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Blind Willie
Songs like
Blind Willie
by
Sonny Sharrock
Based on a tempo of (+/- 10%) and a similar genre
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Last Exit
I Must Confess I’m A Cannibal
113 bpm • E Maj • 10:17 • -14.88db
0% Popularity • 38% Danceability • 60% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
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David Axelrod
The Mental Traveler
113 bpm • A# min • 04:06 • -11.45db
17% Popularity • 29% Danceability • 51% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Sonny Sharrock
Blind Willie
113 bpm • E Maj • 03:10 • -15db
28% Popularity • 60% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
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Arthur Russell
"Instrumentals" Volume 1 - Part 1
113 bpm • F min • 05:19 • -12.56db
25% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Albert Ayler
New Ghosts
113 bpm • A min • 04:12 • -9.89db
12% Popularity • 42% Danceability • 63% Energy • 11% Liveness
53% Instrumentalness • 66% Positiveness
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Captain Beefheart & His Magic Band
My Head Is My Only House Unless It Rains
113 bpm • D Maj • 02:55 • -20.04db
38% Popularity • 84% Danceability • 26% Energy • 7% Liveness
28% Instrumentalness • 61% Positiveness
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Popol Vuh
King Minos II
113 bpm • C Maj • 01:55 • -14.41db
32% Popularity • 68% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 48% Positiveness
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The Durutti Column
Katherine
113 bpm • C Maj • 05:31 • -14.66db
28% Popularity • 73% Danceability • 26% Energy • 25% Liveness
17% Instrumentalness • 24% Positiveness
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Pheeroan Aklaff
Serious
113 bpm • F min • 10:13 • -15.18db
0% Popularity • 33% Danceability • 55% Energy • 14% Liveness
40% Instrumentalness • 34% Positiveness
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Charlie Megira
דה קוצ'י מאמא סוינגרס
113 bpm • C# Maj • 04:28 • -9.97db
18% Popularity • 61% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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John Lurie
Horse Guitar
112 bpm • C# Maj • 01:03 • -21.73db
39% Popularity • 59% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Louis Hardin
Nocturne Suite Part 1
114 bpm • C# Maj • 02:21 • -17.12db
14% Popularity • 65% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 98% Positiveness
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Robbie Basho
Pavan Hindustan - Instrumental
114 bpm • F# Maj • 06:13 • -10.84db
17% Popularity • 30% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Peter Brötzmann
Whatthefuckdoyouwant 5
114 bpm • A min • 05:49 • -6.02db
2% Popularity • 25% Danceability • 64% Energy • 36% Liveness
88% Instrumentalness • 34% Positiveness
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Last Exit
Jesus! What Gorgeous Monkeys We Are
112 bpm • F# min • 10:51 • -13.61db
0% Popularity • 32% Danceability • 77% Energy • 14% Liveness
64% Instrumentalness • 15% Positiveness
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Etran de L'AÏr
Agrim Agadez
112 bpm • D# Maj • 05:48 • -6.54db
7% Popularity • 42% Danceability • 87% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
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Arthur Russell
"Instrumentals" Volume 1 - Part 4
112 bpm • A# Maj • 05:43 • -12.72db
15% Popularity • 46% Danceability • 82% Energy • 14% Liveness
29% Instrumentalness • 40% Positiveness
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Sonny Sharrock
Becoming
112 bpm • A Maj • 02:34 • -11.67db
1% Popularity • 37% Danceability • 26% Energy • 27% Liveness
4% Instrumentalness • 26% Positiveness
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Albert Ayler
Angels
114 bpm • F Maj • 05:32 • -19.51db
11% Popularity • 30% Danceability • 14% Energy • 42% Liveness
12% Instrumentalness • 15% Positiveness
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Peter Brötzmann
It's Almost Dark
112 bpm • A# Maj • 10:09 • -10.42db
9% Popularity • 29% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Don Cherry
Bra Joe from Kilimanjaro
114 bpm • A# Maj • 02:32 • -14.05db
11% Popularity • 29% Danceability • 70% Energy • 46% Liveness
92% Instrumentalness • 25% Positiveness
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Nicky Roberts
Spaceman (Out Of Nowhere)
114 bpm • G Maj • 02:17 • -9.51db
18% Popularity • 47% Danceability • 71% Energy • 54% Liveness
92% Instrumentalness • 33% Positiveness
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Charlie Megira
Hashahar Ha'ole
114 bpm • A Maj • 02:13 • -14.5db
22% Popularity • 59% Danceability • 38% Energy • 14% Liveness
87% Instrumentalness • 66% Positiveness
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Pheeroan Aklaff
Alligator and Kangaroo
114 bpm • E min • 04:13 • -14.76db
0% Popularity • 53% Danceability • 47% Energy • 21% Liveness
13% Instrumentalness • 21% Positiveness
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Sandy Bull
Gospel Tune
112 bpm • G# Maj • 10:04 • -16.62db
8% Popularity • 74% Danceability • 35% Energy • 14% Liveness
83% Instrumentalness • 87% Positiveness
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Captain Beefheart & His Magic Band
Flavor Bud Living - 2006 Digital Remaste...
