Songs like Blood Brother by Leif Vollebekk
Based on a tempo of (+/- 10%) and a similar genre
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Jesse Woods
Hounds of Heaven
139 bpm • B Maj • 02:01 • -10.67db
41% Popularity • 59% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 59% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Hiss Golden Messenger
Way Back in the Way Back
139 bpm • C Maj • 04:00 • -16db
31% Popularity • 63% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
31% Popularity • 63% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
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Jeffrey Martin
The Middle
139 bpm • C Maj • 03:31 • -10.34db
36% Popularity • 67% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 54% Positiveness
36% Popularity • 67% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 54% Positiveness
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Leif Vollebekk
Blood Brother
139 bpm • A# Maj • 04:23 • -9.05db
38% Popularity • 65% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 65% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Mt. Joy
Ruins
139 bpm • D# Maj • 03:34 • -9.88db
40% Popularity • 45% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
40% Popularity • 45% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
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Andrew Combs
Like A Feather
138 bpm • C Maj • 03:48 • -8.34db
16% Popularity • 57% Danceability • 48% Energy • 16% Liveness
7% Instrumentalness • 54% Positiveness
16% Popularity • 57% Danceability • 48% Energy • 16% Liveness
7% Instrumentalness • 54% Positiveness
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Chris Staples
Everybody Said
140 bpm • C# Maj • 02:18 • -14db
43% Popularity • 69% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 56% Positiveness
43% Popularity • 69% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 56% Positiveness
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Beta Radio
Come on Make It Right Once
138 bpm • E min • 03:04 • -11.05db
48% Popularity • 75% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
48% Popularity • 75% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Bridget Kearney
I Bet Ur
140 bpm • C Maj • 05:15 • -6.98db
26% Popularity • 64% Danceability • 63% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
26% Popularity • 64% Danceability • 63% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
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ZG Smith
Nighttime Animal
140 bpm • C Maj • 06:02 • -7.85db
36% Popularity • 49% Danceability • 45% Energy • 7% Liveness
23% Instrumentalness • 25% Positiveness
36% Popularity • 49% Danceability • 45% Energy • 7% Liveness
23% Instrumentalness • 25% Positiveness
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Dustbowl Revival
Beside You
140 bpm • B Maj • 06:32 • -14.84db
26% Popularity • 56% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
26% Popularity • 56% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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Nathaniel Rateliff
All Or Nothing
140 bpm • A Maj • 05:01 • -9.44db
37% Popularity • 45% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
37% Popularity • 45% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Chris Staples
Times Square
138 bpm • F# Maj • 02:33 • -11.38db
30% Popularity • 75% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 75% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Liam Kazar
On a Spanish Dune
140 bpm • F Maj • 04:51 • -8db
24% Popularity • 52% Danceability • 50% Energy • 10% Liveness
6% Instrumentalness • 40% Positiveness
24% Popularity • 52% Danceability • 50% Energy • 10% Liveness
6% Instrumentalness • 40% Positiveness
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Bonny Light Horseman
The Roving
138 bpm • F Maj • 04:20 • -7.34db
40% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
40% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Leif Vollebekk
The Way That You Feel
138 bpm • G# Maj • 03:50 • -13db
38% Popularity • 62% Danceability • 11% Energy • 14% Liveness
19% Instrumentalness • 34% Positiveness
38% Popularity • 62% Danceability • 11% Energy • 14% Liveness
19% Instrumentalness • 34% Positiveness
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Bahamas
Can't Complain
140 bpm • G Maj • 01:54 • -11.57db
37% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Flyte
White Roses
140 bpm • A# Maj • 03:26 • -7.08db
51% Popularity • 53% Danceability • 63% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
51% Popularity • 53% Danceability • 63% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
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Chris Staples
Full Color Dream
140 bpm • D# min • 03:35 • -8.45db
40% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Stelth Ulvang
Mornings
138 bpm • F Maj • 03:37 • -12.89db
26% Popularity • 30% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 30% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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James Vincent McMorrow
Hurricane
137 bpm • G Maj • 04:26 • -6.38db
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Leif Vollebekk
Blood Brother - Live at KCRW
140 bpm • D# Maj • 04:44 • -11.4db
13% Popularity • 47% Danceability • 57% Energy • 10% Liveness
83% Instrumentalness • 36% Positiveness
13% Popularity • 47% Danceability • 57% Energy • 10% Liveness
83% Instrumentalness • 36% Positiveness
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Bonny Light Horseman
Summer Dream
136 bpm • D Maj • 05:20 • -8.12db
34% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
45% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
45% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Sylvan Esso
Farmhouse
142 bpm • F Maj • 03:02 • -9.4db
31% Popularity • 67% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 67% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Houndmouth
Miracle Mile
142 bpm • F# Maj • 03:08 • -9.41db
55% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Chris Staples
Mayflower
143 bpm • F# min • 02:18 • -11.51db
37% Popularity • 66% Danceability • 35% Energy • 10% Liveness
11% Instrumentalness • 32% Positiveness
37% Popularity • 66% Danceability • 35% Energy • 10% Liveness
11% Instrumentalness • 32% Positiveness
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Leif Vollebekk
East of Eden
138 bpm • G Maj • 04:50 • -14db
36% Popularity • 64% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
36% Popularity • 64% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
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Joshua Burnside
Far Away the Hills Are Green
135 bpm • G Maj • 04:00 • -14db
23% Popularity • 47% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 47% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Flyte
Everyone's A Winner
143 bpm • A Maj • 03:29 • -9.15db
47% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
47% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
40% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
40% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Mt. Joy
Don't It Feel Good
134 bpm • D# Maj • 04:21 • -11.8db
43% Popularity • 48% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 48% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Jack Symes
Sugar Mama
144 bpm • F min • 03:29 • -10.33db
28% Popularity • 68% Danceability • 34% Energy • 17% Liveness
3% Instrumentalness • 13% Positiveness
28% Popularity • 68% Danceability • 34% Energy • 17% Liveness
3% Instrumentalness • 13% Positiveness
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Leif Vollebekk
Telluride
136 bpm • C# Maj • 04:21 • -13.52db
26% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Jesse Woods
PJ
134 bpm • F# Maj • 02:30 • -8.33db
44% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Strand of Oaks
Somewhere in Chicago
144 bpm • B min • 03:05 • -8db
35% Popularity • 53% Danceability • 71% Energy • 25% Liveness
18% Instrumentalness • 65% Positiveness
35% Popularity • 53% Danceability • 71% Energy • 25% Liveness
18% Instrumentalness • 65% Positiveness
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Caiola
Only Real When Shared
144 bpm • D Maj • 04:31 • -7.4db
30% Popularity • 61% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 61% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Wild Child
Going In
144 bpm • E Maj • 02:41 • -12db
61% Popularity • 68% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 68% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Houndmouth
Cool Jam
134 bpm • A Maj • 03:26 • -8.93db
45% Popularity • 79% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 79% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Leif Vollebekk
Into the Ether
135 bpm • C# Maj • 05:49 • -12.07db
40% Popularity • 58% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 58% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Jon and Roy
Now
144 bpm • C min • 03:26 • -11.93db
34% Popularity • 68% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 68% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Valley Maker
Instrument
134 bpm • D# Maj • 03:09 • -6.39db
17% Popularity • 57% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 57% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Bendigo Fletcher
Sugar in the Creek
145 bpm • B Maj • 04:11 • -7.84db
51% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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TOLEDO
Qué Pasa?
134 bpm • F# Maj • 03:04 • -8.87db
35% Popularity • 63% Danceability • 57% Energy • 23% Liveness
18% Instrumentalness • 52% Positiveness
35% Popularity • 63% Danceability • 57% Energy • 23% Liveness
18% Instrumentalness • 52% Positiveness
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Hiss Golden Messenger
Hardlytown
145 bpm • C# Maj • 03:17 • -10.93db
39% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Josiah Johnson
I Wish I Had
145 bpm • E Maj • 04:45 • -8db
33% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jon and Roy
Nothing but Everything
134 bpm • F# Maj • 03:34 • -16.12db
62% Popularity • 80% Danceability • 16% Energy • 11% Liveness
65% Instrumentalness • 26% Positiveness
62% Popularity • 80% Danceability • 16% Energy • 11% Liveness
65% Instrumentalness • 26% Positiveness
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River Whyless
Fast Like a Match
133 bpm • C# Maj • 02:41 • -8.72db
33% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jeremy Ivey
Story Of A Fish
133 bpm • E min • 03:22 • -8.82db
23% Popularity • 60% Danceability • 50% Energy • 11% Liveness
23% Instrumentalness • 40% Positiveness
23% Popularity • 60% Danceability • 50% Energy • 11% Liveness
23% Instrumentalness • 40% Positiveness
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Houndmouth
Some Paradise
133 bpm • G Maj • 03:31 • -9db
42% Popularity • 70% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 70% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Aoife O'Donovan
Passengers
133 bpm • D Maj • 03:32 • -16db
45% Popularity • 62% Danceability • 35% Energy • 12% Liveness
16% Instrumentalness • 43% Positiveness
45% Popularity • 62% Danceability • 35% Energy • 12% Liveness
16% Instrumentalness • 43% Positiveness
