Songs like Blind in the Fray by The Last Revel
Based on a tempo of (+/- 10%) and a similar genre
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The Last Revel
Blind in the Fray
88 bpm • C Maj • 03:33 • -10.87db
39% Popularity • 49% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 49% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Andrew Duhon
The Moorings
88 bpm • D# Maj • 03:26 • -7.14db
38% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Wood Brothers
Keep Me Around
88 bpm • D Maj • 03:38 • -11.75db
42% Popularity • 54% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 54% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Good Luck Thrift Store Outfit
Lost Claim
87 bpm • A Maj • 04:22 • -9.97db
26% Popularity • 57% Danceability • 48% Energy • 21% Liveness
1% Instrumentalness • 25% Positiveness
26% Popularity • 57% Danceability • 48% Energy • 21% Liveness
1% Instrumentalness • 25% Positiveness
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Wood & Wire
Home & the Banjo
87 bpm • F Maj • 03:55 • -10.94db
12% Popularity • 59% Danceability • 36% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
12% Popularity • 59% Danceability • 36% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
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Josh Oliver
Part of Life
89 bpm • D Maj • 03:06 • -13.42db
27% Popularity • 60% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 30% Positiveness
27% Popularity • 60% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 30% Positiveness
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Parker Millsap
Homeless
90 bpm • G Maj • 03:12 • -11.47db
33% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Nathaniel Rateliff
You Need Me
90 bpm • D Maj • 03:30 • -12db
48% Popularity • 58% Danceability • 52% Energy • 17% Liveness
80% Instrumentalness • 56% Positiveness
48% Popularity • 58% Danceability • 52% Energy • 17% Liveness
80% Instrumentalness • 56% Positiveness
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The Bones of J.R. Jones
Hearts Racing
90 bpm • G Maj • 03:43 • -8.74db
45% Popularity • 68% Danceability • 56% Energy • 13% Liveness
60% Instrumentalness • 36% Positiveness
45% Popularity • 68% Danceability • 56% Energy • 13% Liveness
60% Instrumentalness • 36% Positiveness
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Them Coulee Boys
You Can't Always Get What You Want
86 bpm • C Maj • 05:43 • -8.26db
12% Popularity • 32% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 32% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Kitchen Dwellers
Gypsy
90 bpm • E Maj • 05:56 • -10db
39% Popularity • 54% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 54% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Greensky Bluegrass
Windshield
90 bpm • C Maj • 03:44 • -9.12db
46% Popularity • 48% Danceability • 55% Energy • 20% Liveness
1% Instrumentalness • 32% Positiveness
46% Popularity • 48% Danceability • 55% Energy • 20% Liveness
1% Instrumentalness • 32% Positiveness
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Dead Man Winter
New Orleans
90 bpm • A Maj • 04:09 • -9db
27% Popularity • 53% Danceability • 62% Energy • 32% Liveness
3% Instrumentalness • 58% Positiveness
27% Popularity • 53% Danceability • 62% Energy • 32% Liveness
3% Instrumentalness • 58% Positiveness
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Mike Clark & the Sugar Sounds
Good Love
86 bpm • E Maj • 02:18 • -13.86db
35% Popularity • 65% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 65% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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The Way Down Wanderers
Circles
91 bpm • A Maj • 04:02 • -9.16db
18% Popularity • 65% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 65% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Them Coulee Boys
Find Your Muse
86 bpm • G Maj • 04:10 • -7.35db
23% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Shovels & Rope
Leaving Louisiana In The Broad Daylight
85 bpm • F Maj • 03:33 • -4.72db
38% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Chicago Farmer
Umbrella
85 bpm • F# Maj • 04:32 • -6.64db
11% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Marty O'Reilly & the Old Soul Orchestra
Dreamcatcher
91 bpm • A# Maj • 03:56 • -9.54db
31% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Oliver Hazard
Train Track
92 bpm • A# Maj • 02:38 • -10.83db
23% Popularity • 75% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 75% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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The Wooks
Little Sandy Queen
92 bpm • A Maj • 04:31 • -8db
25% Popularity • 70% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 70% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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The Way Down Wanderers
Blacktop Highway
92 bpm • G# Maj • 03:05 • -9.25db
20% Popularity • 53% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 53% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Watchhouse
Next to Nothing
92 bpm • F Maj • 03:31 • -10.62db
38% Popularity • 52% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 31% Positiveness
38% Popularity • 52% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 31% Positiveness
