Songs like Blind Arthur's Breakdown by Blind Blake
Based on a tempo of (+/- 10%) and a similar genre
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J.D. Short
By The Spoonful
115 bpm • G Maj • 03:49 • -10.86db
21% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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J.B. Lenoir
Feelin' Good
115 bpm • A Maj • 03:01 • -11.65db
29% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Blind Blake
Blind Arthur's Breakdown
115 bpm • G# Maj • 03:00 • -11db
18% Popularity • 55% Danceability • 58% Energy • 15% Liveness
89% Instrumentalness • 72% Positiveness
18% Popularity • 55% Danceability • 58% Energy • 15% Liveness
89% Instrumentalness • 72% Positiveness
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Mamie Smith
Crazy Blues
114 bpm • F Maj • 03:22 • -10db
26% Popularity • 45% Danceability • 24% Energy • 28% Liveness
88% Instrumentalness • 42% Positiveness
26% Popularity • 45% Danceability • 24% Energy • 28% Liveness
88% Instrumentalness • 42% Positiveness
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Henry Thomas
When the Train Comes Along
114 bpm • F# Maj • 02:56 • -10db
13% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Royal Victoria Hotel Calypsos
Go Down Emmanuel Road, Lady Oh
114 bpm • C# Maj • 01:29 • -2db
1% Popularity • 76% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
1% Popularity • 76% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Son House
Death Letter Blues
116 bpm • G min • 04:19 • -15.42db
40% Popularity • 80% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 86% Positiveness
40% Popularity • 80% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 86% Positiveness
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Mance Lipscomb
Buck Dance - Version; Instrumental; Rema...
116 bpm • G# Maj • 01:33 • -15db
32% Popularity • 60% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 83% Positiveness
32% Popularity • 60% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 83% Positiveness
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Big Joe Williams
Stool Pigeon Blues
116 bpm • A# min • 03:14 • -18.76db
14% Popularity • 60% Danceability • 14% Energy • 80% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 60% Danceability • 14% Energy • 80% Liveness
0% Instrumentalness • 43% Positiveness
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Bukka White
Poor Boy Long Ways From Home
116 bpm • F# Maj • 02:20 • -15db
31% Popularity • 60% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 60% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Charley Patton
Screamin' and Hollerin' the Blues
116 bpm • G# Maj • 03:05 • -13db
9% Popularity • 51% Danceability • 18% Energy • 14% Liveness
66% Instrumentalness • 40% Positiveness
9% Popularity • 51% Danceability • 18% Energy • 14% Liveness
66% Instrumentalness • 40% Positiveness
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Blind Willie Johnson
Dark Was the Night, Cold Was the Ground
116 bpm • A Maj • 03:18 • -23.18db
45% Popularity • 39% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
45% Popularity • 39% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
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Blind Boy Fuller
Rag, Mama, Rag
117 bpm • G Maj • 03:03 • -12db
22% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
22% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Champion Jack Dupree
When I've Been Drinking
117 bpm • B min • 02:53 • -10.18db
12% Popularity • 59% Danceability • 44% Energy • 12% Liveness
73% Instrumentalness • 48% Positiveness
12% Popularity • 59% Danceability • 44% Energy • 12% Liveness
73% Instrumentalness • 48% Positiveness
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Jesse Fuller
Stackolee
117 bpm • B Maj • 03:46 • -6db
13% Popularity • 54% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 54% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Bukka White
Bukka's Jitterbug Swing
117 bpm • F# Maj • 02:39 • -13db
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
64% Instrumentalness • 54% Positiveness
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
64% Instrumentalness • 54% Positiveness
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Charley Patton
High Water Everywhere, Pt. 1
117 bpm • B Maj • 03:08 • -11db
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
52% Instrumentalness • 71% Positiveness
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