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Vetiver
To Who Knows Where
145 bpm • G# Maj • 03:19 • -14.21db
29% Popularity • 65% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 50% Positiveness
29% Popularity • 65% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 50% Positiveness
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Susto
All Around the World
146 bpm • A Maj • 03:19 • -11.29db
6% Popularity • 27% Danceability • 30% Energy • 14% Liveness
48% Instrumentalness • 13% Positiveness
6% Popularity • 27% Danceability • 30% Energy • 14% Liveness
48% Instrumentalness • 13% Positiveness
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River Whyless
Failing Farm
133 bpm • F# min • 02:59 • -6.6db
37% Popularity • 80% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
37% Popularity • 80% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Fruit Bats
Rips Me Up
146 bpm • G Maj • 03:11 • -9db
30% Popularity • 54% Danceability • 56% Energy • 20% Liveness
3% Instrumentalness • 33% Positiveness
30% Popularity • 54% Danceability • 56% Energy • 20% Liveness
3% Instrumentalness • 33% Positiveness
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Ona
Summer Candy
132 bpm • E Maj • 04:45 • -6.83db
29% Popularity • 54% Danceability • 83% Energy • 25% Liveness
1% Instrumentalness • 69% Positiveness
29% Popularity • 54% Danceability • 83% Energy • 25% Liveness
1% Instrumentalness • 69% Positiveness
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Bahamas
Half Your Love
132 bpm • A min • 02:24 • -9.89db
51% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Molly Parden
Weather2020
131 bpm • B Maj • 04:49 • -10db
25% Popularity • 61% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 61% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Leif Vollebekk
Long Blue Light - Live at Starling Farm
148 bpm • A Maj • 02:51 • -13db
21% Popularity • 52% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
21% Popularity • 52% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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River Whyless
Another Shitty Party
147 bpm • F# min • 02:33 • -5.41db
39% Popularity • 50% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 50% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Fruit Bats
We Used to Live Here
148 bpm • D# Maj • 02:44 • -12.82db
45% Popularity • 58% Danceability • 33% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
45% Popularity • 58% Danceability • 33% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
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Charlotte Cornfield
Partner in Crime
148 bpm • G# Maj • 04:30 • -8db
27% Popularity • 80% Danceability • 44% Energy • 10% Liveness
5% Instrumentalness • 72% Positiveness
27% Popularity • 80% Danceability • 44% Energy • 10% Liveness
5% Instrumentalness • 72% Positiveness
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Bahamas
Way With Words
146 bpm • F# min • 04:20 • -7db
54% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
54% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Kacey Johansing
Old Feeling, Old Foe
131 bpm • E Maj • 03:09 • -9.74db
28% Popularity • 41% Danceability • 46% Energy • 10% Liveness
6% Instrumentalness • 66% Positiveness
28% Popularity • 41% Danceability • 46% Energy • 10% Liveness
6% Instrumentalness • 66% Positiveness
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Leif Vollebekk
In The Morning
148 bpm • G Maj • 05:17 • -10.01db
25% Popularity • 40% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 40% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Nassau
Whatever Brings You Peace of Mind
148 bpm • D Maj • 04:39 • -10db
38% Popularity • 53% Danceability • 48% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
38% Popularity • 53% Danceability • 48% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
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Vetiver
Wanted, Never Asked
148 bpm • E Maj • 03:42 • -13.28db
17% Popularity • 69% Danceability • 62% Energy • 8% Liveness
35% Instrumentalness • 79% Positiveness
17% Popularity • 69% Danceability • 62% Energy • 8% Liveness
35% Instrumentalness • 79% Positiveness
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John Craigie
50/50
148 bpm • B Maj • 04:15 • -8.04db
19% Popularity • 76% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
19% Popularity • 76% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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Paul & The Tall Trees
Then We’ll Wave (So Long)
148 bpm • C Maj • 03:01 • -7.75db
30% Popularity • 52% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 52% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Jon and Roy
Rising Sun
130 bpm • C min • 03:22 • -11.25db
53% Popularity • 73% Danceability • 51% Energy • 10% Liveness
5% Instrumentalness • 34% Positiveness
53% Popularity • 73% Danceability • 51% Energy • 10% Liveness
5% Instrumentalness • 34% Positiveness
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Leif Vollebekk
Don’t Go To Klaksvik
130 bpm • C Maj • 05:38 • -10.22db
13% Popularity • 35% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 35% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Fruit Bats
The Balcony
130 bpm • D# Maj • 04:08 • -8db
45% Popularity • 65% Danceability • 84% Energy • 12% Liveness
35% Instrumentalness • 78% Positiveness
45% Popularity • 65% Danceability • 84% Energy • 12% Liveness
35% Instrumentalness • 78% Positiveness
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Villagers
A Trick of the Light - Bibio Remix
149 bpm • B Maj • 03:08 • -10db
32% Popularity • 50% Danceability • 52% Energy • 13% Liveness