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The Suitcase Junket
Old Machine
84 bpm • C Maj • 03:21 • -11.15db
23% Popularity • 63% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 63% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Get Ahead
Mind is a Mountain
84 bpm • D Maj • 03:30 • -5db
33% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Parker Millsap
Pining
93 bpm • A# min • 02:44 • -7.1db
41% Popularity • 74% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 74% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Brent Cobb
Come Home Soon
84 bpm • F Maj • 03:18 • -8.42db
48% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Way Down Wanderers
Principles of Salt
93 bpm • A Maj • 03:10 • -7.38db
32% Popularity • 60% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 60% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Lindsay Lou
Roll With Me
83 bpm • G Maj • 04:03 • -8db
31% Popularity • 66% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 66% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Chicago Farmer
Indiana Line
93 bpm • G# min • 03:51 • -8.87db
27% Popularity • 61% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 61% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Caamp
Great Heights
83 bpm • G Maj • 02:18 • -11.75db
54% Popularity • 71% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 54% Positiveness
54% Popularity • 71% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 54% Positiveness
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Watkins Family Hour
The Cure
94 bpm • F Maj • 03:57 • -6.41db
31% Popularity • 60% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 60% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sam Burchfield
Hold My Hand
94 bpm • C Maj • 04:17 • -5.54db
47% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Phil Cook
1922
94 bpm • A Maj • 03:01 • -7.47db
30% Popularity • 71% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 71% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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The Last Revel
Rainy Day Girl
82 bpm • D Maj • 04:34 • -11.22db
18% Popularity • 59% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 59% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 14% Positiveness
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Jonathan Tyler
Old Friend
94 bpm • G Maj • 04:25 • -7.52db
26% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Pierce Edens
Mighty Mighty
94 bpm • E Maj • 03:16 • -6.95db
14% Popularity • 42% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 42% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Caribou Mountain Collective
Mountain Girl
94 bpm • D Maj • 03:39 • -9.08db
16% Popularity • 57% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 57% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Caamp
Keep the Blues Away
82 bpm • C# Maj • 03:53 • -9.99db
49% Popularity • 50% Danceability • 55% Energy • 9% Liveness
6% Instrumentalness • 72% Positiveness
49% Popularity • 50% Danceability • 55% Energy • 9% Liveness
6% Instrumentalness • 72% Positiveness
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The Mulligan Brothers
Sensible Shoes
94 bpm • E Maj • 05:26 • -7.83db
21% Popularity • 59% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 59% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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The Last Revel
Always Sunny
82 bpm • G Maj • 02:02 • -3.2db
14% Popularity • 62% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 62% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Pug
I Don't Work in a Bank
95 bpm • C Maj • 01:35 • -10.3db
39% Popularity • 46% Danceability • 47% Energy • 73% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 46% Danceability • 47% Energy • 73% Liveness
0% Instrumentalness • 60% Positiveness
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The Riverside
Appalachia
82 bpm • D# Maj • 04:48 • -19.07db
30% Popularity • 61% Danceability • 14% Energy • 11% Liveness
10% Instrumentalness • 36% Positiveness
30% Popularity • 61% Danceability • 14% Energy • 11% Liveness
10% Instrumentalness • 36% Positiveness
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Watchhouse
Hey Stranger
95 bpm • C Maj • 03:27 • -10.2db
47% Popularity • 61% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
47% Popularity • 61% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Redbird
I Gotta Get Drunk
81 bpm • D Maj • 02:01 • -11.03db
30% Popularity • 62% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 62% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Sam Burchfield
Howl
95 bpm • C Maj • 04:53 • -8.73db
24% Popularity • 58% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
24% Popularity • 58% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Dead Man Winter
Red Wing Blue Wing
95 bpm • A Maj • 04:12 • -7.58db
22% Popularity • 43% Danceability • 73% Energy • 25% Liveness
6% Instrumentalness • 60% Positiveness
22% Popularity • 43% Danceability • 73% Energy • 25% Liveness
6% Instrumentalness • 60% Positiveness
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Three Tall Pines
Stone walls
81 bpm • A# min • 04:39 • -13.2db
39% Popularity • 40% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 27% Positiveness