114 bpm • A min • 01:00 • -24.28db
37% Popularity • 63% Danceability • 2% Energy • 11% Liveness
68% Instrumentalness • 30% Positiveness
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Don Cherry
Initiation (Demo)
112 bpm • B min • 02:54 • -20.75db
19% Popularity • 70% Danceability • 23% Energy • 18% Liveness
62% Instrumentalness • 71% Positiveness
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Sonny Sharrock
Black Woman
115 bpm • D Maj • 05:14 • -11db
20% Popularity • 17% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Arthur Russell
"Instrumentals" Volume 2 - Part 1
115 bpm • D Maj • 06:33 • -12.58db
15% Popularity • 30% Danceability • 38% Energy • 33% Liveness
34% Instrumentalness • 11% Positiveness
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Bert Jansch
Bittern
115 bpm • E min • 07:49 • -9.75db
12% Popularity • 45% Danceability • 45% Energy • 13% Liveness
68% Instrumentalness • 42% Positiveness
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Faust
It's A Bit Of A Pain - 2006 Digital Rema...
111 bpm • E Maj • 03:08 • -15.34db
24% Popularity • 35% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 23% Positiveness
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Alabaster DePlume
I Hope
115 bpm • C# Maj • 05:24 • -10.91db
24% Popularity • 37% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Robbie Basho
The Falconer's Arm - Instrumental
115 bpm • D Maj • 09:46 • -9db
15% Popularity • 35% Danceability • 48% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
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Sun City Girls
Blue West
115 bpm • A min • 03:02 • -10.97db
14% Popularity • 44% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Sir Richard Bishop
Hadley
115 bpm • D min • 01:27 • -11.97db
23% Popularity • 54% Danceability • 58% Energy • 18% Liveness
81% Instrumentalness • 95% Positiveness
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The Lounge Lizards
The First and Royal Queen
111 bpm • C# Maj • 04:00 • -15db
27% Popularity • 75% Danceability • 35% Energy • 5% Liveness
21% Instrumentalness • 70% Positiveness
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Ted Lucas
Raga in "D"
115 bpm • G Maj • 03:37 • -14.55db
18% Popularity • 40% Danceability • 41% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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Bernard Estardy
Cha tatch ka
111 bpm • G Maj • 02:27 • -9db
23% Popularity • 61% Danceability • 94% Energy • 8% Liveness
84% Instrumentalness • 22% Positiveness
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Moondog
Death, When You Come To Me
115 bpm • B min • 02:03 • -14.41db
14% Popularity • 70% Danceability • 80% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
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Peter Brötzmann
Whatthefuckdoyouwant 6
115 bpm • C Maj • 06:30 • -7.63db
1% Popularity • 35% Danceability • 54% Energy • 35% Liveness
58% Instrumentalness • 15% Positiveness
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Bruce Langhorne
Ending
115 bpm • C Maj • 04:36 • -14db
15% Popularity • 41% Danceability • 16% Energy • 16% Liveness
80% Instrumentalness • 6% Positiveness
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Salah Ragab
Neveen
111 bpm • B min • 07:54 • -8db
21% Popularity • 57% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Ray Cathode
Time Beat (Remastered)
111 bpm • E Maj • 02:12 • -9db
23% Popularity • 80% Danceability • 75% Energy • 7% Liveness
90% Instrumentalness • 96% Positiveness
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Jackie O Motherfucker
Your Cells Are in Motion
115 bpm • G Maj • 09:09 • -13.15db
8% Popularity • 34% Danceability • 53% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Arthur Russell
The Deer In The Forest Part 1
115 bpm • C Maj • 01:35 • -20.18db
41% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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Ndikho Xaba
Nomusa
111 bpm • B min • 08:46 • -13.58db
11% Popularity • 66% Danceability • 40% Energy • 14% Liveness
77% Instrumentalness • 56% Positiveness
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Sonny Sharrock
Princess Sonata:Flowers Laugh
116 bpm • E Maj • 02:12 • -17.17db
12% Popularity • 45% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Mulatu Astatke
Munayé (My Muna)
115 bpm • F Maj • 05:03 • -7.1db
45% Popularity • 83% Danceability • 50% Energy • 9% Liveness
83% Instrumentalness • 64% Positiveness
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Hailu Mergia
Embuwa Bey Lamitu
116 bpm • G# Maj • 06:05 • -10.98db
37% Popularity • 41% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 79% Positiveness
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Sun City Girls
Bens Radio
116 bpm • F min • 03:04 • -6.81db
12% Popularity • 55% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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John Fahey