52% Instrumentalness • 71% Positiveness
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Furry Lewis
Falling Down Blues
113 bpm • D Maj • 02:48 • -14db
17% Popularity • 50% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 50% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Blind Lemon Jefferson
One Dime Blues
113 bpm • F Maj • 02:48 • -10db
11% Popularity • 50% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 50% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmy Rogers
Walking By Myself
117 bpm • B min • 02:47 • -13.33db
48% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Bo Carter
Pig Meat Is What I Crave
117 bpm • C min • 02:51 • -12db
10% Popularity • 66% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 66% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Shines
Nobody's Fault But Mine
117 bpm • A Maj • 04:45 • -17db
22% Popularity • 65% Danceability • 6% Energy • 19% Liveness
6% Instrumentalness • 17% Positiveness
22% Popularity • 65% Danceability • 6% Energy • 19% Liveness
6% Instrumentalness • 17% Positiveness
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Blind Blake
Skeedle Loo Doo Blues
113 bpm • F# Maj • 03:00 • -12.99db
3% Popularity • 70% Danceability • 36% Energy • 10% Liveness
5% Instrumentalness • 78% Positiveness
3% Popularity • 70% Danceability • 36% Energy • 10% Liveness
5% Instrumentalness • 78% Positiveness
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Cannon's Jug Stompers
Walk Right In
118 bpm • C Maj • 02:55 • -14db
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
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Pink Anderson
You Don't Know My Mind
113 bpm • C# Maj • 02:39 • -17db
20% Popularity • 70% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 70% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Memphis Jug Band
Aunt Caroline Dyer Blues
112 bpm • F# Maj • 03:06 • -15.24db
3% Popularity • 63% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
3% Popularity • 63% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Lonnie Young
Chevrolet
118 bpm • F min • 04:04 • -12.95db
16% Popularity • 72% Danceability • 81% Energy • 4% Liveness
2% Instrumentalness • 28% Positiveness
16% Popularity • 72% Danceability • 81% Energy • 4% Liveness
2% Instrumentalness • 28% Positiveness
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Barbecue Bob
Mississippi Heavy Water Blues
118 bpm • E min • 03:09 • -13.2db
10% Popularity • 75% Danceability • 24% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 75% Danceability • 24% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
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Bukka White
Bukka Jitterburg Swing
118 bpm • D Maj • 02:35 • -17db
34% Popularity • 68% Danceability • 26% Energy • 10% Liveness
20% Instrumentalness • 52% Positiveness
34% Popularity • 68% Danceability • 26% Energy • 10% Liveness
20% Instrumentalness • 52% Positiveness
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Jimmy Rogers
What Have I Done
118 bpm • A min • 02:45 • -10.4db
33% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Tampa Red
Seminole Blues
112 bpm • F Maj • 03:05 • -10.15db
16% Popularity • 80% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 80% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Charley Patton
Down The Dirt Road Blues
118 bpm • C# Maj • 02:56 • -9.68db
10% Popularity • 50% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
10% Popularity • 50% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Josh White
Black And Evil Blues
112 bpm • G# Maj • 03:12 • -14.7db
16% Popularity • 73% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 73% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Sonny Terry and Brownie McGhee
Walk On
112 bpm • F Maj • 02:52 • -15.01db
17% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Blind Roosevelt Graves
I'll Be Rested (When The Roll Is Called)
118 bpm • B Maj • 02:33 • -12db
12% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Robert Wilkins
Old Jim Canan's
118 bpm • A Maj • 02:58 • -12db
9% Popularity • 74% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 74% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Cannon's Jug Stompers
Viola Lee Blues
118 bpm • G Maj • 03:10 • -10db
9% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
9% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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Charley Patton
High Water Everywhere, Pt. 1 (Alternate ...
