ain't Misbehavin
101 bpm • D min • 04:03 • -7.96db
35% Popularity • 61% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Kurt Elling
Where The Streets Have No Name
101 bpm • G Maj • 04:51 • -11db
30% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Olivia Van Goor
Willow Weep For Me
107 bpm • C Maj • 04:43 • -11.86db
28% Popularity • 52% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Susie Arioli
It's Always You
101 bpm • C Maj • 02:52 • -11.65db
38% Popularity • 64% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Aubrey Johnson
I’ll Remember April / April
107 bpm • G min • 03:58 • -9.63db
20% Popularity • 60% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Sinne Eeg
My One and Only Love
102 bpm • F# min • 05:07 • -18.99db
15% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Ellen Andersson
Everything I Love
107 bpm • D Maj • 05:38 • -10.27db
6% Popularity • 54% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Katrine Madsen
City Garden
108 bpm • C# Maj • 06:34 • -17.82db
35% Popularity • 51% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Roberta Gambarini
That Old Black Magic
108 bpm • F min • 03:28 • -8.21db
16% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Vicki Burns
Siren Song
100 bpm • A# min • 06:20 • -12.99db
31% Popularity • 60% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Susie Arioli
Here's That Rainy Day
100 bpm • A# min • 02:54 • -12db
39% Popularity • 68% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Ellas Kapell
Cheek to Cheek
100 bpm • G# Maj • 07:03 • -10.85db
19% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ellen Andersson
The Thrill is Gone - Unplugged
107 bpm • D Maj • 04:05 • -13.83db
33% Popularity • 30% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
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Heather Rigdon
Really Something
108 bpm • C Maj • 02:27 • -13.01db
48% Popularity • 72% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Rigmor Gustafsson
After The Rain
100 bpm • G Maj • 02:52 • -10.87db
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Hailey Tuck
Close to You
108 bpm • G Maj • 04:35 • -10.42db
52% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sachal Vasandani
Blue in Green
100 bpm • G# Maj • 03:46 • -21.64db
38% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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Simone Kopmajer
Angie
100 bpm • C Maj • 04:31 • -13.75db
9% Popularity • 73% Danceability • 26% Energy • 11% Liveness
22% Instrumentalness • 29% Positiveness
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Judy Whitmore
I Remember You
100 bpm • C# Maj • 04:05 • -11db
31% Popularity • 49% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Alicia Lindberg
Staring Into White Walls
108 bpm • F min • 06:23 • -13.12db
29% Popularity • 47% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Rigmor Gustafsson
It Never Entered My Mind
108 bpm • C Maj • 05:47 • -12.86db
15% Popularity • 42% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Amanda Carr
Scotch and Soda
108 bpm • F Maj • 02:49 • -19.28db
41% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Ruth Cameron
Happiness Is Just A Thing Called Joe
100 bpm • D# Maj • 05:17 • -16db
24% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Alex Baird
All I Needed
109 bpm • C Maj • 05:48 • -11.63db
39% Popularity • 42% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 25% Positiveness
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Erin Boheme
Give Me One Reason
109 bpm • A# min • 04:35 • -15db
18% Popularity • 69% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
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Lennart Ricard
Nature Boy
109 bpm • E min • 04:35 • -18.67db
33% Popularity • 54% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Kaiak
Take on Me
99 bpm • A# Maj • 04:30 • -19db
42% Popularity • 32% Danceability • 20% Energy • 91% Liveness
0% Instrumentalness • 14% Positiveness
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Ann Hampton Callaway
Blusette
99 bpm • G# Maj • 03:37 • -12.09db
19% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Ruth Cameron
Waitin' For The Train To Come In
100 bpm • C Maj • 03:10 • -15db
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Sara Colman
Chelsea Morning
109 bpm • D Maj • 03:52 • -12.3db
28% Popularity • 60% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Abbey Lincoln
Mr. Tambourine Man
109 bpm • A Maj • 06:53 • -8.84db
28% Popularity • 45% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Thomas Fonnesbæk