82% Instrumentalness • 21% Positiveness
32% Popularity • 50% Danceability • 52% Energy • 13% Liveness
82% Instrumentalness • 21% Positiveness
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Palace
Someday, Somewhere
130 bpm • C Maj • 03:12 • -9.39db
47% Popularity • 39% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 39% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Josiah Johnson
False Alarms
149 bpm • E Maj • 06:17 • -8db
14% Popularity • 52% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 52% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Hiss Golden Messenger
Everybody Needs Somebody
129 bpm • B Maj • 03:30 • -7db
35% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bonny Light Horseman
Lowlands
149 bpm • F Maj • 03:29 • -7.95db
29% Popularity • 49% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
29% Popularity • 49% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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The Cave Singers
Strip Mine
129 bpm • C# Maj • 03:07 • -9.61db
33% Popularity • 64% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 64% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Sumbuck
Sy*z*y*gy
129 bpm • D Maj • 03:48 • -11.77db
37% Popularity • 74% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 74% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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Eleni Drake
King Street
150 bpm • E Maj • 03:38 • -11.58db
47% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Old Sea Brigade
Day by Day
150 bpm • F# min • 03:12 • -8.86db
48% Popularity • 65% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
48% Popularity • 65% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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Fruit Bats
Drawn Away
150 bpm • E Maj • 04:06 • -9.04db
34% Popularity • 58% Danceability • 85% Energy • 15% Liveness
54% Instrumentalness • 65% Positiveness
34% Popularity • 58% Danceability • 85% Energy • 15% Liveness
54% Instrumentalness • 65% Positiveness
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Slow Leaves
About Your Love
150 bpm • E Maj • 02:33 • -7.52db
19% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Dead Horses
Brady Street
150 bpm • F Maj • 03:08 • -9.55db
26% Popularity • 54% Danceability • 54% Energy • 10% Liveness
36% Instrumentalness • 33% Positiveness
26% Popularity • 54% Danceability • 54% Energy • 10% Liveness
36% Instrumentalness • 33% Positiveness
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Jon and Roy
The Better Life
150 bpm • G# Maj • 03:39 • -8.63db
41% Popularity • 59% Danceability • 66% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
41% Popularity • 59% Danceability • 66% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Electrophunck
Blue Magnolia
150 bpm • E min • 04:44 • -8.39db
28% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Leif Vollebekk
Hot Tears
150 bpm • B min • 04:07 • -9.67db
55% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Valley Maker
A Couple Days
150 bpm • D Maj • 03:39 • -5.36db
28% Popularity • 45% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 45% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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The Deer
Confetti to the Hurricane
151 bpm • D Maj • 03:54 • -8.63db
31% Popularity • 46% Danceability • 63% Energy • 9% Liveness
84% Instrumentalness • 50% Positiveness
31% Popularity • 46% Danceability • 63% Energy • 9% Liveness
84% Instrumentalness • 50% Positiveness
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Blitzen Trapper
Don't Let Me Run
128 bpm • F Maj • 03:11 • -10.31db
36% Popularity • 75% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
36% Popularity • 75% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
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Sumbuck
Kissing Days (On the Pier)
128 bpm • B Maj • 04:21 • -8.81db
42% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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River Whyless
Falling Son
128 bpm • C Maj • 03:06 • -7db
38% Popularity • 65% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
38% Popularity • 65% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
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Jon Middleton
Quiet as a Star
152 bpm • E Maj • 03:03 • -18.47db
34% Popularity • 44% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 42% Positiveness
34% Popularity • 44% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 42% Positiveness
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Bahamas
Not Cool Anymore
127 bpm • F Maj • 02:06 • -9.98db
43% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Nightlands
Hymn To Me
152 bpm • E Maj • 05:02 • -10.22db
31% Popularity • 56% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
31% Popularity • 56% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Hiss Golden Messenger
Quietly Blowing It
152 bpm • C# Maj • 04:16 • -16.4db
22% Popularity • 47% Danceability • 13% Energy • 20% Liveness
18% Instrumentalness • 18% Positiveness
22% Popularity • 47% Danceability • 13% Energy • 20% Liveness
18% Instrumentalness • 18% Positiveness
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L.A. Salami
I Can't Slow Her Down - Edit
152 bpm • E Maj • 03:33 • -6.8db
32% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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The Dead Tongues
Peaceful Ambassador
153 bpm • C Maj • 04:15 • -9.76db
19% Popularity • 45% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 45% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