118 bpm • E Maj • 03:04 • -13db
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 57% Positiveness
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 57% Positiveness
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Tommy Johnson
Big Road Blues
112 bpm • G# Maj • 03:12 • -13db
15% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Son House
Death Letter Blues
118 bpm • G Maj • 05:51 • -14.5db
9% Popularity • 71% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 71% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Furry Lewis
John Henry
119 bpm • C# Maj • 04:51 • -16db
17% Popularity • 46% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 46% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Sugar Blue
Another Man Done Gone
119 bpm • D min • 02:18 • -10db
39% Popularity • 84% Danceability • 94% Energy • 17% Liveness
4% Instrumentalness • 84% Positiveness
39% Popularity • 84% Danceability • 94% Energy • 17% Liveness
4% Instrumentalness • 84% Positiveness
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Bo Carter
Warm My Weiner
112 bpm • G Maj • 02:56 • -13.36db
14% Popularity • 67% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 67% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Charley Patton
Revenue Man Blues
112 bpm • D min • 02:43 • -13.78db
12% Popularity • 58% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 58% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Johnny Shines
Standing At The Crossroads
119 bpm • D# min • 02:54 • -16db
10% Popularity • 69% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 69% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Peetie Wheatstraw
Gangster's Blues
111 bpm • F Maj • 02:48 • -12.99db
20% Popularity • 69% Danceability • 24% Energy • 23% Liveness
14% Instrumentalness • 90% Positiveness
20% Popularity • 69% Danceability • 24% Energy • 23% Liveness
14% Instrumentalness • 90% Positiveness
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Furry Lewis
Good Morning Judge
111 bpm • A Maj • 05:31 • -7.3db
12% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Skip James
How Long Blues
119 bpm • A# Maj • 02:56 • -16.11db
15% Popularity • 62% Danceability • 10% Energy • 13% Liveness
2% Instrumentalness • 54% Positiveness
15% Popularity • 62% Danceability • 10% Energy • 13% Liveness
2% Instrumentalness • 54% Positiveness
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Lucille Bogan
Pot Hound Blues
119 bpm • F Maj • 03:22 • -12.02db
12% Popularity • 57% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 57% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Memphis Jug Band
Papa's Got Your Water On
119 bpm • A Maj • 02:32 • -13db
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Corey Harris
Take Me Back
119 bpm • C Maj • 02:19 • -14.99db
32% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Robert Petway
Rockin Chair Blues
111 bpm • D# Maj • 03:01 • -8db
11% Popularity • 76% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 76% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Charley Patton
Shake It and Break It (But Don't Let It ...
111 bpm • F Maj • 03:09 • -12.31db
19% Popularity • 54% Danceability • 32% Energy • 18% Liveness
39% Instrumentalness • 68% Positiveness
19% Popularity • 54% Danceability • 32% Energy • 18% Liveness
39% Instrumentalness • 68% Positiveness
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J.B. Lenoir
Good Looking Woman
119 bpm • F Maj • 02:06 • -11db
35% Popularity • 61% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 61% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Son House
Death Letter
111 bpm • D min • 05:51 • -8.65db
30% Popularity • 66% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 66% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Lucille Bogan
Barbecue Blues
111 bpm • D# Maj • 02:42 • -12.55db
12% Popularity • 60% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 60% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Blind Willie Johnson
Jesus Make Up My Dying Bed
120 bpm • D# Maj • 03:10 • -14db
23% Popularity • 63% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 63% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Robert Pete Williams
Graveyard Blues
120 bpm • A# min • 02:46 • -11db
19% Popularity • 48% Danceability • 64% Energy • 34% Liveness
20% Instrumentalness • 39% Positiveness
19% Popularity • 48% Danceability • 64% Energy • 34% Liveness
20% Instrumentalness • 39% Positiveness
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Charley Patton
Down the Dirt Road Blues
119 bpm • C# Maj • 02:54 • -10db
30% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
30% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Skip James
I'm So Glad
110 bpm • A# Maj • 01:56 • -17db
35% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Bukka White
Fixin' to Die Blues
110 bpm • B Maj • 02:48 • -11.71db
32% Popularity • 56% Danceability • 27% Energy • 10% Liveness
57% Instrumentalness • 58% Positiveness
32% Popularity • 56% Danceability • 27% Energy • 10% Liveness
57% Instrumentalness • 58% Positiveness
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Bo Carter
Let Me Roll Your Lemon
110 bpm • A Maj • 02:56 • -12.29db
11% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Blind Lemon Jefferson
Change My Luck Blues
120 bpm • G min • 02:24 • -17.16db
14% Popularity • 65% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 65% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Frank Stokes
'Tain't Nobody's Business If I Do, Pt. 1
110 bpm • D Maj • 03:16 • -16.85db
12% Popularity • 56% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 56% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Charley Patton
Pony Blues
120 bpm • A# Maj • 02:59 • -15.7db
14% Popularity • 44% Danceability • 32% Energy • 13% Liveness
96% Instrumentalness • 48% Positiveness
14% Popularity • 44% Danceability • 32% Energy • 13% Liveness
96% Instrumentalness • 48% Positiveness
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J.B. Lenoir
The Whale Has Swallowed Me
110 bpm • G Maj • 02:25 • -8db
28% Popularity • 86% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 86% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Henry Thomas
Bob McKinney
109 bpm • F# Maj • 02:53 • -14.32db
13% Popularity • 59% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
13% Popularity • 59% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Robert Wilkins
Rollin' Stone, Pt. 1
110 bpm • G# Maj • 02:53 • -14.96db
14% Popularity • 60% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 60% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Memphis Minnie
Black Cat Blues
121 bpm • D# Maj • 02:54 • -15.21db
15% Popularity • 84% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 84% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Royal Victoria Hotel Calypsos
The Monkey Song
121 bpm • C Maj • 02:48 • -1.05db
1% Popularity • 76% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 95% Positiveness
1% Popularity • 76% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 95% Positiveness
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Papa Charlie Jackson
Ash Tray Blues
121 bpm • G Maj • 02:58 • -11.61db
20% Popularity • 85% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 75% Positiveness
20% Popularity • 85% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 75% Positiveness
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Charley Patton
Mississippi Boweavil Blues
109 bpm • F# Maj • 03:11 • -10.2db
13% Popularity • 52% Danceability • 42% Energy • 15% Liveness
41% Instrumentalness • 17% Positiveness
13% Popularity • 52% Danceability • 42% Energy • 15% Liveness
41% Instrumentalness • 17% Positiveness
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Big Joe Williams
Hellbound On My Trial
109 bpm • A Maj • 03:08 • -19.69db
14% Popularity • 57% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 31% Positiveness
14% Popularity • 57% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 31% Positiveness
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Jim Jackson
Old Dog Blue
121 bpm • F# Maj • 02:58 • -11db
8% Popularity • 53% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 53% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Sister Rosetta Tharpe
Rock Me
122 bpm • A# Maj • 02:40 • -11.3db
35% Popularity • 65% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 65% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Dodds
Hot Potatoes
109 bpm • C Maj • 02:55 • -12.29db
7% Popularity • 81% Danceability • 34% Energy • 27% Liveness
73% Instrumentalness • 94% Positiveness
7% Popularity • 81% Danceability • 34% Energy • 27% Liveness
73% Instrumentalness • 94% Positiveness
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Billy James
Champagne Charlie Is My Name
109 bpm • C# Maj • 02:30 • -17.46db
0% Popularity • 74% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 74% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Pink Anderson
Greasy Greens
122 bpm • A# Maj • 04:38 • -15.42db
8% Popularity • 78% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 78% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Blind Willie Johnson
Bye and Bye I'm Goin' to See the King
109 bpm • G Maj • 02:51 • -16.12db