39% Popularity • 40% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 27% Positiveness
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The Mallett Brothers Band
Don't Mind the Morning
95 bpm • F Maj • 03:16 • -10.86db
17% Popularity • 44% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
17% Popularity • 44% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
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Lindsay Lou
Magic Man
96 bpm • C Maj • 03:28 • -8.85db
15% Popularity • 38% Danceability • 38% Energy • 5% Liveness
14% Instrumentalness • 23% Positiveness
15% Popularity • 38% Danceability • 38% Energy • 5% Liveness
14% Instrumentalness • 23% Positiveness
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Goodnight, Texas
End of the Road
81 bpm • D Maj • 05:42 • -11.41db
17% Popularity • 57% Danceability • 41% Energy • 9% Liveness
80% Instrumentalness • 32% Positiveness
17% Popularity • 57% Danceability • 41% Energy • 9% Liveness
80% Instrumentalness • 32% Positiveness
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Sam Burchfield
Blue Ridge June
96 bpm • C Maj • 04:17 • -9db
41% Popularity • 69% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 69% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Phil Cook
Gone
96 bpm • A Maj • 03:46 • -10.15db
21% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Arkansauce
Every House Downtown
81 bpm • D Maj • 04:40 • -8.5db
21% Popularity • 64% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 64% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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The Way Down Wanderers
Your Will Is a Wildflower
96 bpm • F# min • 03:45 • -10.45db
33% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Lowest Pair
Rosie
96 bpm • E Maj • 05:36 • -10db
28% Popularity • 47% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
28% Popularity • 47% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Watchhouse
Echo
96 bpm • G Maj • 03:21 • -9.69db
54% Popularity • 62% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
54% Popularity • 62% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Greensky Bluegrass
The Four
97 bpm • G Maj • 03:33 • -5.76db
37% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Boy Named Banjo
Have It All
80 bpm • A min • 04:03 • -4.9db
23% Popularity • 51% Danceability • 72% Energy • 18% Liveness
88% Instrumentalness • 60% Positiveness
23% Popularity • 51% Danceability • 72% Energy • 18% Liveness
88% Instrumentalness • 60% Positiveness
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Fruition
Git Along
97 bpm • E Maj • 03:54 • -9.23db
31% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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The Way Down Wanderers
Heading North
96 bpm • G Maj • 04:29 • -9.7db
18% Popularity • 74% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 74% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Them Coulee Boys
Namesake
97 bpm • G# Maj • 03:51 • -6.01db
11% Popularity • 40% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 40% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Dead Tongues
Little Sadie
97 bpm • C Maj • 03:34 • -8.31db
30% Popularity • 63% Danceability • 66% Energy • 31% Liveness
45% Instrumentalness • 92% Positiveness
30% Popularity • 63% Danceability • 66% Energy • 31% Liveness
45% Instrumentalness • 92% Positiveness
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Caribou Mountain Collective
Ain't the Same
80 bpm • C# min • 03:03 • -9.1db
26% Popularity • 55% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 55% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Skin & Bones
Lone Pine
80 bpm • G Maj • 04:44 • -9db
30% Popularity • 47% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 47% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Nathaniel Rateliff
You Should've Seen The Other Guy
79 bpm • C Maj • 03:01 • -8.98db
53% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Leftover Salmon
Brand New Good Old Days
98 bpm • D Maj • 02:47 • -9db
32% Popularity • 67% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 67% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Watchhouse
Turtle Dove & the Crow
98 bpm • D Maj • 03:22 • -8db
49% Popularity • 45% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 41% Positiveness
49% Popularity • 45% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 41% Positiveness
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The Dead Tongues
Wildflower Perfume
98 bpm • D min • 03:20 • -9.82db
38% Popularity • 57% Danceability • 38% Energy • 14% Liveness
16% Instrumentalness • 54% Positiveness
38% Popularity • 57% Danceability • 38% Energy • 14% Liveness
16% Instrumentalness • 54% Positiveness
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Boy Named Banjo
Blue Hole Bridge
98 bpm • A# Maj • 03:27 • -10db
38% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Town Meeting
Every Song
79 bpm • D Maj • 03:38 • -7.45db
9% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Chicago Farmer
Backseat
98 bpm • A Maj • 03:14 • -8.16db
21% Popularity • 76% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 76% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Caamp
Send the Fisherman
79 bpm • C# Maj • 03:47 • -14.22db