A Raga Called Pat, Part 1
116 bpm • C# Maj • 06:23 • -11.16db
16% Popularity • 29% Danceability • 60% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Syrinx
December Angel
116 bpm • C# min • 09:00 • -9db
11% Popularity • 20% Danceability • 32% Energy • 33% Liveness
52% Instrumentalness • 6% Positiveness
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Sonny Sharrock
Soon
110 bpm • A min • 07:45 • -12.44db
3% Popularity • 26% Danceability • 88% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Pheeroan Aklaff
Bit Her
110 bpm • C Maj • 11:32 • -12.86db
0% Popularity • 45% Danceability • 65% Energy • 10% Liveness
51% Instrumentalness • 42% Positiveness
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Hailu Mergia
Mestirawi Debdabe
116 bpm • A min • 04:36 • -10.12db
23% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Julian Lynch
Just Enough
116 bpm • D Maj • 03:31 • -10.86db
11% Popularity • 56% Danceability • 43% Energy • 15% Liveness
74% Instrumentalness • 11% Positiveness
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John Fahey
On The Sunny Side Of The Ocean
116 bpm • B Maj • 03:13 • -10.06db
31% Popularity • 48% Danceability • 73% Energy • 16% Liveness
86% Instrumentalness • 48% Positiveness
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Gábor Szabó
Bacchanal
110 bpm • G# Maj • 04:57 • -16db
24% Popularity • 46% Danceability • 44% Energy • 8% Liveness
94% Instrumentalness • 52% Positiveness
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Robbie Basho
Clair de lune (For Twelve-String) [Live]
110 bpm • A Maj • 04:42 • -14.22db
23% Popularity • 36% Danceability • 44% Energy • 61% Liveness
45% Instrumentalness • 26% Positiveness
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Charlie Megira
The Girl Who Was Frightened of Ashtrays
117 bpm • B min • 03:50 • -19.38db
37% Popularity • 72% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 56% Positiveness
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Hailu Mergia
Zengadyw Derekou
116 bpm • G# Maj • 03:40 • -10.59db
31% Popularity • 63% Danceability • 58% Energy • 20% Liveness
90% Instrumentalness • 87% Positiveness
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Gunn - Truscinski Duo
Valley Spiral
117 bpm • G Maj • 04:56 • -14.14db
10% Popularity • 54% Danceability • 38% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Cluster
Halwa
117 bpm • G# Maj • 02:51 • -17.81db
25% Popularity • 44% Danceability • 28% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
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Arthur Russell
"Instrumentals" Volume 1 - Part 6
117 bpm • D min • 02:11 • -17.45db
14% Popularity • 49% Danceability • 35% Energy • 20% Liveness
90% Instrumentalness • 18% Positiveness
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Lloyd Clifton Miller
Gol-e Gandom
117 bpm • D min • 04:12 • -12.6db
12% Popularity • 27% Danceability • 59% Energy • 35% Liveness
5% Instrumentalness • 45% Positiveness
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Bill Laswell
Improvised Music #2
109 bpm • G# min • 05:04 • -17.7db
8% Popularity • 40% Danceability • 42% Energy • 15% Liveness
72% Instrumentalness • 23% Positiveness
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Matana Roberts
Amma Jerusalem School
109 bpm • A# Maj • 04:10 • -12.05db
12% Popularity • 45% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Peter Brötzmann
Whatthefuckdoyouwant 3
109 bpm • A min • 08:13 • -6.16db
2% Popularity • 26% Danceability • 66% Energy • 11% Liveness
55% Instrumentalness • 32% Positiveness
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Cluster
Es war einmal
117 bpm • G Maj • 05:25 • -20.07db
21% Popularity • 64% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 31% Positiveness
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Marion Brown
Bismillahi 'Rrahmani 'Rrahim
109 bpm • F# Maj • 06:02 • -18.32db
20% Popularity • 24% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Pheeroan Aklaff
Tout De Suite
109 bpm • F# Maj • 05:29 • -13.39db
0% Popularity • 36% Danceability • 52% Energy • 24% Liveness
11% Instrumentalness • 17% Positiveness
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Bill Laswell
Improvised Music #6
109 bpm • C Maj • 05:46 • -17.26db
2% Popularity • 37% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
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John Fahey
Night Train Of Valhalla
118 bpm • D# Maj • 02:15 • -9.42db
31% Popularity • 32% Danceability • 49% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Amon Düül II
She Came Through the Chimney
118 bpm • A# Maj • 02:57 • -15.78db
27% Popularity • 42% Danceability • 35% Energy • 10% Liveness
70% Instrumentalness • 43% Positiveness
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Last Exit
Discharge
108 bpm • G min • 03:24 • -11.68db
13% Popularity • 25% Danceability • 94% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Angel Bat Dawid