The Accounter
109 bpm • D min • 03:53 • -24.85db
19% Popularity • 53% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Kat Edmonson
Just Like Heaven
99 bpm • G# Maj • 04:12 • -11.38db
52% Popularity • 72% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Anna Kolchina
Wild Is The Wind
99 bpm • C min • 04:50 • -15.09db
12% Popularity • 37% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Alexis Cole
A Beautiful Friendship
110 bpm • G Maj • 04:18 • -9db
37% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Lara Louise
It Could Happen To You
110 bpm • A# Maj • 02:37 • -15.61db
52% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
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Peter Appleyard
Satin Doll
110 bpm • G min • 04:11 • -12.69db
36% Popularity • 69% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Hailey Tuck
When It's Sleepytime Down South
110 bpm • A# Maj • 05:03 • -14db
39% Popularity • 52% Danceability • 13% Energy • 31% Liveness
1% Instrumentalness • 14% Positiveness
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Anne Ducros
Sitting on the Dock of the Bay
98 bpm • C Maj • 04:32 • -13.9db
29% Popularity • 70% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Charlie Ballantine
Thank You
110 bpm • E min • 03:43 • -11.34db
25% Popularity • 62% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 36% Positiveness
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Guilherme Cunha Ribeiro
A Better One for You
98 bpm • E Maj • 03:53 • -15db
31% Popularity • 75% Danceability • 41% Energy • 22% Liveness
1% Instrumentalness • 33% Positiveness
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Kat Gang
Then I'll Be Tired of You
110 bpm • G Maj • 06:13 • -15.01db
36% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Connie Lansberg
"Round Midnight
110 bpm • B Maj • 05:47 • -16.38db
22% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Jesse Palter
When the Sun Comes Out
111 bpm • C Maj • 04:07 • -19.91db
34% Popularity • 43% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Erin Boheme
I Love Being Here With You
110 bpm • G# Maj • 03:28 • -12db
31% Popularity • 66% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Malene Mortensen
Summertime
111 bpm • G min • 04:21 • -10.9db
30% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ellen Andersson
I Get Along Without You Very Well
111 bpm • C# Maj • 03:32 • -18db
39% Popularity • 47% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Bria Skonberg
Que Sera Sera (Whatever Will Be Will Be)
111 bpm • G# Maj • 04:13 • -14db
36% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Connie Lansberg
Twinkle Twinkle
111 bpm • C Maj • 04:27 • -13.36db
31% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Sachal Vasandani
I Was Just One More For You
98 bpm • A# min • 03:59 • -10.58db
18% Popularity • 69% Danceability • 45% Energy • 9% Liveness
40% Instrumentalness • 69% Positiveness
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Ann Hampton Callaway
A Kiss To Build A Dream On
98 bpm • G Maj • 03:05 • -12db
47% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Spencer Day
If I Loved You
98 bpm • G Maj • 04:10 • -11db
37% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Jocelyn Barth
I Didn't Know About You
111 bpm • C# Maj • 04:26 • -19.56db
34% Popularity • 58% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Susannah McCorkle
You Go To My Head
111 bpm • G# min • 04:09 • -22.21db
16% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Anna Gréta
Nightjar in the Northern Sky
111 bpm • F# min • 04:47 • -16.35db
42% Popularity • 52% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Erin Boheme
Let’s Make The Most Of A Beautiful Thi...
111 bpm • C# Maj • 04:39 • -12db
42% Popularity • 31% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Katrine Madsen
You Are So Beautiful to Me
97 bpm • C# Maj • 04:33 • -19.5db
29% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Susie Arioli
Time After Time
111 bpm • F min • 03:16 • -10db
25% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Lauren Coleman
"Moon River"
97 bpm • G Maj • 02:52 • -14.06db
44% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Karen Rosenberg
All You Are
97 bpm • D# Maj • 06:35 • -18db
21% Popularity • 36% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jacintha
Skylark
111 bpm • F Maj • 05:17 • -21.98db
13% Popularity • 43% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Erin Boheme
One Night With Frank
111 bpm • C# Maj • 04:14 • -15db
36% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Blackbird