18% Popularity • 60% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 60% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Bukka White
Fixin' to Die Blues
109 bpm • B Maj • 02:51 • -10db
19% Popularity • 59% Danceability • 29% Energy • 18% Liveness
44% Instrumentalness • 62% Positiveness
19% Popularity • 59% Danceability • 29% Energy • 18% Liveness
44% Instrumentalness • 62% Positiveness
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Arthur "Big Boy" Crudup
My Baby Left Me - Remastered 2003
108 bpm • D Maj • 02:21 • -11.89db
29% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Memphis Minnie
Good Biscuits
108 bpm • C Maj • 02:40 • -18.33db
12% Popularity • 73% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 73% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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MUIN242
Oh Carolie
122 bpm • D Maj • 02:30 • -7.5db
0% Popularity • 76% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
0% Popularity • 76% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
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Magic Sam
Looking Good
108 bpm • E min • 02:07 • -12.98db
8% Popularity • 67% Danceability • 52% Energy • 98% Liveness
89% Instrumentalness • 90% Positiveness
8% Popularity • 67% Danceability • 52% Energy • 98% Liveness
89% Instrumentalness • 90% Positiveness
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Sonny Boy Nelson
Street Walkin'
122 bpm • F Maj • 02:33 • -13.43db
24% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Sylvester Weaver
Guitar Rag
108 bpm • D Maj • 03:06 • -13db
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 39% Positiveness
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 39% Positiveness
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Blind Willie Johnson
Mother's Children Have a Hard Time
123 bpm • A Maj • 03:21 • -14db
17% Popularity • 64% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 64% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Memphis Minnie
Hoodoo Lady
122 bpm • C# Maj • 03:02 • -12.88db
18% Popularity • 82% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 82% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Bowling Green John Cephas
Black Rat Swing
108 bpm • D Maj • 05:02 • -9.94db
12% Popularity • 59% Danceability • 38% Energy • 22% Liveness
46% Instrumentalness • 77% Positiveness
12% Popularity • 59% Danceability • 38% Energy • 22% Liveness
46% Instrumentalness • 77% Positiveness
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Big Joe Williams
Little Annie Mae
123 bpm • F min • 02:00 • -15.84db
25% Popularity • 64% Danceability • 28% Energy • 32% Liveness
3% Instrumentalness • 54% Positiveness
25% Popularity • 64% Danceability • 28% Energy • 32% Liveness
3% Instrumentalness • 54% Positiveness
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Tampa Red
Boogie Woogie Dance
108 bpm • D# Maj • 03:14 • -9db
12% Popularity • 67% Danceability • 44% Energy • 20% Liveness
33% Instrumentalness • 96% Positiveness
12% Popularity • 67% Danceability • 44% Energy • 20% Liveness
33% Instrumentalness • 96% Positiveness
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Bo Carter
Pussy Cat Blues
108 bpm • E Maj • 02:54 • -11.64db
11% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Blind Blake
Slippery Rag
108 bpm • C# Maj • 02:46 • -15.65db
4% Popularity • 52% Danceability • 35% Energy • 14% Liveness
80% Instrumentalness • 77% Positiveness
4% Popularity • 52% Danceability • 35% Energy • 14% Liveness
80% Instrumentalness • 77% Positiveness
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Robert Petway
Ride Em on Down
108 bpm • F# Maj • 02:56 • -8.43db
11% Popularity • 71% Danceability • 60% Energy • 18% Liveness
26% Instrumentalness • 79% Positiveness
11% Popularity • 71% Danceability • 60% Energy • 18% Liveness
26% Instrumentalness • 79% Positiveness
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Cannon's Jug Stompers
Going to Germany
107 bpm • G Maj • 02:31 • -13db
18% Popularity • 51% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 64% Positiveness
18% Popularity • 51% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 64% Positiveness
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Big Joe Williams
Rollin' And Tumblin'
123 bpm • G# Maj • 02:36 • -14.85db
30% Popularity • 68% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Memphis Jug Band
He's In The Jail House Now
107 bpm • C Maj • 03:12 • -12.13db
11% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Memphis Minnie
Blues Everywhere
107 bpm • A# Maj • 02:49 • -10.83db
13% Popularity • 77% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 77% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