No Space Fo Us
108 bpm • C Maj • 03:48 • -12.14db
12% Popularity • 43% Danceability • 41% Energy • 8% Liveness
45% Instrumentalness • 34% Positiveness
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David Axelrod
Urizen
118 bpm • A# min • 04:03 • -11.78db
22% Popularity • 39% Danceability • 49% Energy • 14% Liveness
76% Instrumentalness • 56% Positiveness
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Syrinx
Hollywood Dream Trip
119 bpm • F min • 05:13 • -11.73db
27% Popularity • 22% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Exuma
Junkanoo
119 bpm • A# min • 03:31 • -7.89db
19% Popularity • 66% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The Durutti Column
Jacqueline
107 bpm • D Maj • 02:15 • -13db
36% Popularity • 66% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 49% Positiveness
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Cluster
Marzipan
119 bpm • F# Maj • 03:12 • -19.67db
22% Popularity • 84% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 64% Positiveness
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Peter Brötzmann
Whatthefuckdoyouwant 4
107 bpm • F Maj • 08:13 • -6.36db
1% Popularity • 23% Danceability • 64% Energy • 12% Liveness
83% Instrumentalness • 16% Positiveness
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Niù Abdominaux Dangereux
Giggirriva
119 bpm • G Maj • 04:29 • -7.28db
0% Popularity • 38% Danceability • 64% Energy • 20% Liveness
19% Instrumentalness • 31% Positiveness
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Sonny Sharrock
74-75
107 bpm • A Maj • 02:42 • -23.18db
2% Popularity • 57% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 54% Positiveness
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Byard Lancaster
It's Not up to Us
107 bpm • D min • 04:53 • -13.45db
14% Popularity • 38% Danceability • 36% Energy • 30% Liveness
38% Instrumentalness • 58% Positiveness
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Richard Dawson
Juniper Berries Float Down The Stream
107 bpm • G Maj • 05:22 • -16.33db
9% Popularity • 52% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 25% Positiveness
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The Lounge Lizards
Incident On South Street
107 bpm • F# Maj • 03:25 • -13.74db
19% Popularity • 42% Danceability • 64% Energy • 6% Liveness
66% Instrumentalness • 62% Positiveness
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Cindy Lee
Left Hand Path
119 bpm • F min • 03:59 • -20.93db
18% Popularity • 32% Danceability • 16% Energy • 10% Liveness
59% Instrumentalness • 31% Positiveness
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Moondog
To A Sea Horse
120 bpm • D Maj • 01:43 • -23db
36% Popularity • 61% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
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Art Ensemble Of Chicago
Nice Guys
120 bpm • D Maj • 01:41 • -13db
30% Popularity • 57% Danceability • 23% Energy • 14% Liveness
70% Instrumentalness • 50% Positiveness
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Mulatu Astatke
Emnete
120 bpm • C# Maj • 03:29 • -12db
41% Popularity • 75% Danceability • 44% Energy • 6% Liveness
85% Instrumentalness • 87% Positiveness
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Last Exit
Hanged Man Are Always Naked
106 bpm • F# min • 10:05 • -12.97db
0% Popularity • 29% Danceability • 80% Energy • 8% Liveness
63% Instrumentalness • 23% Positiveness
► Preview
Robbie Basho
Khatum - Instrumental
120 bpm • D# Maj • 02:06 • -14.52db
16% Popularity • 63% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
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Exuma
Dambala
106 bpm • C Maj • 05:39 • -6.43db
30% Popularity • 37% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Sonny Sharrock
Black Bottom
120 bpm • G Maj • 03:55 • -9.73db
6% Popularity • 23% Danceability • 55% Energy • 23% Liveness
91% Instrumentalness • 24% Positiveness
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Albert Ayler
Message From Albert / New Grass
120 bpm • D# Maj • 03:55 • -9.65db
9% Popularity • 40% Danceability • 55% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
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Robert Wyatt
Born Again Cretin
106 bpm • F# Maj • 03:11 • -15db
1% Popularity • 43% Danceability • 42% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
► Preview
Bill Laswell
Improvised Music #7
120 bpm • B min • 03:48 • -20.11db
2% Popularity • 55% Danceability • 34% Energy • 39% Liveness
46% Instrumentalness • 23% Positiveness
► Preview
Ben von Wildenhaus
Easy Opium
106 bpm • G min • 05:17 • -13.57db
10% Popularity • 77% Danceability • 14% Energy • 14% Liveness
82% Instrumentalness • 19% Positiveness
► Preview
The Melody Mates
Enchantment
106 bpm • A Maj • 02:25 • -9db
30% Popularity • 63% Danceability • 60% Energy • 20% Liveness
41% Instrumentalness • 26% Positiveness
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Blind Willie