44% Popularity • 34% Danceability • 36% Energy • 80% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 34% Danceability • 36% Energy • 80% Liveness
0% Instrumentalness • 19% Positiveness
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The Mulligan Brothers
The Deal
78 bpm • A# Maj • 05:37 • -6.62db
18% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Dead Tongues
Thunder and Crash
99 bpm • A min • 03:28 • -9db
21% Popularity • 66% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
21% Popularity • 66% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Dead Horses
Kickapoo Creek
99 bpm • F Maj • 02:28 • -14.39db
26% Popularity • 54% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
26% Popularity • 54% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Railroad Earth
Mighty River (OurVinyl Sessions)
99 bpm • D Maj • 05:46 • -13.59db
16% Popularity • 58% Danceability • 61% Energy • 28% Liveness
13% Instrumentalness • 62% Positiveness
16% Popularity • 58% Danceability • 61% Energy • 28% Liveness
13% Instrumentalness • 62% Positiveness
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Watchhouse
The Wolves
78 bpm • D Maj • 04:05 • -14db
50% Popularity • 59% Danceability • 34% Energy • 13% Liveness
4% Instrumentalness • 35% Positiveness
50% Popularity • 59% Danceability • 34% Energy • 13% Liveness
4% Instrumentalness • 35% Positiveness
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Chicken Wire Empire
Maker
99 bpm • D Maj • 04:08 • -7.59db
10% Popularity • 75% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 75% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Thomas Csorba
Jericho
99 bpm • A# Maj • 03:09 • -12.26db
25% Popularity • 63% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 63% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Fruition
The Meaning
99 bpm • A Maj • 05:01 • -8.19db
39% Popularity • 50% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 50% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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The Lonely Heartstring Band
The Way It All Began
78 bpm • D Maj • 03:37 • -10.5db
20% Popularity • 52% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 52% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Last Revel
Seeds To Sow
78 bpm • G Maj • 04:02 • -6.61db
8% Popularity • 55% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 55% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Wood & Wire
Kingpin
100 bpm • E Maj • 03:19 • -9db
27% Popularity • 69% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 69% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Town Meeting
If I Die
78 bpm • G Maj • 03:05 • -9.39db
9% Popularity • 40% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 40% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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The Lonesome Trio
Whiskey Drink
78 bpm • A Maj • 03:29 • -8.46db
32% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Rubber Knife Gang
Tennessee Mountain Girl
100 bpm • A Maj • 02:43 • -8db
39% Popularity • 77% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 77% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Chatham Rabbits
Blue Ridge Mountain Home
100 bpm • D# Maj • 03:37 • -9.12db
25% Popularity • 75% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 75% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Last Revel
Welcome to Hell
100 bpm • C Maj • 03:02 • -10.02db
18% Popularity • 58% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 58% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Boy Named Banjo
New Song to Me
100 bpm • E Maj • 02:58 • -16.51db
28% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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10 String Symphony
Prettiest Girl
100 bpm • A# Maj • 02:58 • -9.49db
34% Popularity • 73% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 73% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Trout Steak Revival
Ground Beneath You
100 bpm • E Maj • 03:54 • -12.44db
22% Popularity • 59% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
22% Popularity • 59% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Caribou Mountain Collective
If You Would've Heard Me Calling
101 bpm • E Maj • 03:19 • -8.62db
12% Popularity • 35% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 35% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Kenny Brothers Band
Salt Lake City
77 bpm • A Maj • 05:46 • -7.98db
9% Popularity • 52% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 52% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Parker Millsap
Wherever You Are
76 bpm • G Maj • 03:02 • -7.37db
28% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Dead Tongues
Clip Your Wings
101 bpm • E Maj • 03:13 • -8.62db
28% Popularity • 42% Danceability • 31% Energy • 14% Liveness
7% Instrumentalness • 36% Positiveness
28% Popularity • 42% Danceability • 31% Energy • 14% Liveness
7% Instrumentalness • 36% Positiveness
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Town Meeting
All the Bars
102 bpm • C Maj • 04:12 • -8.96db
11% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Dustbowl Revival
Debtors' Prison
76 bpm • D Maj • 04:53 • -7.02db
25% Popularity • 64% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 64% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
